Re: [scots-l] Silvery Voe

2001-07-17 Thread John Chambers

Jack Campin writes:
| [Tom Anderson]
|  I don't have the full story, but I remember reading that there
|  has been an ugly struggle over the rights of his music.
|
| If the Shetland Times has any say in the matter, don't expect them
| to hand over anything free of charge.  Remember their lawsuit over
| the rival Shetland paper's website?  (The first litigation in the
| world over plagiarism on the Web, if I remember right).

Interesting. I haven't read anything about this story.  I had noticed
that  when  I  checked  various  Shetland historical and cultural web
sites, I didn't seem to see much mention of him.  This did strike  me
as  curious,  considering  what  he  did  for  Shetland's history and
culture.  Maybe this is the explanation.

This is not surprising, of course, but it is a bit disappointing. Tom
was one of the people who was really dedicated to bringing Shetland's
traditional music to the world.  He did a lot to get people involved,
especially  young  people.   It's  somewhat of a shame that corporate
financial interests would interfere with his work.

This probably means that I should only use his trad tunes, and  try
to avoid the ones that he wrote, unless I can get explicit permission
to use them.  So far, I haven't received any replies to the  messages
that I sent to a few Shetland sites (including the Shetland Times).

This is another example of something that I've suggested a few  times
in  the  past:  One of the effects of things like ABC on the Internet
will be to strengthen the position of traditional music.  The world's
archives  are  moving to the Net quickly now, and we are reaching the
point that  a  lot  of  people  use  it  as  their  first  source  of
information.   If  I'm looking for a tune, I'm more likely to use one
that I find than one that I don't find. Since there's pressure to not
put  new  music  on  the Net, I'm more likely to find older music for
which there's no copyright problem.  And since I'm always under  time
pressure  to  find something, what I'll use will more and more be the
older material.

A quick check with my tune finder with several of Tom's  compositions
and  trad  tunes in Ringing Strings shows that this is true now.  The
trad tunes that I asked for are mostly there (though  not  always  in
his versions).  His compositions mostly aren't there. So people using
the Net to find tunes are less likely to find his  compositions  than
they are to find the trad tunes that he published.

Yet another in a long list of examples of why the current concept  of
intellectual property is doing more harm than good.

Well, maybe in another century, someone will discover Tom's tunes  in
some hard-copy archive and introduce them to the world. I'll go on to
something else.  There's no shortage of things to keep me busy ...

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Re: [scots-l] Silvery Voe

2001-07-16 Thread John Chambers

| John Chambers wrote:
|
|  ...it's on page 37.  Here it is...
|
| Without intending to be aggressive or confrontational, I'm curious
| about your stance on this, John. It's a modern tune composed by a
| someone who has been dead well short of 70 years; it can be found in a
| currently available printed collection. Do you feel that it's OK to
| publish it?

Hmmm ...  Good question.  I'd think there are possibly two answers in
this case, which may or may not be similar.  From what I know of Tom,
having only met him a couple of times at musical events and not being
anything more than a casual acquaintance, I'd say it's pretty obvious
that he would have approved.  It was always clear that he was  mainly
motivated  by  a desire to get as many people involved with the music
as possible.

Thus, in Ringing Strings  he  says  about  the  tunes  I  hope  that
fiddlers  find something interesting in some of them, and if they get
as much enjoyment from playing the tunes as I have had from composing
them  then  I  will be very happy. Then he adds Tune up, let's play
and dance. This does seem to be consistent with everything  else  he
ever said or wrote.

On the other hand, since Tom is gone, his works are now presumably in
the hand of various others who may or may not have this generous sort
of attitude.  In particular, publishers often take a less  than  open
view of people sharing the contents of their publications.  There are
many cases of publishers taking a radically different  attitude  than
their  authors.  So maybe it would be worthwhile to inquire about who
now owns Tom's tunes, and whether they view the tunes as a source  of
income or as Tom's gift to the world.

A bit of checking on the net didn't quickly turn up information about
who  now owns the tunes or publications.  As near as I can tell, Hand
me Doon the Fiddle is out of print.  Ringing Strings is for sale by a
few outlets, and is probably in print, but it's not in the catalog of
the Shetland Times, the publisher of my copy.  They do  list  a  book
called  The Tom Anderson Collection which I'm tempted to order even
without seeing what's in it.  I wonder who might have it?  Or maybe I
should just order it from the Shetland Times.

One curiosity is that I found a number of references to the  Shetland
Musical  Heritage Trust, including a comment that they're the current
publishers of Tom's music, but their web site doesn't seem to mention
him anywhere.

I also tried to locate some of the names in Ringing Strings, such  as
Robert  Innes  and Ian Holland, without much luck.  Robert was at the
University of Stirling, but  they  don't  list  him  anywhere,  so  I
suppose he's moved on.

Anyway, I've sent off a few email  messages  about  Tom's  books  and
tunes, and maybe I'll get some responses.  I've thought for some time
that I'd like to  see  his  tunes,  both  his  compositions  and  his
collections  of  trad tunes, online.  The latter we could just do, of
course, but we'd want to get permission for the former.

Now that the world's archives are rapidly moving online, a  good  way
to  memorialize  Tom's  contributions  to  the  music of Shetland and
Scotland would be to make a Tom Anderson site.  If  his  conservators
agree ...

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Re: [scots-l] Silvery Voe

2001-07-16 Thread Jack Campin

[Tom Anderson]
 I don't have the full story, but I remember reading that there
 has been an ugly struggle over the rights of his music. 

If the Shetland Times has any say in the matter, don't expect them
to hand over anything free of charge.  Remember their lawsuit over
the rival Shetland paper's website?  (The first litigation in the
world over plagiarism on the Web, if I remember right).

=== http://www.purr.demon.co.uk/jack/ ===


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Re: [scots-l] Silvery Voe

2001-07-15 Thread Nigel Gatherer

John Chambers wrote:

 ...it's on page 37.  Here it is...

 X: 1
 T: The Silvery Voe
 C: Tom Anderson 1966
 B: Ringing Strings p.37

Without intending to be aggressive or confrontational, I'm curious
about your stance on this, John. It's a modern tune composed by a
someone who has been dead well short of 70 years; it can be found in a
currently available printed collection. Do you feel that it's OK to
publish it?

-- 
Nigel Gatherer, Crieff, Scotland
[EMAIL PROTECTED]
http://www.argonet.co.uk/users/gatherer/

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[scots-l] Silvery Voe

2001-07-13 Thread Philip Whittaker

  From: Keith W Dunn [EMAIL PROTECTED]
 Subject: [scots-l] The Silvery Voe

 I've searched the web over and can't find the abc's or a gif or jpg of
 this tune, The Silvery Voe.  It's a Shetland tune on Tom Andersons/Aly
 Bain's CD The Sliver Bow. Does anyone have this in one of these
 formats?  Orcould you point me in the right direction?  AND
 What's a Voe?  or even a Silvery  Voe

Voe is verry common word on the maps of Shetland. See Sullom Voe, the
location of the large Oil Terminal, which is perhaps the most famous. From
the map a voe seems to be a body of water such as an inlet or sea-loch -
similar to fjord perhaps?

Hence the Silvery Voe. I think this is a Tom Anderson Tune and it might be
in Ringing Strings or one of the other collections in the same series. 


Philip W

-- 
[EMAIL PROTECTED]

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Re: [scots-l] Silvery Voe

2001-07-13 Thread John Chambers

Philip W writes:
|  From: Keith W Dunn [EMAIL PROTECTED]
|  Subject: [scots-l] The Silvery Voe
|  I've searched the web over and can't find the abc's or a gif or jpg of
|  this tune, The Silvery Voe.  It's a Shetland tune on Tom Andersons/Aly
|  Bain's CD The Sliver Bow. Does anyone have this in one of these
|  formats?  Orcould you point me in the right direction?  AND
|  What's a Voe?  or even a Silvery  Voe
|
| Voe is verry common word on the maps of Shetland. See Sullom Voe, the
| location of the large Oil Terminal, which is perhaps the most famous. From
| the map a voe seems to be a body of water such as an inlet or sea-loch -
| similar to fjord perhaps?
|
| Hence the Silvery Voe. I think this is a Tom Anderson Tune and it might be
| in Ringing Strings or one of the other collections in the same series.

Yup; it's on page 37.  Here it is, with Tom's explanation, and with the
somewhat unusual positioning of the pickup to the second part:

X: 1
T: The Silvery Voe
C: Tom Anderson 1966
B: Ringing Strings p.37
Z: John Chambers [EMAIL PROTECTED]
N: When the full moon shines down on a Shetland voe in winter the sea appears to be
N: shining silver.  Composed in the winter of 1966 when driving along Weisdale Voe.
N: In the key of F major, as that key to me is always a silver colour. From a tape
N: recording of Tom by a student.
M: C
L: 1/8
K: F
C \
[| A3G F2C2 |  D2F2  C4  | D2B2 C2A2 | (BA) GF G2C2 |
   A3G F2C2 | (D2F2) D3B | AC3 B,2G2 | F4 F2 :| AB |
  (c3A) (f3A)  | B3c/d/ (c3A) | B2(dB) A2(cA) | (BA) GF G2AB |
  (c3A) (f2A2) | B2cd   (c3B) | AC3   (A3G)   | F3E kFG kAB |
  (c3A) (f2A2) | B2cd   (c3A) | BkdcB AkcBA   | (BA)GF G2C2 |
   F3G   F2C2  | D2F2C2B2 | AC3   B,2G2   | F4-F4 |]
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