[Videolib] L.A. plays itself

2010-08-25 Thread Rosen, Rhonda J.
Hi,
I've tried for years to get a copy of this film, but always heard it was held 
up in copyright Hell, and so I stopped trying.  Yet, I see that many of you 
have a copy - How did you do that?  Did you contact Thom Andersen at Cal Arts 
directly, or is there a distributor out there somewhere that I've totally 
missed?
Rhonda

Rhonda Rosen| Head, Media  Access Services
William H. Hannon Library | Loyola Marymount University
One LMU Drive, MS 8200 | Los Angeles, CA 90045-2659
rhonda.ro...@lmu.edu| 310/338-4584|
http://library.lmu.eduhttp://library.lmu.edu/
 You see, I don't believe that libraries should be drab places where people 
sit in silence, and that's been the main reason for our policy of employing 
wild animals as librarians.
--Monty Python




VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.


Re: [Videolib] Some survey results

2010-08-25 Thread Marilyn Nasserden
My experience is similar to Christine's, that is, we have and really 
like ASP and FMG - and they are convenient and cost-effective and are 
already well used even though our subscriptions are fairly recent. The 
use of the video databases includes some classroom use but likely more 
general use by  students to obtain information on a topic in a similar 
manner to how books are used.  Some of the titles that our faculty have 
requested to support teaching have been included in these resources so 
we haven't needed to acquire those specific titles individually.  
However many are not so we really need both models: database 
subscriptions as well as the ability to acquire individual titles.  One 
of my goals is to move from acquiring individual titles on DVD to 
acquiring digital video files and working with our other staff in the 
library system to develop a plan to get the infrastructure in place to 
provide access to the digital video files.  Developing the 
infrastructure takes resources which we don't seem to have enough of at 
the moment and therefore it hasn't been accomplished yet.  The other 
road block is the higher cost of PPR for digital video files and often 
the need to track the license term.

Marilyn

CROWLEY, CHRISTINE wrote:
I'm using ASP and FMG already and will definitely be doing Ambrose this coming year. They seem to have good prices for what they offer and the licenses are not unduly complicated. The content is terrific and covers  broad spectrum of interests. I am way more interested in collections rather than trying to track down and keep track of individual titles and varying lengths of licensing--I simply don't have the staff to do this. 
 
Christine Crowley

Dean of Learning Resources
Northwest Vista College
3535 N. Ellison Dr.
San Antonio, TX 78251
210.486.4572 office
210.486.4504 fax
ccrowl...@alamo.edu
Northwest Vista College is one of the Alamo Colleges
www.alamo.edu/nvc/lrc
 
LIVE UNITED
 




From: videolib-boun...@lists.berkeley.edu on behalf of Jonathan Miller
Sent: Tue 8/24/2010 5:15 PM
To: videolib@lists.berkeley.edu
Subject: Re: [Videolib] Some survey results



Dear Gary

Well, yeah. And if we offered to give it away that would be even more
popular. (well maybe, not so many of you took us up on that offer, actually)


A) there may have been problems with how some of the questions in the survey
were constructed, but not, I think, the ones I reference and report on the
results of below.

B) The main companies that are streaming from their servers to users now, as
far as I know, are not charging extremely high prices. Who is offering
streaming now at Exorbitant prices and any of the usage is from them? Or
are you saying FMG and Ambrose and New Day are charging exhorbitant prices?
Is Alexander Street? Please be specific.

Also you don't respond to the figures we DID collect, however un scientific
(or do you know of a better scientific source of such info/data? I don't).

So, let's round it off and try it this way: half or less of you are
currently streaming media (from our sites or your own)

And about half of the videolib universe would like to stream, when they do
stream, from our sites - and half of you would like to / will / are able to
do it yourselves. Does that sound right to you?

AND, of the current media usage by video lib people out there - only a small
part of it is streaming or digital so far, and most of it (well over 75%) is
still DVD

Do you those three 'conclusions' sound reason able to you?

Thanks!

JM






Jonathan Miller
President
Icarus Films
32 Court Street, 21st Floor
Brooklyn, NY 11201 USA

tel 1.718.488.8900
fax 1.718.488.8642
www.IcarusFilms.com
jmil...@icarusfilms.com


-Original Message-
From: videolib-boun...@lists.berkeley.edu
[mailto:videolib-boun...@lists.berkeley.edu] On Behalf Of
ghand...@library.berkeley.edu
Sent: Tuesday, August 24, 2010 6:04 PM
To: videolib@lists.berkeley.edu
Subject: Re: [Videolib] Some survey results

Hey Jon

Interesting (if inconclusive) stuff.  There are some logical flaws in this
survey (and your conclusion) I think.  The survey responses are, of course,
based on services, content, and technology currently available.
They're also based on current pricing schemes.

The real question to ask, I think, would be how many of you would opt for
subscribing to remote (i.e. vendor-side) access if:  1) network delivery
were relatively stable for multiple concurrent users 2) image resolution
were sufficient for study-level access 3) continuing access to individual
titles were relatively stable (i.e. we could be sure that the carpet
wouldn't be whisked out from under us whenever distributor/filmmaker
contracts expired 4) pricing was flexible enough to allow both
single-semester and longer term-access

And the real kicker:  how many would get into this business more earnestly
(either for the short  or long haul) if currently unrealistic pricing
structure for digital delivery (including 

Re: [Videolib] L.A. plays itself

2010-08-25 Thread ghandman
We got ours directly from Thom

gary handman


 Hi,
 I've tried for years to get a copy of this film, but always heard it was
 held up in copyright Hell, and so I stopped trying.  Yet, I see that many
 of you have a copy - How did you do that?  Did you contact Thom Andersen
 at Cal Arts directly, or is there a distributor out there somewhere that
 I've totally missed?
 Rhonda

 Rhonda Rosen| Head, Media  Access Services
 William H. Hannon Library | Loyola Marymount University
 One LMU Drive, MS 8200 | Los Angeles, CA 90045-2659
 rhonda.ro...@lmu.edu| 310/338-4584|
 http://library.lmu.eduhttp://library.lmu.edu/
  You see, I don't believe that libraries should be drab places where
 people sit in silence, and that's been the main reason for our policy of
 employing wild animals as librarians.
 --Monty Python




 VIDEOLIB is intended to encourage the broad and lively discussion of
 issues relating to the selection, evaluation, acquisition,bibliographic
 control, preservation, and use of current and evolving video formats in
 libraries and related institutions. It is hoped that the list will serve
 as an effective working tool for video librarians, as well as a channel of
 communication between libraries,educational institutions, and video
 producers and distributors.



Gary Handman
Director
Media Resources Center
Moffitt Library
UC Berkeley

510-643-8566
ghand...@library.berkeley.edu
http://www.lib.berkeley.edu/MRC

I have always preferred the reflection of life to life itself.
--Francois Truffaut


VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.


Re: [Videolib] Some survey results

2010-08-25 Thread Deg Farrelly
Thank you Jonathan for this preliminary data.

I agree with some of the comments and observations Gary offered in reply.  
Speaking for ASU, I know that what we do currently is not necessary what we 
would/will do under different pricing/hosting/license terms conditions.

So I think this data is at best a snapshot, and all numbers in all categories 
will change dramatically over the next year/s.

Pace University conducted a survey along these lines this year as well.  I have 
seen no results from this survey yet.  Mark Notess from Indiana University has 
also conducted a survey of academic library streaming practices.  The results 
of that survey will be presented at the EDUCAUSE conference in October.

It will be interesting to see how Notess' data compares to yours.

-deg


--
deg farrelly, Full Librarian
Arizona State University
PO Box 37100
Phoenix, Arizona  85069-7100
Phone:  602.543.8522
Email:  deg.farre...@asu.edu




Date: Tue, 24 Aug 2010 15:04:04 -0700
To: videolib@lists.berkeley.edu
Subject: videolib Digest, Vol 33, Issue 64

Dear videlib universe

As some of you noticed we recently did a survey asking some questions of our
customers (hopefully you all ARE customers!) and some of the answers might
be interesting.

So far we received 76 responses.

Of these:

1) 60% of you do NOT license streaming or download rights (40% do)

2) of those 82% license rights for more than one semester (one year term or
longer)

3) so that is .82 x .40 = just 33% of you (?) license rights (for a year or
more)

4) additionally, when you do license rights, 59% is from the distributor's
web site, and 41% from your own or a local server.

5) broken down further:

Of the 59% who do license rights from the distributor's web site, 12% do so
as needed for a semester or one class, and 88% do so for a year or more

Which, if my math and logic is correct(dicey) - that means that

Only 59% of 82% of 40% of you a) license rights for a year or more AND b)
access the digital files from the distributor's web site.

Which is (Drum roll): only 19% of you actually need us to make available
this sort of service?



Interesting (?) results # 2:

We asked what percentage of your media usage and expenditure is for
online/streaming, vs. DVD purchases.

Re usage:

85% of you said 20% or LESS
74% said 90% or MORE (44% said 100%!)

Re expenditures:

81% said 20% or Less
78% said 90% or More



I know it is a small and non-scientific sample. Maybe we should pretend it
never happened. But - any thoughts on this?

Thanks!

Best,

Jonathan


Jonathan Miller
President
Icarus Films
32 Court Street, 21st Floor
Brooklyn, NY 11201 USA

tel 1.718.488.8900
fax 1.718.488.8642
www.IcarusFilms.com
jmil...@icarusfilms.com

VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.


[Videolib] 3 days added to register! Creative Commons Licensing Seminar

2010-08-25 Thread Olga Francois
Please excuse any duplication of this message
=
Greetings all,

We have had such great interest, by request, we have extended the
registration until the end of the week, 8/27. 

CREATIVE COMMONS LICENSING: an online seminar.
http://cipcommunity.org/creativecommonsseminar.

Join Michael Carroll on August 31, 2010, from 2:00 until 5:00 PM ET, as
he discusses how Creative Commons licensing provides intellectual
property flexibility to institutions and helps individuals easily manage
their creative rights. Mr. Carroll, J.D., Washington College of Law,
American University, is a founding member of Creative Commons and
currently serves on its Board of Directors as an advisor to the Science
Commons and ccLearn projects.

Renew your Center for Intellectual Property membership or become a new
member -- either yourself ($60) or your institution ($500) -- by August
23...and you may attend this free seminar and continue to take advantage
of additional member benefits for the next year.

NEW! INSTITUTIONAL MEMBERSHIP PRE-SALE.

Rather than signing up as an individual member, you may want to
encourage your institution to become a member of the CIP Community.  For
$500 a year, your entire institution may benefit from membership that
includes: discounts on educational programming and consultation
services; access to on-going free community conversations about
copyright; legislative alerts; and access to the community file library.
These benefits extend to all the institution employees. Visit our
institutional membership page at
http://www.cipcommunity.org/institutionalmembership for more details.

If your institution signs up during this pre-sale, participation in the
seminar on Creative Commons licensing is FREE for anyone employed at
your institution. Contact us to find out how.

Complete the membership the form at
http://www.cipcommunity.org/membershipform for your community access
today!

--
Olga Francois, Assistant Director
Center for Intellectual Property
University of Maryland University College
3501 University Blvd. East, PGM3-780
Adelphi, MD 20783
Phone: 240-684-5803 or 1-800-283-6832, ext. 5803
Fax:   240-684-2961
ofranc...@umuc.edu
http://cipcommunity.org/

VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.