Re: PAW Before the fishermen

2004-07-05 Thread Boris Liberman
Hi!

RS This PAW is the product of an experiment the focus of which was to preserve the
RS colours of the sun rise and sky in the image without sacrificing all detail in
RS its foreground. 

RS To form the image I selectively combined two shots from a +_1 stop bracket in
RS Photoshop. I pasted the darker image over the brightest image, registered the
RS images (set top layer opacity temporarily to 50%) and then set about
RS selectively erasing the areas of the darker image (good sky) with a feathered
RS brush at 25% opacity until I came up this:

RS http://www.photo.net/photodb/photo?photo_id=2412599size=lg

RS It's not perfect but it gives me a lot of ideas for future images along the
RS same vein particularly given that it was only hand held.

Indeed this is digital photography in it earnest, so to say.

I am afraid personally I am too lazy to learn all the tools that I
have...

Rob, while you were at it, could you have removed the greenish kinda
ghost just on the left bottom of the sun? The whole picture is almost
black and white sans the sun and this greenish blob does not belong...

It is really great stuff you share with us.

Thanks.


Boris
([EMAIL PROTECTED] or [EMAIL PROTECTED])



PAW Before the fishermen

2004-06-03 Thread Rob Studdert
This PAW is the product of an experiment the focus of which was to preserve the 
colours of the sun rise and sky in the image without sacrificing all detail in 
its foreground. 

To form the image I selectively combined two shots from a +_1 stop bracket in 
Photoshop. I pasted the darker image over the brightest image, registered the 
images (set top layer opacity temporarily to 50%) and then set about 
selectively erasing the areas of the darker image (good sky) with a feathered 
brush at 25% opacity until I came up this:

http://www.photo.net/photodb/photo?photo_id=2412599size=lg

It's not perfect but it gives me a lot of ideas for future images along the 
same vein particularly given that it was only hand held.

Comments and criticisms welcome.

Cheers,


Rob Studdert
HURSTVILLE AUSTRALIA
Tel +61-2-9554-4110
UTC(GMT)  +10 Hours
[EMAIL PROTECTED]
http://members.ozemail.com.au/~distudio/publications/
Pentax user since 1986, PDMLer since 1998



Re: PAW Before the fishermen

2004-06-03 Thread Gonz
Very nice.  I think Miranda had an action that does this automatically.  
It appears that it is now a full blown plug-in:

http://www.fredmiranda.com/DRI
rg
Rob Studdert wrote:
This PAW is the product of an experiment the focus of which was to preserve the 
colours of the sun rise and sky in the image without sacrificing all detail in 
its foreground. 

To form the image I selectively combined two shots from a +_1 stop bracket in 
Photoshop. I pasted the darker image over the brightest image, registered the 
images (set top layer opacity temporarily to 50%) and then set about 
selectively erasing the areas of the darker image (good sky) with a feathered 
brush at 25% opacity until I came up this:

http://www.photo.net/photodb/photo?photo_id=2412599size=lg
It's not perfect but it gives me a lot of ideas for future images along the 
same vein particularly given that it was only hand held.

Comments and criticisms welcome.
Cheers,
Rob Studdert
HURSTVILLE AUSTRALIA
Tel +61-2-9554-4110
UTC(GMT)  +10 Hours
[EMAIL PROTECTED]
http://members.ozemail.com.au/~distudio/publications/
Pentax user since 1986, PDMLer since 1998
 




Re: PAW Before the fishermen

2004-06-03 Thread Sylwester Pietrzyk
on 03.06.04 9:42, Rob Studdert at [EMAIL PROTECTED] wrote:

 To form the image I selectively combined two shots from a +_1 stop bracket in
 Photoshop. I pasted the darker image over the brightest image, registered the
 images (set top layer opacity temporarily to 50%) and then set about
 selectively erasing the areas of the darker image (good sky) with a feathered
 brush at 25% opacity until I came up this:
 
 http://www.photo.net/photodb/photo?photo_id=2412599size=lg
 
 It's not perfect but it gives me a lot of ideas for future images along the
 same vein particularly given that it was only hand held.
 
 Comments and criticisms welcome.
Excellent photo, excellent work Bruce! No ne can complain now about narrow
latitude of digital media :-)

-- 
Best Regards
Sylwek




Re: PAW Before the fishermen

2004-06-03 Thread Rob Studdert
On 3 Jun 2004 at 14:21, Dario Bonazza wrote:

 Rob,
 
 That's a truly excellent proof of what digital photography can bring us and how
 well you are making use of it. You write that picture is not perfect. Maybe in
 original format it isn't, but the published picture shows no flaws in how you
 managed that task. I take my hat off to you! (I do hope that's not a bloody
 insult in Aussie speech :-)

G'day Dario :-)

Many thanks for the kind words. I have found that as I have become more 
familiar with the camera I am becoming accustomed to shooting with less regard 
to frames spent and I can see more and more photographic possibilities opening 
up. The problem now is that as these new methods aren't normal embedded 
techniques in my mind as yet I really have to think about what new techniques 
might be appropriate. This is why I ask so many questions when I find other 
photographers who have invested the time to try new things and why I'm happy to 
share what I have discovered too.

Cheers,


Rob Studdert
HURSTVILLE AUSTRALIA
Tel +61-2-9554-4110
UTC(GMT)  +10 Hours
[EMAIL PROTECTED]
http://members.ozemail.com.au/~distudio/publications/
Pentax user since 1986, PDMLer since 1998



Re: PAW Before the fishermen

2004-06-03 Thread Rob Studdert
On 3 Jun 2004 at 8:36, Gonz wrote:

 Very nice.  I think Miranda had an action that does this automatically.  
 It appears that it is now a full blown plug-in:
 
 http://www.fredmiranda.com/DRI

Thanks. I've been using some HDR tools but I've found them overly sensitive to 
movement in the image, the ones I've tried are entirely unsuitable for hand 
held shooting. I see with Freds action that there seems to be no option for 
manual registration, this would be a bit of a pain for me. In any case the 
Photoshop technique will provide a reasonable result if it's used wisely but 
I'm sure the dedicated action would do a far superior job under the right 
circumstances. Thanks for pointing it out.

Cheers,


Rob Studdert
HURSTVILLE AUSTRALIA
Tel +61-2-9554-4110
UTC(GMT)  +10 Hours
[EMAIL PROTECTED]
http://members.ozemail.com.au/~distudio/publications/
Pentax user since 1986, PDMLer since 1998



RE: PAW Before the fishermen

2004-06-03 Thread Jeff Jonsson
Good shot, great technique. Don't you just love photoshop? Of course
some may say pictures are becoming hyper-real. They sure are pretty
though. -- Of course maybe with photoshop, our pictures are becoming
more about what WE perceive, than what the camera perceives...

Thanks,
Jeff Jonsson
Marriott Library, University of Utah
801.585.5587 

-Original Message-
From: Rob Studdert [mailto:[EMAIL PROTECTED] 
Sent: Thursday, June 03, 2004 1:42 AM
To: [EMAIL PROTECTED]
Subject: PAW Before the fishermen


This PAW is the product of an experiment the focus of which was to
preserve the 
colours of the sun rise and sky in the image without sacrificing all
detail in 
its foreground. 

To form the image I selectively combined two shots from a +_1 stop
bracket in 
Photoshop. I pasted the darker image over the brightest image,
registered the 
images (set top layer opacity temporarily to 50%) and then set about 
selectively erasing the areas of the darker image (good sky) with a
feathered 
brush at 25% opacity until I came up this:

http://www.photo.net/photodb/photo?photo_id=2412599size=lg

It's not perfect but it gives me a lot of ideas for future images along
the 
same vein particularly given that it was only hand held.

Comments and criticisms welcome.

Cheers,


Rob Studdert
HURSTVILLE AUSTRALIA
Tel +61-2-9554-4110
UTC(GMT)  +10 Hours
[EMAIL PROTECTED]
http://members.ozemail.com.au/~distudio/publications/
Pentax user since 1986, PDMLer since 1998




RE: PAW Before the fishermen

2004-06-03 Thread Shel Belinkoff
Hi Rob ...

That's a nice piece of work.  I like that you're experimenting with the
possibilities that the digital workflow has to offer. Of course, much of
what you're doing is translatable to film, as well.

What I like about this photo is that the manipulations aren't heavy handed.
The boat and sky look to be in pretty good relationship to one another. 
Having visited Miranda's site, the photos used for example have been
treated with a heavy-handed approach.  The subtlety of shadows in the
evening have been translated to what the foreground might look like during
the day instead of how they'd appear in the evening.  It's a good tool, but
needs judicious application and careful thought and planning - as do most
tools.

Shel Belinkoff


 [Original Message]
 From: Rob Studdert [EMAIL PROTECTED]

 This PAW is the product of an experiment the focus of which was to
preserve the 
 colours of the sun rise and sky in the image without sacrificing all
detail in 
 its foreground. 

 To form the image I selectively combined two shots from a +_1 stop
bracket in 
 Photoshop. I pasted the darker image over the brightest image, registered
the 
 images (set top layer opacity temporarily to 50%) and then set about 
 selectively erasing the areas of the darker image (good sky) with a
feathered 
 brush at 25% opacity until I came up this:

 http://www.photo.net/photodb/photo?photo_id=2412599size=lg

 It's not perfect but it gives me a lot of ideas for future images along
the 
 same vein particularly given that it was only hand held.

 Comments and criticisms welcome.





RE: PAW Before the fishermen

2004-06-03 Thread brooksdj

Very nice work,Rob. I can see a use for this in my photography to. I have experimented
with adding a 
layer and raising or lowering the brightness,then painting in the change.This 
bracketing
may be just the 
ticket in helping reduce the really bright whites in the jumps.

I really like the sun/sky behind the boat.Makes me want to be there.

Dave Brooks

 -Original Message-
 From: Rob Studdert [mailto:[EMAIL PROTECTED] 
 Sent: Thursday, June 03, 2004 1:42 AM
 To: [EMAIL PROTECTED]
 Subject: PAW Before the fishermen
 
 
 This PAW is the product of an experiment the focus of which was to
 preserve the 
 colours of the sun rise and sky in the image without sacrificing all
 detail in 
 its foreground. 
 
 To form the image I selectively combined two shots from a +_1 stop
 bracket in 
 Photoshop. I pasted the darker image over the brightest image,
 registered the 
 images (set top layer opacity temporarily to 50%) and then set about 
 selectively erasing the areas of the darker image (good sky) with a
 feathered 
 brush at 25% opacity until I came up this:
 
 http://www.photo.net/photodb/photo?photo_id=2412599size=lg
 
 It's not perfect but it gives me a lot of ideas for future images along
 the 
 same vein particularly given that it was only hand held.
 
 Comments and criticisms welcome.
 
 Cheers,
 
 
 Rob Studdert
 HURSTVILLE AUSTRALIA
 Tel +61-2-9554-4110
 UTC(GMT)  +10 Hours
 [EMAIL PROTECTED]
 http://members.ozemail.com.au/~distudio/publications/
 Pentax user since 1986, PDMLer since 1998
 
 






Re: PAW Before the fishermen

2004-06-03 Thread Herb Chong
i use the Reindeer Graphics Photoshop plugins. they supply a nudge tool that
works in subpixel amounts. they don't have a rotate tool to correct skew. i
assume that they feel the Photoshop tool is satisfactory.

Herb
- Original Message - 
From: Rob Studdert [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Thursday, June 03, 2004 10:13 AM
Subject: Re: PAW Before the fishermen


 Thanks. I've been using some HDR tools but I've found them overly
sensitive to
 movement in the image, the ones I've tried are entirely unsuitable for
hand
 held shooting. I see with Freds action that there seems to be no option
for
 manual registration, this would be a bit of a pain for me. In any case the
 Photoshop technique will provide a reasonable result if it's used wisely
but
 I'm sure the dedicated action would do a far superior job under the right
 circumstances. Thanks for pointing it out.