Re: [Phono-L] Mystery Victor III-UPDATE!

2013-09-11 Thread Melissa Ricci
Hi Mike,

How interesting! I have never heard of that before. We are learning so many new 
things this week.

Thank you!
Melissa



 From: Mike Stitt 
To: Antique Phonograph List  
Sent: Tuesday, September 10, 2013 10:57 PM
Subject: Re: [Phono-L] Mystery Victor III-UPDATE!
 

Melissa,
A little tip learned years ago. Shape a piece of cork or whatever medium
you choose to fit into the the tone arms U-tube. You want it to have a 45
degree cut. Put in front of the U-tube screw so as sound leaves the
reproducer it hits the 45 degree angle and travels directly to the horn,.
good will get better. A direct path instead of bouncing around.
Mike
Oldcranky


On Tue, Sep 10, 2013 at 7:05 PM, Melissa Ricci  wrote:

> Thank you, Andrew!
>
> Steve really is second to none. All of our reproducers sound like the one
> in the video. Loud, clear and beautiful!
>
> We very much appreciate your opinion on the authenticity of the machine.
> We feel like we have learned so much in the past two weeks! It has been so
> much fun. As I said, we are going to continue to find out as much as we can
> about its history. We will be sure to keep updating the group as we learn
> more. There will definitely be at least one follow up video when it is
> completed.
>
> Incidentally, are you a writer or a teacher? The wording in your emails is
> just wonderful! :)
>
> Thanks so much again!
> Melissa
>
>
> 
>  From: Andrew Baron 
> To: Antique Phonograph List 
> Sent: Tuesday, September 10, 2013 1:40 AM
> Subject: Re: [Phono-L] Mystery Victor III-UPDATE!
>
>
> That would explain the great sound.  I'm also a recipient of Steve's
> expertise and labor, and count myself very fortunate to be able to say that.
>
> Regarding the choice of a Victor III for the Vernis-Martin finish, it
> wouldn't be the first time that a less than top-of-the-line Victor or
> Victrola was given this treatment.
> No doubt in my mind about what you have.  The images of the artistic
> graphics lurking beneath the gold paint are at once haunting, inspiring and
> compelling.
>
> Thanks again for sharing your find and taking the time to produce the
> video and make it available.
>
> Andrew Baron
> Santa Fe
>
>
> On Sep 9, 2013, at 5:34 PM, Melissa Ricci wrote:
>
> > Thank you so much, Andrew! What a nice email.
> >
> > The reason the sound is so good is because Steve Medved rebuilt that
> reproducer for us! Unfortunately, the machine did not come with its
> reproducer, so we put one of our extra ones on it for testing. Steve does
> such a great job on our reproducers!
> >
> > Thanks again,
> >
> > Melissa
> >
> >
> > 
> > From: Andrew Baron 
> > To: Antique Phonograph List 
> > Sent: Sunday, September 8, 2013 11:35 PM
> > Subject: Re: [Phono-L] Mystery Victor III-UPDATE!
> >
> >
> > A hearty congratulations Melissa, and thanks for the update.  A truly
> inspiring progress report.
> >
> > Great to see the mandolin and roses under the existing gold paint, and
> the machine sounds wonderful.  How satisfying it must be to have it alive
> again with its new mainsprings.  Looks like new reproducer gaskets and
> flange as well, underscoring a triumphant recording.
> >
> > Machines like this, that are so rare and have survived more than a
> century through questionable practices and poor conditions, have real
> stories to tell.  Thanks for sharing this one.
> >
> > Andrew Baron
> > Santa Fe
> >
> > On Sep 8, 2013, at 5:52 PM, Melissa Ricci wrote:
> >
> >> Hello Everyone,
> >>
> >> Here is an update on our Mystery Victor III. First, we would
> >> like to thank everybody who emailed us with advice and help! You are all
> >> wonderful!
> >>
> >> We were emailed off list about what we now know we really
> >> have. It turns out that back in the day, Victor made special custom made
> >> cabinet styles for the ultra wealthy. When you are that wealthy, you
> could get
> >> pretty much anything you wanted including a gold Victor with hand
> painted
> >> figures on the sides and all gold plated hardware! The style is called
> >> Vernis-Martin and was apparently pretty popular with those who could
> afford it.
> >> The different columns, cabinet style and color were all a special
> order, which
> >> now makes perfect sense. The patent plate was originally on the inside
> so that
> >> it wouldn’t cover the flowers. We were wondering why there were no extra
> >> pinholes anywhere on the outside of the cabin

Re: [Phono-L] Mystery Victor III-UPDATE!

2013-09-11 Thread Melissa Ricci
Very cool! I thought you sounded like a writer. :)

Thank you!
Melissa 



 From: Andrew Baron 
To: Antique Phonograph List  
Sent: Tuesday, September 10, 2013 10:41 PM
Subject: Re: [Phono-L] Mystery Victor III-UPDATE!
 

Learning is ultimately what it's all about.  Or was it the Hokey Pokey?  I get 
confused...

I'm a pop-up book designer (among other things), so one foot is always in the 
publishing world.
My pop-up website is www.popyrus.com.

Best,
Andrew

On Sep 10, 2013, at 8:05 PM, Melissa Ricci wrote:

> Thank you, Andrew! 
> 
> Steve really is second to none. All of our reproducers sound like the one in 
> the video. Loud, clear and beautiful! 
> 
> We very much appreciate your opinion on the authenticity of the machine. We 
> feel like we have learned so much in the past two weeks! It has been so much 
> fun. As I said, we are going to continue to find out as much as we can about 
> its history. We will be sure to keep updating the group as we learn more. 
> There will definitely be at least one follow up video when it is completed. 
> 
> Incidentally, are you a writer or a teacher? The wording in your emails is 
> just wonderful! :)
> 
> Thanks so much again!
> Melissa 
> 
> 
> 
> From: Andrew Baron 
> To: Antique Phonograph List  
> Sent: Tuesday, September 10, 2013 1:40 AM
> Subject: Re: [Phono-L] Mystery Victor III-UPDATE!
> 
> 
> That would explain the great sound.  I'm also a recipient of Steve's 
> expertise and labor, and count myself very fortunate to be able to say that.
> 
> Regarding the choice of a Victor III for the Vernis-Martin finish, it 
> wouldn't be the first time that a less than top-of-the-line Victor or 
> Victrola was given this treatment.
> No doubt in my mind about what you have.  The images of the artistic graphics 
> lurking beneath the gold paint are at once haunting, inspiring and compelling.
> 
> Thanks again for sharing your find and taking the time to produce the video 
> and make it available.
> 
> Andrew Baron
> Santa Fe
> 
> 
> On Sep 9, 2013, at 5:34 PM, Melissa Ricci wrote:
> 
>> Thank you so much, Andrew! What a nice email. 
>> 
>> The reason the sound is so good is because Steve Medved rebuilt that 
>> reproducer for us! Unfortunately, the machine did not come with its 
>> reproducer, so we put one of our extra ones on it for testing. Steve does 
>> such a great job on our reproducers!
>> 
>> Thanks again,
>> 
>> Melissa 
>> 
>> 
>> 
>> From: Andrew Baron 
>> To: Antique Phonograph List  
>> Sent: Sunday, September 8, 2013 11:35 PM
>> Subject: Re: [Phono-L] Mystery Victor III-UPDATE!
>> 
>> 
>> A hearty congratulations Melissa, and thanks for the update.  A truly 
>> inspiring progress report.
>> 
>> Great to see the mandolin and roses under the existing gold paint, and the 
>> machine sounds wonderful.  How satisfying it must be to have it alive again 
>> with its new mainsprings.  Looks like new reproducer gaskets and flange as 
>> well, underscoring a triumphant recording.
>> 
>> Machines like this, that are so rare and have survived more than a century 
>> through questionable practices and poor conditions, have real stories to 
>> tell.  Thanks for sharing this one.
>> 
>> Andrew Baron
>> Santa Fe
>> 
>> On Sep 8, 2013, at 5:52 PM, Melissa Ricci wrote:
>> 
>>> Hello Everyone,
>>>  
>>> Here is an update on our Mystery Victor III. First, we would
>>> like to thank everybody who emailed us with advice and help! You are all
>>> wonderful!
>>>  
>>> We were emailed off list about what we now know we really
>>> have. It turns out that back in the day, Victor made special custom made
>>> cabinet styles for the ultra wealthy. When you are that wealthy, you could 
>>> get
>>> pretty much anything you wanted including a gold Victor with hand painted
>>> figures on the sides and all gold plated hardware! The style is called
>>> Vernis-Martin and was apparently pretty popular with those who could afford 
>>> it.
>>> The different columns, cabinet style and color were all a special order, 
>>> which
>>> now makes perfect sense. The patent plate was originally on the inside so 
>>> that
>>> it wouldn’t cover the flowers. We were wondering why there were no extra
>>> pinholes anywhere on the outside of the cabinet. Now we know. 
>>>  
>>> We assumed correctly that the machine had been re-painted
>>> dur

Re: [Phono-L] Mystery Victor III-UPDATE!

2013-09-11 Thread zonophone2006
i have two 
one is gold and the other is silver
they are great
i got mine from a seller in california years ago
zono

 

 

-Original Message-
From: Mike Stitt 
To: Antique Phonograph List 
Sent: Wed, Sep 11, 2013 11:31 am
Subject: Re: [Phono-L] Mystery Victor III-UPDATE!


Yes indeed Zono, if you have one. If not a simple and effective improvement.
Thanks,
oldcranky


On Wed, Sep 11, 2013 at 2:12 AM,  wrote:

> hi all
> victor also had an attachment you could buy that did that very thing
> you twisted the knob and it changed the angle of the cork
> look in tim and george's  book to see one
> zono
>
>
>
>
>
>
>
> -Original Message-
> From: Mike Stitt 
> To: Antique Phonograph List 
> Sent: Tue, Sep 10, 2013 11:15 pm
> Subject: Re: [Phono-L] Mystery Victor III-UPDATE!
>
>
> Melissa,
> A little tip learned years ago. Shape a piece of cork or whatever medium
> you choose to fit into the the tone arms U-tube. You want it to have a 45
> degree cut. Put in front of the U-tube screw so as sound leaves the
> reproducer it hits the 45 degree angle and travels directly to the horn,.
> good will get better. A direct path instead of bouncing around.
> Mike
> Oldcranky
>
>
> On Tue, Sep 10, 2013 at 7:05 PM, Melissa Ricci 
> wrote:
>
> > Thank you, Andrew!
> >
> > Steve really is second to none. All of our reproducers sound like the one
> > in the video. Loud, clear and beautiful!
> >
> > We very much appreciate your opinion on the authenticity of the machine.
> > We feel like we have learned so much in the past two weeks! It has been
> so
> > much fun. As I said, we are going to continue to find out as much as we
> can
> > about its history. We will be sure to keep updating the group as we learn
> > more. There will definitely be at least one follow up video when it is
> > completed.
> >
> > Incidentally, are you a writer or a teacher? The wording in your emails
> is
> > just wonderful! :)
> >
> > Thanks so much again!
> > Melissa
> >
> >
> > 
> >  From: Andrew Baron 
> > To: Antique Phonograph List 
> > Sent: Tuesday, September 10, 2013 1:40 AM
> > Subject: Re: [Phono-L] Mystery Victor III-UPDATE!
> >
> >
> > That would explain the great sound.  I'm also a recipient of Steve's
> > expertise and labor, and count myself very fortunate to be able to say
> that.
> >
> > Regarding the choice of a Victor III for the Vernis-Martin finish, it
> > wouldn't be the first time that a less than top-of-the-line Victor or
> > Victrola was given this treatment.
> > No doubt in my mind about what you have.  The images of the artistic
> > graphics lurking beneath the gold paint are at once haunting, inspiring
> and
> > compelling.
> >
> > Thanks again for sharing your find and taking the time to produce the
> > video and make it available.
> >
> > Andrew Baron
> > Santa Fe
> >
> >
> > On Sep 9, 2013, at 5:34 PM, Melissa Ricci wrote:
> >
> > > Thank you so much, Andrew! What a nice email.
> > >
> > > The reason the sound is so good is because Steve Medved rebuilt that
> > reproducer for us! Unfortunately, the machine did not come with its
> > reproducer, so we put one of our extra ones on it for testing. Steve does
> > such a great job on our reproducers!
> > >
> > > Thanks again,
> > >
> > > Melissa
> > >
> > >
> > > 
> > > From: Andrew Baron 
> > > To: Antique Phonograph List 
> > > Sent: Sunday, September 8, 2013 11:35 PM
> > > Subject: Re: [Phono-L] Mystery Victor III-UPDATE!
> > >
> > >
> > > A hearty congratulations Melissa, and thanks for the update.  A truly
> > inspiring progress report.
> > >
> > > Great to see the mandolin and roses under the existing gold paint, and
> > the machine sounds wonderful.  How satisfying it must be to have it alive
> > again with its new mainsprings.  Looks like new reproducer gaskets and
> > flange as well, underscoring a triumphant recording.
> > >
> > > Machines like this, that are so rare and have survived more than a
> > century through questionable practices and poor conditions, have real
> > stories to tell.  Thanks for sharing this one.
> > >
> > > Andrew Baron
> > > Santa Fe
> > >
> > > On Sep 8, 2013, at 5:52 PM, Melissa Ricci wrote:
> > >
> > >> Hello Everyone,
> > >>
> > >> Here is

Re: [Phono-L] Mystery Victor III-UPDATE!

2013-09-11 Thread Mike Stitt
Yes indeed Zono, if you have one. If not a simple and effective improvement.
Thanks,
oldcranky


On Wed, Sep 11, 2013 at 2:12 AM,  wrote:

> hi all
> victor also had an attachment you could buy that did that very thing
> you twisted the knob and it changed the angle of the cork
> look in tim and george's  book to see one
> zono
>
>
>
>
>
>
>
> -Original Message-
> From: Mike Stitt 
> To: Antique Phonograph List 
> Sent: Tue, Sep 10, 2013 11:15 pm
> Subject: Re: [Phono-L] Mystery Victor III-UPDATE!
>
>
> Melissa,
> A little tip learned years ago. Shape a piece of cork or whatever medium
> you choose to fit into the the tone arms U-tube. You want it to have a 45
> degree cut. Put in front of the U-tube screw so as sound leaves the
> reproducer it hits the 45 degree angle and travels directly to the horn,.
> good will get better. A direct path instead of bouncing around.
> Mike
> Oldcranky
>
>
> On Tue, Sep 10, 2013 at 7:05 PM, Melissa Ricci 
> wrote:
>
> > Thank you, Andrew!
> >
> > Steve really is second to none. All of our reproducers sound like the one
> > in the video. Loud, clear and beautiful!
> >
> > We very much appreciate your opinion on the authenticity of the machine.
> > We feel like we have learned so much in the past two weeks! It has been
> so
> > much fun. As I said, we are going to continue to find out as much as we
> can
> > about its history. We will be sure to keep updating the group as we learn
> > more. There will definitely be at least one follow up video when it is
> > completed.
> >
> > Incidentally, are you a writer or a teacher? The wording in your emails
> is
> > just wonderful! :)
> >
> > Thanks so much again!
> > Melissa
> >
> >
> > 
> >  From: Andrew Baron 
> > To: Antique Phonograph List 
> > Sent: Tuesday, September 10, 2013 1:40 AM
> > Subject: Re: [Phono-L] Mystery Victor III-UPDATE!
> >
> >
> > That would explain the great sound.  I'm also a recipient of Steve's
> > expertise and labor, and count myself very fortunate to be able to say
> that.
> >
> > Regarding the choice of a Victor III for the Vernis-Martin finish, it
> > wouldn't be the first time that a less than top-of-the-line Victor or
> > Victrola was given this treatment.
> > No doubt in my mind about what you have.  The images of the artistic
> > graphics lurking beneath the gold paint are at once haunting, inspiring
> and
> > compelling.
> >
> > Thanks again for sharing your find and taking the time to produce the
> > video and make it available.
> >
> > Andrew Baron
> > Santa Fe
> >
> >
> > On Sep 9, 2013, at 5:34 PM, Melissa Ricci wrote:
> >
> > > Thank you so much, Andrew! What a nice email.
> > >
> > > The reason the sound is so good is because Steve Medved rebuilt that
> > reproducer for us! Unfortunately, the machine did not come with its
> > reproducer, so we put one of our extra ones on it for testing. Steve does
> > such a great job on our reproducers!
> > >
> > > Thanks again,
> > >
> > > Melissa
> > >
> > >
> > > 
> > > From: Andrew Baron 
> > > To: Antique Phonograph List 
> > > Sent: Sunday, September 8, 2013 11:35 PM
> > > Subject: Re: [Phono-L] Mystery Victor III-UPDATE!
> > >
> > >
> > > A hearty congratulations Melissa, and thanks for the update.  A truly
> > inspiring progress report.
> > >
> > > Great to see the mandolin and roses under the existing gold paint, and
> > the machine sounds wonderful.  How satisfying it must be to have it alive
> > again with its new mainsprings.  Looks like new reproducer gaskets and
> > flange as well, underscoring a triumphant recording.
> > >
> > > Machines like this, that are so rare and have survived more than a
> > century through questionable practices and poor conditions, have real
> > stories to tell.  Thanks for sharing this one.
> > >
> > > Andrew Baron
> > > Santa Fe
> > >
> > > On Sep 8, 2013, at 5:52 PM, Melissa Ricci wrote:
> > >
> > >> Hello Everyone,
> > >>
> > >> Here is an update on our Mystery Victor III. First, we would
> > >> like to thank everybody who emailed us with advice and help! You are
> all
> > >> wonderful!
> > >>
> > >> We were emailed off list about what we now know we really
> > &

Re: [Phono-L] Mystery Victor III-UPDATE!

2013-09-11 Thread zonophone2006
hi all
victor also had an attachment you could buy that did that very thing
you twisted the knob and it changed the angle of the cork
look in tim and george's  book to see one
zono

 

 

 

-Original Message-
From: Mike Stitt 
To: Antique Phonograph List 
Sent: Tue, Sep 10, 2013 11:15 pm
Subject: Re: [Phono-L] Mystery Victor III-UPDATE!


Melissa,
A little tip learned years ago. Shape a piece of cork or whatever medium
you choose to fit into the the tone arms U-tube. You want it to have a 45
degree cut. Put in front of the U-tube screw so as sound leaves the
reproducer it hits the 45 degree angle and travels directly to the horn,.
good will get better. A direct path instead of bouncing around.
Mike
Oldcranky


On Tue, Sep 10, 2013 at 7:05 PM, Melissa Ricci  wrote:

> Thank you, Andrew!
>
> Steve really is second to none. All of our reproducers sound like the one
> in the video. Loud, clear and beautiful!
>
> We very much appreciate your opinion on the authenticity of the machine.
> We feel like we have learned so much in the past two weeks! It has been so
> much fun. As I said, we are going to continue to find out as much as we can
> about its history. We will be sure to keep updating the group as we learn
> more. There will definitely be at least one follow up video when it is
> completed.
>
> Incidentally, are you a writer or a teacher? The wording in your emails is
> just wonderful! :)
>
> Thanks so much again!
> Melissa
>
>
> 
>  From: Andrew Baron 
> To: Antique Phonograph List 
> Sent: Tuesday, September 10, 2013 1:40 AM
> Subject: Re: [Phono-L] Mystery Victor III-UPDATE!
>
>
> That would explain the great sound.  I'm also a recipient of Steve's
> expertise and labor, and count myself very fortunate to be able to say that.
>
> Regarding the choice of a Victor III for the Vernis-Martin finish, it
> wouldn't be the first time that a less than top-of-the-line Victor or
> Victrola was given this treatment.
> No doubt in my mind about what you have.  The images of the artistic
> graphics lurking beneath the gold paint are at once haunting, inspiring and
> compelling.
>
> Thanks again for sharing your find and taking the time to produce the
> video and make it available.
>
> Andrew Baron
> Santa Fe
>
>
> On Sep 9, 2013, at 5:34 PM, Melissa Ricci wrote:
>
> > Thank you so much, Andrew! What a nice email.
> >
> > The reason the sound is so good is because Steve Medved rebuilt that
> reproducer for us! Unfortunately, the machine did not come with its
> reproducer, so we put one of our extra ones on it for testing. Steve does
> such a great job on our reproducers!
> >
> > Thanks again,
> >
> > Melissa
> >
> >
> > 
> > From: Andrew Baron 
> > To: Antique Phonograph List 
> > Sent: Sunday, September 8, 2013 11:35 PM
> > Subject: Re: [Phono-L] Mystery Victor III-UPDATE!
> >
> >
> > A hearty congratulations Melissa, and thanks for the update.  A truly
> inspiring progress report.
> >
> > Great to see the mandolin and roses under the existing gold paint, and
> the machine sounds wonderful.  How satisfying it must be to have it alive
> again with its new mainsprings.  Looks like new reproducer gaskets and
> flange as well, underscoring a triumphant recording.
> >
> > Machines like this, that are so rare and have survived more than a
> century through questionable practices and poor conditions, have real
> stories to tell.  Thanks for sharing this one.
> >
> > Andrew Baron
> > Santa Fe
> >
> > On Sep 8, 2013, at 5:52 PM, Melissa Ricci wrote:
> >
> >> Hello Everyone,
> >>
> >> Here is an update on our Mystery Victor III. First, we would
> >> like to thank everybody who emailed us with advice and help! You are all
> >> wonderful!
> >>
> >> We were emailed off list about what we now know we really
> >> have. It turns out that back in the day, Victor made special custom made
> >> cabinet styles for the ultra wealthy. When you are that wealthy, you
> could get
> >> pretty much anything you wanted including a gold Victor with hand
> painted
> >> figures on the sides and all gold plated hardware! The style is called
> >> Vernis-Martin and was apparently pretty popular with those who could
> afford it.
> >> The different columns, cabinet style and color were all a special
> order, which
> >> now makes perfect sense. The patent plate was originally on the inside
> so that
> >> it wouldn’t cover the flowers. We were wondering why there were no extra
> >> pinho

Re: [Phono-L] Mystery Victor III-UPDATE!

2013-09-10 Thread Mike Stitt
Melissa,
A little tip learned years ago. Shape a piece of cork or whatever medium
you choose to fit into the the tone arms U-tube. You want it to have a 45
degree cut. Put in front of the U-tube screw so as sound leaves the
reproducer it hits the 45 degree angle and travels directly to the horn,.
good will get better. A direct path instead of bouncing around.
Mike
Oldcranky


On Tue, Sep 10, 2013 at 7:05 PM, Melissa Ricci  wrote:

> Thank you, Andrew!
>
> Steve really is second to none. All of our reproducers sound like the one
> in the video. Loud, clear and beautiful!
>
> We very much appreciate your opinion on the authenticity of the machine.
> We feel like we have learned so much in the past two weeks! It has been so
> much fun. As I said, we are going to continue to find out as much as we can
> about its history. We will be sure to keep updating the group as we learn
> more. There will definitely be at least one follow up video when it is
> completed.
>
> Incidentally, are you a writer or a teacher? The wording in your emails is
> just wonderful! :)
>
> Thanks so much again!
> Melissa
>
>
> 
>  From: Andrew Baron 
> To: Antique Phonograph List 
> Sent: Tuesday, September 10, 2013 1:40 AM
> Subject: Re: [Phono-L] Mystery Victor III-UPDATE!
>
>
> That would explain the great sound.  I'm also a recipient of Steve's
> expertise and labor, and count myself very fortunate to be able to say that.
>
> Regarding the choice of a Victor III for the Vernis-Martin finish, it
> wouldn't be the first time that a less than top-of-the-line Victor or
> Victrola was given this treatment.
> No doubt in my mind about what you have.  The images of the artistic
> graphics lurking beneath the gold paint are at once haunting, inspiring and
> compelling.
>
> Thanks again for sharing your find and taking the time to produce the
> video and make it available.
>
> Andrew Baron
> Santa Fe
>
>
> On Sep 9, 2013, at 5:34 PM, Melissa Ricci wrote:
>
> > Thank you so much, Andrew! What a nice email.
> >
> > The reason the sound is so good is because Steve Medved rebuilt that
> reproducer for us! Unfortunately, the machine did not come with its
> reproducer, so we put one of our extra ones on it for testing. Steve does
> such a great job on our reproducers!
> >
> > Thanks again,
> >
> > Melissa
> >
> >
> > 
> > From: Andrew Baron 
> > To: Antique Phonograph List 
> > Sent: Sunday, September 8, 2013 11:35 PM
> > Subject: Re: [Phono-L] Mystery Victor III-UPDATE!
> >
> >
> > A hearty congratulations Melissa, and thanks for the update.  A truly
> inspiring progress report.
> >
> > Great to see the mandolin and roses under the existing gold paint, and
> the machine sounds wonderful.  How satisfying it must be to have it alive
> again with its new mainsprings.  Looks like new reproducer gaskets and
> flange as well, underscoring a triumphant recording.
> >
> > Machines like this, that are so rare and have survived more than a
> century through questionable practices and poor conditions, have real
> stories to tell.  Thanks for sharing this one.
> >
> > Andrew Baron
> > Santa Fe
> >
> > On Sep 8, 2013, at 5:52 PM, Melissa Ricci wrote:
> >
> >> Hello Everyone,
> >>
> >> Here is an update on our Mystery Victor III. First, we would
> >> like to thank everybody who emailed us with advice and help! You are all
> >> wonderful!
> >>
> >> We were emailed off list about what we now know we really
> >> have. It turns out that back in the day, Victor made special custom made
> >> cabinet styles for the ultra wealthy. When you are that wealthy, you
> could get
> >> pretty much anything you wanted including a gold Victor with hand
> painted
> >> figures on the sides and all gold plated hardware! The style is called
> >> Vernis-Martin and was apparently pretty popular with those who could
> afford it.
> >> The different columns, cabinet style and color were all a special
> order, which
> >> now makes perfect sense. The patent plate was originally on the inside
> so that
> >> it wouldn’t cover the flowers. We were wondering why there were no extra
> >> pinholes anywhere on the outside of the cabinet. Now we know.
> >>
> >> We assumed correctly that the machine had been re-painted
> >> during its lifetime and unfortunately, the person who “restored” it
> painted
> >> fresh gold paint right over the original finish and the hand painted
> >> decorations! Once w

Re: [Phono-L] Mystery Victor III-UPDATE!

2013-09-10 Thread Andrew Baron
Learning is ultimately what it's all about.  Or was it the Hokey Pokey?  I get 
confused...

I'm a pop-up book designer (among other things), so one foot is always in the 
publishing world.
My pop-up website is www.popyrus.com.

Best,
Andrew

On Sep 10, 2013, at 8:05 PM, Melissa Ricci wrote:

> Thank you, Andrew! 
> 
> Steve really is second to none. All of our reproducers sound like the one in 
> the video. Loud, clear and beautiful! 
> 
> We very much appreciate your opinion on the authenticity of the machine. We 
> feel like we have learned so much in the past two weeks! It has been so much 
> fun. As I said, we are going to continue to find out as much as we can about 
> its history. We will be sure to keep updating the group as we learn more. 
> There will definitely be at least one follow up video when it is completed. 
> 
> Incidentally, are you a writer or a teacher? The wording in your emails is 
> just wonderful! :)
> 
> Thanks so much again!
> Melissa 
> 
> 
> 
> From: Andrew Baron 
> To: Antique Phonograph List  
> Sent: Tuesday, September 10, 2013 1:40 AM
> Subject: Re: [Phono-L] Mystery Victor III-UPDATE!
> 
> 
> That would explain the great sound.  I'm also a recipient of Steve's 
> expertise and labor, and count myself very fortunate to be able to say that.
> 
> Regarding the choice of a Victor III for the Vernis-Martin finish, it 
> wouldn't be the first time that a less than top-of-the-line Victor or 
> Victrola was given this treatment.
> No doubt in my mind about what you have.  The images of the artistic graphics 
> lurking beneath the gold paint are at once haunting, inspiring and compelling.
> 
> Thanks again for sharing your find and taking the time to produce the video 
> and make it available.
> 
> Andrew Baron
> Santa Fe
> 
> 
> On Sep 9, 2013, at 5:34 PM, Melissa Ricci wrote:
> 
>> Thank you so much, Andrew! What a nice email. 
>> 
>> The reason the sound is so good is because Steve Medved rebuilt that 
>> reproducer for us! Unfortunately, the machine did not come with its 
>> reproducer, so we put one of our extra ones on it for testing. Steve does 
>> such a great job on our reproducers!
>> 
>> Thanks again,
>> 
>> Melissa 
>> 
>> 
>> 
>> From: Andrew Baron 
>> To: Antique Phonograph List  
>> Sent: Sunday, September 8, 2013 11:35 PM
>> Subject: Re: [Phono-L] Mystery Victor III-UPDATE!
>> 
>> 
>> A hearty congratulations Melissa, and thanks for the update.  A truly 
>> inspiring progress report.
>> 
>> Great to see the mandolin and roses under the existing gold paint, and the 
>> machine sounds wonderful.  How satisfying it must be to have it alive again 
>> with its new mainsprings.  Looks like new reproducer gaskets and flange as 
>> well, underscoring a triumphant recording.
>> 
>> Machines like this, that are so rare and have survived more than a century 
>> through questionable practices and poor conditions, have real stories to 
>> tell.  Thanks for sharing this one.
>> 
>> Andrew Baron
>> Santa Fe
>> 
>> On Sep 8, 2013, at 5:52 PM, Melissa Ricci wrote:
>> 
>>> Hello Everyone,
>>>   
>>> Here is an update on our Mystery Victor III. First, we would
>>> like to thank everybody who emailed us with advice and help! You are all
>>> wonderful!
>>>   
>>> We were emailed off list about what we now know we really
>>> have. It turns out that back in the day, Victor made special custom made
>>> cabinet styles for the ultra wealthy. When you are that wealthy, you could 
>>> get
>>> pretty much anything you wanted including a gold Victor with hand painted
>>> figures on the sides and all gold plated hardware! The style is called
>>> Vernis-Martin and was apparently pretty popular with those who could afford 
>>> it.
>>> The different columns, cabinet style and color were all a special order, 
>>> which
>>> now makes perfect sense. The patent plate was originally on the inside so 
>>> that
>>> it wouldn’t cover the flowers. We were wondering why there were no extra
>>> pinholes anywhere on the outside of the cabinet. Now we know. 
>>>   
>>> We assumed correctly that the machine had been re-painted
>>> during its lifetime and unfortunately, the person who “restored” it painted
>>> fresh gold paint right over the original finish and the hand painted
>>> decorations! Once we cleaned the cabinet up, you could clearly see a 
>>

Re: [Phono-L] Mystery Victor III-UPDATE!

2013-09-10 Thread Melissa Ricci
Thank you, Andrew! 

Steve really is second to none. All of our reproducers sound like the one in 
the video. Loud, clear and beautiful! 

We very much appreciate your opinion on the authenticity of the machine. We 
feel like we have learned so much in the past two weeks! It has been so much 
fun. As I said, we are going to continue to find out as much as we can about 
its history. We will be sure to keep updating the group as we learn more. There 
will definitely be at least one follow up video when it is completed. 

Incidentally, are you a writer or a teacher? The wording in your emails is just 
wonderful! :)

Thanks so much again!
Melissa 



 From: Andrew Baron 
To: Antique Phonograph List  
Sent: Tuesday, September 10, 2013 1:40 AM
Subject: Re: [Phono-L] Mystery Victor III-UPDATE!
 

That would explain the great sound.  I'm also a recipient of Steve's expertise 
and labor, and count myself very fortunate to be able to say that.

Regarding the choice of a Victor III for the Vernis-Martin finish, it wouldn't 
be the first time that a less than top-of-the-line Victor or Victrola was given 
this treatment.
No doubt in my mind about what you have.  The images of the artistic graphics 
lurking beneath the gold paint are at once haunting, inspiring and compelling.

Thanks again for sharing your find and taking the time to produce the video and 
make it available.

Andrew Baron
Santa Fe


On Sep 9, 2013, at 5:34 PM, Melissa Ricci wrote:

> Thank you so much, Andrew! What a nice email. 
> 
> The reason the sound is so good is because Steve Medved rebuilt that 
> reproducer for us! Unfortunately, the machine did not come with its 
> reproducer, so we put one of our extra ones on it for testing. Steve does 
> such a great job on our reproducers!
> 
> Thanks again,
> 
> Melissa 
> 
> 
> 
> From: Andrew Baron 
> To: Antique Phonograph List  
> Sent: Sunday, September 8, 2013 11:35 PM
> Subject: Re: [Phono-L] Mystery Victor III-UPDATE!
> 
> 
> A hearty congratulations Melissa, and thanks for the update.  A truly 
> inspiring progress report.
> 
> Great to see the mandolin and roses under the existing gold paint, and the 
> machine sounds wonderful.  How satisfying it must be to have it alive again 
> with its new mainsprings.  Looks like new reproducer gaskets and flange as 
> well, underscoring a triumphant recording.
> 
> Machines like this, that are so rare and have survived more than a century 
> through questionable practices and poor conditions, have real stories to 
> tell.  Thanks for sharing this one.
> 
> Andrew Baron
> Santa Fe
> 
> On Sep 8, 2013, at 5:52 PM, Melissa Ricci wrote:
> 
>> Hello Everyone,
>>  
>> Here is an update on our Mystery Victor III. First, we would
>> like to thank everybody who emailed us with advice and help! You are all
>> wonderful!
>>  
>> We were emailed off list about what we now know we really
>> have. It turns out that back in the day, Victor made special custom made
>> cabinet styles for the ultra wealthy. When you are that wealthy, you could 
>> get
>> pretty much anything you wanted including a gold Victor with hand painted
>> figures on the sides and all gold plated hardware! The style is called
>> Vernis-Martin and was apparently pretty popular with those who could afford 
>> it.
>> The different columns, cabinet style and color were all a special order, 
>> which
>> now makes perfect sense. The patent plate was originally on the inside so 
>> that
>> it wouldn’t cover the flowers. We were wondering why there were no extra
>> pinholes anywhere on the outside of the cabinet. Now we know. 
>>  
>> We assumed correctly that the machine had been re-painted
>> during its lifetime and unfortunately, the person who “restored” it painted
>> fresh gold paint right over the original finish and the hand painted
>> decorations! Once we cleaned the cabinet up, you could clearly see a 
>> mandolin,
>> sheet music and roses with leaves under the topcoat of paint. You can also 
>> see
>> the original bright gold leaf under the ugly new paint. We are in the process
>> of finding an expert in restoring these types of finishes and getting a 
>> formal
>> appraisal.
>>  
>> It is a good thing we were contacted about this when we
>> were. We were all set to strip the cabinet and refinish it last weekend! 
>> What a
>> disaster that would have been. Below is a link to see the machine running for
>> the first time. The machine had two broken springs that we just replaced 
>> along
>> with a good motor cleaning. I tried to get a good shot of the mandolin on the
>> 

Re: [Phono-L] Mystery Victor III-UPDATE!

2013-09-10 Thread Abe Feder
By the way-if you cannot find someone in the area that can do the removal
of paint-please contact me I can do the testing and let you know what can
be done. A number of folks including Andrew know who I am.

Abe Feder
The Restoration House LLC
602-622-7289


On Mon, Sep 9, 2013 at 10:40 PM, Andrew Baron  wrote:

> That would explain the great sound.  I'm also a recipient of Steve's
> expertise and labor, and count myself very fortunate to be able to say that.
>
> Regarding the choice of a Victor III for the Vernis-Martin finish, it
> wouldn't be the first time that a less than top-of-the-line Victor or
> Victrola was given this treatment.
> No doubt in my mind about what you have.  The images of the artistic
> graphics lurking beneath the gold paint are at once haunting, inspiring and
> compelling.
>
> Thanks again for sharing your find and taking the time to produce the
> video and make it available.
>
> Andrew Baron
> Santa Fe
>
>
> On Sep 9, 2013, at 5:34 PM, Melissa Ricci wrote:
>
> > Thank you so much, Andrew! What a nice email.
> >
> > The reason the sound is so good is because Steve Medved rebuilt that
> reproducer for us! Unfortunately, the machine did not come with its
> reproducer, so we put one of our extra ones on it for testing. Steve does
> such a great job on our reproducers!
> >
> > Thanks again,
> >
> > Melissa
> >
> >
> > ____________
> > From: Andrew Baron 
> > To: Antique Phonograph List 
> > Sent: Sunday, September 8, 2013 11:35 PM
> > Subject: Re: [Phono-L] Mystery Victor III-UPDATE!
> >
> >
> > A hearty congratulations Melissa, and thanks for the update.  A truly
> inspiring progress report.
> >
> > Great to see the mandolin and roses under the existing gold paint, and
> the machine sounds wonderful.  How satisfying it must be to have it alive
> again with its new mainsprings.  Looks like new reproducer gaskets and
> flange as well, underscoring a triumphant recording.
> >
> > Machines like this, that are so rare and have survived more than a
> century through questionable practices and poor conditions, have real
> stories to tell.  Thanks for sharing this one.
> >
> > Andrew Baron
> > Santa Fe
> >
> > On Sep 8, 2013, at 5:52 PM, Melissa Ricci wrote:
> >
> >> Hello Everyone,
> >>
> >> Here is an update on our Mystery Victor III. First, we would
> >> like to thank everybody who emailed us with advice and help! You are all
> >> wonderful!
> >>
> >> We were emailed off list about what we now know we really
> >> have. It turns out that back in the day, Victor made special custom made
> >> cabinet styles for the ultra wealthy. When you are that wealthy, you
> could get
> >> pretty much anything you wanted including a gold Victor with hand
> painted
> >> figures on the sides and all gold plated hardware! The style is called
> >> Vernis-Martin and was apparently pretty popular with those who could
> afford it.
> >> The different columns, cabinet style and color were all a special
> order, which
> >> now makes perfect sense. The patent plate was originally on the inside
> so that
> >> it wouldn’t cover the flowers. We were wondering why there were no extra
> >> pinholes anywhere on the outside of the cabinet. Now we know.
> >>
> >> We assumed correctly that the machine had been re-painted
> >> during its lifetime and unfortunately, the person who “restored” it
> painted
> >> fresh gold paint right over the original finish and the hand painted
> >> decorations! Once we cleaned the cabinet up, you could clearly see a
> mandolin,
> >> sheet music and roses with leaves under the topcoat of paint. You can
> also see
> >> the original bright gold leaf under the ugly new paint. We are in the
> process
> >> of finding an expert in restoring these types of finishes and getting a
> formal
> >> appraisal.
> >>
> >> It is a good thing we were contacted about this when we
> >> were. We were all set to strip the cabinet and refinish it last
> weekend! What a
> >> disaster that would have been. Below is a link to see the machine
> running for
> >> the first time. The machine had two broken springs that we just
> replaced along
> >> with a good motor cleaning. I tried to get a good shot of the mandolin
> on the
> >> left side of the cabinet. I hope you can see it through the paint on
> Youtube. Please note that the original crank is missing from this machine
> so we borrowed one from our other Victor 

Re: [Phono-L] Mystery Victor III-UPDATE!

2013-09-09 Thread Andrew Baron
That would explain the great sound.  I'm also a recipient of Steve's expertise 
and labor, and count myself very fortunate to be able to say that.

Regarding the choice of a Victor III for the Vernis-Martin finish, it wouldn't 
be the first time that a less than top-of-the-line Victor or Victrola was given 
this treatment.
No doubt in my mind about what you have.  The images of the artistic graphics 
lurking beneath the gold paint are at once haunting, inspiring and compelling.

Thanks again for sharing your find and taking the time to produce the video and 
make it available.

Andrew Baron
Santa Fe


On Sep 9, 2013, at 5:34 PM, Melissa Ricci wrote:

> Thank you so much, Andrew! What a nice email. 
> 
> The reason the sound is so good is because Steve Medved rebuilt that 
> reproducer for us! Unfortunately, the machine did not come with its 
> reproducer, so we put one of our extra ones on it for testing. Steve does 
> such a great job on our reproducers!
> 
> Thanks again,
> 
> Melissa 
> 
> 
> 
> From: Andrew Baron 
> To: Antique Phonograph List  
> Sent: Sunday, September 8, 2013 11:35 PM
> Subject: Re: [Phono-L] Mystery Victor III-UPDATE!
> 
> 
> A hearty congratulations Melissa, and thanks for the update.  A truly 
> inspiring progress report.
> 
> Great to see the mandolin and roses under the existing gold paint, and the 
> machine sounds wonderful.  How satisfying it must be to have it alive again 
> with its new mainsprings.  Looks like new reproducer gaskets and flange as 
> well, underscoring a triumphant recording.
> 
> Machines like this, that are so rare and have survived more than a century 
> through questionable practices and poor conditions, have real stories to 
> tell.  Thanks for sharing this one.
> 
> Andrew Baron
> Santa Fe
> 
> On Sep 8, 2013, at 5:52 PM, Melissa Ricci wrote:
> 
>> Hello Everyone,
>>   
>> Here is an update on our Mystery Victor III. First, we would
>> like to thank everybody who emailed us with advice and help! You are all
>> wonderful!
>>   
>> We were emailed off list about what we now know we really
>> have. It turns out that back in the day, Victor made special custom made
>> cabinet styles for the ultra wealthy. When you are that wealthy, you could 
>> get
>> pretty much anything you wanted including a gold Victor with hand painted
>> figures on the sides and all gold plated hardware! The style is called
>> Vernis-Martin and was apparently pretty popular with those who could afford 
>> it.
>> The different columns, cabinet style and color were all a special order, 
>> which
>> now makes perfect sense. The patent plate was originally on the inside so 
>> that
>> it wouldn’t cover the flowers. We were wondering why there were no extra
>> pinholes anywhere on the outside of the cabinet. Now we know. 
>>   
>> We assumed correctly that the machine had been re-painted
>> during its lifetime and unfortunately, the person who “restored” it painted
>> fresh gold paint right over the original finish and the hand painted
>> decorations! Once we cleaned the cabinet up, you could clearly see a 
>> mandolin,
>> sheet music and roses with leaves under the topcoat of paint. You can also 
>> see
>> the original bright gold leaf under the ugly new paint. We are in the process
>> of finding an expert in restoring these types of finishes and getting a 
>> formal
>> appraisal.
>>   
>> It is a good thing we were contacted about this when we
>> were. We were all set to strip the cabinet and refinish it last weekend! 
>> What a
>> disaster that would have been. Below is a link to see the machine running for
>> the first time. The machine had two broken springs that we just replaced 
>> along
>> with a good motor cleaning. I tried to get a good shot of the mandolin on the
>> left side of the cabinet. I hope you can see it through the paint on 
>> Youtube. Please note that the original crank is missing from this machine so 
>> we borrowed one from our other Victor III. 
>>   
>> http://www.youtube.com/watch?v=NQobeO-HfLw&feature=youtu.be  
>>   
>> We are thrilled to own such a rare machine and it is going
>> to stay in our collection for a while before we ever consider selling it. We
>> certainly want to make it look as nice as we possibly can while still keeping
>> it as original as possible. 
>>   
>> We will send a post when we find an expert to remove that
>> top layer of paint and try to restore the images underneath. What we thought
>> was a frankenphone turned out to be something special. You never k

Re: [Phono-L] Mystery Victor III-UPDATE!

2013-09-09 Thread Melissa Ricci
Hi Rick and Stephan,

We felt the exact same way when we first saw the machine. We almost didn't even 
bid on it because we were pretty convinced that it was some sort of hand made 
frankenphone. It is very curious that a wealthy person would choose a slightly 
lower end machine to put such a fancy finish on. That stumped the expert who 
contacted us as well, although from what I understand, stranger things have 
happened. We were also told that the serial number dates the machine to 1910 
which was a little late for this type of machine and decoration. All of that 
certainly adds to the mystery and we are hoping to continue researching to find 
some more answers. 

Once we get the machine in the best possible shape, we are going to submit 
fresh pictures to get a formal appraisal which will also help authenticate the 
machine. We are as surprised as can be, trust me! We were days away from 
stripping this thing down to bare wood. Since we found the painted figures 
under the top coat, and sent the pics to a few notable people, we are now 
pretty confident it is real, odd, but real. That is why we decided to make this 
post to the group. Before we found the decoration, there was still a chance it 
was just a homemade mess so we kept it to ourselves. 

The person who contacted us off list is a true expert and once we get 
permission to do so, we will let you know who the expert is.  Since we had 
never heard of such a thing, we are taking that person's word that it is 
authentic. There were also a couple other people who confirmed it for us as 
well once we sent them pictures. 

To answer your question, we did take the entire machine apart and all the holes 
appear factory made and line up perfectly. There are no extra holes at all. The 
joints and the wood all seems perfect. There are no mismatched pieces or out of 
place seams. It is all definitely old and worn with some damage and typical 
alligatoring to the surface. All of the hardware has original gold plating from 
the brake and speed control to the tone arm and horn elbow. The inside of the 
machine, even under the hinges is all gold leaf. I scratched off a bit of the 
"new" paint from the front column and the gleaming gold leaf is right under the 
surface. 

We found a restorer who told us today that she may be able to save the painted 
decorations and re-gold leaf the cabinet. We will certainly post here as things 
progress. 

We are still searching for more answers so we'll let you know what happens. 

Thanks again for you interest in our machine.
Melissa 



 From: Stephan Puille 
To: "phono-l@oldcrank.org"  
Sent: Monday, September 9, 2013 3:39 PM
Subject: Re: [Phono-L] Mystery Victor III-UPDATE!
 

I am surprised that an ultra wealthy chose a comparatively cheap machine for 
such a costly decoration method. The restoration will show if the artistic 
quality is up to the standard we expect from well executed vernis Martin style. 

Stephan 

                          
___
Phono-L mailing list
http://phono-l.org
___
Phono-L mailing list
http://phono-l.org


Re: [Phono-L] Mystery Victor III-UPDATE!

2013-09-09 Thread Melissa Ricci
Hi Rick and Stephan,

We felt the exact same way when we first saw the machine. We almost didn't even 
bid on it because we were pretty convinced that it was some sort of hand made 
frankenphone. It is very curious that a wealthy person would choose a slightly 
lower end machine to put such a fancy finish on. That stumped the expert who 
contacted us as well, although from what I understand, stranger things have 
happened. We were also told that the serial number dates the machine to 1910 
which was a little late for this type of machine and decoration. All of that 
certainly adds to the mystery and we are hoping to continue researching to find 
some more answers. 

Once we get the machine in the best possible shape, we are going to submit 
fresh pictures to get a formal appraisal which will also help authenticate the 
machine. We are as surprised as can be, trust me! We were days away from 
stripping this thing down to bare wood. Since we found the painted figures 
under the top coat, and sent the pics to a few notable people, we are now 
pretty confident it is real, odd, but real. That is why we decided to make this 
post to the group. Before we found the decoration, there was still a chance it 
was just a homemade mess so we kept it to ourselves. 

The person who contacted us off list is a true expert and once we get 
permission to do so, we will let you know who the expert is.  Since we had 
never heard of such a thing, we are taking that person's word that it is 
authentic. There were also a couple other people who confirmed it for us as 
well once we sent them pictures. 

To answer your question, we did take the entire machine apart and all the holes 
appear factory made and line up perfectly. There are no extra holes at all. The 
joints and the wood all seems perfect. There are no mismatched pieces or out of 
place seams. It is all definitely old and worn with some damage and typical 
alligatoring to the surface. All of the hardware has original gold plating from 
the brake and speed control to the tone arm and horn elbow. The inside of the 
machine, even under the hinges is all gold leaf. I scratched off a bit of the 
"new" paint from the front column and the gleaming gold leaf is right under the 
surface. 

We found a restorer who told us today that she may be able to save the painted 
decorations and re-gold leaf the cabinet. We will certainly post here as things 
progress. 

We are still searching for more answers so we'll let you know what happens. 

Thanks again for you interest in our machine.
Melissa 





 From: rick 
To: phono-l@oldcrank.org 
Sent: Monday, September 9, 2013 4:16 PM
Subject: Re: [Phono-L] Mystery Victor III-UPDATE!
 

As a  follow up to Stephan, are you sure this is a special order model? Did you 
remove the back bracket and look at the holes to see if the hoels were straight 
and to verify if the holes were drilled in a factory or by a hand drill? I 
would want to be sure that this case was not made by a cabinet maker where only 
the parts were taken from a Victor III.



-Original Message-
From: Stephan Puille 
To: phono-l 
Sent: Mon, Sep 9, 2013 3:58 pm
Subject: Re: [Phono-L] Mystery Victor III-UPDATE!


I am surprised that an ultra wealthy chose a comparatively cheap machine for 
uch a costly decoration method. The restoration will show if the artistic 
uality is up to the standard we expect from well executed vernis Martin style. 
Stephan 
                          
__
hono-L mailing list
ttp://phono-l.org

___
Phono-L mailing list
http://phono-l.org
___
Phono-L mailing list
http://phono-l.org


Re: [Phono-L] Mystery Victor III-UPDATE!

2013-09-09 Thread Melissa Ricci
Thank you so much, Andrew! What a nice email. 

The reason the sound is so good is because Steve Medved rebuilt that reproducer 
for us! Unfortunately, the machine did not come with its reproducer, so we put 
one of our extra ones on it for testing. Steve does such a great job on our 
reproducers!

Thanks again,

Melissa 



 From: Andrew Baron 
To: Antique Phonograph List  
Sent: Sunday, September 8, 2013 11:35 PM
Subject: Re: [Phono-L] Mystery Victor III-UPDATE!
 

A hearty congratulations Melissa, and thanks for the update.  A truly inspiring 
progress report.

Great to see the mandolin and roses under the existing gold paint, and the 
machine sounds wonderful.  How satisfying it must be to have it alive again 
with its new mainsprings.  Looks like new reproducer gaskets and flange as 
well, underscoring a triumphant recording.

Machines like this, that are so rare and have survived more than a century 
through questionable practices and poor conditions, have real stories to tell.  
Thanks for sharing this one.

Andrew Baron
Santa Fe

On Sep 8, 2013, at 5:52 PM, Melissa Ricci wrote:

> Hello Everyone,
>  
> Here is an update on our Mystery Victor III. First, we would
> like to thank everybody who emailed us with advice and help! You are all
> wonderful!
>  
> We were emailed off list about what we now know we really
> have. It turns out that back in the day, Victor made special custom made
> cabinet styles for the ultra wealthy. When you are that wealthy, you could get
> pretty much anything you wanted including a gold Victor with hand painted
> figures on the sides and all gold plated hardware! The style is called
> Vernis-Martin and was apparently pretty popular with those who could afford 
> it.
> The different columns, cabinet style and color were all a special order, which
> now makes perfect sense. The patent plate was originally on the inside so that
> it wouldn’t cover the flowers. We were wondering why there were no extra
> pinholes anywhere on the outside of the cabinet. Now we know. 
>  
> We assumed correctly that the machine had been re-painted
> during its lifetime and unfortunately, the person who “restored” it painted
> fresh gold paint right over the original finish and the hand painted
> decorations! Once we cleaned the cabinet up, you could clearly see a mandolin,
> sheet music and roses with leaves under the topcoat of paint. You can also see
> the original bright gold leaf under the ugly new paint. We are in the process
> of finding an expert in restoring these types of finishes and getting a formal
> appraisal.
>  
> It is a good thing we were contacted about this when we
> were. We were all set to strip the cabinet and refinish it last weekend! What 
> a
> disaster that would have been. Below is a link to see the machine running for
> the first time. The machine had two broken springs that we just replaced along
> with a good motor cleaning. I tried to get a good shot of the mandolin on the
> left side of the cabinet. I hope you can see it through the paint on Youtube. 
> Please note that the original crank is missing from this machine so we 
> borrowed one from our other Victor III. 
>  
> http://www.youtube.com/watch?v=NQobeO-HfLw&feature=youtu.be  
>  
> We are thrilled to own such a rare machine and it is going
> to stay in our collection for a while before we ever consider selling it. We
> certainly want to make it look as nice as we possibly can while still keeping
> it as original as possible. 
>  
> We will send a post when we find an expert to remove that
> top layer of paint and try to restore the images underneath. What we thought
> was a frankenphone turned out to be something special. You never know what
> you’re going to come across at an auction!
>  
> Happy Hunting. J
>  
> Melissa and Nick
> ___
> Phono-L mailing list
> http://phono-l.org

___
Phono-L mailing list
http://phono-l.org
___
Phono-L mailing list
http://phono-l.org

Re: [Phono-L] Mystery Victor III-UPDATE!

2013-09-09 Thread rick
As a  follow up to Stephan, are you sure this is a special order model? Did you 
remove the back bracket and look at the holes to see if the hoels were straight 
and to verify if the holes were drilled in a factory or by a hand drill? I 
would want to be sure that this case was not made by a cabinet maker where only 
the parts were taken from a Victor III.



-Original Message-
From: Stephan Puille 
To: phono-l 
Sent: Mon, Sep 9, 2013 3:58 pm
Subject: Re: [Phono-L] Mystery Victor III-UPDATE!


I am surprised that an ultra wealthy chose a comparatively cheap machine for 
uch a costly decoration method. The restoration will show if the artistic 
uality is up to the standard we expect from well executed vernis Martin style. 
Stephan 
  
__
hono-L mailing list
ttp://phono-l.org

___
Phono-L mailing list
http://phono-l.org


Re: [Phono-L] Mystery Victor III-UPDATE!

2013-09-09 Thread Stephan Puille
I am surprised that an ultra wealthy chose a comparatively cheap machine for 
such a costly decoration method. The restoration will show if the artistic 
quality is up to the standard we expect from well executed vernis Martin style. 

Stephan 

  
___
Phono-L mailing list
http://phono-l.org


Re: [Phono-L] Mystery Victor III-UPDATE!

2013-09-08 Thread Andrew Baron
A hearty congratulations Melissa, and thanks for the update.  A truly inspiring 
progress report.

Great to see the mandolin and roses under the existing gold paint, and the 
machine sounds wonderful.  How satisfying it must be to have it alive again 
with its new mainsprings.  Looks like new reproducer gaskets and flange as 
well, underscoring a triumphant recording.

Machines like this, that are so rare and have survived more than a century 
through questionable practices and poor conditions, have real stories to tell.  
Thanks for sharing this one.

Andrew Baron
Santa Fe

On Sep 8, 2013, at 5:52 PM, Melissa Ricci wrote:

> Hello Everyone,
>  
> Here is an update on our Mystery Victor III. First, we would
> like to thank everybody who emailed us with advice and help! You are all
> wonderful!
>  
> We were emailed off list about what we now know we really
> have. It turns out that back in the day, Victor made special custom made
> cabinet styles for the ultra wealthy. When you are that wealthy, you could get
> pretty much anything you wanted including a gold Victor with hand painted
> figures on the sides and all gold plated hardware! The style is called
> Vernis-Martin and was apparently pretty popular with those who could afford 
> it.
> The different columns, cabinet style and color were all a special order, which
> now makes perfect sense. The patent plate was originally on the inside so that
> it wouldn’t cover the flowers. We were wondering why there were no extra
> pinholes anywhere on the outside of the cabinet. Now we know. 
>  
> We assumed correctly that the machine had been re-painted
> during its lifetime and unfortunately, the person who “restored” it painted
> fresh gold paint right over the original finish and the hand painted
> decorations! Once we cleaned the cabinet up, you could clearly see a mandolin,
> sheet music and roses with leaves under the topcoat of paint. You can also see
> the original bright gold leaf under the ugly new paint. We are in the process
> of finding an expert in restoring these types of finishes and getting a formal
> appraisal.
>  
> It is a good thing we were contacted about this when we
> were. We were all set to strip the cabinet and refinish it last weekend! What 
> a
> disaster that would have been. Below is a link to see the machine running for
> the first time. The machine had two broken springs that we just replaced along
> with a good motor cleaning. I tried to get a good shot of the mandolin on the
> left side of the cabinet. I hope you can see it through the paint on Youtube. 
> Please note that the original crank is missing from this machine so we 
> borrowed one from our other Victor III. 
>  
> http://www.youtube.com/watch?v=NQobeO-HfLw&feature=youtu.be  
>  
> We are thrilled to own such a rare machine and it is going
> to stay in our collection for a while before we ever consider selling it. We
> certainly want to make it look as nice as we possibly can while still keeping
> it as original as possible. 
>  
> We will send a post when we find an expert to remove that
> top layer of paint and try to restore the images underneath. What we thought
> was a frankenphone turned out to be something special. You never know what
> you’re going to come across at an auction!
>  
> Happy Hunting. J
>  
> Melissa and Nick
> ___
> Phono-L mailing list
> http://phono-l.org

___
Phono-L mailing list
http://phono-l.org


[Phono-L] Mystery Victor III-UPDATE!

2013-09-08 Thread Melissa Ricci
Hello Everyone,
 
Here is an update on our Mystery Victor III. First, we would
like to thank everybody who emailed us with advice and help! You are all
wonderful!
 
We were emailed off list about what we now know we really
have. It turns out that back in the day, Victor made special custom made
cabinet styles for the ultra wealthy. When you are that wealthy, you could get
pretty much anything you wanted including a gold Victor with hand painted
figures on the sides and all gold plated hardware! The style is called
Vernis-Martin and was apparently pretty popular with those who could afford it.
The different columns, cabinet style and color were all a special order, which
now makes perfect sense. The patent plate was originally on the inside so that
it wouldn’t cover the flowers. We were wondering why there were no extra
pinholes anywhere on the outside of the cabinet. Now we know. 
 
We assumed correctly that the machine had been re-painted
during its lifetime and unfortunately, the person who “restored” it painted
fresh gold paint right over the original finish and the hand painted
decorations! Once we cleaned the cabinet up, you could clearly see a mandolin,
sheet music and roses with leaves under the topcoat of paint. You can also see
the original bright gold leaf under the ugly new paint. We are in the process
of finding an expert in restoring these types of finishes and getting a formal
appraisal.
 
It is a good thing we were contacted about this when we
were. We were all set to strip the cabinet and refinish it last weekend! What a
disaster that would have been. Below is a link to see the machine running for
the first time. The machine had two broken springs that we just replaced along
with a good motor cleaning. I tried to get a good shot of the mandolin on the
left side of the cabinet. I hope you can see it through the paint on Youtube. 
Please note that the original crank is missing from this machine so we borrowed 
one from our other Victor III. 
 
http://www.youtube.com/watch?v=NQobeO-HfLw&feature=youtu.be  
 
We are thrilled to own such a rare machine and it is going
to stay in our collection for a while before we ever consider selling it. We
certainly want to make it look as nice as we possibly can while still keeping
it as original as possible. 
 
We will send a post when we find an expert to remove that
top layer of paint and try to restore the images underneath. What we thought
was a frankenphone turned out to be something special. You never know what
you’re going to come across at an auction!
 
Happy Hunting. J
 
Melissa and Nick
___
Phono-L mailing list
http://phono-l.org