Re: [videoblogging] Re: Verdi vs MPAA

2006-03-17 Thread Michael Sullivan



Copyrights aside... I think it's more important to set up some onlinefree system to contact either an individual or a company in order to
facilitate the process of asking to use/sample content. Musicians,film-makers and artists should all have freely avaliable contactdetails (to themselves or an agent). If no contact details areavailable on this copyright contact network, we should not be held
liable to be sued. [I _know_ this is a bold statement... but thissubject has driven me to bold beliefs].I've proposed this in the past. Would be nice, but it doesnt scale well and of course, their is zero interest/benefit from the corporate perspective. 
It could work in the independent creators space. i'd like to think more about it too its interesting.On 3/16/06, Kitka 
[EMAIL PROTECTED] wrote:Good God, I sure hope so.It's about time we stand up for what we
believe in and tell corporate c*nts who don't even care about thecontent they're protecting to shove it up their a$$.Copyrights aside... I think it's more important to set up some onlinefree system to contact either an individual or a company in order to
facilitate the process of asking to use/sample content.Musicians,film-makers and artists should all have freely avaliable contactdetails (to themselves or an agent).If no contact details areavailable on this copyright contact network, we should not be held
liable to be sued.[I _know_ this is a bold statement... but thissubject has driven me to bold beliefs].I love your Star Trek video, Verdi... I wish I played that when I wasa kid, unfortunately my brother and sister were much older than me and
never wanted to play!Kitkahttp://www.kitkast.com/--- In videoblogging@yahoogroups.com, Enric [EMAIL PROTECTED] wrote:
 It looks like 2006 is the year Videobloggers start to become aggressive and begin kicking some traditional media ass.;) --- In 
videoblogging@yahoogroups.com, Chuck Olsen reallystinkyguy@ wrote:http://mnstories.com/video/rb/rb_sxsw_darknets.mov
--- In videoblogging@yahoogroups.com, Michael Verdi michael@wrote: Hey,
   I'm back from SXSW. The Darknets panel was a good and touched on some of the   copyright issues. Personally, I think a system where something like The   Grey Album is illegal, doesn't work. Now the MPAA (they had a
   representative on the panel) and the RIAA still look at this as theft. As   long as that's the case, things are not going to change. And they certainly   won't listen to me as an individual on the issue. But if people in
 aggregate   willfully disregard these laws where they're just plain stupid, I think,   they'll be forced to come up with some sort of solution. Just as background
   - I come at this as an artist who very much respects people's right to get   paid for their work and on the other hand I also believe that by   contributing to and participating in culture (popular and
 otherwise) you   give up total control over your work. A few years ago I made a short film   about my brother and I playing Star Trek as kids (here's the link all you
   fellow Star Trek nerds:   http://www.michaelverdi.com/video/mjplaystartrek.mov). I wrote to   Paramount asking for the right to use the tricorder and
   transporter sounds. What I got back from them was a letter explaining how I   could not use (with no option to license for a fee) those sounds along with   the words Spock, Enterprise or Phaser. I just think that's
 complete   bullshit. We didn't play Star Voyages as kids or run around with Quadcorders   or something. It was Star Trek. Those are my memories and this film is my
   way of remembering. I don't really give a shit if you've trademarked that   stuff - it's part of the culture and they've benefited from that by both   ripping lots of others off in the ideas behind it and in the
 billions of   dollars they've made because of it. -Verdi   Yahoo! Groups Links* To visit your group on the web, go to:
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[videoblogging] Re: Verdi vs MPAA

2006-03-16 Thread Enric
It looks like 2006 is the year Videobloggers start to become
aggressive and begin kicking some traditional media ass.

   ;)

--- In videoblogging@yahoogroups.com, Chuck Olsen
[EMAIL PROTECTED] wrote:

 
 http://mnstories.com/video/rb/rb_sxsw_darknets.mov
 
 
 --- In videoblogging@yahoogroups.com, Michael Verdi michael@ wrote:
 
  Hey,
  I'm back from SXSW. The Darknets panel was a good and touched on
some of the
  copyright issues. Personally, I think a system where something
like The
  Grey Album is illegal, doesn't work. Now the MPAA (they had a
  representative on the panel) and the RIAA still look at this as
theft. As
  long as that's the case, things are not going to change. And they
certainly
  won't listen to me as an individual on the issue. But if people in
aggregate
  willfully disregard these laws where they're just plain stupid, I
think,
  they'll be forced to come up with some sort of solution. Just as
background
  - I come at this as an artist who very much respects people's
right to get
  paid for their work and on the other hand I also believe that by
  contributing to and participating in culture (popular and
otherwise) you
  give up total control over your work. A few years ago I made a
short film
  about my brother and I playing Star Trek as kids (here's the link
all you
  fellow Star Trek nerds:
  http://www.michaelverdi.com/video/mjplaystartrek.mov). I wrote to
  Paramount asking for the right to use the tricorder and
  transporter sounds. What I got back from them was a letter
explaining how I
  could not use (with no option to license for a fee) those sounds
along with
  the words Spock, Enterprise or Phaser. I just think that's
complete
  bullshit. We didn't play Star Voyages as kids or run around with
Quadcorders
  or something. It was Star Trek. Those are my memories and this
film is my
  way of remembering. I don't really give a shit if you've
trademarked that
  stuff - it's part of the culture and they've benefited from that
by both
  ripping lots of others off in the ideas behind it and in the
billions of
  dollars they've made because of it.
  
  -Verdi
 







 
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[videoblogging] Re: Verdi vs MPAA

2006-03-16 Thread Kitka
Good God, I sure hope so.  It's about time we stand up for what we
believe in and tell corporate c*nts who don't even care about the
content they're protecting to shove it up their a$$.

Copyrights aside... I think it's more important to set up some online
free system to contact either an individual or a company in order to
facilitate the process of asking to use/sample content.  Musicians,
film-makers and artists should all have freely avaliable contact
details (to themselves or an agent).  If no contact details are
available on this copyright contact network, we should not be held
liable to be sued.  [I _know_ this is a bold statement... but this
subject has driven me to bold beliefs].

I love your Star Trek video, Verdi... I wish I played that when I was
a kid, unfortunately my brother and sister were much older than me and
never wanted to play!

Kitka
http://www.kitkast.com/

--- In videoblogging@yahoogroups.com, Enric [EMAIL PROTECTED] wrote:

 It looks like 2006 is the year Videobloggers start to become
 aggressive and begin kicking some traditional media ass.
 
;)
 
 --- In videoblogging@yahoogroups.com, Chuck Olsen
 reallystinkyguy@ wrote:
 
  
  http://mnstories.com/video/rb/rb_sxsw_darknets.mov
  
  
  --- In videoblogging@yahoogroups.com, Michael Verdi michael@
wrote:
  
   Hey,
   I'm back from SXSW. The Darknets panel was a good and touched on
 some of the
   copyright issues. Personally, I think a system where something
 like The
   Grey Album is illegal, doesn't work. Now the MPAA (they had a
   representative on the panel) and the RIAA still look at this as
 theft. As
   long as that's the case, things are not going to change. And they
 certainly
   won't listen to me as an individual on the issue. But if people in
 aggregate
   willfully disregard these laws where they're just plain stupid, I
 think,
   they'll be forced to come up with some sort of solution. Just as
 background
   - I come at this as an artist who very much respects people's
 right to get
   paid for their work and on the other hand I also believe that by
   contributing to and participating in culture (popular and
 otherwise) you
   give up total control over your work. A few years ago I made a
 short film
   about my brother and I playing Star Trek as kids (here's the link
 all you
   fellow Star Trek nerds:
   http://www.michaelverdi.com/video/mjplaystartrek.mov). I wrote to
   Paramount asking for the right to use the tricorder and
   transporter sounds. What I got back from them was a letter
 explaining how I
   could not use (with no option to license for a fee) those sounds
 along with
   the words Spock, Enterprise or Phaser. I just think that's
 complete
   bullshit. We didn't play Star Voyages as kids or run around with
 Quadcorders
   or something. It was Star Trek. Those are my memories and this
 film is my
   way of remembering. I don't really give a shit if you've
 trademarked that
   stuff - it's part of the culture and they've benefited from that
 by both
   ripping lots of others off in the ideas behind it and in the
 billions of
   dollars they've made because of it.
   
   -Verdi
  
 







 
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Re: [videoblogging] Re: Verdi vs MPAA

2006-03-16 Thread Andreas Haugstrup
On Thu, 16 Mar 2006 23:01:49 +0100, Kitka [EMAIL PROTECTED] wrote:

 If no contact details are
 available on this copyright contact network, we should not be held
 liable to be sued.  [I _know_ this is a bold statement... but this
 subject has driven me to bold beliefs].

And you will of course volunteer your time to answer requests for all the  
artists?
-- 
Andreas Haugstrup Pedersen
URL: http://www.solitude.dk/ 
Commentary on media, communication, culture and technology.


 
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Re: [videoblogging] Re: Verdi vs MPAA

2006-03-16 Thread Pete Prodoehl
Kitka wrote:
 
 Copyrights aside... I think it's more important to set up some online
 free system to contact either an individual or a company in order to
 facilitate the process of asking to use/sample content.  Musicians,
 film-makers and artists should all have freely avaliable contact
 details (to themselves or an agent).  If no contact details are
 available on this copyright contact network, we should not be held
 liable to be sued.  [I _know_ this is a bold statement... but this
 subject has driven me to bold beliefs].

At the risk of being pummelled... we have such a system:

web + email + Creative Commons + other stuff

We just need to get that 'other stuff' thing figured out.


Pete

-- 
http://tinkernet.org/
videoblog for the future...




 
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[videoblogging] Re: Verdi vs MPAA

2006-03-16 Thread Enric
--- In videoblogging@yahoogroups.com, Pete Prodoehl [EMAIL PROTECTED] wrote:

 Kitka wrote:
  
  Copyrights aside... I think it's more important to set up some online
  free system to contact either an individual or a company in order to
  facilitate the process of asking to use/sample content.  Musicians,
  film-makers and artists should all have freely avaliable contact
  details (to themselves or an agent).  If no contact details are
  available on this copyright contact network, we should not be held
  liable to be sued.  [I _know_ this is a bold statement... but this
  subject has driven me to bold beliefs].
 
 At the risk of being pummelled... we have such a system:
 
 web + email + Creative Commons + other stuff
 
 We just need to get that 'other stuff' thing figured out.
 
 
 Pete
 
 -- 
 http://tinkernet.org/
 videoblog for the future...


I do see using creative commons as an essential ingrediant with
competing and succeeding to RIAA, MPAA, DRM and other restrictive methods.

 -- Enric
 






 
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