Re: reagan cortege

2004-06-13 Thread Dag T
Stop pretending to be me.
DagT
På 13. jun. 2004 kl. 17.37 skrev Dag T:
You play with fire, you get burned.  It's not like you didn't ask for 
it you
damn fool idiot.  Do you think you can just insult people without
consequences???  YOu're a bigger idiot than anyone on this list if you 
think
thats the case Anthony!!!

Dag T
På 13. jun. 2004 kl. 18.57 skrev Dag T:

-Original Message-
From: Anthony Farr [mailto:[EMAIL PROTECTED]
Sent: Sunday, June 13, 2004 9:04 AM
To: [EMAIL PROTECTED]
Subject: Re: reagan cortege
This is very weird.  My original message is not in the mail archives, 
and I
never received it back.  Did anyone receive it?  The Man of a Thousand 
Email
Addresses apparently did, and forged a response from Dag in a 
transparent
and feeble attempt to get me offside with Dag, with whom I've never 
had a
cross word.

Shawn, you are no Machiavelli, it's pathetic that you even try.  You 
sad
git.

no regards,
Anthony Farr
- Original Message -
From: Dag T [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Sunday, June 13, 2004 2:33 AM
Subject: RE: reagan cortege

Heh,
More stupid comments from his highness the king of stupid.
(LOL)
Dag T
-Original Message-
From: Anthony Farr [mailto:[EMAIL PROTECTED]
Sent: Saturday, June 12, 2004 12:43 PM
To: [EMAIL PROTECTED]
Subject: Re: reagan cortege
In my mind's eye it's his knuckles that are dragging along the forest
floor
;-)
regards,
Anthony Farr
- Original Message -
From: Bob W [EMAIL PROTECTED]
(snip)
You can go back to dragging branches around the forest floor now.
--
Cheers,
 Bob







Re: PAW: Venus - of course

2004-06-13 Thread Dag T
Thanks!
This is, in fact a little bit more complicated.  In stead of a pin hole 
I used a monocular to project the image to the floor.  It makes the 
process a bit more simple, but the principle is the same.

DagT
På 11. jun. 2004 kl. 18.02 skrev Gonz:
That is awesome!  I remember as a kid seeing this effect in my 
grandmother's house, which had tiny little holes in the clay tile 
roof, and let the sun in, creating little images on the ground, 
complete with very clear sun spots and clouds etc.  I didn't know at 
the time I was looking at a crude camera...

Thanks for sharing.

[EMAIL PROTECTED] wrote:
..passing by my living room...
http://www.photo.net/photodb/photo?photo_id=2435150size=lg
DagT




Re: PAW: Venus - of course - and Shawn

2004-06-13 Thread Dag T
Thanks, to you and all the rest of you who have taken the time to 
comment.

Because of Shawns use of my email address I will be quite for a while.  
With the kids I don´t have much time anyway.  But to those who are 
uncertain of what was me, I never use a space between the g and the T 
in the signature.

DagT
PS:  Yes, I´m sorry, I do have a problem with Neanderthal brutes using 
height and weight to support the arguments, so I guess it is partially 
my own fault.

På 11. jun. 2004 kl. 22.06 skrev Steve Desjardins:
Cleverly done.  That aside, it's actually a pretty striking photo.



Re: reagan cortege

2004-06-12 Thread Dag T
Well, it may have been stupid, but it made him angry enough to steal 
the email address.

Sorry :-)
DagT
På 12. jun. 2004 kl. 18.32 skrev Anthony Farr:
Hey, you can insult a guy, but that was just idiotic, sorry man.
Regards,
Anthony Farr
-Original Message-
From: Dag T [mailto:[EMAIL PROTECTED]
Sent: Saturday, June 12, 2004 1:31 PM
To: [EMAIL PROTECTED]
Subject: Re: reagan cortege

AHAHAHAHAHA That is funny!!!  Who's it about??  AHAHAH ITS EVEN
FUNNIER!!!

(This is a sarcastic joke because you think you need a professional
psychologist to understand you.)
DagT
På 12. jun. 2004 kl. 18.17 skrev Shawn K.:
AHAHAHAHAHA That is funny!!!  Who's it about?? ME ???  AHAHAH ITS EVEN
FUNNIER!!!  (This is a sarcastic joke for those of you prone to 
amateur
psychological rants)

-Shawn
-Original Message-
From: Anthony Farr [mailto:[EMAIL PROTECTED]
Sent: Saturday, June 12, 2004 12:00 PM
To: [EMAIL PROTECTED]
Subject: Re: reagan cortege
LOL
regards,
Anthony Farr
- Original Message -
From: Paul Stenquist [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Friday, June 11, 2004 9:48 AM
Subject: Re: reagan cortege
(snip)
 there should be a
comma between your face and your asshole. As written, it means 
you
have an asshole on your face.






Re: reagan cortege

2004-06-12 Thread Dag T
På 12. jun. 2004 kl. 23.18 skrev Cotty:
More stupid comments from his highness the king of stupid.
(LOL)
Dag T
Blimey, it takes a fair bit to rattle a Norwegian's cage!
Cheers,
  Cotty
Especially since this is one of Shawns fake emails.
:-)
DagT



Re: reagan cortege

2004-06-11 Thread Dag T
My g... how pathetic.  It reminds me of some really bad B-movie.
This isn´t barbaric.  The barbarians had a civilization, but you don´t.
DagT
På 11. jun. 2004 kl. 03.28 skrev Shawn K.:
You'd break your leg kicking my hard ass tough guy.  I've fought 
tougher
than you before, and would welcome a good scuffle, I always did feel 
good
after a fight, mainly because I won, and because it's in my blood to 
fight.
It's notable that you say all that you said like you're just the 
toughest
mofo on earth, then you go and ignore me.  Pretty weak William Robb.  
My
right hand has met more jaws than you can probably count, and it has 
the
broken bones and scars to prove it...  And before you go commenting on 
what
a barbarian I am, remember that I have a computer degree, a bachelors 
for
that matter, so even us barbarians can learn to use fancy shmancy 
computers.

-Shawn



PAW - -Cup and Candle

2004-06-02 Thread Dag T
While everybody else is at GFM...
http://www.photo.net/photodb/photo?photo_id=2411256size=lg
DagT


Re: PAW: Drop

2004-05-18 Thread Dag T
På 15. mai. 2004 kl. 08.11 skrev Boris Liberman:
Hi!
dcn Being bored on the train
dcn http://www.photo.net/photodb/photo?photo_id=2360305size=lg
My wife's response: so what's the point? (loosely translated from
Russian g).
DT The point of making the picture?
DT Because I like these small details that we overlook.  The silent
DT details, the boring things :-)
Hmmm, indeed the ends were quite loose here. I suppose she meant -
what was the point of the image? What you were trying to say? She
appears to approve my explanation.
As I said.  To describe something small and silent.  It is not how we 
learn to photograph.  We learn to look for the spectacular image.  
Sometimes I look for something else.

DagT


Re: PAW: Drop

2004-05-18 Thread Dag T
I hear both of you.
Yes I realize that it is not perfect, but that´s where the comments  
come in.  I need to find out what it is.

Thanks both of you for taking your time to tell me what you think.
DagT
På 15. mai. 2004 kl. 08.33 skrev TMP:
I hear you Frank.
I WANT to love this one, but there seems to just be something missing.  
 Dag,
I *think* that for me, it is the drop.  I completely understand that  
when
you are on a train, you can't exactly be picky about drops BUT in
retrospect, if the opportunity ever arises again... lol.  I would have  
liked
to see a larger bit at the bottom - a nice big, heavy teardrop to  
show how
it has worked its way down the window... iykwim?

hmmm, I also tend to agree with Frank here on one other thing - I am  
not
articulating well either, in fact, I sound like I am full of, well,  
you know
what.

But anyways, I think it is a cool shot, and I thankyou for sharing it  
with
us!

tan.
-Original Message-
From: frank theriault [mailto:[EMAIL PROTECTED]
Sent: Saturday, 15 May 2004 11:29 AM
To: [EMAIL PROTECTED]
Subject: RE: PAW: Drop
I'm just not sure about this one.
What?  What's that?  Here's a photo of Dag's that frank doesn't  
absolutely
love?

Well, I guess they do exist...  vbg
It's not a bad photo, Dag.  Far from it.  It has potential.  But, it  
just
doesn't turn my crank.  And, I don't know what it is that, for me, is
missing.

You know, all the components are there.  Out of focus background.  I  
like
the sharp focus on the window pane (even the scratches on the glass  
that are
always on train windows - great detail), the drop is neat.

I keep asking myself, what's missing.  It's like I need something else,
something to pull it all together.
I'm not articulating well, I know that.  But, I want it to work.  It  
just
won't work all the way.  It must be me.

Let's go see what everyone else thought now.
cheers,
frank
ps:  Upon further reflection, I think it would be really neat as a  
series of
similar shots, all with the drop (maybe even the same one, taken
sequentially) in a different position.  I think that would work.  Just  
a
silly thought...
-ft

The optimist thinks this is the best of all possible worlds.  The  
pessimist
fears it is true.  -J. Robert Oppenheimer



From: [EMAIL PROTECTED]
Reply-To: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Subject: PAW: Drop
Date: Fri, 14 May 2004 10:56:27 +0200
Being bored on the train
http://www.photo.net/photodb/photo?photo_id=2360305size=lg
DagT
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Re: PAW: Drop

2004-05-18 Thread Dag T
Maybe the same that I did when I made it :-)
Actually, a friend of mine reacted by interpreting it like this.
It has been raining, but now the sun is coming.  I want to get  
outside, but I can´t.

...which is pretty close to the truth.
OK, the idea needs more work, but as someone likes it, maybe it is  
worth another try.

Thanks to Shel, as well as Frank :-)
DagT
På 15. mai. 2004 kl. 14.12 skrev frank theriault:
Shel,
I mean no disrespect to Dag's photo here, but:
What were you smoking last night?
LOL
-frank
The optimist thinks this is the best of all possible worlds.  The  
pessimist fears it is true.  -J. Robert Oppenheimer



From: Shel Belinkoff [EMAIL PROTECTED]
Reply-To: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Subject: RE: PAW: Drop
Date: Sat, 15 May 2004 00:10:35 -0700
Hi Dag ...
Well, Frank and Tan are wrong.  They wouldn't know a good drop if ...  
well,
if it dropped right on them LOL

Seriously, this is a great shot for several reasons.  First, it  
captures
the randomness of all drops, it represents the unique properties of  
every
drop while, at the same time, standing by itself, apart from all other
drops.  It's perhaps symbolic of the significance, and  
insignificance, of
drops.  Unique, yet nothing special, and that, of course, is what  
gives it
its special qualities.

That a drop of water so small can be so deep in its ability to  
represent
ennui while at the same time relieving ennui is a remarkable
characteristic, a duality that's rarely seen in photographs, be they
landscapes, macro or micro photographs, human interest, or even street
photography.  To be able to have captured a thing so basic and natural
using modern digital technology, juxtaposing the mundane with high  
tech,
making the unnoticed noticed, giving depth and meaning to a drop of  
water,
so basic a substance, and elevating it to art, is an undertaking that  
most
would find daunting.  Yet, seemingly with ease and great aplomb,  
you've
done just that.  An amazing piece of creativity.

Shel Belinkoff
 [Original Message]
 From: TMP [EMAIL PROTECTED]
 To: [EMAIL PROTECTED]
 Date: 5/14/2004 11:35:03 PM
 Subject: RE: PAW: Drop


 I hear you Frank.

 I WANT to love this one, but there seems to just be something  
missing.
Dag,
 I *think* that for me, it is the drop.  I completely understand  
that when
 you are on a train, you can't exactly be picky about drops BUT in
 retrospect, if the opportunity ever arises again... lol.  I would  
have
liked
 to see a larger bit at the bottom - a nice big, heavy teardrop to  
show
how
 it has worked its way down the window... iykwim?

 hmmm, I also tend to agree with Frank here on one other thing - I  
am not
 articulating well either, in fact, I sound like I am full of, well,  
you
know
 what.

 But anyways, I think it is a cool shot, and I thankyou for sharing  
it with
 us!

 tan.

 -Original Message-
 From: frank theriault [mailto:[EMAIL PROTECTED]
 Sent: Saturday, 15 May 2004 11:29 AM
 To: [EMAIL PROTECTED]
 Subject: RE: PAW: Drop


 I'm just not sure about this one.

 What?  What's that?  Here's a photo of Dag's that frank doesn't  
absolutely
 love?

 Well, I guess they do exist...  vbg

 It's not a bad photo, Dag.  Far from it.  It has potential.  But,  
it just
 doesn't turn my crank.  And, I don't know what it is that, for me,  
is
 missing.

 You know, all the components are there.  Out of focus background.   
I like
 the sharp focus on the window pane (even the scratches on the glass  
that
are
 always on train windows - great detail), the drop is neat.

 I keep asking myself, what's missing.  It's like I need something  
else,
 something to pull it all together.

 I'm not articulating well, I know that.  But, I want it to work.   
It just
 won't work all the way.  It must be me.

 Let's go see what everyone else thought now.

 cheers,
 frank

 ps:  Upon further reflection, I think it would be really neat as a  
series
of
 similar shots, all with the drop (maybe even the same one, taken
 sequentially) in a different position.  I think that would work.   
Just a
 silly thought...
 -ft

 The optimist thinks this is the best of all possible worlds.  The
pessimist
 fears it is true.  -J. Robert Oppenheimer




 From: [EMAIL PROTECTED]
 Reply-To: [EMAIL PROTECTED]
 To: [EMAIL PROTECTED]
 Subject: PAW: Drop
 Date: Fri, 14 May 2004 10:56:27 +0200
 
 Being bored on the train
 http://www.photo.net/photodb/photo?photo_id=2360305size=lg
 
 DagT
 

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Re: PAW: Drop

2004-05-14 Thread Dag T
Hi
På 14. mai. 2004 kl. 15.55 skrev Boris Liberman:
dcn Being bored on the train
dcn http://www.photo.net/photodb/photo?photo_id=2360305size=lg
My wife's response: so what's the point? (loosely translated from
Russian g).
The point?  What point?  :-)
That´s at least two questions.
The point of showing it?
To get comments like your g
Also, it is PAW, so it has to be something I´ve done the last few 
days...

The point of making the picture?
Because I like these small details that we overlook.  The silent 
details, the boring things :-)


My response: bored you are. It shows. Except bore which is mentioned
by you, it does nothing to me.
That´s OK
Well, at least you got two comments in one message... g
Thanks g
DagT


Re: infinitycameras.com

2004-05-12 Thread Dag T
Take a look at this:
http://www.resellerratings.com/seller_info.pl?seller_id=2684
DagT

På 12. mai. 2004 kl. 19.06 skrev Timothy Sherburne:

Hello all...

Can anyone vouch for the integrity this outfit?

Not to get everyone too excited, but they have *ist-D bodies for 
$1020. No
DA lenses from what I could tell.

The price seems too good, and I suspect they may be selling gray-market
bodies that may have warrantee complications. Any thoughts?
t






Re: how gravity works...

2004-05-10 Thread Dag T
På 10. mai. 2004 kl. 14.14 skrev Cotty:

Also, 
could an
anti-gravity drive work by simply blocking that exchange of 
gravitons. Stay
tuned for further announcements. :)
Possibly. But what would you build the blocking screen from?
Easy. Deck plates from the Enterprise.
No, no, this is the wrong approach.  Consider what we know:

Time slows down under heavy gravity, it has even been measured at 
different altitudes on earth.

So, if we make time go faster, we should weaken gravity.

What makes time go faster?

Having fun!

So, by having a great time you levitate.  We all know that is true!

You should try it at GFM!

DagT



Re: PAW #10 - First cooperation

2004-05-10 Thread Dag T
Thanks!

And of course, we will continue playing.

DagT

På 7. mai. 2004 kl. 22.28 skrev Boris Liberman:

Hi!

Dag, your son should be encouraged. He has a point here g... Let us
see more of fruits of your cooperation. The start is quite promising.
g

Boris
([EMAIL PROTECTED] or [EMAIL PROTECTED])




Re: PAW #8 Play

2004-05-10 Thread Dag T
På 8. mai. 2004 kl. 21.08 skrev Boris Liberman:

Dag, you're very creative.
Thank you :-)
Sometimes I think I should concentrate more on one theme
Nonetheless g, I do think that foot (yours?) in the right bottom
corner does not belong...
Well, I don´t think I agree.  I liked the small hint of a story.  It is 
his little brother, by the way...

DagT



Re: PAW: Do not disturb

2004-05-10 Thread Dag T
På 7. mai. 2004 kl. 19.10 skrev Ann Sanfedele:

Dag T wrote:
I hate hotel rooms...

http://www.photo.net/photodb/photo?photo_id=2342795size=lg

:-)

DagT
Me too!

However, I have a kinda charming counterpart to
yours -
that is, probably something you would find more
appealing and
shot with the same kind of geometry , so to speak
- I'll try to PAW it
soon, but I'm buried under a pile of household
problems at the moment.
:-)  I know some nice hotel rooms too, especially in small french 
villages.  But I usually don´t get that kind on business trips.

I like the shot -but  womdering if you did a
horizontal take on it too --
with maybe a bit more to the right and without the
soft focus whatever
it is in the left hand corner...
The bag (the thing in the corner) was put there to make the rest even 
more sterile.  I didn´t get a horisontal shot, the composition didn´t 
fit, and I would have needed a wider lens.  I really look forward to 
the 14mm...

Thanks for commenting!

DagT




Re: PAW: Do not disturb

2004-05-10 Thread Dag T
På 7. mai. 2004 kl. 22.05 skrev Boris Liberman:

Hi!

Dag, this photo leaves me indifferent. I don't travel much and hence
I don't have any particular feelings towards hotels and rooms therein
g...
So I suppose I should say this photo does not work for me...

That´s OK, I can understand why...

DagT




Re: PAW: Do not disturb

2004-05-10 Thread Dag T
På 8. mai. 2004 kl. 00.22 skrev frank theriault:

Really, Dag?  You hate hotel rooms?

I love 'em.  Probably because I've not been in all that many of them.   
When I'm in one, it means I'm on vacation (I've never had to travel  
for business).
This was a business trip, last weekend :-)

I get to bring beer and chips up to the room, and lie down on the bed,  
and watch TV and eat and drink.  Then, someone comes in the next  
morning to clean it all up.  Does life get any better than that?  I  
think not!
I can think of something!  Something involving company...

I really like your photo, btw.  It's bare and austere, like many hotel  
rooms.  Almost monochrome, except for that yellow ticket.  Beautiful  
compostion.  Lovely use of the reflection in the mirror - you've got  
1/2 the door in the mirror and 1/2 the mirror is clear.  It's all so  
clinical and without soul.

If hotels fill you with despair and emptiness, then that's what you  
caught in this photo.  Great shot!!
Thanks, with three small children at home I hate going away, especially  
to this kind of places, so I guess I succeeded.

Thanks!



From: Dag T [EMAIL PROTECTED]
Reply-To: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Subject: PAW: Do not disturb
Date: Thu, 6 May 2004 22:52:57 +0200
I hate hotel rooms...

http://www.photo.net/photodb/photo?photo_id=2342795size=lg

:-)

DagT

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Re: Saturday Survey

2004-04-25 Thread Dag T
På 25. apr. 2004 kl. 01.19 skrev Mark Roberts:

OK, here's a new question:

What camera or lens have you bought that you regretted purchasing?

I'll go first because my answer will startle you at first:

Pentax A20/2.8
(Now the other shoe drops). because now that I have an ist-D I wish
I'd bought the autofocus version, the FA20/2.8 instead.
Well, I bought mine two ears ago, and yes, I now want the AF version :-)

But it is still a great lens, and I´ve still got the LX (and ME Super), 
but most important I´ve got some picture I am satisfied with the lens.

I think my priority will be the 14mm, as I miss the field of view.

I do regret buying any zoom (anybody want an A 24-50 and A70-210?) as I 
never use them.

DagT



Re: where is the crossing line ?

2004-04-25 Thread Dag T
To me that line is nonexistent.

Photos have been altered in the dark room from the beginning.  Also, 
any decision you make before or during the exposure is a manipulation, 
as I have illustrated in this folder of unmanipulated photos:
http://www.photo.net/photodb/folder.tcl?folder_id=366144

 So photos have never been proof.  They have only been an illustration 
of what a person has claimed to be the truth.  If the person lies, so 
does the photo.

Maybe you could say that the lines goes in how I use the photo.  If I 
say that is tells the truth, it should of course do so, according to my 
subjective opinion.

DagT

På 24. apr. 2004 kl. 07.36 skrev Markus Maurer:

Hi Cotty
that's an interesting point for me: Where is the crossing line for
manipulating photos? And has there to be one?
Times where a photo was a proof are long gone.
I feel already like cheating a bit if I change anything on a photo, 
even
cropping. I don't know why actually.
I will answer more on your comments later

Markus




Re: Pentax A20/2.8 Query

2004-04-25 Thread Dag T
It is a great lens.  Here´s some examples:

http://foto.no/cgi-bin/bildekritikk/vis_bilde.cgi?id=83826
http://foto.no/cgi-bin/bildekritikk/vis_bilde.cgi?id=72128
http://foto.no/cgi-bin/bildekritikk/vis_bilde.cgi?id=71919
http://foto.no/cgi-bin/bildekritikk/vis_bilde.cgi?id=71209
http://foto.no/cgi-bin/bildekritikk/vis_bilde.cgi?id=59814
http://foto.no/cgi-bin/bildekritikk/vis_bilde.cgi?id=57280
http://foto.no/cgi-bin/bildekritikk/vis_bilde.cgi?id=50426
I don´t write down the technical details, so I can´t help you there.

DagT

På 25. apr. 2004 kl. 06.25 skrev Shel Belinkoff:

Goes anyone have a full-frame photo that they can post that
was made with the above lens?  I'd love to see one.  If no
pics are available, any comments on the quality, sharpness -
center and edges - light falloff, and so on.  Thanks!




Re: Pentax A20/2.8 Query

2004-04-25 Thread Dag T
How large do you want it :-)

I´ve got a 60MB 16bit TIFF-file with 3816x2604 pixels  scanned with a 
Minolta Elite II scanner, but I have to send it by mail...

DagT

På 25. apr. 2004 kl. 17.30 skrev Shel Belinkoff:

Some very nice pics, there ;-))

Do you have a large one of this:

http://foto.no/cgi-bin/bildekritikk/vis_bilde.cgi?id=71209

which I REALLY like quite a bit.  It seems to have just the
elements I'm looking for in order to  make a comparison to
my 20mm and 18mm
Thanks!



Dag T wrote:
It is a great lens.  Here´s some examples:

http://foto.no/cgi-bin/bildekritikk/vis_bilde.cgi?id=83826
http://foto.no/cgi-bin/bildekritikk/vis_bilde.cgi?id=72128
http://foto.no/cgi-bin/bildekritikk/vis_bilde.cgi?id=71919
http://foto.no/cgi-bin/bildekritikk/vis_bilde.cgi?id=71209
http://foto.no/cgi-bin/bildekritikk/vis_bilde.cgi?id=59814
http://foto.no/cgi-bin/bildekritikk/vis_bilde.cgi?id=57280
http://foto.no/cgi-bin/bildekritikk/vis_bilde.cgi?id=50426
I don´t write down the technical details, so I can´t help you there.

DagT

På 25. apr. 2004 kl. 06.25 skrev Shel Belinkoff:

Goes anyone have a full-frame photo that they can post that
was made with the above lens?  I'd love to see one.  If no
pics are available, any comments on the quality, sharpness -
center and edges - light falloff, and so on.  Thanks!





Re: PAW - Just some kids hanging out

2004-04-24 Thread Dag T
I really like this.  Relaxed, some of them just ignore you others give 
you a smile, but they really just let you be.

DagT

På 24. apr. 2004 kl. 19.46 skrev Shel Belinkoff:

Perhaps you remember this gang from an earlier pic.  Here
they are again, hanging out on the sidewalk in San
Francisco's Mission District one summer afternoon. Comments
and crits are always welcome.
http://home.earthlink.net/~scbelinkoff/paw/justkids.html





Re: OT - Rare Alert: a Mac virus!

2004-04-18 Thread Dag T
På 18. apr. 2004 kl. 16.23 skrev Cotty:

http://www.intego.com/news/pr40.html

Cheers,
 Cotty
Thanks, Cotty. Both Mac users have been alerted.

--
John Mustarde
LOL. So there's someone other than me!

Cheers,
  Cotty
Sure, me too

Thanks for the information!

DagT




Re: PAW #7 Easter paw

2004-04-18 Thread Dag T
Thank you Paul, Frank, Tanya and everybody else for your kind comments!  
 Glad you liked it.

DagT

På 18. apr. 2004 kl. 14.14 skrev Paul Stenquist:

I like the dark background, and the rich color. Great composition and  
framing.

From: Dag T [EMAIL PROTECTED]
Reply-To: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Subject: PAW #7 Easter paw
Date: Thu, 8 Apr 2004 23:49:54 +0200
My wife bought them yesterday...

http://www.photo.net/photodb/photo?photo_id=2271481size=lg

DagT

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Re: PAW #8 Play

2004-04-18 Thread Dag T
Thanks for your comment!

The reason for letting the detail be in the image was almost exactly 
what you describe.  I´ve always learnt to remove everything but the 
main object, but sometimes this leaves esthetic, but empty pictures.  
So I wanted too leave some clues about the place and situation, in a 
home, with little brother watching, without loosing the abstract shape. 
 I guess there is a minimalist disorder in the image :-)

Regarding the title, the picture was shown another place without a 
title, so more was left to the details.

Thanks again for taking you time. I appreciated this comment a lot.

DagT

På 18. apr. 2004 kl. 21.22 skrev Mark Cassino:

The sense of motion in the main subject is great - very cool!

In regards to the details along the edges - they seem to provide more 
of a set and setting than just a plain wood floor, so they seem to add 
to the shot, but I don't know if they really contribute a lot to the 
image.  Without the details we'd know nothing about this spinning 
person - maybe they are hanging from the yardarm on a boat.  With the 
details there is a _sense_ of setting and we know that they are not 
alone, but there are no clues that really set it in a theatrical 
setting.  Your title does more to set the scene in that regard than 
the visual details.  But, including them is the right choice, IMO. 
(One exception - the white bar on the red carpet is more of a 
distraction than anything else, since it is not recognizable as 
anything in particular.)

Since the details were left in intentionally - what is the intent 
behind them?

- MCC

At 06:43 PM 4/18/2004 +0200, you wrote:
I´m a little late, so I have to use an old one (2 weeks :-).

I have had very different reactions to this.  The details along the 
edges of the photo are there intentionally, but not everybody like 
them.

http://www.photo.net/photodb/photo?photo_id=2295716size=lg

DagT
-

Mark Cassino Photography

Kalamazoo, MI

http://www.markcassino.com

-







Re: HAPPY EASTER!!

2004-04-11 Thread Dag T
På 11. apr. 2004 kl. 19.00 skrev frank theriault:

All you regulars know what's coming vbg:

http://www.nrg666.com/pdml/portraits/pages/FrankTheriault.htm
So



Where are the eggs?

Happy easter to you to!

DagT




Re: April PUG - comments - looooong

2004-04-11 Thread Dag T
That´s what I thought, but I wish you hadn´t told us :-)

DagT

På 11. apr. 2004 kl. 13.13 skrev Frits Wüthrich:

Tanya,

Your guess is correct. I was in doubt whether or not to submit this to
the PUG, but it is so abstract that I thought it was probably OK.
Glad you like it.
Frits

On Sun, 2004-04-11 at 01:53, Tanya Mayer Photography wrote:
Frits, is that somebody's bottom?  Very cool shot! How clever you are 
to
think of doing that!

I LOVE it!

tan.

-Original Message-
From: Frits Wüthrich [mailto:[EMAIL PROTECTED]
Sent: Sunday, 11 April 2004 9:29 AM
To: [EMAIL PROTECTED]
Subject: Re: April PUG - comments - long
On Thu, 2004-04-08 at 22:58, Dag T wrote:
The April PUG has drowned in Easter Holiday (at least in Norway), PAW
and a link that is hard to find, so I think it is my turn to go 
through
the list.

Here it is:
http://www.kirschten.de/PUG/04apr/
We´ll se how far I get.


Frits J. Wüthrich - Double curved
I really like this one.  I think I see a part of a body, but I´m not
sure.  A little mystery is nice.

-

...and that´s all for today

DagT

Thanks DagT. I used Photoshop to increase the contrast, to make it as
abstract as possible. It is my first submission for the PUG for which 
I
made a photograph, for all previous ones I used a photograph I already
had. I also look at this as the start of a project with this 
technique,
I'll see how far I get with this.
--
Frits Wüthrich [EMAIL PROTECTED]

--
Frits Wüthrich [EMAIL PROTECTED]




Re: April PUG - comments - looooong

2004-04-11 Thread Dag T
På 10. apr. 2004 kl. 09.05 skrev Boris Liberman:

Hi!

DT Boris Liberman - In the sand
DT Strange curves in the sand.  I don´t really understand it, but that
DT doesn´t matter.  I think it would hav been better if the curves in 
the
DT background had been repeated in the plant front. Or maybe 
concentrated
DT on the curve in the background.

Thanks Dag. Now, I don't understand it either. I suppose there was
some creature living in this sand hole g... I don't know. I rather
liked to geometric contrast between the curve and a tiny plant.
Unfortunately this has been one of my PAW submissions and I made a bad
mistake of submitting it to PUG too. I would try to not let it happen
again.
Well, as I missed it the first time I don´t complain :-)

DagT



Re: April PUG - comments - looooong

2004-04-11 Thread Dag T
På 9. apr. 2004 kl. 23.11 skrev Tanya Mayer Photography:

In regards to Dag T's PUG pic, Jostein wrote:

You're damn good with shapes, Dag. This one is no exception. I saw
something
in your shot that... erm... does not belong on a family list, and of 
course
it's all in my dirty mind...:-)

I am ashamed to admit that I saw it too Jostein - in fact, it was 
almost
the first thing that I noticed about the pic.  *eek*
Well, that was intentional, so I´m wondering where the dirty mind is ;-)

There's also the fruity dimension of it, the complimentary colours, 
and the
nice shine in the red shape. I can't think of
anything I would have done differently, but then again, I can't think 
of
myself coming up with a photographic idea like that either... All I 
can say
is well thought and well executed.

Again, I totally agree with Jostein here, a very cool shot Dag, you 
have
wonderful creative vision.
Thanks to both of you!

DagT




Re: April PUG - comments - looooong

2004-04-11 Thread Dag T
På 11. apr. 2004 kl. 16.34 skrev frank theriault:

Dag,

First of all, thanks for taking the time to comment on all of the PUG 
images this month.  I know, it's quite an undertaking!
Somebody´s got to do it :-)

And, thanks for commenting on my photo.  It was really quite 
tongue-in-cheek, but I have to say, I thought there was something a 
bit different, or maybe even a bit interesting to it.  What caught my 
eye first was the toothbrush, something you don't usually see on the 
street.  Then, as I looked through the viewfinder, I thought, what 
the heck, take the picture.
This is what I saw, and liked.  It is not easy to make so relaxed 
photos.  The absurd combination of objects is an image, and the lines 
combining is nicely used.

DagT



April PUG - comments - looooong

2004-04-08 Thread Dag T
The April PUG has drowned in Easter Holiday (at least in Norway), PAW 
and a link that is hard to find, so I think it is my turn to go through 
the list.

Here it is:
http://www.kirschten.de/PUG/04apr/
We´ll se how far I get.

Herb Chong - Mistaya Canyon
Beautiful, I see the shape of a woman in the stream.  What I don´t like 
is the green branches to the left, but I don´t think it is an important 
fault.

Max McRae - Triple S Bends
Funny, but the purple flowers above one of the heads draw to much 
attention.  Also, I think I´d prefer to see more of the ducks and less 
of the space above their heads.  The curves would be more complete that 
way.

Martin Albrecht - Turning snail
He´s making a sharp curve there :-)  Nice, sharp macro, the composition 
underlines the movement.

Alastair Robertson - Salvia Leaves
Nice, soft colours, but I miss some main subject. The attention is now 
concentrated on three independent parts of the image, so my eyes don´t 
know were to settle down.

Wendy Beard - Tulip
Nice colours, but there is something missing in the composition.  I 
think I would have cropped it down to the upper part of the main leaf.

Bob Sullivan - Cyclamen
Elegant composition, soft colours, but maybe at bit dark.  Also, maybe 
the background should have had more colour, some contrast, but I´m not 
sure.  It could ruin the elegance.

Henk Terhell - Curves in Red on White.
Nice, great shapes and curves in something that most of us have seen, 
but overlooked.

Dag Thrane -(
I leave this one to you :-)
Boris Liberman - In the sand
Strange curves in the sand.  I don´t really understand it, but that 
doesn´t matter.  I think it would hav been better if the curves in the 
background had been repeated in the plant front. Or maybe concentrated 
on the curve in the background.

Zoomshot - Lovely bunch
Repeated shapes (and curves) and good light, but maybe a bit too much...
Paul Stenquist - Fruit Salad
Same here, and the colours are too warm.  I miss a contrasting colour 
here.

Frits J. Wüthrich - Double curved
I really like this one.  I think I see a part of a body, but I´m not 
sure.  A little mystery is nice.

E.R.N. Reed - Untitled
Hey, why on earth did you choose this crop.  Weird, but I like it.  It 
is an open image that shows us that you don´t need to show everything. 
(How and when do we start fingering our glasses...)

Cotty - Sorry
Sorry, Cotty :-)  Funny, but not so much more.  But it gave me an idea. 
 Try to write something with the curves tool, and see how it affects 
the pictures...

Sven Keller - Bugeisen
Hmmm, I wasn´t sure about this one, but after looking at it a few times 
I think I like it.  The repeated shaped and poles, the light in the 
water and buildings behind.  I think I would have changes the colour 
temperature a bit to the colder side, though...

Pat Kong - Vrm
I´m impressed, especially by the pilot :-)
But nice capture, good timing.
Hans Imglueck - Himmelsspuren
I like the use of colours, blue sky in the dirt.  Nice
Christian Skofteland - USS Constellation
Nice and colourful detail, but in my view there is something missing.  
I´m, just not sure what.

César A. Matamoros II - Show car
Great colours, but I think I´d prefer less DOF, just to concentrate on 
the shapes closest to the camera.

Steve Jolly - Tiers
Nice curves and colours, but I miss something extra, like a cat...
Youri Shostak - Lightlines
Great! I like the curves, the small brown area is great, but I miss a 
little extra contrast.  Not so much that you miss the soft light, but 
just a little more.

Gianfranco Irlanda - Galleria Umberto I
Nice picture, to me it is also an optical illusion.  I can´t decide if 
the round area extends toward me or away from me.  I like that it is 
not 100% symmetric.

Facit - Lugo, Galicia
It makes me wonder what´s going on.  The worlds largest postcard stand 
or some festival.  Why no people?  I guess the picture is successful 
because it makes me curious, even if it really is a straight forward 
shot.

Mark Roberts - Royal Crescent, Bath, England
Beautiful light, but I think I´d prefer more sky and less grass.
Chris Stoddard - Roof of the Winter Garden
Definitely curved, nice detail, but I do mss some main subject, some 
counterpoint in the image.  A white bird in the blue sky, some 
foreground etc.

Albano Garcia - Empty
Very good light, it looks like a very nice place to sit down.
DJE - Bike Tour
Has anybody tried panning with a fisheye? Suddenly it sounds fun.
Technically there is something missing, but that could be the scanning. 
 The repetition of curves in the bridge and the road is good, the 
cyclists also, the only negative is maybe that there is a bit too much 
in the picture. I´m not sure about this picture.

Paul Rojkov - The Bridge
Massiv construction, but the photo doesn´t tell me much more than just 
that.  Think about the foreground, and how it supports the main image.

Amita Guha - Over the river
This one is good.  Nice tones, great depth, the head of the person is 

PAW #7 Easter paw

2004-04-08 Thread Dag T
My wife bought them yesterday...

http://www.photo.net/photodb/photo?photo_id=2271481size=lg

DagT



Re: PAW #6 Feather

2004-04-05 Thread Dag T
Thanks, again!

DagT

På 2. apr. 2004 kl. 19.10 skrev frank theriault:

Dag,

You blow me away as usual.

Is that tremendous detail, or what?

I'm glad you told us it's a feather, because I might not have known  
otherwise.  A wonderful abstract work.  Art found in the mundane;  art  
made so by the eye and composition of the photgrapher.

thanks,
frank
The optimist thinks this is the best of all possible worlds.  The  
pessimist fears it is true.  -J. Robert Oppenheimer




From: [EMAIL PROTECTED]
Reply-To: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Subject: PAW #6 Feather
Date: Fri, 2 Apr 2004 10:08:14 +0200
I've been trying to limit the PAW to pictures taken the last few  
days. I almost didn't make it this week, but then I found this  
yesterday:

http://www.photo.net/photodb/photo?photo_id=2254584size=lg

DagT

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Re: PAW #6 Feather

2004-04-05 Thread Dag T
Well, I don´t think I agree..  Too close will loose the contrast 
between the straight line and the curve.

But it is, of course, a matter of taste.  Marnie would like to see more 
of the feather, not less :-)

DagT

På 3. apr. 2004 kl. 02.36 skrev Kenneth Waller:

Photographically (exposure  focus) this image appears to be right on. 
IMHO
the composition is too static for me, especially with the center of the
feather running parallel to the horizontal edges. Concentrating on the 
out
of formation part of the feather, in the lower center presents a more
interesting image.

Kenneth Waller

- Original Message -
From: [EMAIL PROTECTED]
Subject: PAW #6 Feather

I've been trying to limit the PAW to pictures taken the last few 
days. I
almost didn't make it this week, but then I found this yesterday:
http://www.photo.net/photodb/photo?photo_id=2254584size=lg

DagT






Re: PAW #6 Feather

2004-04-05 Thread Dag T
Thanks, glad you liked it!.

DagT

På 5. apr. 2004 kl. 19.59 skrev Boris Liberman:

Hi!

Dag, first I was watching it load. And thinking to myself - well,
another excellent macro, but nothing more. And then came the bottom
piece with the background. And then I thought to myself - now, that's
quite exquisite...
Your shot appeals to me with its geometry. Which by the way, would
make presenting my next PAW a little easier g...
Thanks!

Boris
([EMAIL PROTECTED] or [EMAIL PROTECTED])




Re: One more PAW

2004-04-05 Thread Dag T
Well, the first impression is the trees in the foreground.  I think I 
would have tried to use the foreground more in the composition.  Find 
some lines that point at the building, past the trees.  The other 
option is to go closer.  There are lots of interesting reflections 
here, and the outline of the building is not the most interesting part, 
so why not omit it?  Some concrete part with the abstract reflections 
towering above it is what I would look for.

But of course, that is a very different image.  This one is good, but 
could use some more contrast, I think, in the building.

DagT

På 5. apr. 2004 kl. 20.03 skrev Boris Liberman:

Hi!

I know I am posting a little too often. But then I haven't been
posting PAWs for quite some time before that.
Anyway - here's Mark Cassino's K 24/2.8 on Leon Altov's ME Super with
some Kodak TMAX 400 loaded in it g.
I have some particular question to the wizards of Land of Pentax:

You see, I've been told numerous times that this is a very good
picture. Nonetheless, I would like to hear how it can be improved
provided that I don't have wider lens than K 24/2.8...
Please notice also that I've applied some perspective correction. I've
left a little falling effect in, so that IMHO the impression still
would be that one is looking from below on this building...
So, I'd appreciate suggestions as to how to improve, as I am sure it
could be improved...
And now the link:

http://boris.isra-shop.com/local/paw/clal.jpg

Thanks in advance.

Boris






Re: PAW #5 - Sludd

2004-03-28 Thread Dag T
På 28. mar. 2004 kl. 19.48 skrev Boris Liberman:

DT which is the Norwegian word for a pleasant mix of rain and snow:
DT http://www.photo.net/photodb/photo?photo_id=2231042size=lg
Mokryj Sneg - Wet Snow is the Russian term.
Sounds wet, even in Russian.  Dry snow is nice, you can brush it off 
before entering a house, rain is OK, a good coat can handle it, but 
sludd is like rain with some glue on it.  It sticks to the surface 
long enough to let the water penetrate almost anything... :-)

Everything is moving in this photograph. The snow, the rain (the
sludd?! g), the people, the photographer himself...
Thanks, that was what I was trying to tell...

This is high fidelity image, if you know what I mean. I almost want to
run for a rain coat...
I´m not sure if I know what you mean, but I consider it a compliment :-)

So, how you *istD came out of this experience?
It handled it OK, even though it got a bit wet.  Thanks to its small 
size and low weight (with a 50mm 1.4 attached to it) I managed to hold 
an umbrella as well

DagT



PAW #5 - Sludd

2004-03-25 Thread Dag T
which is the Norwegian word for a pleasant mix of rain and snow:
http://www.photo.net/photodb/photo?photo_id=2231042size=lg
DagT



Re: My own DOF confusion

2004-03-23 Thread Dag T
I think I prefer reading Marx to define Marxism...

DagT

På 23. mar. 2004 kl. 16.07 skrev Collin Brendemuehl:

To say that Hitler was not a Marxist is to not have studied him.
He opposed religion in general, using Christians to oppose Jews
and then secularizing the state, having the later goal of destroying
the church that he (unfortunately) manipulated so well.  He went
so far as to remove SS marriages from being social/church events
to being only civil events.  This redefinition and secularization is
common in all socialist  Marxist system.s




Re: DOF and angle of view or focal length (long)

2004-03-22 Thread Dag T
One problem is that if the CoC is much less than the usual number 
today, 0.035mm, the diffraction limit comes into play.  With a CoC at 
half this value, 0.017mm, you will never achieve a sharp image with the 
aperture set at 22.

DagT

På 22. mar. 2004 kl. 17.18 skrev Peter J. Alling:

The Circle of confusion required for an acceptable depth of field 
changes depending on the format.
The smaller the sensor size, the smaller the cof must be.  Also the 
desired enlargement factor
should also be taken into account, (although that last is difficult).  
This unfortunately isn't hard science
it's more like cooking.




Re: PAW#4: Kid

2004-03-22 Thread Dag T
På 22. mar. 2004 kl. 20.49 skrev Boris Liberman:

Hi!

DT I´ve got three of them, so I get some pictures of them.  Boys will
DT never be as cute as Shels daughter, but...
Substituting Shel for Boris... g
Sorry about that :-)

DT http://www.photo.net/photodb/photo?photo_id=2217012size=lg

Dag, I really think that leaving a piece of his eyes out does hurt the
frame. I wouldn't care about ears for example, but eyes - they make
the whole frame and one of them is not fully there...
I could produce various theories (a.k.a. excuses) why you might have
wanted to leave a tip of an eye out, but I wouldn't.
I'd rather ask you - why?
To me it is simply because it adds some intensity to the image.  Being 
unable to see the eye makes the face seem closer.  I liked this 
intensity because it fits very much to his interest in what I was 
doing, or rather, the interest any child has in his parents.  If I had 
left the eye uncropped (I do have a couple of more exposures with the 
whole eye) the kid would seem calm, which he wasn´t.


I do appreciate the thought though. I almost feel like the only
daughter photographer here... No offence to other fathers of
daughters...
Somebody has got to do it g.  I´ve got three sons at 4.5, 2.5 and 1 
year old, so that is my job...

DagT



PAW#4: Kid

2004-03-19 Thread Dag T
I´ve got three of them, so I get some pictures of them.  Boys will 
never be as cute as Shels daughter, but...

http://www.photo.net/photodb/photo?photo_id=2217012size=lg

DagT



Re: PAW#4: Kid

2004-03-19 Thread Dag T
Oooops!

DagT :-)

På 19. mar. 2004 kl. 20.03 skrev Shel Belinkoff:

Hey ;-))  I don't have a daughter ...

Dag T wrote:
I´ve got three of them, so I get some pictures of them.  Boys will
never be as cute as Shels daughter, but...
http://www.photo.net/photodb/photo?photo_id=2217012size=lg

DagT






Re: PAW#4: Kid

2004-03-19 Thread Dag T
I was thinking of Boris...

På 19. mar. 2004 kl. 20.15 skrev Dag T:

Oooops!

DagT :-)

På 19. mar. 2004 kl. 20.03 skrev Shel Belinkoff:

Hey ;-))  I don't have a daughter ...

Dag T wrote:
I´ve got three of them, so I get some pictures of them.  Boys will
never be as cute as Shels daughter, but...
http://www.photo.net/photodb/photo?photo_id=2217012size=lg

DagT








Re: PAW #6: Tough Boy

2004-03-19 Thread Dag T
Great shot!

I like the expression as well as the balance you´ve obtained from the  
background and the things on the table.

DagT

På 19. mar. 2004 kl. 02.13 skrev frank theriault:

Shooting from the hip.  Uncropped

I couldn't get the scan to come anywhere close to the print, for some  
reason.

http://www.photo.net/photodb/photo?photo_id=2215439

As always, comments are encouraged and appreciated.

cheers,
frank


The optimist thinks this is the best of all possible worlds.  The  
pessimist fears it is true.  -J. Robert Oppenheimer

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Re: OT: Mac OSX 10.3.3 and card readers

2004-03-18 Thread Dag T
Do you use a firewire or USB card reader?

DagT

På 18. mar. 2004 kl. 14.21 skrev Paul Stenquist:

Hi Cotty,
It seems that only Lexar card readers have a problem with 10.3.3. I 
did repair the disk permissions. I spent an hour on the phone with an 
apple tech and he took me through a whole range of troubleshooting 
steps, even to the extent of pressing a reset button on the 
motherboard. I'm just going to download in system 9 and wait for a bug 
disk. I also have a sandisk reader at work. I'm going to bring that 
home tonight and try it here.
Paul
On Mar 18, 2004, at 7:29 AM, Cotty wrote:

On 17/3/04, PAUL S discumbobulated:

I upgraded from OSX 10.3.2 to 10.3.3 this morning, and now my flash
cards won't open on the OSX desktop. Fortunately, I have a dual 
system
G4, so I can boot in 9.2 and download my files. I spent almost an 
hour
on the phone with apple techs trying to work through the problem. 
They
apparently don't have a fix. I expect a patch to appear on software
update in a day or two. But OSX users who don't want to deal with the
card reader problem might want to hold off on installing 10.3.3. 
Note:
All my cards are Lexar. Others might be readable, but I doubt it.
Paul
Thanks for the heads-up Paul. I have the .3 update but was going to 
hold
off for a few weeks in case anything obvious reared up. Now it has. 
Sorry
for the obvious, but did you repair the disk permissions after you
installed the update? FSCK in single user mode? I'll hunt about for 
any
info I can find...



Cheers,
  Cotty
___/\__
||   (O)   | People, Places, Pastiche
||=|www.macads.co.uk/snaps
_






Re: OT: Mac OSX 10.3.3 and card readers

2004-03-18 Thread Dag T
OK, I have a Lexar Firewire card reader, but no Lexar cards.  I´m not 
sure if I should take the chance to upgrade from 10.3.2 yet...

DagT

På 18. mar. 2004 kl. 19.40 skrev Paul Stenquist:

I was using the Lexar USB card reader that comes with their 1 gig 
cards. I'm
going to try my sandisk reader tonight. I think the problem is 
restricted to
Lexar.

Dag T wrote:

Do you use a firewire or USB card reader?

DagT

På 18. mar. 2004 kl. 14.21 skrev Paul Stenquist:

Hi Cotty,
It seems that only Lexar card readers have a problem with 10.3.3. I
did repair the disk permissions. I spent an hour on the phone with an
apple tech and he took me through a whole range of troubleshooting
steps, even to the extent of pressing a reset button on the
motherboard. I'm just going to download in system 9 and wait for a 
bug
disk. I also have a sandisk reader at work. I'm going to bring that
home tonight and try it here.
Paul
On Mar 18, 2004, at 7:29 AM, Cotty wrote:

On 17/3/04, PAUL S discumbobulated:

I upgraded from OSX 10.3.2 to 10.3.3 this morning, and now my flash
cards won't open on the OSX desktop. Fortunately, I have a dual
system
G4, so I can boot in 9.2 and download my files. I spent almost an
hour
on the phone with apple techs trying to work through the problem.
They
apparently don't have a fix. I expect a patch to appear on software
update in a day or two. But OSX users who don't want to deal with 
the
card reader problem might want to hold off on installing 10.3.3.
Note:
All my cards are Lexar. Others might be readable, but I doubt it.
Paul
Thanks for the heads-up Paul. I have the .3 update but was going to
hold
off for a few weeks in case anything obvious reared up. Now it has.
Sorry
for the obvious, but did you repair the disk permissions after you
installed the update? FSCK in single user mode? I'll hunt about for
any
info I can find...


Cheers,
  Cotty
___/\__
||   (O)   | People, Places, Pastiche
||=|www.macads.co.uk/snaps
_







Re: PAW#4: Just something I found....

2004-03-12 Thread Dag T
Thank you Frank, and the others, for your comments!

A nice thing about the *istD is that it is easy to bring along.  It is  
compact and while it with film it was depressing to have to throw away  
a whole film of useless photos, I now can just delete and forget ...

DagT

På 13. mar. 2004 kl. 04.56 skrev frank theriault:

It always amazes me that beauty can be found in the most mundane and  
unexpected of places - like quite literally under our feet.

It amazes me even more that some people are able to see that hidden  
beauty, and record it in a way that is meaningful.

Quite a lovely PAW, Dag.  It pays to keep your eyes open, doesn't it?   
And then, to have a camera with you!

cheers,
frank
The optimist thinks this is the best of all possible worlds.  The  
pessimist fears it is true.  -J. Robert Oppenheimer




From: Dag T [EMAIL PROTECTED]
Reply-To: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Subject: PAW#4:  Just something I found
Date: Thu, 11 Mar 2004 18:53:58 +0100
...outside our apartment:

http://www.photo.net/photodb/photo?photo_id=2199777size=lg

DagT

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Re: PAW #3 - Winter

2004-03-07 Thread Dag T
Thanks again! (but master?  Well... :-)

Look carefully and you will see a small pun in most of my captions.   
The composition is reflected in the caption, in this case it is  
oT

DagT

På 7. mar. 2004 kl. 03.13 skrev frank theriault:

~Very~ cool, Dag (pun intended).

You are a master at composition - taking the seemingly mundane, and  
making it look interesting in a photo.

Stark, but that's why it's beautiful.

thanks,
frank
The optimist thinks this is the best of all possible worlds.  The  
pessimist fears it is true.  -J. Robert Oppenheimer




From: Dag T [EMAIL PROTECTED]
Reply-To: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Subject: PAW #3 - Winter
Date: Sat, 6 Mar 2004 07:58:37 +0100
I shouldn´t, because I haven´t had time to look at your photos,  
but

http://www.photo.net/photodb/photo?photo_id=2186930size=lg

DagT

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Re: What gear is on your lust list ?

2004-03-07 Thread Dag T
På 7. mar. 2004 kl. 18.19 skrev Mark Erickson:

So what's on your list?

Always:
A 15mm (especially after letting one chance go last year)
A 135 1.8
After getting the *istD I have started thing about AF lenses, so:
31, 43 and 77mm (all black, of course :-)
DA 16-45
DA 14
DagT



Re: PAW #3 - Winter

2004-03-06 Thread Dag T
Does it matter :-)

It is a tree and a round table with about 50cm snow on top of it...

DagT

På 6. mar. 2004 kl. 09.17 skrev Tanya Mayer Photography:

DagT,

cool pic, but what the heck is it??

tan.

-Original Message-
From: Dag T [mailto:[EMAIL PROTECTED]
Sent: Saturday, 6 March 2004 4:59 PM
To: [EMAIL PROTECTED]
Subject: PAW #3 - Winter
I shouldn´t, because I haven´t had time to look at your photos, but

http://www.photo.net/photodb/photo?photo_id=2186930size=lg

DagT






Re: PAW #3 - Winter

2004-03-06 Thread Dag T
Thanks!  Glad you liked it!

I never though of marsmallows that way, but this soft, thick, new snow 
was something I loved as a child (now I had to remove it just to find 
my parents house, so I hated it :-)

DagT

På 6. mar. 2004 kl. 10.33 skrev Tanya Mayer Photography:

That is amazing!

What an absolutely phenomenal shot!

It looks like a great big soft marshmallow!

That is SUCH an optical illusion!  I saw that you used a 50mm lens, 
and I
honestly thought that it was something small (like the size of a
marshmallow), and that the tree to the side was actually a part of a 
stick
that you had placed there!

I am amazed, what a thought provoking, technically superb (nothing 
blown out
ANYWHERE, amongst all of that white!), and creative shot.

Thanks so much for sharing it Dag T.  LOVE it!

tan.

-Original Message-
From: Dag T [mailto:[EMAIL PROTECTED]
Sent: Saturday, 6 March 2004 6:27 PM
To: [EMAIL PROTECTED]
Subject: Re: PAW #3 - Winter
Does it matter :-)

It is a tree and a round table with about 50cm snow on top of it...

DagT

På 6. mar. 2004 kl. 09.17 skrev Tanya Mayer Photography:

DagT,

cool pic, but what the heck is it??

tan.

-Original Message-
From: Dag T [mailto:[EMAIL PROTECTED]
Sent: Saturday, 6 March 2004 4:59 PM
To: [EMAIL PROTECTED]
Subject: PAW #3 - Winter
I shouldn´t, because I haven´t had time to look at your photos, 
but

http://www.photo.net/photodb/photo?photo_id=2186930size=lg

DagT









Re: PAW #3 - Winter

2004-03-06 Thread Dag T
På 6. mar. 2004 kl. 19.57 skrev Boris Liberman:

Hi!

DT I shouldn´t, because I haven´t had time to look at your photos, 
but

I'd say you should. You know, if privilege of putting a shot to PAW
would depend on how many other's shots one looked at and commented,
then we'd be in big trouble...
OK, it´s just me...

DT http://www.photo.net/photodb/photo?photo_id=2186930size=lg

I really wonder how it would look if shot with proper b/w film. You
know, with little effort, really little, almost no effort at all, I
can see all of the boundary of that pile of snow on the table. What a
wonderful exposure.
Thanks!   I think I could have done the same thing with b/w, but taking 
a bit more time.  I was thinking the same that I do in the darkroom, 
pushing the highlights as far as I dare towards the light and adjusting 
the contrast to let the darkest part be almost black.  As long as the 
contrast in the light parts of the picture is not too high the *istD 
performs nicely in snow.

Pity, in this country of eternal warmth, such thing is virtually
impossible to try...
Well, I was wondering why I didn´t join my brother in Malaysia when I 
tried to make a path for my parents to get into their house or to get 
my car out of the snow, but you´re right, it is pretty and soft and the 
kids love it.   What I didn´t realize was that this picture is more 
abstract in your part of the world than it is in mine :-)

Tanks!

DagT



Re: PAW #4 - Haley's Ring

2004-03-06 Thread Dag T
Hey, I suspected that.

I like the tones and intensity of the image.   The hand is very good!

DagT

På 7. mar. 2004 kl. 00.13 skrev frank theriault:

Paul,

Go back and look again.  You've missed something that I think is  
obvious (it's why the ring thing might raise some questions).  If you  
don't know what you've missed, go back to the photo.  I've answered it  
in my response to your comment on photo.net.

Thanks for the comment.  I'm pleased with the way it turned out.  It's  
my first roll of Neopan 1600 pushed to 3200.  The LX handled the  
exposure beautifully, IMHO (it was set to auto, aperture f2.0).

thanks,
frank
The optimist thinks this is the best of all possible worlds.  The  
pessimist fears it is true.  -J. Robert Oppenheimer




From: Paul Stenquist [EMAIL PROTECTED]
Reply-To: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Subject: Re: PAW #4 - Haley's Ring
Date: Sat, 6 Mar 2004 17:38:58 -0500
Great shot, Frank. It hooked me immediately. I love the tonal range,   
the way the woman's eyes are closed, the spread of the man's hand.   
Super.
On Mar 6, 2004, at 5:27 PM, frank theriault wrote:

I was a bit late on week 3.  Now I'm a bit early on week 4.  Oh well.

The Kiss was taken by Shel (and likely thousands before him), but  
I  think it would have been a good title (have I whetted your  
appetite  yet? g).  So, I settled on Haley's Ring, a title that  
I hope  raises more questions than it answers:

http://www.photo.net/photodb/photo?photo_id=2188556

I'd really like to hear your comments on this one.

Okay, Albano, the right body, and this time, the right brand of   
lens, okay?  g

cheers,
frank
The optimist thinks this is the best of all possible worlds.  The   
pessimist fears it is true.  -J. Robert Oppenheimer

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Re: photography as art

2004-03-05 Thread Dag T
På 5. mar. 2004 kl. 06.48 skrev [EMAIL PROTECTED]:

From: graywolf [EMAIL PROTECTED]

Had to think about that for a bit. But then it came to me that the 
guys who make
catalog sketches and such are considered artists.

So why not photographers? Maybe because of the perception that 
anybody can do
it? But then that is not true. Anybody can draw lines on paper but 
that does not
make them an artist. It is only when the lines mak a meaningful 
picture that the
person is considered an artist.
I've always thought that the problem it is pretty hard to make a
photograph of something that did not PHYSICALLY exist at the moment you
triggered the shutter.  You can imagine an elephant with 5 legs and 
paint
it, but to photograph such a thing you'd actually have to make one
somehow, or alter the photo after taking it.

You can do tricky things with light that create an effect captured on
film that never existed at one time in the real world, or
multiple-exposure stuff, but straight photography is fairly limited
by physical reality, which is not the case with other arts.
Well, the point I tried making when referring to my unmanipulated 
photos was that they do, in fact, refer to the reality that existed in 
front of the camera during the exposure.  Still, they are not real. 
and very manipulated.  It is like the fifth foot of the elephant that 
suddenly appeared because there was a second elephant behind the first.

The truth shown in a photo does not have to be a reality.

DagT



Re: Hockney on photography

2004-03-05 Thread Dag T
I see it this way:
A photograph, video, newspaper story, book or story is a statement made  
by human beings.  The statements are no more reliable than the person  
that made them.

I agree with you in that digital is a good thing, because it makes the  
manipulative aspects of a photograph more obvious.  We are becoming  
more aware that a photograph may not tell the truth, but some of us  
know that it never has.

One of my grandmothers was a photographer before 1940.  I believe she  
knew a lot more about retouching than we do...

DagT

På 5. mar. 2004 kl. 04.08 skrev frank theriault:

Christian,

All photographs are manipulated.  All video is manipulated.  All TV  
news stories are manipulated.  All newspaper stories are manipulated.   
All print media sources are manipulated.  All radio is manipulated.   
All news sources are manipulated

Nothing is factual and true unless we see or hear it directly for  
ourselves.  Or, can we even trust our senses?  Is the world that we  
think we experience even real?

Maybe I'm taking this to absurd lengths, Christian, but just because a  
photograph ~can~ be manipulated doesn't mean that it has been.  Just  
because every photo has the bias of the photographer and/or editor  
doesn't mean that it doesn't reflect reality, or isn't true and  
factual.  Everything has a point of view, it's true, but ~some~ points  
of view must be accurate, mustn't they?

Maybe the fact that digital is easier to manipulate by more people is  
a good thing.  It makes us question.  It makes us a bit more  
skeptical.  I think that in the past, photographs were not questioned  
(at least not like they are today).  It allowed the Soviets to remove  
Trotsky from that balcony, standing next to Lenin.  They altered  
history, and did a pretty damned good job of it.  I bet that no one in  
the USSR was the wiser.  Nowadays, more people would wonder how  
accurate things are, and that's a good thing.

But, let's not throw the baby out with the bathwater.  Photographs are  
just as reflective of reality as any other media source.

And, BTW, my grandmothers (both of them) were saints, are now in  
heaven, and would never have taken a snapshot that was not absolutely  
accurate and real.  So there!  vbg

cheers,
frank
The optimist thinks this is the best of all possible worlds.  The  
pessimist fears it is true.  -J. Robert Oppenheimer




From: Christian [EMAIL PROTECTED]
Reply-To: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Subject: Re: Hockney on photography
Date: Thu, 4 Mar 2004 15:29:38 -0500
His first statement:

Hockney told the Guardian newspaper that photographs can be so easily
altered these days that they can no longer be seen as factual or  
true.

is crap!

I've said it before and I'll continue to say it:  ALL PHOTOGRAPHS ARE
MANIPULATED.
It happens before the shutter is tripped with the selection of film,  
focal
length, etc.

You are seeing what the photographer wants you to see and in the way  
he/she
wants you to see it.

No photograph can be seen as factual or true not even snap shots  
taken by
grandma.

Christian

- Original Message -
From: Bob W [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Thursday, March 04, 2004 2:13 PM
Subject: Hockney on photography
 Hi,

 on my home from work tonight I listened to an interview with David
 Hockney about the trustworthiness of photography. Here is an article
 about it:
 http://news.bbc.co.uk/1/hi/entertainment/arts/3532483.stm

 I agree with him about art photography, but, like Russell Roberts, I
 thought his arguments about factual photography were rather
 simplistic. Still, it's interesting to hear him, nevertheless.

 --
 Cheers,
  Bob

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Re: Are Canon owners really this stupid?

2004-03-05 Thread Dag T
På 6. mar. 2004 kl. 00.44 skrev Cotty:

On 5/3/04, MARK ROBERTS FOR IT IS HE disgorged:

http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItemitem=3800946535
Maybe some people really need the manuals?
The people bidding on this need a manual to tell them how to drink a
glass of water without drowning.
Oh come on Mark, for heaven's sake! You know as well as I do that's
bloody stupid. How can they  try to drink the water without learning 
how
to fill the glass first 
I guess it works if you fill the glass for them.

DagT




PAW #3 - Winter

2004-03-05 Thread Dag T
I shouldn´t, because I haven´t had time to look at your photos, but

http://www.photo.net/photodb/photo?photo_id=2186930size=lg

DagT



Re: March PUG

2004-03-01 Thread Dag T
På 1. mar. 2004 kl. 11.51 skrev Cotty:

Fra: Cotty [EMAIL PROTECTED]

Dag, that is so cool.
Thanks :-)

I wish I could do shots like that.
Why can't you?

DagT
You know what I mean. I suppose I possibly could, but I think that most
photographers settle into making pics they feel most comfortable with.
Especially being able to 'see' the shot. For me, the story is in the
eyes. I admire when I see the story in something else - like fingers.
Yes, I know, sorry if I was a bit short.  I shouldn´t try to read pdml 
mail at work...

Anyway:  what I mean is that we should try to free ourselves from 
conventions and that we shouldn´t sit back and say I can´t do this.  
Most of us can.

I was not sure about how all of you would react, but once again I find 
this list to be a nice place to show such photos.  Nobody says NO!  
This is wrong, this is not how it is done, a portrait must show a 
face!.  Not that I am very experimental, but sometimes I try.  :-)

Thanks again for you comments!

DagT



Re: PAW

2004-02-27 Thread Dag T
I liked that one.  There is some strange sense of humor at work here.  
A bit weird.

A small objection to the pink colour.

DagT

På 27. feb. 2004 kl. 16.41 skrev William Robb:

Something a little different today.

http://users.accesscomm.ca/wrobb/paw/mirror1.html

And quite boring, I am sure.
Rip it apart folks.
William Robb





Re: Which wide Pentax primes show the least distortion?

2004-02-27 Thread Dag T
På 27. feb. 2004 kl. 20.39  William Robb:
- Original Message -
From: Lon Williamson
Subject: Which wide Pentax primes show the least distortion?
Looks like a few have problems with barrel distortion.
Which 20/24/28 primes show the least?
-Lon
The A20mm f/2.8 seems good. I tend to be pretty sensitive to barrel
distortion, and I have used the 20 pretty extensively ove rthe past
few months with the home reno pictures, and nothing has jumped out at
me.
I agree that the A20 f/2.8 is quite good, and the 28 f/2.0 too.  I had 
an M 24 2.8 that had too much for my taste.

DagT




Re: PAW (... )

2004-02-24 Thread Dag T
Yes, it is in Oslo.  You can see the Royal Castle hidden in the fog.

Thanks!

DagT

På 24. feb. 2004 kl. 15.20 skrev Albano Garcia:

I like it. I like the pano crop.
Where it is? Norway?
Regards
Albano

--- [EMAIL PROTECTED] wrote:
OK, here's another one.


http://www.photo.net/photodb/photo?photo_id=2158144size=lg
DagT






Re: Whisky (was Re: PAW: A good breakfast)

2004-02-23 Thread Dag T
Glenmorangie is great among the smoother ones, but usually I prefer 
Lagavulin.

DagT

På 23. feb. 2004 kl. 20.51 skrev Shel Belinkoff:

O!  I like Glenmorangie, and also Springbank 21 or 25.
Yu!
Keith Whaley wrote:
An Islay (Lagavulin) is just a wee bit intense for me.
I'll have a Dalwhinnie or maybe an Oban, if you please.
Or, if you still have that bottle of 18-year-old Glenmorangie hidden
under the counter, a dash of that, please!  g





Re: OT: Canon and Nikon and Curmudgeons

2004-02-22 Thread Dag T
I´ve always thought that they were used to hide the extent in which we  
were talking about other brands.  Search for Nikon in the PDML archive  
and the number of hits is probably less than half of what i could be  
:-)

DagT

På 22. feb. 2004 kl. 18.49 skrev frank theriault:

Can we spell out these two words, please?

Try it:

Canon

Nikon

There.  That wasn't so hard, was it?  The list is still here.  Pentax  
hasn't suddenly gone bankrupt.  No one's had a heart attack (have  
they? g).

All sarcasm aside, using asterisks between the first and last letters,  
or whatever, seems really silly and almost juvenile to me.  We all  
know what you're referring to.  It doesn't change the content of your  
posts to not spell them out fully.

We don't do it for Minolta, Leica, or any other brand.  Why The Big  
Two?  Do we fear them?  Is it out of some sort of respect?  Are they  
seen as God-like - you know, like those religions who can't actually  
use the word God, but refer to him/her/it in the 3rd person:  He  
Who is All-Seeing?

I'm a former offender, I must admit.  When I first joined the list, I  
thought it was kind of cute.  Then, the more I thought about it, it  
seemed that if Pentax is a player in the game, whether big or not,  
showing such deference to these guys doesn't make sense.

I guess people can do what they want.  I'm just in a curmudgeonly mood  
this morning.  BTW, I said several weeks ago that maybe Shel was the  
Official List Curmudgeon.  I've changed my mind.  Now I think it's  
Graywolf.  And, BTW, for me, curmudgeons are loveable (whatever the  
dictionary definitions mght say).  Sort of like Andy Rooney.  You  
can't hate the guy...

cheers,
frank
The optimist thinks this is the best of all possible worlds.  The  
pessimist fears it is true.  -J. Robert Oppenheimer

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Re: A few photos.

2004-02-22 Thread Dag T
På 22. feb. 2004 kl. 20.48 skrev Malcolm Smith:

This is a REAL car

http://www.photo.net/photodb/photo?photo_id=2153283size=lg


Hey, my mom had one of those in ´69.  She still remembers driving into 
the gas station and hearing the guy commenting on the engine:  Nice 
little thing you got there...

Even I remember that one, I was 6

DagT




Re: PAW Sherwood Island

2004-02-20 Thread Dag T
Nice, quite landscape.  I think the tree on the right draws a little to 
much attentions but the soft light works well.

DagT

På 19. feb. 2004 kl. 21.24 skrev Butch Black:

I'm in

Here is a winter image I took a week or so ago.

http://www.usefilm.com/image/310763.html





Re: Dag's bikes (was Re: OT: Not sure about this one)

2004-02-20 Thread Dag T
På 20. feb. 2004 kl. 17.28 skrev Gianfranco Irlanda:

frank theriault [EMAIL PROTECTED] wrote:
http://foto.no/cgi-bin/bildekritikk/vis_bilde.cgi?id=6637
http://foto.no/cgi-bin/bildekritikk/vis_bilde.cgi?id=6264
The second one, however, with the circular pan lines, well,
I'm not sure
about it yet.  Interesting, that's for sure!
and then Lon Williamson replied:
I liked the second one better.
'Course, I got the taste of a dead carp.
I got the same taste, it seems, 'cause I too prefer the second
shot. :-)
It has a graphic look that I like a lot.
Great shot.
Ciao,

Gianfranco
OK, OK!

I give up, you´ve all got better taste than me.

Thanks any way :-)

DagT




Re: PAW - Neapolitan Shoeshine

2004-02-20 Thread Dag T
I like this one, the look and light on his face and the balance between 
where he looks and the light parts of the background works for me.

Reminds me of Naples, except that the real thing is more chaotic...

DagT

På 20. feb. 2004 kl. 17.04 skrev Gianfranco Irlanda:

Hi everybody,

I'd like to hear some comments about this one:
http://www.photo.net/photodb/photo?photo_id=2147246
I'm not sure if I like it or not... The man is a shoeshine, he
works (worked? not sure I saw him recently) along one of the
shopping streets in Naples. I took few pictures of his hands at
work and a couple of portraits too. There's another one I prefer
for his expression, but there something I like about this shot
that I'm not able to catch...
Ciao,

Gianfranco

=
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Re: Lens Cleaning Problem - Volatile Liquids

2004-02-20 Thread Dag T
På 20. feb. 2004 kl. 19.02 skrev Andre Langevin:

The glass of a lens should be about the same Moh's hardness as 
quartz, 7,
since it's predominately quartz.  I have no idea about the hardness of
coatings, but aren't they only a few molecules thick?
Bill
Pentax says its SMC coating is harder than glass.  Very hard 
molecules...
I think it IS glass, but glass being doped with impurities to increase 
the refractive index.  The refractive index is related to the hardness  
of the glass.

DagT



Re: PAW

2004-02-20 Thread Dag T
På 20. feb. 2004 kl. 20.16 skrev [EMAIL PROTECTED]:

I humbly submit a small action picture.

http://users.accesscomm.ca/wrobb/flyingpoodle.jpg

William Robb
Boy, that poodle is really flying!

Kewl.
It´s a UFP (Unidentified Flying Poodle)

DagT




Re: OT: Not sure about this one

2004-02-19 Thread Dag T
Thanks!

I think I agree with you in which of my pictures is the best.  The  
second got a little too messy because of the hard light in the woods.

By the way:  the circular lines were made by panning with a 24mm  
(actually the A 24-50 @ 24).  I think I´ll try the same with a 20mm  
some time, at the danger of being run down

DagT

På 19. feb. 2004 kl. 03.34 skrev frank theriault:

I'm nuts, but it has nothing to do with waving cameras at bikes.

I agree with you, Cotty, in that Dag's photos rock.  Especially the  
first one.  I'm a black and white guy, but colour really works on that  
one!  And, I really like the framing - works much better than mine  
dead centre.  Reminds me that I must crop mine.

The second one, however, with the circular pan lines, well, I'm not  
sure about it yet.  Interesting, that's for sure!

Great work, Dag!!

cheers,
frank
The optimist thinks this is the best of all possible worlds.  The  
pessimist fears it is true.  -J. Robert Oppenheimer




From: Cotty [EMAIL PROTECTED]
Reply-To: [EMAIL PROTECTED]
To: pentax list [EMAIL PROTECTED]
Subject: Re: OT:  Not sure about this one
Date: Thu, 19 Feb 2004 00:18:26 +
On 18/2/04, [EMAIL PROTECTED] disgorged:

 Sometimes I like it.  Others, I think it's horrible.  If you have  
an
 opinion, feel free to share.



I like it.

Maybe because it reminds me of something:
http://foto.no/cgi-bin/bildekritikk/vis_bilde.cgi?id=6637
http://foto.no/cgi-bin/bildekritikk/vis_bilde.cgi?id=6264

:-)

DagT

Nice again! You guys are all nuts, standing on streets waving cameras
back and forth. Great results though.
Cheers,
  Cotty
___/\__
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Re: OT: Not sure about this one

2004-02-18 Thread Dag T
På 18. feb. 2004 kl. 23.18 skrev frank theriault:

http://www.photo.net/photodb/photo?photo_id=2142532

Sometimes I like it.  Others, I think it's horrible.  If you have an 
opinion, feel free to share.


I like it.

Maybe because it reminds me of something:
http://foto.no/cgi-bin/bildekritikk/vis_bilde.cgi?id=6637
http://foto.no/cgi-bin/bildekritikk/vis_bilde.cgi?id=6264
:-)

DagT



Re: Two new Pentax products to be announced today

2004-02-12 Thread Dag T
På 12. feb. 2004 kl. 16.25 skrev Dario Bonazza:

However, what about a decent performer over 45mm? Why the hell Pentax 
has
not still introduced a DA 50-150 f/4 or the like? Do they assume we 
have to
buy Sigma/Tamron?
I find this amazing!

I don´t.  It is not as difficult or expensive to make these focal 
lengths with full frame coverage, so why bother.

DagT



Re: Two new Pentax products to be announced today

2004-02-12 Thread Dag T
På 12. feb. 2004 kl. 19.37 skrev Dario Bonazza:

Dag T wrote:

På 12. feb. 2004 kl. 16.25 skrev Dario Bonazza:

However, what about a decent performer over 45mm? Why the hell Pentax
has
not still introduced a DA 50-150 f/4 or the like? Do they assume we
have to
buy Sigma/Tamron?
I find this amazing!
I don´t.  It is not as difficult or expensive to make these focal
lengths with full frame coverage, so why bother.
Ok, so where are they?

Please don't list standard zoom lenses (24-90, 28-80, 28-105 and so 
on),
which are too short and overlapping.
Also, please don't list 80-320 and 100-300, which are too long and 
slow.

None of the above match my simple requirement. I just need 50-150mm 
focal
length (more or less equivalent to 70-210 on film), f/4 and good 
performance
on the *ist D (APS or FF).

Do I have to explain such a simple concept further?
No.  They may come, but I think they will be FAJ, not DA-lenses 
specially made for the small chip.  Why omit the possible full frame or 
film cameras when it hardly affects the price to make the a lens that 
fit both formats?

DagT



Re: does anyone have experience with high speed freezing the action photograp...

2004-01-23 Thread Dag T
På 23. jan. 2004 kl. 07.54 skrev mike wilson:

Bob W wrote:
I'm speaking from a position of almost total ignorance here, but
surely a bullet is travelling 2 or 3 times faster than sound? Over the
short distances involved is it really possible to do this?
It's possible to get bullets that travel at subsonic velocity.  They
make less noise. Even supersonic ones are not that fast, I think.
I think the trick is to put the acoustic trigger close to the gun.  The 
resulting electronic signals travel much faster than sound and may 
trigger the flash before the bullet reach the target.

By the way, I have seen photos of supersonic bullets WITH shock waves 
(polarization effects), so they do not have to rely on slow bullets for 
these photos.

DagT




Re: Cameras in the Snow-was: Digital good

2004-01-22 Thread Dag T
The camera would probably take it anyway.

Some years ago we made a small ski jump in a slope, and as grown up  
kids we started making more or less stupid tricks, so my contribution  
was to take a photo of the ski jump from the jumpers point of view.  I  
made two mistakes, the first was deciding on a 24mm, the second was  
looking through the finder on my way down.  I was, of course, fooled by  
the wide angle and thought the ski jump was further away than it was,  
so when I was unprepared when I reached the jump.

The result was a very funny photo taken by one of the others as I came  
through the air, camera first, then arms, head, etc.  I remember  
hearing someone saying Oh my ... when I was in the air.

Luckily the slope below the jump was soft and powdery snow.  The  
camera, a SuperA, was drowned in a lot of snow and survived, so did I.   
Also, I got a diploma for the best fall (but not the best picture)  :-)

DagT

På 20. jan. 2004 kl. 23.29 skrev frank theriault:

This weekend, I went toboganning with my youngest daughter.  Brought  
along the LX with Viv S1 24-48.  We had a blast - the temp warmed up  
(!) to around -8C, and there was plenty of snow and sun.

We were taking turns going down, and Claire had the camera around her  
neck when it way my turn.  Just for fun, one time we went down  
together.  I knew I was going to fall off the back of the toboggan  
(nothing to hold onto back there), and I was ready to make sure that I  
held the camera up in the air, no matter what my body did on the snow  
underneath.  I hoped to snap off a few before my expected demise.  So,  
I strapped the camera to my right wrist (my favourite way to hold the  
camera whilst out walking), and down we went.

Got off one shot, and promptly hit the snow.  Kept the camera as high  
in the air as a could while I tumbled, and was quite successful in  
doing so.  The camera got covered with snow, but never hit the ground!  
 I, on the other hand, took the brunt of the punishment (better me  
than the camera!)  Took off the filter (which was covered with snow,  
too), and I was all set to go!  LX worked just fine after that.

I think everyone there thought I was nuts.  I couldn't disagree with  
that assessment.  Hope the shot turned out (I was shooting about 2  
stops wider than the meter told me to, due to the white snow in the  
background).

Your comment on the safety of shooting out windows in snow storms with  
AF reminded me of that, Cory.

Sorry for your loss.  Sounds like everyone appreciated your digital,  
though.

cheers,
frank
The optimist thinks this is the best of all possible worlds.  The  
pessimist fears it is true.  -J. Robert Oppenheimer




From: [EMAIL PROTECTED]

Cory
Thinks it's much safer to snap photos of the snowfall out the  
windshield of
the car one's driving at ~65 Mph when one's using an AF camera.



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Re: OT: Fake or Foto

2004-01-20 Thread Dag T
På 20. jan. 2004 kl. 19.55 skrev Bob W:

Hi,

most of the flying saucer photos have been fake snapshots
and the remainder have been what?
When even the photographer thinks it´s for real.  Not all fakes are 
intentional.

DagT



Re: OT: I've become my Parents-was:PUG Deadline Approaching

2004-01-17 Thread Dag T
In Norway we had a monopoly with one channel until the middle of the  
80s.  The lucky ones had the two Swedish channels as well :-)

Regarding photography I´ve promised not to give up the darkroom before  
all three kids have made their own prints.  They will really have  
something to tell their grandchildren...

DagT

På 16. jan. 2004 kl. 23.42 skrev frank theriault:

Why I remember back when we had to scan our prints...

Daddy, what's a 'print'?

Which reminds me of a story.  I realized that I'd become my own  
parents when I was telling my kids of a pre-computerized, pre-VCR/DVD,  
pre-videogame world of broadcast-only television, where everyone had  
either rabbits ears on the telly, or a great honking antenna on their  
roof or on a mast lashed to the house.  And even at that, we got only  
5 channels (two Canadian, and three 'Murrican).  We thought we were  
Living Large 'cause we had one of them motors on the antenna that  
could rotate it to get the best reception!

I think my kids thought I was bullsh**ing them!

cheers,
frank
The optimist thinks this is the best of all possible worlds.  The  
pessimist fears it is true.  -J. Robert Oppenheimer




From: Dag T [EMAIL PROTECTED]

Scanning, what scanning?

:-)

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Re: Freezing BW Film

2004-01-16 Thread Dag T
If that was true most of my films would have cracked, not only from 
freezing during storage, but some of them also from use in similar 
temperatures.

There is, however, a story of a Norwegian expedition to Antarctica 
where they used an LX being modified to roll the film the opposite way 
around the spool in the camera to avoid cracking, but the temperatures 
may be well below the temperature in the freezer.

 If the film holds freezer temperatures during use I´d be careful with 
winders and motor drives.

DagT

På 16. jan. 2004 kl. 08.20 skrev John Coyle:

Shel, I would strongly advocate not freezing film, but simply fridging 
it.
I read many years ago that freezing could lead to some emulsions 
cracking on
loading, but that may be a myth! 



Re: PUG Deadline Approaching

2004-01-16 Thread Dag T
Scanning, what scanning?

:-)

DagT

På 16. jan. 2004 kl. 19.07 skrev Adelheid v. K.:



Folks get scanning.
It's Wet outside and this month's theme
Cheers
Adelheid




Re: TC and Tubes for macro

2004-01-13 Thread Dag T
På 13. jan. 2004 kl. 11.42 skrev Boris Liberman:

Hi!

I have never done that but my brain tells me to put TC between 
extension tube and the lens. However, the Pentax TC manual mentions 
they were not designed for macro works.
I second that. The TC (I have MC) I think is/was? constructed 
specially for the lens to be attached right to it. So first comes the 
body, then tubes, then converter(s), then lens...

I also have no experience with such kind of set up but I guess I'd try 
it some day as I do have MC and tubes.

Vivitars 2x macro teleconverter works in exactly that way.  The lenses 
are kept in position while the lens mounted on the TC is moved.  It 
makes a good 100mm macro lens when combined with a 50mm.

Another thing is that the FREE concept of some Pentax lenses uses a 
similar idea.

DagT



Re: What would you do with a 24x36 digital chip?

2004-01-10 Thread Dag T
Computer prizes has fallen partially because they have put more into 
the same silicon area.  This will not work with digital cameras. The 
rest of the digital cameras is similar to the analog cameras so there 
is not much to gain there.

DagT

På 10. jan. 2004 kl. 00.33 skrev Leonard Paris:

It won't always be a $7000 camera.  Digital stufff tends to decrease 
in price over time.  Look at computer prices.  Lenses may never get 
cheaper, however.  Eventually, they are going to almost give the 
cameras away to get you locked into their lenses.  For example, look 
at printer prices.  A good printer can be had for not too much cash.  
It's the ink and paper that they make the real  money from.

Len
---
* There's no place like 127.0.0.1
From: Christian [EMAIL PROTECTED]
Reply-To: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Subject: Re: What would you do with a 24x36 digital chip?
Date: Fri, 9 Jan 2004 17:31:44 -0500
but then they are compromising again  and there will be the same 
issue
with wide-angle focal lengths, etc.

Canon has a full frame sensor.  How could the Canon user-base afford 
such a
camera?  it's a $7000 camera.

- Original Message -
From: Jostein [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Friday, January 09, 2004 5:23 PM
Subject: Re: What would you do with a 24x36 digital chip?
 - Original Message -
 From: Christian [EMAIL PROTECTED]
 
  35mm K-bayonet
 
  why would you put it in anything else?

 Until only a few hours ago I thought exactly the same thing, but 
then
 someone (in another thread) pointed out that the cost of  a FF 
digicamera
 would be prohibitive to practically all of the current Pentax K 
customer
 base. I suspect Pentax would have a much larger potential for a 
24x36 chip
 based camera if it was directed towards their 645 customer base.

 Cheers,
 Jostein




_






Re: What would you do with a 24x36 digital chip?

2004-01-10 Thread Dag T
På 10. jan. 2004 kl. 04.29 skrev Rob Studdert:

On 9 Jan 2004 at 23:42, Dag T wrote:

I agree, the cost of high quality silicon wafers per area has been
constant for decades.  More than doubling the area will increase the
prize, as well as the demand for calculating power, memory, speed etc.
It is in the professional prize range anyway, so why not based the FF
sensors on the 645 system.
I could not agree less on both counts. Silicon wafer growth has been 
constantly
increasing in diameter as has purity and yield, silicon even as huge 
wafers is
getting cheaper by the day.

Pentax would be fools for not implementing a 24x36 mm sensor in a 35mm 
camera,
surely you'd expect that they'd fit a FF 645 sensor in a 645 body or 
are Pentax
shooters that damned cheap? :-(

Wafers have been growing, yes, but prize per area has not decreased 
much.

If you place an FF sensor in a 35mm system you get an expensive camera 
with a lot of lenses that are not good enough.  They have some problems 
with this in the 1Ds.

If you place an FF sensor in a 645 system you get a camera within the 
expected prize range, most lenses are good enough but you lack the wide 
angle.

The photographers I know who uses the 1Ds sees it as an alternative to 
the medium format, so I guess this also defines the market.

DagT



Re: Some *istD questions

2004-01-10 Thread Dag T
The raw converter lets you choose between 8bit and 16bit TIFF formats.

DagT

På 10. jan. 2004 kl. 03.36 skrev Shel Belinkoff:

Paul, CS doesn't yet support pentax RAW.  Pentax uses a CCD sensor.
Like you, I wasn't too interested in the istd until the new lenses 
could
readily be used.  Don't know about the RAW converter, though.

Paul Stenquist wrote:

I know that the *istD has a raw file option. Does the PhotoShop CS
(PS8) RAW converter support the Pentax files? I assume Pentax has a 
RAW
converter. Does it offer different file size options? Is the Pentax
sensor a CMOS or a CCD? I'm sure all these topics have been covered
here, but I wasn't interested until the K lens compatibility came
along.





Re: What would you do with a 24x36 digital chip?

2004-01-10 Thread Dag T
Sure, as all the initial research and new technology has been payed and 
the market has opened.  There is, however, a limit.  Maybe it hasn´t 
been reached just yet, but it´s getting close.

Anyway the APS-size cameras will always be a lot cheaper than the FF 
cameras, and use cheaper optics, and you can never expect the pro 
dSLR´s to be any cheaper than the pro SLR´s were.  I´d expect them to 
be a bit more expensive, as their market is smaller and the sensors are 
very large.  More like the MF market today.

DagT

På 10. jan. 2004 kl. 13.03 skrev Len Paris:

Unless you've been asleep for quite a while, the prices of digital
cameras has been decreasing quite nicely over time, as well.
Len
 * There's no place like 127.0.0.1

-Original Message-
From: Dag T [mailto:[EMAIL PROTECTED]
Sent: Saturday, January 10, 2004 1:21 AM
To: [EMAIL PROTECTED]
Subject: Re: What would you do with a 24x36 digital chip?
Computer prizes has fallen partially because they have put more into
the same silicon area.  This will not work with digital cameras. The
rest of the digital cameras is similar to the analog cameras so there
is not much to gain there.
DagT

På 10. jan. 2004 kl. 00.33 skrev Leonard Paris:

It won't always be a $7000 camera.  Digital stufff tends to
decrease
in price over time.  Look at computer prices.  Lenses may never get
cheaper, however.  Eventually, they are going to almost give the
cameras away to get you locked into their lenses.  For
example, look
at printer prices.  A good printer can be had for not too
much cash.
It's the ink and paper that they make the real  money from.

Len
---
* There's no place like 127.0.0.1
From: Christian [EMAIL PROTECTED]
Reply-To: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Subject: Re: What would you do with a 24x36 digital chip?
Date: Fri, 9 Jan 2004 17:31:44 -0500
but then they are compromising again  and there will
be the same
issue
with wide-angle focal lengths, etc.
Canon has a full frame sensor.  How could the Canon
user-base afford
such a
camera?  it's a $7000 camera.
- Original Message -
From: Jostein [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Friday, January 09, 2004 5:23 PM
Subject: Re: What would you do with a 24x36 digital chip?

- Original Message -
From: Christian [EMAIL PROTECTED]
35mm K-bayonet

why would you put it in anything else?
Until only a few hours ago I thought exactly the same thing, but
then
someone (in another thread) pointed out that the cost of  a FF
digicamera
would be prohibitive to practically all of the current Pentax K
customer
base. I suspect Pentax would have a much larger potential for a
24x36 chip
based camera if it was directed towards their 645 customer base.

Cheers,
Jostein



_










Re: version 1.1

2004-01-09 Thread Dag T
Very nice!

There´s an M* 300mm for sale here for about $350.  Maybe I can buy it 
now :-)

DagT

På 9. jan. 2004 kl. 04.59 skrev William Robb:

Friends, we have improved K-mount compatability.
Now, with the lens off A, putting the camera into manual and 
pressing the
green button will give the correct shutter speed.
EV comp im manual is a nice touch.
The ist D camera just got a whole lot better.

William Robb





Re: Two Things That P***ed Me Off Today!

2004-01-09 Thread Dag T
Ask the producer for a new firmware update...

DagT

På 9. jan. 2004 kl. 09.34 skrev Ryan Lee:

Ahh.. I thought it was a banner between the lampposts/phone poles. :-) 
Need
to recalibrate my eyes..

Regards,
Ryan



Re: A low end Pentax DSLR coming this year

2004-01-09 Thread Dag T
It´s not surprising, as C and N does the same.  I would have bought the  
*istD anyway, as I hated the plastic 300D.

DagT

På 9. jan. 2004 kl. 09.54 skrev Alan Chan:

Another Pentax DSLR will be released this year at 1/2 the price of the  
*ist D. The new model will be made of plastic to reduce the  
manufacturing cost. I have copied the translation below.

http://www.jij.co.jp/news/car/art-20031225202640-GQXZLDNFQD.nwc

Regards,
Alan Chan
http://www.pbase.com/wlachan

A pen tack, the low price model injection which will be a lens  
exchange formula digital camera also at next year (Nihon Kogyo Shimbun  
2003/12/26)

A pen tack supplies the low price model for beginners also in next  
year as part of the sales promotion strategy of a lens exchange  
formula digital single-lens reflex camera. Although the lens exchange  
formula digital single-lens reflex camera market monopolizes the  
market mostly with market share about 80% at two companies, NIKON and  
Canon, a pen tack is supplying a low price model, and aims at the  
improvement in a market share in this market.

A pen tack will enter into a lens exchange formula digital single lens  
reflex camera market in August, this year. pen tack *ISUTO D of No.  
1 -- the amount of these weights -- the world -- the maximum -- having  
held down to 550g which becomes lightweight -- the feature It  
developed adopting as a main part material the stainless steel which  
has lightweight and high durability etc. for a photographer, a pro  
called a report, or upper persons.

Since the expensive material was used, the main part price became a  
large sum setup 200,000 yen order.

The company judges that it is necessary to throw in the goods of the  
low price belt which can also purchase an amateur layer easily, in  
order to expand the foot of a lens exchange formula digital single  
lens reflex camera. It decided to decide on the injection of a low  
price model. It designs so that it can equip with the interchangeable  
lens undecidedly [ detailed spec. ] for the lens exchange formula film  
single-lens reflex cameras of the company where the lens mount portion  
shipped the 6,500,000 [ about ] total but. Although a price will be  
packed from now on, it is expected that it becomes just over or below  
100,000 yen.

Because a lens exchange formula digital single lens reflex camera can  
expect sale of accessories, such as an interchangeable lens with thick  
profit margin besides a large sum main part, and a flash, the new  
goods from the competition other companies, such as NIKON which has  
entered into this market, and Canon, Olympus, are also likely to be  
thrown in one after another.

_
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Re: version 1.1

2004-01-09 Thread Dag T
I used the card, and date and time was preserved.

DagT

På 9. jan. 2004 kl. 13.46 skrev Stan Halpin:

I downloaded direct to the camera instead of putting the installer on 
a CF card and putting that to the camera.

Date - time and all other settings were preserved.

Stan

Thomas Stach wrote:


this is Thomas from Germany!
I also just installed the new firmware; all language settings and user
settings are kept after doing this - nice!
Only date and time had be set again.





Re: Lens for *istD

2004-01-09 Thread Dag T
There is.

Such things as noise/sensitivity considerations and diffraction limits.

DagT

På 9. jan. 2004 kl. 15.00 skrev keller.schaefer:

A full frame DSLR would just not fit into this picture - and there is 
no reason
to believe that APS sized sensors cannot be developed further to 
achieve higher
resolutions.




Re: *istD question

2004-01-09 Thread Dag T
Yes, and the Pentax Photo laboratory save in 16 bit TIFF which  
Photoshop is able to handle.

DagT

På 9. jan. 2004 kl. 18.07 skrev J. C. O'Connell:

Does the istD RAW file contain 36 bit color images and
if so, can they be converted to 48 bit TIFFS for use
in photoshop?
JCO
--- 
-
   J.C. O'Connell   mailto:[EMAIL PROTECTED]   http://jcoconnell.com
--- 
-





Re: digital imaging question

2004-01-09 Thread Dag T
I always try to stretch the scale so that the image contains both areas  
being close to the lightest and darkest values.  Anything else will  
often seem grey.  It´s the same thing I do in the darkroom, it is done  
by controlling both contrast and the overall exposure.  In Photoshop I  
use the curve tool.

DagT

På 9. jan. 2004 kl. 18.13 skrev J. C. O'Connell:

I have a question concerning digital capture (scanning or digital
photography)
that need answering. If I have a scene or negative that has a contrast  
range
that it less than the sensor/scanner ( i.e. the histogram width is  
narrower
that the histogram width range), is it better to:

1. center the recorded histogram
2. bias the histogram towards the lighter tones taking care not
   no clip any highlights
3. bias the histogram towards the darker tones taking care not
   to clip any of the darker/black tones
I have a feeling the correct way is #2 or possibly #1 but I am not  
sure.
Anyone know?

--- 
-
   J.C. O'Connell   mailto:[EMAIL PROTECTED]   http://jcoconnell.com
--- 
-





Re: digital imaging question

2004-01-09 Thread Dag T
A nice thing in Photoshop is that there are many ways to achieve the  
same.  It´s just a matter of preferences, I like the kind of control  
the curves give, probably because it was the first tool I learned.

DagT

På 9. jan. 2004 kl. 19.31 skrev Frits Wüthrich:

Why not use levels for that?

On Fri, 2004-01-09 at 19:04, Dag T wrote:
I always try to stretch the scale so that the image contains both  
areas
being close to the lightest and darkest values.  Anything else will
often seem grey.  It´s the same thing I do in the darkroom, it is done
by controlling both contrast and the overall exposure.  In Photoshop I
use the curve tool.

DagT

På 9. jan. 2004 kl. 18.13 skrev J. C. O'Connell:

I have a question concerning digital capture (scanning or digital
photography)
that need answering. If I have a scene or negative that has a  
contrast
range
that it less than the sensor/scanner ( i.e. the histogram width is
narrower
that the histogram width range), is it better to:

1. center the recorded histogram
2. bias the histogram towards the lighter tones taking care not
   no clip any highlights
3. bias the histogram towards the darker tones taking care not
   to clip any of the darker/black tones
I have a feeling the correct way is #2 or possibly #1 but I am not
sure.
Anyone know?
- 
--
-
   J.C. O'Connell   mailto:[EMAIL PROTECTED]   http://jcoconnell.com
- 
--
-



--
Frits Wüthrich [EMAIL PROTECTED]




Re: digital imaging question

2004-01-09 Thread Dag T
It depends on the film.  I certainly would with Velvia, but I´ve never 
used it.  The films I´ve used most, Provia 100F and Agfa 50 RSX are 
neutral and easy to scan with this scanner, which has a very good Dmax.

As it hits on target in most cases I scan in normal 16bit mode first.  
Afterwards I see if the highlights and shadows are good compared to the 
original.  If they are, all the details from the film is in the scan, 
and I can do the rest in Photoshop. If not, I adjust the scan.

DagT

På 9. jan. 2004 kl. 22.29 skrev J. C. O'Connell:

You dont set the exposure level during scanning? I certainly do.
JCO
-Original Message-
From: Dag T [mailto:[EMAIL PROTECTED]

I rarely do anything during scanning.  Only of the slide is
particularly difficult, but Provia 100F is a very easy film to scan
with the Minolta Elite II, so it doesn´t happen often.  As I scan in
16bit Photoshop has enough information to work on later.
DagT

På 9. jan. 2004 kl. 20.05 skrev J. C. O'Connell:

I do that too, but I am talking about when you
capture/scan the original. Not what you do to
it afterward.




Re: What would you do with a 24x36 digital chip?

2004-01-09 Thread Dag T
På 9. jan. 2004 kl. 23.23 skrev Jostein:

- Original Message -
From: Christian [EMAIL PROTECTED]
35mm K-bayonet

why would you put it in anything else?
Until only a few hours ago I thought exactly the same thing, but then
someone (in another thread) pointed out that the cost of  a FF 
digicamera
would be prohibitive to practically all of the current Pentax K 
customer
base. I suspect Pentax would have a much larger potential for a 24x36 
chip
based camera if it was directed towards their 645 customer base.
I agree, the cost of high quality silicon wafers per area has been 
constant for decades.  More than doubling the area will increase the 
prize, as well as the demand for calculating power, memory, speed etc.  
It is in the professional prize range anyway, so why not based the FF 
sensors on the 645 system.

The wide angle problem can be solved, and you need the upper class of 
the 135 lenses to get any quality at all from an FF camera, so why not 
use the 645 lenses?

DagT



Re: Polarizers...

2004-01-08 Thread Dag T
På 7. jan. 2004 kl. 22.56 skrev Tanya Mayer Photography:

Just a question in regards to polarizers...

Can someone explain to me the difference between a circular and linear
polarizer?  Could I use a linear polarizer on my Oly which has 
internal AF
ie. the lens doesn't rotate?

A circular polarizer is in principle a linear polarizer with a 
depolarizer on the back, first filtering out light with a certain 
polarization and then depolarizing the light coming through the filter. 
 It works on all cameras, but is a bit more expensive.

Most modern cameras, and I think all AF cameras, have beam splitters in 
their AF-system (as well as their light meters).  These beam splitters 
are polarization dependent.  Therefore, to get correct metering and AF 
the light coming into the camera should not be polarized.

Try placing a linear polarizer in front of another and rotate them 
relative to each other, and you see what you AF sensors or light meters 
will see  if you put a linear polarizer on a modern camera.  You can 
get anything from almost all the light through the second filter to 
absolute darkness, if the polarizers are good.

DagT



Re: *ist D: hooray!

2004-01-08 Thread Dag T
What I was thinking of was this:
http://www.pentaxusa.com/news/news_display.cfm?pressid=169
PENTAX U.S.A. will preview the lens at the PEPCOM Digital Focus media 
event on January 7 in Las Vegas during the 2004 Consumer Electronics 
Show.

Maybe there is more...

DagT

P 8. jan. 2004 kl. 17.19 skrev [EMAIL PROTECTED]:

Bloody hell.  Don't tell me i need to clear another enablement with my 
Beloved
Wife!

Quoting Dag T [EMAIL PROTECTED]:

I think the 16-45 was scheduled today or something like that...

DagT

P 8. jan. 2004 kl. 16.20 skrev [EMAIL PROTECTED]:

Ah, yes.  When is this firmware update due to appear?

Quoting Dario Bonazza [EMAIL PROTECTED]:

Keep watching Pentax websites :-)

Sorry, I cannot tell more, so please don't ask.

Dario Bonazza





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Re: It's Stopped Raining

2004-01-08 Thread Dag T
På 8. jan. 2004 kl. 17.16 skrev Kostas Kavoussanakis:

On Wed, 7 Jan 2004, mike.wilson wrote:

Kostas wrote:

Which bits does one mop (and therefore check for condensation)?
It was me.  I put the lens cap on before going inside.  All surfaces
were beaded with moisture immediately and I spent about 20 minutes
mopping it off.  I concentrated on the areas of joints, where the
moisture might penetrate the lens or body.
Am I right to infer that you don't need to remove the lens to dry the
insides? What are the chances of condensation forming inside a (zoom
perhaps) lens? I read something about using an airtight bag to bring
the camera in. How airtight need it be? Supermarket bags for example
have holes for the kids not to suffocate in a flash.
In general, I only take the camera out when we are above zero
temperatures. Unlike Shel, I had about 8 non-flash pictures in the
last 74 that I took delivery of today :-( Not happy.
I prefer another method.  Just wrap the camera in wool.  It absorbs the 
condensation and smoothens the temperature changes.

Never take the lens of during the condensation period.

DagT



Re: It's Stopped Raining

2004-01-03 Thread Dag T
På 3. jan. 2004 kl. 20.53 skrev mike wilson:

Hi,

Jostein wrote:
Quoting Dag T [EMAIL PROTECTED]:
I like this type of cold.  It is easy to get sufficient clothing
(usually around here there is no wind when the temperature creeps 
below
-20), the air is dry and extremely clear and there is this crunching
sound when you walk on the snow.

Combinations of wind, snow and rain around zero feels much colder.
After living 10 years on the west coast, I couldn't agree more.
Downside is that it drains batteries faster. And that it takes a lot 
more time
to acclimatise the gear to room temperature afterwards...
I was very impressed with the MZ-S in this respect.  Coming out of well
below 20degrees under zero into a warm and moist cafe, it produced
enough condensation to soak about 30 paper napkins.  I just kept 
mopping
it off until it had warmed up sufficiently to cease creating.  Never 
had
a problem of any sort.  I was also using the 28-70/2.8 FA* lans.
ME Super, Super A and LX also handles this great.  Have anybody taken 
the chance on the *istD yet?  I didn´t take the chances on new years 
eve...

DagT




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