Re: [pinhole-discussion] Pinhole and lith printing - A natural complement?

2001-04-18 Thread Brigitte . Harper
In my experience, the definitive book on lith printing is by Tim Rudmann. I
think it is called 'A Master Course in Lith Printing'.
Regards,
Brigitte.




Guy Glorieux

guy.glori...@sympatico.caTo: 
pinhole-discussion@p at ???
 cc:   

Sent by:  Subject: Re: 
[pinhole-discussion] Pinhole and lith printing - A   
pinhole-discussion-admin@pnatural   complement? 

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16/04/2001 13:55

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pinhole-discussion  










Jean Daubas wrote:

 I wanted to post a very interesting resource book about lith printing
where
 you could find excellent comparisons between conventional and Lith prints
from
 the same negative.

 The book, which I find excellent on many other subjects (especially
toning
 procedures) is :

 BEYOND MONOCHROME, a Fine Art Printing Workshop
 by Tony Worobiec and Ray Spence,
 (c) 1999 ;  Published by : Fountain Press Ltd, Kingston upon
 Thames, Surrey, UK
 ISBN 0 86 343 313 8


Thanks Jean,

I looked for it at Amazon.com and they have it at just a little under
$30.00.
This is clearly on my list of books to get.

Guy


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Re: [pinhole-discussion] Pinhole and lith printing - A natural complement?

2001-04-16 Thread Guy Glorieux

Jean Daubas wrote:

 I wanted to post a very interesting resource book about lith printing where
 you could find excellent comparisons between conventional and Lith prints from
 the same negative.

 The book, which I find excellent on many other subjects (especially toning
 procedures) is :

 BEYOND MONOCHROME, a Fine Art Printing Workshop
 by Tony Worobiec and Ray Spence,
 (c) 1999 ;  Published by : Fountain Press Ltd, Kingston upon
 Thames, Surrey, UK
 ISBN 0 86 343 313 8


Thanks Jean,

I looked for it at Amazon.com and they have it at just a little under $30.00.
This is clearly on my list of books to get.

Guy




Re: [pinhole-discussion] Pinhole and lith printing - A natural complement?

2001-04-15 Thread Jean Daubas
- Original Message -
From: Mike Vande Bunt mike.vandeb...@mixcom.com
To: pinhole-discussion@p at ???
Sent: Monday, April 02, 2001 7:28 AM
Subject: Re: [pinhole-discussion] Pinhole and lith printing - A natural
complement?


 Also, would it be possible to see an example
 of a negative printed on both regular paper and lith paper
 so that we can see what the contribution of the lith paper
 is?  (It is hard to tell if contrast / tonality is due to it being
 pinhole, or to the lith printmaking process.)

 Mike Vande Bunt


Hi all !
Very late reply...  Since Guy had introduced this Lith subject, I wanted
to post a very interesting resource book about lith printing where you could
find excellent comparisons between conventional and Lith prints from the
same negative.

The book, which I find excellent on many other subjects (especially toning
procedures) is :

BEYOND MONOCHROME, a Fine Art Printing Workshop
by Tony Worobiec and Ray Spence,
(c) 1999 ;  Published by : Fountain Press Ltd, Kingston upon
Thames, Surrey, UK
ISBN 0 86 343 313 8

There is a whole chapter dedicated to Lith printing, dealing with choice of
papers and developers, details of procedures and tests, solving specific
problems such as pepper fogging; one of the most interesting part is about
the combinations of lith printing with various toners and the very unique
results obtained with Lith + split toning. As for the whole book, the choice
of the photographs illustrating text descriptions is really perfect and the
details of print aspect are really very well rendered through the printing
process of the book.
Hope it helps, even if lately
and Happy Easter from France !

Jean





Re: [pinhole-discussion] Pinhole and lith printing - A natural complement?

2001-04-03 Thread G.Penate
- Original Message -
From: Guy Glorieux guy.glori...@sympatico.ca

 Mike Vande Bunt wrote:

   It makes me wish I had room for a darkroom!
 

 It took me 3 years after moving where I currently live before I got my
darkroom
 re-established.

It has taken me 5 years, since I moved places..and still counting  :-(

Maybe this summer  :-)

Guillermo




Re: [pinhole-discussion] Pinhole and lith printing - A natural complement?

2001-04-03 Thread Guy Glorieux

Mike Vande Bunt wrote:

  It makes me wish I had room for a darkroom!


It took me 3 years after moving where I currently live before I got my darkroom
re-established.  I was relying on rental darkrooms in the meantime - and still 
do
for my color work.  But for all my exhibition work, I use rental facilities, 
because
there is more room to move around and do really large format stuff. But it sure 
is
nice to be able to do some work at home, whether it's a dedicated darkroom or 
just a
closet!

Cheers,

Guy




Re: [pinhole-discussion] Pinhole and lith printing - A natural complement?

2001-04-03 Thread Mike Vande Bunt
Guy Glorieux wrote:

 I don't have a standard print of the lith print I posted yesterday.  But I
 just posted a lith print of a pinhole image I had already uploaded earlier
 this year on the gallery (Rose in winter).

 To see the difference, check:
 http://www.p at ???/discussion/upload/images/lithroselr.jpg
 http://www.p at ???/discussion/upload/images/roseinwinter2.jpg


Yes, I've seen the long prints on your site.  That's a neat concept for
the camera.  The 2 versions of Rose in Winter are a great example of
the differences (along with your description of what didn't make it through
the scanning process).  Both prints are nice, but there is a special
character to the lith print that I really like.  It makes me wish I had room
for a darkroom!

Mike






Re: [pinhole-discussion] Pinhole and lith printing - A natural complement?

2001-04-02 Thread Pam Niedermayer
I'd bet they are tricky; but Photoshop could come to your rescue at
this point, now that you've got the idea down.

Pam

Guy Glorieux wrote:
 
 Thanks, Pam.
 They're kind of tricky to make.  These were my first experiments and the luck 
 of
 the innocent was obviously at play.  I find that, knowing more about the 
 camera
 and the results, I tend to plan too much the sequence of overlaps and, as a 
 result,
 a 'balanced' panorama gets more difficult to achieve.
 
 Cheers,
 
 Guy
 
 Pam Niedermayer wrote:
 
  Guy, these panoramas are so cool, really like all three on that page.
 
  Pam
 
...

-- 
Pamela G. Niedermayer
Pinehill Softworks Inc.
600 W. 28th St., Suite 103
Austin, TX 78705
512-236-1677
http://www.pinehill.com



Re: [pinhole-discussion] Pinhole and lith printing - A natural complement?

2001-04-02 Thread B2MYOUNG
In a message dated 4/2/01 8:15:30 AM, pam_p...@cape.com writes:

 http://www3.sympatico.ca/guy.glorieux/pnhl4Ang.htm 

ABSOLOUTELY STUNNING!
Thank you for sharing.
leezy



Re: [pinhole-discussion] Pinhole and lith printing - A natural complement?

2001-04-02 Thread Guy Glorieux
Thanks, Pam.
They're kind of tricky to make.  These were my first experiments and the luck of
the innocent was obviously at play.  I find that, knowing more about the 
camera
and the results, I tend to plan too much the sequence of overlaps and, as a 
result,
a 'balanced' panorama gets more difficult to achieve.

Cheers,

Guy

Pam Niedermayer wrote:

 Guy, these panoramas are so cool, really like all three on that page.

 Pam

 Guy Glorieux wrote:
 
  This is an ancient Kodak 2A folder converted into pinhole by removing all of
  the front elements, including the bellows and replacing it by a plate with a
  single pinhole.  I feed it with 120 film.
  The image frame inside is 2 1/2 x 4 1/4.  Since I move the film only 
  partway,
  I get overlapping exposures on the full length of the film. This gives me
  greater flexibility than having a multiple pinhole.  Using a 6x9 negative
  holder under the enlarger, I can then select any portion of the negative 
  with
  overlapping images and print it full frame.  In some cases, I have contact
  printed the whole negative and got an image that is 2 1/4 x 20 inches.
  Check my web site gallery for these at
  http://www3.sympatico.ca/guy.glorieux/pnhl4Ang.htm
  ...
 --
 Pamela G. Niedermayer
 Pinehill Softworks Inc.
 600 W. 28th St., Suite 103
 Austin, TX 78705
 512-236-1677
 http://www.pinehill.com

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Re: [pinhole-discussion] Pinhole and lith printing - A natural complement?

2001-04-02 Thread Tina Martin
Thanks, Guy! I had not checked 8 Elm's site for a long time since it seemed 
to be inactive. Now I'll get to see Zernike's zone plate camera.

The lith kit looks interesting. Will have to trot down there soon.
Tina


Tina Martin wrote:

 Which lith printing paper kit were you using, Guy?

Hi Tina,
I've been using the Moersch Special Edition 5 Lith kit with Forte 
Polywarmtone

paper.
I've been working with Eight Elm photo in Toronto on this and they are
discussing with Moersch from Germany to import it in Canada.  As I 
understand
it, it will be available in the Spring but perhaps they have a few kits in 
stock

at the moment.
They now advertise the Moersch chemistry on their own web site.
http://www.eightelmphoto.com/



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Re: [pinhole-discussion] Pinhole and lith printing - A natural complement?

2001-04-02 Thread Pam Niedermayer
Guy, these panoramas are so cool, really like all three on that page.

Pam

Guy Glorieux wrote:
 
 This is an ancient Kodak 2A folder converted into pinhole by removing all of
 the front elements, including the bellows and replacing it by a plate with a
 single pinhole.  I feed it with 120 film.
 The image frame inside is 2 1/2 x 4 1/4.  Since I move the film only partway,
 I get overlapping exposures on the full length of the film. This gives me
 greater flexibility than having a multiple pinhole.  Using a 6x9 negative
 holder under the enlarger, I can then select any portion of the negative with
 overlapping images and print it full frame.  In some cases, I have contact
 printed the whole negative and got an image that is 2 1/4 x 20 inches.
 Check my web site gallery for these at
 http://www3.sympatico.ca/guy.glorieux/pnhl4Ang.htm
 ...
-- 
Pamela G. Niedermayer
Pinehill Softworks Inc.
600 W. 28th St., Suite 103
Austin, TX 78705
512-236-1677
http://www.pinehill.com



Re: [pinhole-discussion] Pinhole and lith printing - A natural complement?

2001-04-02 Thread Guy Glorieux

Mike Vande Bunt wrote:

 Very nice, I really like the print.  Could you tell us about
 the camera and film used (I am guessing there were 2
 pinholes...)?

Mike,
This is an ancient Kodak 2A folder converted into pinhole by removing all of
the front elements, including the bellows and replacing it by a plate with a
single pinhole.  I feed it with 120 film.
The image frame inside is 2 1/2 x 4 1/4.  Since I move the film only partway,
I get overlapping exposures on the full length of the film. This gives me
greater flexibility than having a multiple pinhole.  Using a 6x9 negative
holder under the enlarger, I can then select any portion of the negative with
overlapping images and print it full frame.  In some cases, I have contact
printed the whole negative and got an image that is 2 1/4 x 20 inches.
Check my web site gallery for these at
http://www3.sympatico.ca/guy.glorieux/pnhl4Ang.htm


 Also, would it be possible to see an example
 of a negative printed on both regular paper and lith paper
 so that we can see what the contribution of the lith paper
 is?  (It is hard to tell if contrast / tonality is due to it being
 pinhole, or to the lith printmaking process.)


I don't have a standard print of the lith print I posted yesterday.  But I
just posted a lith print of a pinhole image I had already uploaded earlier
this year on the gallery (Rose in winter).

To see the difference, check:
http://www.p at ???/discussion/upload/images/lithroselr.jpg
http://www.p at ???/discussion/upload/images/roseinwinter2.jpg

Note that the standard print is cropped somewhat from the full negative,
while the lith print is full frame.  The lith print shows considerably more
contrast than the standard print.  It also has a ochre tone in the highlights
and dark brown/olive int eh shadows which I was not able to reproduce properly
in the posted image.
The actual print is 9 1/2 x 91/2.  It has considerable graininess arising from
the lith process but this is hardly visible on the posted image.  This gives a
nice vintage charm.  The paper is double-weight fiber, which also adds tactile
pleasure when holding the print.

Guy






Re: [pinhole-discussion] Pinhole and lith printing - A natural complement?

2001-04-02 Thread George L Smyth
--- Guy Glorieux guy.glori...@sympatico.ca wrote:
 Hi everybody!
 
 Really this has been busy times for me lately.  But, it seems I just
 can't stop...  I received last week my first Lith Printing kit and I
 just had to try it on some of my favorite negatives.  What a discovery!
 To me Lith Printing is a natural complement to pinhole.
 
 I've loaded a picture at
 http://www.p at ???/discussion/upload/images/accalmie1lr.jpg
 
 Comments welcome!

Guy -

Very nice work, I enjoy the atmosphere.

I will be working with Lith printing this summer, and it is good to see that
there are others doing the same.

Cheers -

george

=
Handmade Photographic Images
http://members.home.net/hmpi/

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Re: [pinhole-discussion] Pinhole and lith printing - A natural complement?

2001-04-02 Thread Mike Vande Bunt
Very nice, I really like the print.  Could you tell us about
the camera and film used (I am guessing there were 2
pinholes...)?  Also, would it be possible to see an example
of a negative printed on both regular paper and lith paper
so that we can see what the contribution of the lith paper
is?  (It is hard to tell if contrast / tonality is due to it being
pinhole, or to the lith printmaking process.)

Mike Vande Bunt


Guy Glorieux wrote:

 Hi everybody!

 Really this has been busy times for me lately.  But, it seems I just
 can't stop...  I received last week my first Lith Printing kit and I
 just had to try it on some of my favorite negatives.  What a discovery!
 To me Lith Printing is a natural complement to pinhole.

 I've loaded a picture at
 http://www.p at ???/discussion/upload/images/accalmie1lr.jpg

 Comments welcome!

 Anybody else does lith printing on this list?  I'd be happy to hear and
 share experiences.

 Cheers,

 Guy

 P.S.  Lith Printing is a special BW printing process using specific
 types of paper and a specific type of paper developer.  The paper is
 massively overexposed under the enlarger and processed in highly diluted
 developer for very a long period of times (from 8 to 30 minutes, with
 constant agitation...).  The print turns in shades of colors and yields
 very different contrasts ranges in the highlights and the shadows.
 Something like split toning, but different, all taking place at the
 developer stage.

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Re: [pinhole-discussion] Pinhole and lith printing - A natural complement?

2001-04-01 Thread Tina Martin
Which lith printing paper kit were you using, Guy? I have lith developer and 
have used it with some non lith papers (infectious development method)but 
hadn't found lith paper in Toronto. Was thinking of ordering some from the 
USA. BTW have you seen the book The Master Photographer's Lith Printing 
Course by Tim Rudman? Very helpful and inspiring.

Tina


Hi everybody!

Really this has been busy times for me lately.  But, it seems I just
can't stop...  I received last week my first Lith Printing kit and I
just had to try it on some of my favorite negatives.  What a discovery!
To me Lith Printing is a natural complement to pinhole.

I've loaded a picture at
http://www.p at ???/discussion/upload/images/accalmie1lr.jpg

Comments welcome!

Anybody else does lith printing on this list?  I'd be happy to hear and
share experiences.

Cheers,

Guy

P.S.  Lith Printing is a special BW printing process using specific
types of paper and a specific type of paper developer.  The paper is
massively overexposed under the enlarger and processed in highly diluted
developer for very a long period of times (from 8 to 30 minutes, with
constant agitation...).  The print turns in shades of colors and yields
very different contrasts ranges in the highlights and the shadows.
Something like split toning, but different, all taking place at the
developer stage.


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