Re: [videoblogging] Stock/Royalty-Free Music sources

2010-04-19 Thread Bohuš
Rupert Howe wrote:
 I'm trying to expand my list of stock/royalty-free music sources -  
 particularly websites.  Which supply tracks that can be used for  
 commercial as well as non-commercial use?

For my commercial work, I mostly use music volumes from digitaljuice.com 
- and that's not just because I do work for them!  ;)

They do two lines of music. The current product is called StackTraxx. 
Using their software, you can turn off different tracks of music (i.e. 
turn off all but drums  bass) to customize it. You don't get the MIDI 
data or anything - everything is in a song already, it's just that you 
get it in its multitrack format.

This is handy for voiceovers. I create two versions of the song - one 
with all the tracks, and then one with just the rhythm tracks. This way 
I can fade between the two, using the simpler one when voiceover comes 
in. Great to not have the music compete with narration.  StackTraxx come 
in various lengths, including 10 seconds, 15 sec, 30, 60, and full 
length around 4-5 minutes

The other collection they used to have was called BackTraxx.  This was a 
massive 2 volume set with something like 10,000 tracks. Some were a 
little synthy and cheap sounding, but with the sheer number of tracks I 
was surprised at how many were darned good. Not as many length variatons 
here. These used to come on CD's so you could even use them in an audio 
player, but more recent issues are on DVD-roms.

StackTraxx aren't a current product, but you can find them on Ebay every 
once in a while, and Digital Juice brings them back as a special product 
at a deal price.  Actually, that's a good reason to subscribe to their 
email list and Facebook. They put out subscriber only deals every once 
in a while. Like StackTraxx volumes for ten bucks and such.  That's how 
I put together a lot of my collection over the years.

I do tutorials for them, but this is unsolicited enthusiasm for the 
products. I don't get a commission or anything.  ;)


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Re: [videoblogging] Creating (or outsourcing) title sequences for videobloggers

2010-02-28 Thread Bohuš

Funny that you bring this topic up. One of the things I'm working on is 
offering my video production services a la carte.  One of those services 
will be opening title sequences...

But yeah, there are companies out there that sell pre-made templates 
that you drop in After Effects and tweak for yourself. The ones I've 
seen, are very nice. The prices vary, but of course you've got to have 
AE, and the time and chops to do the tweaking.  ;)  And I don't think 
that they tend to include music.  I'm sure it varies from provider to 
provider.

I don't have a formal thing ready to roll out yet, but if anyone is 
looking for slick titles  backgrounds and such (maybe intertitles?  
bumpers?) then email me off list.



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Re: [videoblogging] Re: Veoh is dead

2010-02-12 Thread Bohuš
elbowsofdeath wrote:
 There is a rich spectrum of problems in this area and I dont see any signs 
 that any have improved since we first talked about these issues years ago.

I'm decloaking to roundly agree with you. I've been in discussions with 
several local TV broadcasters here in Chicago who desperately want to be 
on the web, but are completely befuddled by how to do it. Not the 
technical aspect, of course, but how to create compelling content that's 
not just a clip from their morning news. They are so deeply entrenched 
in how TV has worked, that they don't get the more personal and informal 
aspects of web video... which is strange. Our style of TV in the early 
days of broadcast is referred to as The Chicago School of Television, 
and we pioneered the casual feel that TV thrives on.  That was back in 
the 50's of course.  I guess those hard won lessons are forgotten.

All I can say is that along the way I've met a number of people within 
those companies who genuinely get it. The difficulties are finding a way 
to explain to management why this is beneficial, how to monetize it, and 
how to retain control of the content. Many of your management types are 
reluctant to go to the web because they see it as competition for their 
TV channels. Don't forget that these guys are really accustomed to 
things working the way they have for some 50 years. Promising a sponsor 
or even an individual that they'll be on TV doesn't carry that much 
weight anymore, when they can do it themselves at home.

I did just get a couple phone calls today about possible future work for 
one of my favorite TV stations in Chicago creating web content. We'll 
see if it comes true, and whether i can create a hybrid that embraces 
the honesty and fun of internet video, and still meet the goals of a 
commercial station.  I'll let you guys know if/when it happens. It will 
be very much a one-man-band scenario... just under the umbrella of an 
established broadaster.



 Cheers and no offence intended to anyone that makes content - I was always on 
 dicey ground when sharing these thoughts in the past due to my own lack of 
 producing any meaningful video on the web but hey ho.
   

When I was a teacher of film  television, one of the first things I 
would impart to students is that they've spent their whole lives being 
an audience to many many different kinds of media. That's a huge 
qualification for having an opinion. Not that it's always right, but 
that's how opinions usually work.  ;)

The other thing I told my students was that if they didn't remember 
anything else from my class, they should remember that they're creating 
work FOR an audience, not IN SPITE OF and audience.  if you're trying to 
say something, and no one in your audience gets it, that's the 
filmmaker's fault not the audience's.

Oh, and if it's any consolation... I've barely made anything that's 
online either.  ;)

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Re: [videoblogging] Turnhere free videos

2010-01-20 Thread Bohuš

Hiya,

Just a word of background, I do TV production for a living.  Mostly 
independent stuff, but some broadcast stuff...

I've been approached a lot by companies like this, especially start-ups. 
They want me to find ways to reduce costs, and still deliver a large 
percentage of what I do to clients. The problem is that I do actually 
have to make a living off of making video, and that's not going to 
happen if each one takes a day or two to make and the most I can hope to 
get is $25-100.

It's great if you're on vacation, take a few fun videos, and then get a 
check for $25... that's great.  The problem is when I'm asked to create 
videos with the same level of production that I usually charge many time 
more for. You're right... there are a lot of start-ups out there who 
think that the best business model is to create a venue for other people 
to do all the work, and then they make their cash off the backs of others.

Ebay is a great example of that. They've created this quasi-community 
(less and less these days) and behave as if they were a store like 
Amazon (with special quasi-promotions, advertising, etc.), but they 
don't actually stock anything or even lick a postage stamp.  They've 
made their fortune by creating this virtual market. That's fair since 
everyone is making a little something, but what do I get out of making a 
video review for $25-50?  It's fine if you're having fun, but how to 
move to the next level?

What affects me now is that many clients who approach me now think that 
this is the status quo for video production. I love the FLIP camera (I 
have several of them, after all...), but its ease has made my clients 
think that all video is just that easy. it's funny how shocked people 
are when they call me for a gig, and I don't jump at the chance to bring 
thousands of dollars worth of gear to their $200 shoot.

Oh well, these topics have been covered before here so I'll quiet down. 
I love the video revolution, and I love that more people are using video 
to communicate than ever, but I don't love opportunistic companies who 
devalue the industries that they try to exploit.


 TurnHere.com, who are an agency who match up filmmakers with small
 businesses, have a new promo going for US  Canadian filmmakers.
 You can offer free 1 minute videos to small businesses, and Turnhere
 will pay you $200 to make them.
 It's a very small amount of money, and is undercutting other people
 who are trying to do the same thing on an individual basis.
 But the requirements are much lower than your average bespoke video
 job. It's pretty much video by numbers. Turn up for an hour, shoot
 an interview with the proprietor, shoot some B roll, cut a 1 minute
 film, get paid $200.
 

 I looked into their business model. I'd want to here from video
 producers who did a lot of work for them. Seems more like
 http://www.wired.com/magazine/2009/10/ff_demandmedia.

 Ironically, Turnhere's orientation video is a downloading WMV:
 http://producers.turnhere.com/orientation-webinar-video.html
 Guess some there doesn't know how to do simple transcoding?

 Sorry to be a scrooge, but I hate companies that just want to profit
 from other people's work. Like an Amway scheme.

 Jay

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Re: [videoblogging] Youtube supports HTML5 (No more Flash?)

2010-01-20 Thread Bohuš
Jay dedman wrote:

 Flash has helped make watching online video easy. Its done its job, thanks.
 Now go sit in the corner with Real Audio.

Amen to that. One of the parts of the transition to computer based video 
that I've hated, hated, hated, is the many codecs and the myriad flavors 
of each.  Flash was one of those, I'll be glad to see it go.





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Re: [videoblogging] 2010 the year of the flip?

2010-01-12 Thread Bohuš
David Jones wrote:
 Sanyo Xacti VPC-HD2000
 I have the HD1010 which is almost identical in terms of feature set
 for most practical uses, and a fair bit cheaper.
   

Interesting.  I'll bear that in mind.
 The lens and sensor size are streets ahead of any pocket cam, and it
 supports add-on lenses.
   

That's the thing that really interests me. It's funny... for years I've 
used Canon's line of cameras with removable lenses, but I've never been 
able to afford the lenses!  I just recently bought a pair of more 
consumer oriented Canon HDV cameras used, got 'em really cheap.  The 
seller basically sold me his whole outfit with lots f spare bits, and my 
favorite is the screw-on fisheye adapters.  He's a still camera so he 
some pretty high standard for this stuff.  He sort of put down the 
quality of these add-ons, but I'm as pleased as punch.  In film school, 
I was a little too into shooting wide-angle, and had to give that up 
when I entered video.

So, I definitely want to play with the Xacti, especially with the extra 
lenses.  I've been trying to interest a few magazines into having me a 
do a pocket cam shootout, but since these aren't seen as very pro I 
haven't been very successful in pitching the article.

BTW I just had an article puvblished about Macro videography in 
Videomaker if any of you might be interested.

http://www.videomaker.com/article/14745/

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Re: [videoblogging] 2010 the year of the flip?

2010-01-12 Thread Bohuš

I have edited the MP4 output of both the Flip HD and the Kodak Zi8 with 
varying degrees of success.  As someone here mentioned, the included 
software is there to chop the heads and tails off of clips, but really 
isn't good for anything more involved than that.  A lot of the issue is 
just ram throughput and how quickly the MP4 stream can be decoded so you 
can see it and edit with it.  I've tried most of the major pro software, 
and I didn't get especially good performance.

The best performance came from software called SpeedEDIT by NewTek (the 
same folks who make the TriCaster  the old Video Toaster from the 
90's). It's not exactly cheap, and it doesn't have the sheer number of 
features of Premiere of Final Cut, but it is far more robust especially 
when editing with multiple formats.  It fared pretty well with MP4 
footage, but certainly was not as snappy as with the stuff coming from 
my HDV cameras. I have occasionally transcoded into other more edit 
friendly codecs, but I just hate doing that. Recompressing is never a 
good idea, especially if the fotage you started with is already 
compressed to within an inch of its life.

My idea was to use pocket cams for impromptu interviews and such, but 
MP4 really is too fussy for editing with at this point... even on a 
beefy edit machine. Possibly the next generation of PC hardware  
software will do better, but I vastly prefer the responsiveness of stuff 
I capture with HDV cams. Still can't match how portable and spontaneous 
those little pocket cams are.

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Re: [videoblogging] 2010 the year of the flip?

2010-01-11 Thread Bohuš
Jim Turner wrote:
 I bought two when they came out.  One didnt work out of the box and the
 other is now dead.
   

I've got four of them, and I did have one croak on me during an 
upgrade.  Their software zorched the firmware during the upgrade. I 
think that it was part of a known problem at the time.  Flip reluctantly 
replaced the camera, though it was out of warranty.  I have been 
unexpectedly happy with the results of those cameras.  I'm mostly 
accustomed to pro stuff, and this has encouraged me to be way more 
spontaneous with shooting than normal.
 I am headed to the Kodak Zi8 and it has mic in.
   
I have this one as well.  The mic jack is very nice.  It's SO close to 
being the perfect pocket camera...  The VU meter doesn't stay on while 
you're recording, and I found it to be pretty inaccurate.  I recorded a 
whole conference with one, and the audio all came out pretty crummy even 
though the VU meters showed that I was well below distorting.

My other complaint is that there's no way to connect a headphone up or a 
monitor while you're recording.  Plugging anything into that jack 
automatically shunts the camera into playback mode. 

One more thing.  The 1080 mode isn't ready for primetime yet.  While 
we're all used to there being some shearing with left and right rapid  
movement of the camera, at 1080 it doesn't take much at all to get the 
image to get VERY wonky. If you're filming a talking head against a 
static background, you'll be fine. Anything else and you'll really 
exaggerate the shearing.

Using it as a 5MP camera is an unexpected bonus.  I'm not a camera phone 
guy, so this is the first time I feel like I hav a camera with me 
anywhere I go.  The macro function is GREAT too.  For my website at 
retrothing.com I do a lot of closeups of gadgets. I think that this 
camera will come in very handy for that.

For what it costs, it's pretty amazing.  I will do a video review of it 
one of these days, especially pitting it against the Flip HD.  Both have 
very pleasing pictures, and both yield video formats that are hard for 
me ot edit (G).  I'm also interested in the Sanyo camera.  Can't 
recall the model # - it's something 2000 I think.  It's ability to use 
external mics and larger lens really interest me.



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TVP Re: [videoblogging] getting better quality out of Blip.TV

2009-12-03 Thread Bohuš
Chad Boeninger wrote:
 Hi all,
 I've been using Blip.TV for quite some time for nearly all of my video blog
 posts and other video projects, for both work and fun.  I love the service
 and the features, but have started to become a little disappointed with the
 final flash video after conversion.  If you upload the same video to Blip,
 Vimeo, YouTube, and Facebook, the Blip version that is converted seems to be
 the worst in the bunch.  I'm generally only uploading SD video, if that
 makes any difference.  I don't plan on moving away from Blip any time soon,
 as the other features (playlists, cross posting, customized player, custom
 thumnails, etc) are the reasons I stay with Blip.  However, I was wondering
 if any of you have any suggestions for getting better quality out of the
 Blip video player.  Are there tricks I can employ on my end to make my file
 more friendly to conversion?  I'm a low budget windows user, so typically my
 files are WMV (Flip video SD) or Mov (Canon SD 780 IS), and I occasionally
 still shoot video with and older Canon MiniDV (edit in moviemaker and output
 as WMV).  Is there a file type or size that Blip may like better for better
 quality conversion to flash?  The other three seem to take WMVs just fine
 and crunch them well, but perhaps there's something better I should be
 looking at when uploading to Blip.

 Thanks in advance for any help you can provide.

 --Chad

   


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TVP Re: [videoblogging] getting better quality out of Blip.TV

2009-12-03 Thread Bohuš
Rupert wrote:
 If you upload as iPod compatible H264 M4V files (.M4V is Apple's  
 extension for iPod compatible MP4 files), you can customise your Blip  
 Show Player to show them in their original form.  However, even so,  
 I've been noticing a deterioration in quality and colour recently, and  
 I'm not sure why that is.

 Blip's flash conversion has always been a bit grey and pixelly - as  
 Jay says, you can always just upload your own flv file - converted  
 using MPEGStreamclip or your editing software.

 There was a point when people loved Blip because they had the best  
 quality and best feature set, back when YouTube's quality was  
 appalling.  They seem to be losing that advantage now.  I heard  
 someone I didn't know really complaining about their reliability at an  
 event last week.

 Add to that the uncertainty about what's acceptable under their TCs  
 as discussed here before.
 It must be a very expensive  competitive business, and seems they're  
 defining a different niche for themselves: a home for Web TV serials,  
 rather than home movies.

 In my experience, Vimeo has very good quality - but as Jay said, Blip  
 allows you to link to the original file for podcasting.  A solution  
 I've been using recently is uploading to Vimeo and Blip at the same  
 time using  Pixelpipe, then embedding the Vimeo player and linking to  
 the file on Blip for podcasting/iTunes.

 Rupert
 http://twittervlog.tv


 On 30-Nov-09, at 2:53 PM, Chad Boeninger wrote:

   
 Hi all,
 I've been using Blip.TV for quite some time for nearly all of my  
 video blog
 posts and other video projects, for both work and fun. I love the  
 service
 and the features, but have started to become a little disappointed  
 with the
 final flash video after conversion. If you upload the same video to  
 Blip,
 Vimeo, YouTube, and Facebook, the Blip version that is converted  
 seems to be
 the worst in the bunch. I'm generally only uploading SD video, if that
 makes any difference. I don't plan on moving away from Blip any time  
 soon,
 as the other features (playlists, cross posting, customized player,  
 custom
 thumnails, etc) are the reasons I stay with Blip. However, I was  
 wondering
 if any of you have any suggestions for getting better quality out of  
 the
 Blip video player. Are there tricks I can employ on my end to make  
 my file
 more friendly to conversion? I'm a low budget windows user, so  
 typically my
 files are WMV (Flip video SD) or Mov (Canon SD 780 IS), and I  
 occasionally
 still shoot video with and older Canon MiniDV (edit in moviemaker  
 and output
 as WMV). Is there a file type or size that Blip may like better for  
 better
 quality conversion to flash? The other three seem to take WMVs just  
 fine
 and crunch them well, but perhaps there's something better I should be
 looking at when uploading to Blip.

 Thanks in advance for any help you can provide.

 --Chad

 -- 
 Chad F. Boeninger
 libraryvoice.com - blog
 libraryvoice.com/videos - videoblog
 twitter.com/cfboeninger

 [Non-text portions of this message have been removed]



 



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Re: [videoblogging] Kodak Zi8 for blogging?

2009-10-23 Thread Bohuš
David Jones wrote:
 o all the meters, and yet my sound was a little overmodulated.
 

 Shouldn't be a problem for me.
 So the Zi8 has VU meters?, that's awesome, I was going to check for
 that feature.
   

It's a rare feature among this grade of cameras, but I didn't get very 
reliable results when I used them. I come from the pro video world, and 
sometimes gear likes this tries to invent their own standard for how to 
do things. There's a much more comprehensive manual online than in the 
box that I should consult.
 One of the things that really gets me with all these pocket cams is that
 there is no headphone jack so you can hear what the camera is getting on
 its mic jack. I used to tell my students, you wouldn't shoot withouth
 looking through the viewfinder, why record audio without monitoring it?
 

 I only use the VU meter at present with my external mic, and find no
 need to use headphones at all.
   

I'll accept what you're saying, and I guess because often videoblogging 
is just a single talking head looking into a camera, that can work.  It 
just gives me the heebie-jeebies. There are chances for weird electric 
hum to get in as well as external noise that you don't notice until 
you're done shooting.  Again, that's just my thing.  This is where film 
school has made me persnickety about these sorts of things.  I need to 
learn to just let go.  ;)
 Not really. Your DV cam is 720 x 480
 

 Yeah, but it ultimately gets downsampled to 640x480 (4:3) for
 uploading to Youtube.
   

DV compression is much milder than MP4, so it would be far better for 
your ultimate video quality to capture and edit in DV, and only as a 
last step render out an MP4.  The actual pixel count is only part of the 
equation, of course. 

That's my beef with these cameras all shooting MP4. First generation 
played out of the camera looks awesome, but if you're going to edit, 
that's another compression pass, and then ultimately whatever the video 
streaming site uses is a third. I'ev shot in HD and had it end up 
looking like crummy VHS.  That's why whenever I can, I shoot in some 
higher bandwidth format and then use MP4 strictly as a distribution format.


 I know the Zi8 is going to be far from perfect, but my problem is
 really don't see any other option around this price point (say
 $AU300) for a cam of any type with SD card and external mic support.

Those two features are really compelling, I must admit.  I got one 
hoping that the ease of it would encourage me to do more video content 
for my site without the laborious method I've been using slowing me 
down. My content is rather static as well, so I just need to find away 
to get the quality where I think it should be, and I'll be a happy guy.  
Finding a way to make the mic input work the way it should would be 
another plus.  ;)

I love that the camera uses swappable cards, and the macro mode is a 
real welcome feature for product reviews. I guess the main change I 
would want (and this is just personal preference) is if it used regular 
batteries rather than a proprietary power pack. The cards are so 
voluminous now, I run out of juice way before I run out of shooting 
space. It would be nice to be able to swap out a couple rechargeables 
when thins get dim.

Nice camera overall, for sure.

-- 
--
  Bohus Blahut
  (BOH-hoosh BLAH-hoot)
 
modern filmmaker




Re: [videoblogging] Kodak Zi8 for blogging?

2009-10-22 Thread Bohuš
David Jones wrote:
 I don't need the full HD, but 720 HD would be nice.
   

At the highest settings, the Zi8 does exhibit some weirdness with 
motion.  Fine for talking heads, not good for action.

 Any comments on the Zi8 for video blogging?
 Anyone know of any other pocket video cams with an external mic jack
 like the Zi8?
   

Has a strange issue with the mic jack.  If you pull out the plug while 
shooting, you get a weird high pitched squeal that doesn't go away til 
you cycle the power.  Also I haven't gotten the hang of the VU meters 
and adjusting the incoming audio.  I used the Zi8 on a shoot with a 
mixer feeding into it, and I should have gotten pristine audio according 
to all the meters, and yet my sound was a little overmodulated.

One of the things that really gets me with all these pocket cams is that 
there is no headphone jack so you can hear what the camera is getting on 
its mic jack. I used to tell my students, you wouldn't shoot withouth 
looking through the viewfinder, why record audio without monitoring it?


 My current cam is an old Canon Optura60 DV (NTSC), not exactly a
 stand-out performer, so I figure a good pocket cam today will likely
 beat it.
   

Not really. Your DV cam is 720 x 480, while most pocket cams are 640 x 
480 and an image sensor that probably isn't as good.  Pocket cams all 
have this image lag thing I was referencing above with fast-moving 
subjects.  The sensor isn't fast enough to keep up with horizontal 
moves.  Test this by pointing the camera out the side window of a moving 
car. You'll see the image shear, making everything look tilted. DV 
cameras don't do that.

I'm using pocket cams more and more for my work that doesn't need really 
crisp image quality, and the convenience of having a camera with you at 
all times can't be beat. But editing on that footage is a bear. It's 
compressed so darned far that by the time I've uploaded to Blip, it 
looks like I've shot on a VHS camcorder...  I've still got to get that 
figured out.  ;)

--
  Bohus Blahut
  (BOH-hoosh BLAH-hoot)
 
modern filmmaker






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Re: [videoblogging] streaming services

2009-01-29 Thread Bohuš

Sorry - I'm joining the conversation late... have you had a look at 
Ustream.tv?  They're free, and the quality is better than many pay 
services I was looking into.  I streamed 26 hours straight at an event 
to break a World's Record, and there were no problems.  I guess if you'd 
prefer your stuff to not have ads, then I can see looking into other 
solutions, but the economy of this free service combined with the really 
excellent video quality has me sold.

Oh, and the usual disclaimers... I don't work for them... etc. etc.

-- 
--
  Bohus Blahut
  (BOH-hoosh BLAH-hoot)
 
modern filmmaker





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