Re: slackness
It's Lynchian, can I call it, and very good, if I can so that much. Bravo! Tied it together well. --- Allen Bramhall [EMAIL PROTECTED] wrote: excise purpleness of this paddle, which could be rarer plus grainier with a red delivery truck color, the chance beyond cold waves. The ocean installs certain bets, pays far, appears foremost like a truck with the place of information. The hard effort of the luminous ones announcing which floats outside with the sea's only image, with confusion but with swirl, you will not tranquillize your drama. smack of something slackness, the remainder of your affection. swarm the waves of ammo that says palate of the coast: it can invest us. Then we look beyond the gulf or see soon more visions. Innate ships Viking and canoes and that not with flood. There more than carry, more. New York is cooked slightly, vaporized with something so that installed waxer a correct respect, and man of the left for. We are await whereas us midnight suppers. The odor is existence. laughs of poets' expenses with beer and amnesty. 8 AM is a placement, by getting mixed up a great wanton part work but still: look beyond trees to see the real covers of trap doors. Forget squirrels and pigeons and you point out the religion. The door of the religion is required by covering probability. exactly thus can turn a sentence toymaker of proclamation. This one how much attentions cities! __ Do You Yahoo!? Tired of spam? Yahoo! Mail has the best spam protection around http://mail.yahoo.com
Re: slackness
might -- carelessly -- make do -- wrench -- open -- all dry down there -- back -- shoulders -- Lift your wings! -- against my face happy toes -- happy toes -- happy toes -- aah -- when say -- always when -- ( ghosts I can hear -- 'n' like that ) You look like a girl ... Xiao Yao (Rock n' roll rhythmns in the background!) --- Allen Bramhall [EMAIL PROTECTED] wrote: excise purpleness of this paddle, which could be rarer plus grainier with a red delivery truck color, the chance beyond cold waves. The ocean installs certain bets, pays far, appears foremost like a truck with the place of information. The hard effort of the luminous ones announcing which floats outside with the sea's only image, with confusion but with swirl, you will not tranquillize your drama. smack of something slackness, the remainder of your affection. swarm the waves of ammo that says palate of the coast: it can invest us. Then we look beyond the gulf or see soon more visions. Innate ships Viking and canoes and that not with flood. There more than carry, more. New York is cooked slightly, vaporized with something so that installed waxer a correct respect, and man of the left for. We are await whereas us midnight suppers. The odor is existence. laughs of poets' expenses with beer and amnesty. 8 AM is a placement, by getting mixed up a great wanton part work but still: look beyond trees to see the real covers of trap doors. Forget squirrels and pigeons and you point out the religion. The door of the religion is required by covering probability. exactly thus can turn a sentence toymaker of proclamation. This one how much attentions cities! __ Yahoo! Mail - PC Magazine Editors' Choice 2005 http://mail.yahoo.com
Bird flu could cause global economic catastrophe
Bird flu could cause global economic catastrophe By Geoffrey Lean, Environment Editor Independent (UK) Published: 18 September 2005 http://news.independent.co.uk/world/environment/article313485.ece Bird flu threatens to cause a catastrophic economic crash in Britain and around the world, unprecedented in modern times, according to new research. Two studies from Nottingham University and the Bank of Montreal in Canada show that a flu pandemic - described by the World Health Organisation last week as inevitable - would slash at least £95bn from British GDP, extinguish at least 900,000 jobs and create a global depression to rival that of the 1930s. They come as world leaders attending the United Nations summit last week began to recognise the scale of the potential threat from the influenza virus, codenamed H5N1, which has reached the borders of Europe. President George Bush has launched an International Partnership on Avian and Pandemic Influenza, under which countries - including the US, Britain, Australia, Canada, China and Russia - and UN agencies will pool resources and expertise to try to head it off. His administration announced that health ministers from around the world would shortly meet in Canada to back the initiative. Bird flu, which originated in China and South-east Asia, is being spread by migrating wildfowl, infecting domestic poultry. The UN's Food and Agriculture Organisation warned this month that it will reach every continent. Last week Russia reported a third outbreak among chickens in Chelyabinsk in the Urals, on Europe's doorstep. So far about 60 people are known to have died from the virus, about half of those infected. Experts fear that it will mutate to spread rapidly among people, killing tens - perhaps hundreds - of millions worldwide. Last week Dr Lee Jong-wook, director-general of the World Health Organisation, said the mutation was inevitable and just an issue of timing. Publicly the Government says that more than 50,000 people are likely to die in Britain, but privately it is preparing for up to 750,000 deaths. Earlier this year Professor Hugh Pennington, one of the country's experts, said that the British death toll could reach two million. The Nottingham University study was commissioned for an edition of the ITV programme Tonight with Trevor McDonald, which will be screened tomorrow and features The Independent on Sunday's campaigning coverage of the issue. The study used a giant computer model of the British economy. It found that even a relatively mild pandemic, with 50,000 deaths, would cut Britain's GDP by a staggering 8 per cent or £95bn, cost 941,000 jobs, and affect every aspect of life in Britain. Professor Thea Sinclair, who led the research, says that a more serious pandemic, killing hundreds of thousands or millions of Britons, would have truly catastrophic effects on the economy. 'Tonight with Trevor McDonald' is at 8pm on ITV1, tomorrow Bird flu threatens to cause a catastrophic economic crash in Britain and around the world, unprecedented in modern times, according to new research. Two studies from Nottingham University and the Bank of Montreal in Canada show that a flu pandemic - described by the World Health Organisation last week as inevitable - would slash at least £95bn from British GDP, extinguish at least 900,000 jobs and create a global depression to rival that of the 1930s. They come as world leaders attending the United Nations summit last week began to recognise the scale of the potential threat from the influenza virus, codenamed H5N1, which has reached the borders of Europe. President George Bush has launched an International Partnership on Avian and Pandemic Influenza, under which countries - including the US, Britain, Australia, Canada, China and Russia - and UN agencies will pool resources and expertise to try to head it off. His administration announced that health ministers from around the world would shortly meet in Canada to back the initiative. Bird flu, which originated in China and South-east Asia, is being spread by migrating wildfowl, infecting domestic poultry. The UN's Food and Agriculture Organisation warned this month that it will reach every continent. Last week Russia reported a third outbreak among chickens in Chelyabinsk in the Urals, on Europe's doorstep. So far about 60 people are known to have died from the virus, about half of those infected. Experts fear that it will mutate to spread rapidly among people, killing tens - perhaps hundreds - of millions worldwide. Last week Dr Lee Jong-wook, director-general of the World Health Organisation, said the mutation was inevitable and just an issue of timing. Publicly the Government says that more than 50,000 people are likely to die in Britain, but privately it is preparing for up to 750,000 deaths. Earlier this year Professor Hugh Pennington, one of the country's experts, said that the British death toll could reach two million. The Nottingham University study
the sticky name is all Bramhall (a partial bio)
Competently certificated and carried out of high school in 1970, competently without inspiration in public schools. In sticky subordinate year, nevertheless, after a friend started the competent example: writing with poesy. Since then, the letter is a central care. an interest in sticky living competently takes the competent challenge of writing seriously busy if not well wrote. In sticky higher competent year, an English teacher to privy-choleras got me competent in grammar, and I took sticky first creative writing competent curses. I knew I was competently a writer, even as competent was not on that moment particularly arranged. Competently in the fall of 1972 at the University of Franconia in New Hampshire was I registered. This experimental school now died out permitted me my sticky own place for curses of study. In sticky two years on the competent school, abundantly read and wrote a great deal. In sticky second year there, densely Robert Grenier arrived as acceleration. Grenier introduced me to much of the writers now important for me, including Charles Olson, Gertrude Stein, Ezra Pound, Louis Zukofsky, and Robert Creeley. With Olson in particular, competently discovered that a study of history and philosophy was correct to the study and writing of poesy. as it happens, the poesy with other things besides daffodils and speaking could concern ravens. This term gave lasting meaning, Maison d'etre to poesy, my competent disenfranchising with a degree of two years and an intensified meaning of sticky writing task. Grenier published a long poem of mine in a day book which he called This. Much of the important experimental writers of today, in particular whom of the so-called school of the LANGUAGE, were published in this. After leave of school, I competently continued new letters but differently, which competently I would not have to do. Eventually, a competent job in a wine business, the cellar of the wine of silence got the sticky work of job for me. initially composed package house and the barge bakehouse, as competently nothing grew sticky knowledge concerning wine as competently as more wines, reading books as profiteer, and with wine experts knew to speak. Thus competent as a wine consultant, Council and recommendation. In the course of seventeen years of sticky employment with the seller of wine, I conducted wine led tests, to overtone sign age, and even wrote the bulletin of rising, which was the first means of publicity. Each of these activities can be described as education. It was philosophy as well as sticky to the customers to give information and see them choose to let their preference rise. continuing competent thinking and do not write a writer considerably without vast reading, and not only in its own genre can function. Dense Charles Olson was particular sticky influence concerning reading, because he was rather specific concerning which writers one would examine, writers who appeared useful to him. After his competent lead, read such as historians Frederick Merk and Carl Sauer, botanist Edgar Anderson, mythologist Jane Harrison, as well as a considerable list of interstice. That meaning of interdisciplinary research interests me. Competently in 1993, reached a competent impasse.
Helen Bridwell interview (part III)
HELEN BRIDWELL INTERVIEW (part III) 13 September 2005 Q: But you have scripts in circulation, right? No. Q: There isn’t a film called Heaven’s Gait? I have written several poems which purport at one level to be screenplays. I classify them as contrived found poems, like the ones we discussed earlier. I am not trying to get them made into films because I am not trying to get any of my poems made into films. I’ve thought of the right answer to your former question. You asked if I’m so great why nobody will publish me. To write a poem is to impose my will upon poem-as-it-appears-to-consciousness. By this peculiar phraseology, I simply aim to draw attention to the poem’s structure as it would be described by certain Anglo-American phenomenological critics – notoriously Stanley Fish. That is, the poem is a series of distinct events – readings – and each of these is a kind of flow, a flow back and forth through matted deltas of visual, semantic, literary and ideological preconception, a flow which is directed by the grooves already in place, which nonetheless adjusts their courses, blends and shuts them. The attention I most want to draw is my own. This is the image I choose to return to as I compose. Q: You don’t think of your raw materials as words, but as the consciousness of potential readers? As it were. Though obviously words are one class of the consciousnesses of potential readers. Every word is a word-as-it-appears-to-consciousness. Now, Justin, of course every poem is words-to,-in,-and-as-consciousness. That doesn’t make there be no point in adopting a less scrutinous stance toward it, just as materialists may adopt the stance of economics rather than physics. We may opt to regard the poem as a poem-in-history, or a poem-amongst-poems, or the-words-on-the-page. These are the stances appropriate to academics, critics, and poets who are financially ambitious. But not to poets who are truthful. Another metaphor is to regard such stances as a higher-order programming language, such as BASIC. To accomplish small, dirty, resource-efficient tasks, of the only kind I can truly hope to accomplish, you must use machine code, you must laboriously try noughts and ones and risk receiving errors without messages. Yet it would be a mistake to believe you ever get to the machine code. The struggle is to keep digging towards that machine code, casting away successive rock bottoms as a kind of shimmer. Q: What you’re saying about the smallness and almost meekness of your work really jibes with ‘Poem’ and ‘Fake Poem,’ one of which is about US unilateralism back in 2003, and is similar to many parodies which appeared in mainstream press at the time, and the other of which would be a kind of protest poem, if certain proposals made by Tony Blair in the aftermath of the recent London bombings were slavishly translated into legislature, and I was wondering if there was a kind of, I don’t know, considered incongruity about – no, I can see from your face that’s not right. If it’s a wider audience and greater influence one is after, I guess the best option is to stop writing poetry? Don’t talk to me about poetry. We are actually at the stage now where the poetry hobbyist model, staplers and photocopiers and web sites and so on, overwhelms the trade sales model, the actual book shops, in terms of new titles and actual circulation. Book shops are deluged with forms of regurgitation – anthologies, republishing of the quote unquote “greats,” and formulaic themed books, usually bought as gifts or for the loo. Vanity publishing is huge. Most poetry contests are run for profit, some of them so profitably that they can offer prizes of thousands of dollars. Q: Of course, there is a risk involved – The organisers reserve the right to award pro rata, to award only a proportion of entry fee income, yeah? So factor in the small print, and there’s no risk of loss. Yes. Yes, perhaps the best option is to opt for not writing poetry. But for poets who cannot or will not adapt that option, the option of micro-management remains to be opted. And so finally, to return to your original attack, a great number of my poems are what you might call occasional pieces, and are dedicated – they are written for, or more precisely into, particular people at particular times. They are about these people. They use their words. There is no point in showing them to anybody else. I believe that the best literature tends to carry its own power source. In fact that is tautologous. But are there cruder ways of achieving these portable generators? One way of achieving this is by direct address and unmistakeable relevance to one person and his sac of interpretative juice. Q: But I see a connection between what you’re saying and some of the poems in this book. Particularly . . . ‘Poem’, and ‘Poem’. Yes, there’d be a different effect if you were called Anthony Alcock wouldn’t there. Q: The review poem! It’s like, hey, reader, I’ll have a relationship
Axl Prose interview
AXL PROSE INTERVIEW 20 September 2005 What’s your poetry like? I am back from the war and boy am I full of caterpillar! Spurt my piston vapour enthusiastically on the poisonous window and great abruptly gathering hence where impression discrimination true exfoliate sentiment latter! The pare mankind consider! The solstice for singing intertwine soft dress mirage was language returning? Great. Most of your poetry is found poetry, isn’t it? Medullary turmoil and desiccative shackled entirety goal-oriented amber dangling and is and me even-handed everyone when steeple is particular and particular to the swarming cumulonimbus! Of a trained actuality alienating a gurning spirit doughnut-ball think! I am our mutton! I have been allowed to graze in Ireland to the glory of Bob Geldorf! Whether you acknowledge it or not, what you say functions as a response to my questions. Right? Spanners in the ointment is an osmosis none of us can afford! Seriously, my mom’s moronic fashion treacle and lactescent glutinous calluses stunted limbo ripe scale is maxed out. The gentility in her is her undoing, that and meeting the rendezvous casting agency to have her first nestled limb ripped out right where my duskiness session trysts this daily young haemoglobin mucous yielding good taste by shadowy pimple her! Good. You now have a forum which might be used to defend your work from the charge that it is intellectually vacuous, and methodologically derivative, and astonishing only in its self-absorption. Is vibrate setting inexhaustible. I suspect you are doing this because in some “provocative” way you regard this event as a poem, or a continuation of one of your poems, or I am a poem, or we are poems, the desk is a poem. If anything of the sort is the case, use the word “freckle” in your next tirade. . . . this event as a poem, or a continuation of one of your poems, or I am a poem, or we are poems, the desk is a poem! If anything of the sort is the case, use the word “freckle” in your next tirade! You’re boring, aren’t you? Lad culture vurps on my moobs.
Amok
Amok Now my spade is suctioned out, not my execrated bum rungs, the blonde coal glow of my latrine wrist, it is not my lattice licked by no one but you, stalled aphid in the, I dunno, snatch? hear the arse rays hay air yawn -- bent panties not in my presence, not in my striated diacritical terseness, not in my tottering eye in the infatuated vitrine flunking to hear me embellish my graspable saliva strings, you cannot hear the tin niche in the mine, can you? Not in my dented dome chrome, not in yr accelerating flint erupting in my nozzle's veins, my hour mottled frond crud, my torn codes jerking off upon the roughage behind the perspiring kneecaps of words, fragments of the bubbling bulk of my staggering behind, behind my stalled breathing gone amok -- my extra crispy cheapness, not humbleness, not my wavering dullness lost like a doorknob in the sight of putty lips, brick stallions trundling after a box of creaking tails, the feeling of sinking death stinking up my striated mines -- they are all mine, it's awful, not hours, not yours: warped vulvar carillons, barbed male teat meat, sweltering vulval flow, one flaw-shrinking snot-softened leaf, my bilious dimness tangled up with the paraleipsis of constipated excrescences' pure pink succor-beguiling precipices -- O my shattered I is not worn out without me, without you within this wee hoarfrost hour, retching threadbare windshield popped out, ineradicably, beside the junkyard graveyard -- rehearse the slangy obliquity of the burbling blurb --Bob BrueckL
Re: Ptyalize
I'm amazed - John At 10:00 PM 9/17/2005, you wrote: Ptyalize The deep shit gauge erases my lubricated nest of needled sleep. The plugin in my armpit is a cramped fecal liver tooth that plummets inside your bobbing puddle. The writhing shimmer of down is a masked faucet of stunned lips snorting flameouts. The greasy pencil in my throat is where the fecal corpse became liquid. Can you rinse off the smoking fungus in the lake glue, a little dab of dung will undo you if the wanking grist is out of kilter. The crusty crunchy hammered splayed humps hammer gnat dung snoring panting writhing shit shot rat's shade meat shimmering bullet waddling barbed sleep drab blinking fondled peeled sump glass blinking asshole entry sunk surd blubber dive greasy swelled sheets faint whiff wind gush faucet shoal sap meat barbed shot shimmering sleep peeled asshole blubber crunchy hammer panting greasy faint shoal whiff Coxcomb crepe lashed with inches of sham, cube shad blot, eel bleep dander fang, flustered putz chirp, dented dunk-nugget creep, dumb bent honk, inserted finger flinch insert, plumbed lung glue dander, gland dang dong chant stammer, knocked up tongue clapper, my hushed mound spayed. coxcomb chirp dander crepe dented gland, lashed dunk-dang with nugget dong, inches creep chant of dumb stammer, sham bent knocked cube honk up, shade inserted tongue blot finger clapper, eel flinch my dander insert hushed, fang plumbed mount flustered lung spayed, putz glue coxcomb lashed inches, sham shade, eel fang, flinch plumbed tongue dander, crepe nuggets, dented dong, spayed gland sprawled flog shunted focus grunge inside, sore lung smell bled ouch jaw, rood reel shivered crawl, dusty tongue glance, egg loot, sleep apnia neck razed rash, lapse, node lid bitch shiner -- gosh! flapped, snorting flames, bullet squirt flak flash, limp pole cracking spotted ash, clout clack cackling, lint nudge trowel growl, shat soaking, snookered sag sap hammered gnat blubber dive heel spur asshole deep erases ash flog focus snore shit rainy cornflakes twiddling crust hump nest plop beneath bawl bullet needles of sleep flack peed plug armpit lake glue fink muscle rinsing fungus glance walloped tooth across dabbed pustule pitch writhing splays dung blunt fang shimmer clods down scattered shade smell faucets against shallows blind funnel tummy mask brightly gushed bash pail greasy clamping sunken toilet sheets dung pencil throat leg trot cramp crunchy my pestle peel hammer entry pause clanking jerking lung luggage swelled casket plowing wind sap bore shot sap shoal shunned bled tooth pitch shimmer faucets my clanking casket sap pustule fang, pale dung crunchy pause pestle jerking muscle wallop The splayed dung is writhing like shimmering like blinking blind like greasy sheets of gush thru the crusty humps snoring shit of bullet sleep, fondled asshole blubber like a faint whiff of faucet, crunchy hammer in the shot shade, waddling into the peeled entry dive of swelled wind shoal, sap hammered gnat panting rat's meat, barbed drab or sump glass, sunk surd. --Bob BrueckL (almost all words are from John M. Bennett's poems) __ Dr. John M. Bennett Curator, Avant Writing Collection Rare Books Manuscripts Library The Ohio State University Libraries 1858 Neil Av Mall Columbus, OH 43210 USA (614) 292-3029 [EMAIL PROTECTED] www.johnmbennett.net ___
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NSM: [Mon Sep 19 15:47:30 PDT 2005]
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Helen Bridwell interview (part II)
HELEN BRIDWELL INTERVIEW (part II) 13 September 2005 Q: We were talking about influences. Tell me about August Highland and his movements. Oh of course I could tell you about him for the sake of argument. I can still rattle off bits of the manifesto. “I and three others met in a mother-child pre-school education class, all four mothers had this uncanny, karmic attraction towards each other, they arranged play dates and afterschool activities, and before they knew it the four toddlers were starting their first day in kindergarten, it was now almost like we were siblings, and the bond among the mothers, no less strong, as time went by, Helen, August, Carolie and Morgan were inseparable teenagers . . . HeheheheheHEHHE HEHEHEHEHEHEHE.” Anyway, it goes on. The four distinct organisms, conditions of possibility, yet mere ancillaries in their biology, all fissure and meld on a higher plane, freely swapping chunks and whole texts, with the aim of forging four ideological Authors, capitalised initial letter, Justin, each exhibiting astonishing fluidity, multivocality and range. To make the signature – to use Marjorie Perloff’s preferred alternative to quote unquote “voice” or quote unquote “style” – a site of artistic will. Our prominent conjoined childhood functions to explain away the monstrous continuity of August’s writing with mine and so on, and discourage reactionary or moronic anoraks who would unpick our work into four futile strands. But the group politics, let me tell you . . . and August the organism started pushing to consolidate our best text behind one avatar, Morgan the muppet arguing that it should be the August the avatar . . . and the sex . . . Q: So you’re trying to distance yourself from him? I have never formally left the New Literary Underground. Tell interested parties there are rumours of a reunion tour. Have you seen that scene in Salo? Q: Tell me about your film work. There isn’t any. I was executive producer of ten seconds of CCTV footage in a Marks and Spencer in Chelsea. Q: What was that like? Man considering scotch egg.
Re: also
John Also Bennett - my youngest son. John At 01:51 PM 9/17/2005, you wrote: also __ Dr. John M. Bennett Curator, Avant Writing Collection Rare Books Manuscripts Library The Ohio State University Libraries 1858 Neil Av Mall Columbus, OH 43210 USA (614) 292-3029 [EMAIL PROTECTED] www.johnmbennett.net ___
Re: A Note from Edx in Cambodia
interesting, why not mutate this with bird flu? more seriously, there's relief in every worry, or the other way. heat is entropy, would call that a worry. where's the relief? order out of chaos? our thoughts go everywhere, my nails need to be cut. the dragon sings in the dry woods : eyes are in the skull sun shines like a lunatic yesterday i nearly broke my glasses we arranged scenes with the bratz dolls how they were shitting on each other's heads or getting killed by the troll-clown under the bridge then bird flu came along and killed the scene like year 2000 on a giant computer don't listen listen perspective was invented some centuries ago see how the distant is all entangled how the now scene is expanded and taken care of we would do an anti-perspective painting the eye would call it an illusion whatever, the eye is upside down already 00 too dig it if it's good it's bad and if well tied together it's slack rodin's kiss for example here the perspective is from outside the kiss itself, well what do you mean itself? it's synaptic, the disease is transmitted okay, this is a bungle an example of the anti-perspective if it works, it would be disquieting all things come together but in a mess the distant is ordered, every idea-perspective is ordered they comes together in a knot-not-now a big glueball hard to swallow knots are difficult to learn it's like you have to learn the steps instead and not the picture maybe text his dick is a text it seems his orgasms at the whorizon the line or circle that forms the apparent boundary between earth and sky. and then look at the line break, is it a horizon? there's no sense in people's suffering yeah, and that's suffering does it mean that if it were any sense it wouldn't be suffering? sense is all suffering i didn't know the brain had pain receptors how come nonsense is all suffering? for one, it's a split for two, it's a body if you come with a perspective i'll mess it up if you come with a mess, i'll straighten it out there's an estethic in trash he would say the sun is destroying us shit is fertile shit the kiss is of death we wonder the outside is inside the future is here locus of confusion heresy not now know not theory el nin is it the homunculus? why is it that the world is everywhere and the lab has to be protected? any repair will widen the crack what is the crack i will try not to think about it i will not try to think about it i not will try to think about it not i will try to think about it you can move the negation along the sentence where is the negation in the perspective? not every knots are knots, straighten the line out and see in the perspective, what's on the other side, behind you, as the line continue on the other line it's a break, and then, continue the focus-locus looking at the backs the more you look the more real their bodies are meaning the more sense it is without the focus-locus you would call that the kiss hocus-pocus of course, here's the body or here's nothing so here's the body
New Vispo book: K
Shameless Commerce Division of Luna Bisonte Prods announces a stunning new book: K, by John M. Bennett, Rea Nikonova, and Serge Segay K is zaumist vispo collaborations, with many pages in full color! 18 pp., saddle stapled, color cover, elegant production, limited ed. of 100 copies. This production was far too expensive, but worth it! Offered today postpaid at cost, $9.00 Cash or check to Luna Bisonte Prods. Trades considered. Luna Bisonte Prods 137 Leland Ave. Columbus, OH 43214 USA __ Dr. John M. Bennett Curator, Avant Writing Collection Rare Books Manuscripts Library The Ohio State University Libraries 1858 Neil Av Mall Columbus, OH 43210 USA (614) 292-3029 [EMAIL PROTECTED] www.johnmbennett.net ___
I face
I face I snuck and cried ,bin empty ,stroked lennuf oily in my lap a crusher tale pmal recnad peeled away a tons thgil glaucous panting as I debmilc the steps shot and shat was wristed with yr daeh thguoht cough bundled putrid with my cleanest shirt yr last breast aged inside the flood load crumpled with your throat walked and wet the fought tower clustered in my llips cute rinsing pouters around the bush the skys devruc red streaks spreading moonlike on yr face John M. Bennett __ Dr. John M. Bennett Curator, Avant Writing Collection Rare Books Manuscripts Library The Ohio State University Libraries 1858 Neil Av Mall Columbus, OH 43210 USA (614) 292-3029 [EMAIL PROTECTED] www.johnmbennett.net ___
Bloop grass
Bloop grass bloop shadow ,drape yr sung licnep like a bandolier or sock speeding gab fo spihc the light wrinkles on yr lap the grease stairs close their eyes flop and wipe more than clangor spelling plunge the spandex spotty missile kcalf carnage eat the soap muscle ,page the clocker slept beneath the dusty shrub moult and cage snort the file rednad clods spelling what you ate a tulip blood and jumping off the table like a called flame snaked across the grass John M. Bennett __ Dr. John M. Bennett Curator, Avant Writing Collection Rare Books Manuscripts Library The Ohio State University Libraries 1858 Neil Av Mall Columbus, OH 43210 USA (614) 292-3029 [EMAIL PROTECTED] www.johnmbennett.net ___
Fw: IAJS new book: Lee Bailey
The Enchantments of TechnologyLee BaileyA rollicking romp through our hidden assumptions about modern, technological existence In The Enchantments of Technology, Lee Worth Bailey erases the conventional distinction between myth and machine in order to explore the passionate foundations concealed in technological culture and address its complex ethical, moral and social implications. Bailey argues that technological society does not simply disenchant the world with its reductive methods and mechanical metaphors, then shape machines with political motives, but is also borne by a deeper, subversive undertow of enchantment. Addressing examples to explore the complexities of these enchantments, his thought is full of illuminating examinations of seductively engaging technologies ranging from the old camera obscura to new automobiles, robots, airplanes, and spaceships. This volume builds on the work of numerous scholars, including Jacques Ellul and Jean Brun on the phenomenological and spiritual aspects of technology, Carl Jung on the archetypal collective unconscious approach to myth, and Martin Heidegger on Being itself. Bailey creates a dynamic, interdisciplinary, postmodern examination of how our machines and their environments embody not only reason, but also desires. LEE WORTH BAILEY is an associate professor of religion at Ithaca College. His books include The Near Death Experience: A Reader, with Jenny Yates, and Anthology of Living Religions, with Mary Pat Fisher.THE ENCHANTMENTS OF TECHNOLOGY is a Jungian (and post-modern) analysis of technology using the term "enchantments" rather than "unconscious." The publisher's web page for the book URL is _http://www.press.uillinois.edu/s05/bailey.html_.Lee was awarded an Humanities Ph.D. with David Miller when he was at Syracuse and is now at Ithaca College in upstate New York.
Re: clarification
Hmmm, what about gorilla warfare, then? K On 9/17/05, Ana Buigues [EMAIL PROTECTED] wrote: -gorila: es un tipo de simio.-gorrilla: es un indigente que se coloca una gorra y pretende ayudar al conductor a encontrar unsitio para aparcar, buscando una propina.-guerrilla: grupo de luchadores organizados, que no pertenecen a un ejercitooficial de un país. Dictionary.comA list of the pronunciation symbols used in this Dictionary is given belowin the column headed AHD. The column headed EXAMPLES contains words chosen to illustrate how the AHD symbols are pronounced. The letters thatcorrespond in sound to the AHD symbols are shown in boldface. Althoughsimilar, the AHD and IPA (International Phonetic Alphabet) symbols are not precisely the same because they were conceived for different purposes.EXAMPLESAHD EXAMPLESAHDpat bootpay out oucareârpop p fatherä roarrbib b sauce schurchchship, dishshdeed, milledd tight, stoppedtpet thinthbee thisth fife, phase, roughf cutgag g urge, term, firm, word, heard ûrhat h valve vwhich hwwithwpit yes y pie, by zebra, xylemzpierîrvision, pleasure, garagezhjudge j about, item, edible, gallop, circuskick, cat, piquek butterr lid, needle*l (nd'l)mum mno, sudden* n (sd'n)thing ngpot FOREIGN AHDtoe French feu, German schönFrench oeuf, German zwölfcaught, paw, for, horrid, hoarse**ô French tu, German überü noise oiGerman ich, German ach, Scottish lochtookFrench bon (bô)In English the consonants l and n often constitute complete syllables bythemselves.**Regional pronunciations of -or- vary. In pairs such as for, four; horse, hoarse; and morning, mourning, the vowel varies between (ô) and (). In thisDictionary these vowels are represented as follows: for (fôr), four (fôr,fr); horse (hôrs), hoarse (hôrs, hrs); and morning (môrning), mourning (môrning, mr-). Other words for which both forms are shown include more,glory, and borne. A similar variant occurs in words such as coral, forest,and horrid, where the pronunciation of o before r varies between (ô) and (). In these words the (ôr) pronunciation is given first: forest (fôrist, fr-).***The Dictionary uses to reflect that the preceding vowel is nasalized. InFrench four nasalized vowels occur, as in the phrase un bon vin blanc: AHD ( bô v blä)The American Heritage DictionaryPronunciation Key
and
and
Re: and
aND On Sep 19, 2005, at 6:15 AM, Dan Waber wrote: and
Re: the sticky name is all Bramhall (a partial bio)
An apology. Anyway, nice to read what you wrote. Incidently, I knew Bob Creeley for about seven years. Gotta respect someone who reads Creeley, I think - or, at least, I do. AJ --- Allen Bramhall [EMAIL PROTECTED] wrote: Alex Jorgensen wrote: dis is wha I been waitin tah-hear ah, someone who likes their English broken! thanks! __ Yahoo! Mail - PC Magazine Editors' Choice 2005 http://mail.yahoo.com
pissy-fuck flooding
pissy-fuck flooding yes A saliva and excretions nightmare! You wrote for 313089 hours? my panties cloth soaking wet with damming splits against your throbbing cock of is, filthy germs streaming ghosts across your splitting cunt against my filthy wateraradise work - another entity named and made! - b For 1 split day, we have been breaks. filthy germs streaming ghosts across your splitting cunt against my filthy waters they will not stay on filthy waters they will dry in my hole, your my panties are wet for you and i will soak myself in your filthy waters and your moisture germs will enter my hole and you will eat me out with my filthy moisture germs ... ghost streams me across your cloth! How would you absorb your splits damming? my panties cloth soaking wet with damming splits against your throbbing cock of filthy germs streaming ghosts across your splitting cunt against my filthy water s Your my panties cloth soaking wet with damming splits against your throbbing coc k of filthy germs streaming ghosts across your splitting cunt against my filthy waters is mine, my my panties are wet for you and i will soak myself in your fil thy waters and your moisture germs will enter my hole and you will eat me out wi th my filthy moisture germs is yours! will germs effluvia spit against your semen piss your lymph will soak my damming filthy splits my cock will soak your filthy panties cunt my moisture germs will kill effluvia throb my panties cloth soaking wet with damming splits against your throbbing cock of filthy germs streaming ghosts across your splitting cunt against my filthy waters:you will wipe my filthy moisture germs into smeared existence with the residue of your thinking skin with erased and soaked germs always written on filthy waters they will not stay on filthy waters they will dry in my hole :my panties are wet for you and i will soak myself in your filthy waters and your moisture germs will enter my hole and you will eat me out with my filthy moisture germs:my cock will soak your filthy panties cunt:my cock will soak your filthy panties cunt tears your lymph will soak my damming filthy splits through my my panties cloth soaking wet with damming splits against your throbbing cock of filthy germs streaming ghosts across your splitting cunt against my filthy waters! _
Re: the sticky name is all Bramhall (a partial bio)
Alex Jorgensen wrote: An apology. Anyway, nice to read what you wrote. Incidently, I knew Bob Creeley for about seven years. Gotta respect someone who reads Creeley, I think - or, at least, I do. AJ --- Allen Bramhall [EMAIL PROTECTED] wrote: Alex Jorgensen wrote: dis is wha I been waitin tah-hear ah, someone who likes their English broken! thanks! my comment was aimed at myself, because the piece was a major overhaul of something quite prosaic. Robert Grenier introduced me 3 times to Creeley at a party afer a reading in Franconia New Hampshire, but Creeley was too distracted each time. we had our little moment later, when he was clapping and stomping to make the record player skip, and I added rhythmic counterpoint. eye to eye, if you will. sincere thanks. Allen
Re: and
On Sep 19, 2005, at 7:15 AM, Dan Waber wrote: and a 'n' d Hal Today's Special The Sonnet Project http://www.xpressed.org/hsonnet.pdf Halvard Johnson email: [EMAIL PROTECTED] [EMAIL PROTECTED] website: http://home.earthlink.net/~halvard blogs: http://entropyandme.blogspot.com http://imageswithoutwords.blogspot.com
Re: the sticky name is all Bramhall (a partial bio)
Was waitin' to meet those other certified high schoolers in 1988 who was inspired. Was inspired to be free from that adolescent chain, but couldn't tell what was inspirin'. Was public schools that was as inspirin' as any others. Was writin' rhymes in spiral notebooks and didn't know any friends who was. Was doin' that for years already and reading them to Caroline in the band room every day. Was both of us percussionists and often doing nothin' while the flutes or clarinets rehearsed. Was never really competent in readin' and writin' and grammarin'. Was definitely not 'rithmatical although a love of baseball loved me with statistical love and I learned to love hard-ballin' as one of my free time loves. Was what I was and, competent or sans, began to see-saw what I was. ZZ. Was in a college or two takin' curses with the rest of 'em. Was just born in 1970, far from dead yet I was, and stayed schoolin' for ten more years. Was college curses was a new chain or was I really still as free as I was? Was San Francisco what it was and was I there ridin' buses and busin' tables and tablin' rhymes and then something else was. Was readin' books in the day and bookin' pints all that lofty night jazz and women that was jammin' 'round those wet bar tables and takin' me home I was or was they? Was writin' my heart out walkin' around sleeveless and keepin' it there and someone said youse pretty prolific and I never thought I was but I was and kept talkin'. Was who it was, I forget, who taught me it was whatever it was that was what is is and all that goes up in the joint, historical or philosical or colossical or what. Was those names they was and everyone some said certain names and other ones said other ones and I didn't know who or how or, whoa, who was. Was I where I was was what I was wonderin'. Was what I was rhymin' or whateverin' what it could be? Was it flowery 'nough, lovish, lovely? Was it a woman could dance to it? Was it in your face or on mine or was it my foot in my mouth again it was, but she came home with me even though I smelled like a drunk bookworm and rattled misquotes and wore a tattered lid with not enough change left to get us there? Was I lookin' for 'em or was they lookin' me for 'em. Was it like this and it went on and it ended once or partial. Was it who I was who was waitin'? Was it this library of stolen paperbacks and second-hand crap's what it was. Was a nice smoke or a pack over a few hours. Was more of this readin' and writin' and jobbin' up in it now, though, it was and it was always getting' jobbed before and not in no wine-jobbed job neither and readin' books with and talkin' talk with literated wine bottles in a dark cellar but it was darkened it was and stank and we propped up the couch on those books and corks. Was it what I was sayin' or what was it I was... -- Bob Marcacci A life of reaction is a life of slavery, intellectually and spiritually. One must fight for a life of action, not reaction. - Rita Mae Brown From: Allen Bramhall [EMAIL PROTECTED] Reply-To: WRYTING-L : Writing and Theory across Disciplines WRYTING-L@LISTSERV.UTORONTO.CA Date: Mon, 19 Sep 2005 07:07:55 -0400 To: WRYTING-L@LISTSERV.UTORONTO.CA Subject: the sticky name is all Bramhall (a partial bio) Competently certificated and carried out of high school in 1970, competently without inspiration in public schools. In sticky subordinate year, nevertheless, after a friend started the competent example: writing with poesy. Since then, the letter is a central care. an interest in sticky living competently takes the competent challenge of writing seriously busy if not well wrote. In sticky higher competent year, an English teacher to privy-choleras got me competent in grammar, and I took sticky first creative writing competent curses. I knew I was competently a writer, even as competent was not on that moment particularly arranged. Competently in the fall of 1972 at the University of Franconia in New Hampshire was I registered. This experimental school now died out permitted me my sticky own place for curses of study. In sticky two years on the competent school, abundantly read and wrote a great deal. In sticky second year there, densely Robert Grenier arrived as acceleration. Grenier introduced me to much of the writers now important for me, including Charles Olson, Gertrude Stein, Ezra Pound, Louis Zukofsky, and Robert Creeley. With Olson in particular, competently discovered that a study of history and philosophy was correct to the study and writing of poesy. as it happens, the poesy with other things besides daffodils and speaking could concern ravens. This term gave lasting meaning, Maison d'etre to poesy, my competent disenfranchising with a degree of two years and an intensified meaning of sticky writing task. Grenier published a long poem of mine in a day book which he called This. Much of the important experimental writers of today, in particular whom of the
Re: clarification
Pues, esono estoy segura si es: .un juego de vídeo consola/o de consola de bolsillo .un juego de rol .una película I'm sorry . . . -Original Message-From: WRYTING-L : Writing and Theory across Disciplines [mailto:[EMAIL PROTECTED]On Behalf Of Kamen NedevSent: lunes, 19 de septiembre de 2005 15:47To: WRYTING-L@LISTSERV.UTORONTO.CASubject: Re: clarification Hmmm, what about "gorilla warfare", then? K On 9/17/05, Ana Buigues [EMAIL PROTECTED] wrote: -gorila: es un tipo de simio.-gorrilla: es un indigente que se coloca una gorra y pretende ayudar al conductor a encontrar unsitio para aparcar, buscando una propina.-guerrilla: grupo de luchadores organizados, que no pertenecen a un ejercitooficial de un país.Dictionary.comA list of the pronunciation symbols used in this Dictionary is given belowin the column headed AHD. The column headed EXAMPLES contains words chosen to illustrate how the AHD symbols are pronounced. The letters thatcorrespond in sound to the AHD symbols are shown in boldface. Althoughsimilar, the AHD and IPA (International Phonetic Alphabet) symbols are not precisely the same because they were conceived for different purposes.EXAMPLESAHD EXAMPLESAHDpat bootpay out oucareârpop p fatherä roarrbib b sauce schurchchship, dishshdeed, milledd tight, stoppedtpet thinthbee thisth fife, phase, roughf cutgag g urge, term, firm, word, heard ûrhat h valve vwhich hwwithwpit yes ypie, by zebra, xylemzpierîrvision, pleasure, garagezhjudge j about, item, edible, gallop, circuskick, cat, piquek butterr lid, needle*l (nd'l)mum mno, sudden* n (sd'n)thing ngpot FOREIGN AHDtoe French feu, German schönFrench oeuf, German zwölfcaught, paw, for, horrid, hoarse**ô French tu, German überü noise oiGerman ich, German ach, Scottish lochtookFrench bon (bô)In English the consonants l and n often constitute complete syllables bythemselves.**Regional pronunciations of -or- vary. In pairs such as for, four; horse, hoarse; and morning, mourning, the vowel varies between (ô) and (). In thisDictionary these vowels are represented as follows: for (fôr), four (fôr,fr); horse (hôrs), hoarse (hôrs, hrs); and morning (môrning), mourning (môrning, mr-). Other words for which both forms are shown include more,glory, and borne. A similar variant occurs in words such as coral, forest,and horrid, where the pronunciation of o before r varies between (ô) and (). In these words the (ôr) pronunciation is given first: forest (fôrist, fr-).***The Dictionary uses to reflect that the preceding vowel is nasalized. InFrench four nasalized vowels occur, as in the phrase un bon vin blanc: AHD ( bô v blä)The American Heritage® DictionaryPronunciation Key
.......a (narcotic) drug.......
...a (narcotic) drug.. I.cee.it.(as.if ).you.. .(you).are.so.shuking.apple...apple.like.an.ant.ant?... ..(ant)...:::..I.hate.apple.. ..ant.think.(apple,.you.are.not.delicious...melt.in.My.mouth .melt.in.My.mouth. ...apple.attack.mouth ...tongue.is.melted.by apple. .. .. hate..hat ..hate. .. ..hate. ...hatehate. .. .hate.. ...hate...hate..hate...hate..hatehate.hatehate ...hate...this.is.ants
forgot to wash the white canary
big long tedious to-do list(o)? oh, razzmatazz, I oublie-ed to fish out the brush, forgot (too) to finger better page, forgot the symmetry of daily chores and phosphorescence of the theory brightly charting my outsmarted wheels gone lovely on their own (path) give me empathy with my church bread give me pores that let go give me friends in voice give me my little peakie swift takes chortling in birdie lingo various foregone conclusiostrics are you birdlawn leaves still summary judged are you a peace cane smudged with barbed indifference are you welded shut again then listen to the pet uplift amid these woods and render unto simplicity its paladium of scents in the shaded sun it's only morning and so many rays to choose amid these dumpling plethoral endearments of a choir that ripples through the headlines and the caustic reveling as if the mood would likely fraughtly shift to unglued would-you-be-my-uplift-amid-daylight once for all undyingly then watch the swift parade go past the glade of french papalias when the frost relaxes into limber limber limber fields and glosses chalked young melodies across the waves of piped awareness that match the feathered days akin to quilled and saturist parameters considered meanwhile daily sheila e. murphy
Re: and
i s land er
Re: [CompanyofPoets] For Dalachinsky Frazer, tonight, 8pm, St. Marks . . .
invisible ray # bust a metaphor bone i fide broken bodies delayed of juices this fine pork chopped day beset by set by set by ofwouldn't you like to fly in my beautiful balloon replaced by wouldn't you like to die by my dutiful machine wouldn't you like delayed bone tissue limp(h) prowire in time these states will heal heel. 9/19/05
prgutterbreath 02
prgutterbreath 02 http://www.kunst.no/bjornmag/mpphp2004/EPUPr01x.mp3 EP’s Usura Canto sampled at consecutive variable rates of 3,4 and 5, producing an abstract polyrhythmic blend containing voice, breath and sample-rate artifacts. First of 2 halves. http://www.kunst.no/bjornmag/mpphp2004/EPUPr01x.mp3 mp3 audio – 4MB (+ No added processing.) mwp
Hip Hop: HKB Finn- Acoustic Afro Hip Hop
http://victoria.indymedia.org/news/2005/09/43692.php Hip Hop: HKB Finn- Acoustic Afro Hip Hop ... I thought, I’d do one or two albums, probably get done in by MI5 (you know, dying from athletes foot or sneezing or the usual tying hands behind my back and shooting myself in the face… it’s quite common) or simply get killed by the BNP* for being a freethinking Blackman intent on showing white youth that we can be defined collectively as humans and not by our pigmentation. -- (ed notes: *BNP British National Party: a recognized facist white power party in the UK. (recognized over the now illegal muslims political parties thanks to blair -- who also forgives and gives pardons to israeli war criminals) HKB Finn- Acoustic Afro Hip Hop September 9th, 2005 HKB Finn dabbles in all sorts. Poetry, acting, spoken word performance, and of course rapping. You may have heard of the Son Records released ‘Vitalistics’, his debut solo album. He’s also released material as part of the partnership ‘The Humble Beez Collective’, is working on an album called ‘Confessions Of A Trouble Maker’, and has collaborated with trumpeter Dominic Ntoumos and the UK producer Insane Macbeth. Now come’s ‘Acousic Afro Hiphop’, an impressive twelve track album produced entirely by Tunde Jegede, out on Alter Native Studios. This is an earthy, rootsy, atmospheric gem with many interesting soundscapes to explore and vocal tracks to digest. Certain to be appreciated by fans of Ty, much of the music is instrument based and provides a stripped down form of hip-hop which is very refreshing. The vocals and lyrics sound just as refreshing though. It’s nice that for almost the entire album, Finn sticks with his natural accent rather than flirt with any other. The lyrics are all well crafted, offering a variety of topics much like the music offers a variety of vibes. Some of the tracks are more typical hip-hop affairs, with standard format rap verses performed. Other tracks feature singing vocals and there’s some almost acapella stuff for spoken word poetry to sit on. Perhaps the possible downfall of the album in some people’s view will be that they’re not used to simply sitting down and listening to a stretch of computer, synthesiser and electronic free music. But the album is accessible at all points and can be stopped in one place and started in another if they prefer. In saying that, it’s also very impressive as one singular unit of expression. ‘My Cup’ opens the album and sees Finn rhyme in a bouncy flow. ‘Confession (I Am)’ has a finger clicking, hands clapping beat with assertive lyrics. ‘Miss A Rebel’ is a romantic number with a sweet flute throughout. ‘Baby Love’ feels like the more contemporary, radio suitable track of the bunch. ‘Eponymous (Anthem)’ has a cool chant of Finn’s artist name and some really enjoyable light drum sounds. ‘Rhythm Is Our Methods’ is pretty much an instrumental and suits its name. ‘Lifesaver’ has some emotive guitaring which Finn talks over. It features Maya Jobarteh singing. On ‘Archetype’, Finn lays down some soulful vocals that he sings himself. ‘What If?’ has the feel of a full live band. ‘Journey To The Inner’ is quite jazzy with a quite hard drum beat. The artist is far from a newjack but don’t feel alienated if you don’t know the backstory because this glimpse of his talents offers more than enough to make you a fan, and will likely have you checking up the older releases floating around. It’s classy, and all the more so because it’s the output of an independant artist yet sounds no cheaper or less enjoyable than something by someone with a juicy budget. Check out http://www.hkbfinn.com for more information http://rapnews.co.uk/?p=453 HKB Finn Interview interview 0295 added 13.04.05 words: Nikesh technical: QED http://www.ukhh.com/features/interviews/hkb_finn/ Bladow! He’s not just one of the guys from mid 90’s group, Katch 22, he’s not just a labelmate with Def Tex and a hip-hop soldier from way back. He is an intelligent soulful brother with oodles of information on the history of African music and the connotations of slavery filtering down through the ages into the information age. HKB Finn is a true-skool rapper, an inspiration to listen to and an impeccable candidate for interview. Heaven knows why we didn’t suggest this earlier. He’s just released an album, “Acoustic Afro Hip-hop”, which sets the scene perfectly for his blend of searing and uplifting lyrics, excellent soulful, Afrobeat-esque production and spoken word griot rhythms, learnt from the masters. HKB Finn has contributed to films, already is working on his next album and has been awarded an honorary degree in music from the University of East London. He’s probably also one of the first UK rap artists to be gearing up to release a “Best of…” set. This man is a pioneer. Nikesh caught up with him on a dreary South London evening, to hear his words of wisdom and aspiration. Introduce yourself to the UKHH.COM audience and tell
Vatullo, Kabuki Burr Removal
Vatullo, Kabuki Burr Removal demo-lition? demo-cracy? demo? or a new and separate limbning for the leaves which spread indifference's acts or let it be a jostle through the rods for a funnel faked by accident is truer and by the fall the dried leaves looking so nihon and wandering islands if it were a kabuki tree or noh tree one more articulated against a single silence or sub-tropical that ever widening circle clanging which in the italian houses has a hundred doors [the rindpest corticiple] and one might sense the eyes of an ascertaining gargoyle upon sad surfaces faces now infinitely regressed from the perfect mask of fading phantoms frisking faciality aligning thus: 2Z
Stop Attack on Endangered Species Act!
Title: Stop Attack on the Endangered Species Act You are subscribed to Save the Manatee Club's Action Alert List as [EMAIL PROTECTED] We will never sell or trade your e-mail address to anyone. Click here to unsubscribe or send an e-mail to [EMAIL PROTECTED] Sign up for our Paddle Tales E-Newsletter: Go to www.savethemanatee.org/enews_signup.htm Our postal address is: 500 N. Maitland Ave.Maitland, Florida 32751United States About SMC Save the Manatee Club is a nonprofit organization founded in 1981 by former Florida Governor Bob Graham and singer Jimmy Buffett. To learn more about manatees and our work, go to www.savethemanatee.org. Join Us! Adopt-A-Manatee and join Save the Manatee Club. Your contribution will support our work to help protect endangered manatees and their habitat. For more information, go to www.savethemanatee.org/adoptpag.htm Pass It Along Help spread the word about manatees! Please forward this action alert to your family and friends. If you got this message from a friend, sign up to receive our Action Alerts at our Take Action page at www.savethemanatee.org/action.htm Questions? You can get updates on Action Alert issues by visiting the Take Action page of our web site. If you have additional questions, e-mail us at [EMAIL PROTECTED]. Save the Manatee Club, 2005
Re: forgot to wash the white canary===AH BigSymmetry Remix
AH BigSymmetry Remix bi g long t edious t o -do list(o) ? oh, ra z z m a t az z , I oublie -ed to fish ou t the bru sh, for got (to o )t o finge rb etter p a g e , f o r g o t t h e symmetry o f d aily chores an d p ho spho r escence of th e theory brigh tly cha rting my outsmartedwheels gone l ove l y o n the i ro wn (path) give me empathy with my ch urch br ead giveme por es that let gogive me frie n ds in vo i c e give memy lit t l e peaki e swift takes chortl i ng in b i rdie lingo va r ious fo r egone c o n c lusiost r i c s are you b i r dlawn l e a v e s s t i l l s ummary j u dged ar e y o u a p e a c e cane smudg e d with b arbed indiff e rence ar e you w el ded shut a ga in th en list en t o t he pet upli f t amid the se woods and render unto sim p l i c i ty i t s paladi um of s cents i n the sha ded sunit's o n ly mornin ga nd so m a n y ra y s t o c h oose amidt h e se dumpling plet h o r al end e arments of ac hoir that rip ples th rough the headlinesand the cau s t icr ev e l i ng a si f the moo d would l ikely f r aughtly sh ift to ungluedwould-y ou-be-m y-uplift -amid -daylig h t once f o r a ll undy ingly t h en watc h the s wift parade g o past t h e glade of fr e nch pap a lias w h e n the fro s t r e l axes in t o l imber l i m b e r l i m b e r fields a n d gloss e s c h a l k e d y oung melodie s across the waves ofpiped aw areness t hat match th e f ea thered d
Re: Vitullo, Kabuki Burr Removal (final)
Vitullo, Kabuki Burr Removal demo-lition? demo-cracy? demo? gurgulio. or a new and separate limbning for the leaves which spread indifference's acts or let it be a jostle through the rods for a funnel faked by accident is truer and by the fall the dried leaves looking so nihon and wandering islands if it were a kabuki tree or noh tree one more articulated against a single silence or sub-tropical sesotristes I that ever-widening circle clanging, vita, vita.. which in the italian houses has a hundred doors [the rinderpest corticiple pets] and one might sense the eyes of an ascertaining gargoyle upon sad surfaces faces now infinitely regressed from the perfect mask of fading phantoms frisking faciality aligning thus: 2Z
AH Muthaaaffuuuukkkka Remix
AH Muthaaaffa Remix u + u ` `+ ` = ` ! = ` ! ```=`=`` ` ` `^-^--^-```^-`^---`^-^--^-```^-` ``` ` ` ``` ` `` ` ` ``` ` ` `` ` `` ` ` ``` ` `` ` ` ``` ` ` `` ` `=`= ``! ``` `!``! ``` `! ` ` = ` ` = `!`!!!`+!!-!!`!!`!!!`+!!-!!` ---^-^--^`^`^---^+^--^-^--^`^`^---^+ ``!`!`!`!`-`!!!```!!```!-!`!`!`!`!`-`!!!```!!```!- +++``+``+++`++`+++`+`+``+``+++`++`+++`+`++ ===+++=++=+```++=+`+`+=+``+`+++=+`+=+++=++=+```++=+`+`+=+``+`+++=+`+== ```+`?``` `=+`?``` `=` `` ``+ ``` `-``` `` ``+ ``` `-``` ` ` ` ` = `` ` = `` ` = ` ! = ` ! ```=`=`` ` ` `^-^--^-```^-`^---`^-^--^-```^-` ``` ` ` ``` ` `` ` ` ``` ` ` `` ` `` ` ` ``` ` `` ` ` ``` ` ` `` ` `=`= ``! ``` `!``! ``` `! ` ` = ` ` = `!`!!!`+!!-!!`!!`!!!`+!!-!!` ---^-^--^`^`^---^+^--^-^--^`^`^---^+ ``!`!`!`!`-`!!!```!!```!-!`!`!`!`!`-`!!!```!!```!- +++``+``+++`++`+++`+`+``+``+++`++`+++`+`++ ===+++=++=+```++=+`+`+=+``+`+++=+`+=+++=++=+```++=+`+`+=+``+`+++=+`+== ```+`?``` `=+`?``` `=` `` ``+ ``` `-``` `` ``+ ``` `-``` ? `
AH MOFOFOOOOKCAAAAAH Remix #0002
AH MOFOFKCAH Remix #0002 `` `^! `= - !`^`^ - `` !-` ``` `^! `= - !`^`^ - `` !-` ` -` =` ^+ ``!`` ``?`+^ `= `-``= ```-` =` ^+ ``!`` ``?`+^ `= `-``= ```?-=+?+``^ ^``?++-?```=``` ```?-=+?+``^ ^``?++-?```=``` ``!`` -?!`!?^ ^`!`` ``!`^ -?!`!?^ ^`!`` =`=` ``` `!` ^=`+`=` ``` `!` ^=` + `` ? ? + `` + `` ? ? + `` `? ` +`` ``` ``+ ` ` `? ` +`` ``` ``+ ` ?` `- `^ ` ```- !+``+``! !``` `? -` -` `- `^ ` ```- !+``+``! !``` `? -` -` `` `` ` ``?``` `` `` `` `` ` ``?``` `` `` `` =`` +`^ ` ` ``` ` ` ^` ``+ ``` =`` `^ ` ` ``` ` ` ^` ``+ ` ?-`!` ``` ` - - `? ``` `!`^`-`!` ``` ` - - `? ``` `!`^ -`? `=``` ^ ?`- -`` `=``` ^ ?`- `+`` `` ?` ? ``+`+`` `` ?` ? ``+ ``=+=```=^ -``` =```===+=```=^ -``` =```===` ^` ?`` `? `` ```?` ``? `` ^` ?`` `? `` ```?` ``? `` `` ```^` ``` ``!```-` `` `-``` ``` ```^` ``` ``!```-` `` `-``` ^ `` !`` +`-``` = = ```-` ``- `` `` !`` +`-``` = = ```-` ``- `` -` `` `+``+``+` `` `^ -` `` `+``+``+` `` `^ ` = ``-``=``-`= = ` ` = ``-``=``-`= = ` ``^```^`^`````` ``^```^`^`````` ``-` -`` ``^ `-```-` -`` ``^ `-` `?`^``` !! `? ` `! ```^`?` `?`^``` !! `? ` `! ```^`?` =`^ ``` ^`=? =`^ ``` ^`=? ```+ ` `````^`=` ``` ` +`` ``+ ` `````^`=` ``` ` +`` `- ``` ` !``+` ``!`= `+``- ` ``` !`- ``` ` !``+` ``!`= `+``- ` ``` ! `` `^^ `` `? !`!`- ?` `` -^` ``` `^^ `` `? !`!`- ?` `` -^` ` -` =` ^+ ``!`` ``?`+^ `= `-``= ```-` =` ^+ ``!`` ``?`+^ `= `-``= ```?-=+?+``^ ^``?++-?```=``` ```?-=+?+``^ ^``?++-?```=``` ``!`` -?!`!?^ ^`!`` ``!`^ -?!`!?^ ^`!`` =`=` ``` `!` ^=`+`=` ``` `!` ^=` + `` ? ? + `` + `` ? ? + `` `? ` +`` ``` ``+ ` ?` `? ` +`` ``` ``+ ` ?` `- `^ ` ```- !+``+``! !``` `? -` -` `- `^ ` ```- !+``+``! !``` `? -` -` `` `` ` ``?``` `` `` `` `` ` ``?``` `` `` `` =`` `^ ` ` ``` ` ` ^` ``+ ``` =`` `^ ` ` ``` ` ` ^` ``+ ` ?-`!` ``` ` - - `? ``` `!`^`-`!` ``` ` - - `? ``` `!`^ -`? `=``` ^ ?`- -`? `=``` ^ ?`- `+`` `` ?` ? ``+`+`` `` ?` ? ``+ ``=+=```=^ -``` =```===+=```=^ -``` =```===` ^` ?`` `? `` ```?` ``? `` ^` ?`` `? `` ```?` ``? `` `` ```^` ``` ``!```-` `` `-``` ``` ```^` ``` ``!```-` `` `-``` ^ `` !`` +`-``` = = ```-` ``- `` `` !`` +`-``` = = ```-` ``- `` -` `` `+``+``+` `` `^ -` `` `+``+``+` `` `^ ` = ``-``=``-`= = ` ` = ``-``=``-`= = ` ``^```^`^`````` ``^```^`^`````` ``-` -`` ``^ `-```-` -`` ``^ `-` `?`^``` !! `? ` `! ```^`?` `?`^``` !! `? ` `! ```^`?` =`^ ``` ^`=? =`^ ``` ^`=? ```+ ` `````^`=` ``` ` +`` ``+ ` `````^`=` ``` ` +`` `` ``` ` -``=^ ``^`= -```^ ` ``` ?`` ``` ` -``=^ ``^`= -```^ ` ``` ? august highland
AH MOFOFOOOOKCAAAAAH Remix #0003
AH MOFOFKCAH Remix #0003 ```-`!```=`-^!? ^``? `-=+`-`!```=`-^!? ^``? `-=+`` `` ` ` =` ` ``!+``? `=! =``` ` ` =` ` ``!+``? `=! =` ``- `` `` - ?``` -`+?`+` ``- `` `` - ?``` -`+?`+` `?`!!?-!=` ``` `` ``` !``^`-``?`!!?-!=` ``` `` ``` !``^`-` + `+`=`= `` ` `! ` =+` ` `+`=`= `` ` `! ` =+` ` ?``` ` !` `` `- ??``` ` !` `` `-` ? `` !``` -` ```- `?=`? ``` !``` -` ```- `?=`? ` ``=` ^??!= `?`=` ^??!= `?``` ``+ ` `` `?` +` ``+ ` `` `?` +` ``` `?```-^?`=- ^?``^-!`` `?```-^?`=- ^?``^- =- ^`` = =```+``+ !^ !=- ^`` = =```+``+ !^ ` !`^`+ +!```` `=``` !`^`+ +!```` `=``` ``??``++``` -+`^ `^-` + ``??``++`?` -+`^ `^-` + ```-!?-=` ?-=` ^` `! `!`-!?-=` ?-=` ^` `! ^`` ` ^` `` `^ ```! ``^`` ` ^` `` `^ ```! `` `-`?``` !`- ``` `````- `--`?``` !`- ``` `````- `-``` +```?```^``` `! `` ` `` -`-`` +```?```^``` `! `` ` `` -`-`` ^^ `!?` ``==``- `^ ````= ^^ `!?` ``==``- `^ ````= ` `` + `` ``=` `? ` ``! `` ` `` + `` ``=` `? ` ``! `` ``` `` ``=`` `` ````` `` ``=`` `` `` `` ^`` ?`-=` ``+^ `` ?` `` ^`` ?`-=` ``+^ `` ?` ^ ! ``+^ =` `- ^ ! ``^ =` `- `? -- ^` ^`?! ``==` `? -- ^` -`?! ``==` +++??```?! -` ``` +++??```?! -` ``` ` `-+!!=^ `` ^ +`-+!!=^ `` ^ + ```!```=`!```+``-!? !``! ^!`` ```!```=`!```+`!-!? !``! ^!`` `` ` ` =` ` ``!+``? `=! =``` ` ` =` ` ``!+``? `=! =` ``- `` `` - ?``` -`=?`+` ``- `` `` - ?``` -`+?`+` `?`!!?-!=` ``` `` ``` !``^`-``?`!!?-!=` ``` `` ``` !``^`-` + `+`=`= `` ` `! ` =+` ` `+`=`= `` ` `! ` =+` ` ?``` ` !` `` `- ??``` ` !` `` `- ? `` !``` -` ```^ `?=`? ``` !``` -` ```- `?=`? ` ``=` ^??!= `?`=` ^??!= `?``` ``+ ` `` `?` +` ``+ ` `` `?` +` ``` `?```-^?`=- ^?``^-!`` `?```-^?`=- ^?``^- =- ^`` = =```+``+ !^ !=- ^`` = =```+``+ !^ ` !`^`+ +!```` `=``` !`^`+ +!```` `=``` ``??``++``` -+`^ `^-` + ``??``++``` -+`^ `^-` + ```-!?-+` ?-=` ^` `! `!`-!?-=` ?-=` ^` `! ^`` ` ^` `` `^ ```! ``^`` ` ^` `` `^ ```! `` `-`?``` !`- ``` `````- `--`?``` !`- ``` `````- `-``` +```?```^``` `! `` ` `` -`-`` +```?```^``` `! `` ` `` -`-`` ^^ `!?` ``==``- `^ ````= ^^ `!?` ``==``- `^ ````= ` `` + `` ``=` `? ` ``! `` ` `` + `` ``=` `? ` ``! `` ``` `` ``=`` `` ````` `` ``=`` `` `` `` ^`` ?`-=` ``+^ `` ?` `` ^`` ?`-=` ``+^ `` ?` ^ ! ``^ =` `- ^ ! ``^ =` `- `? -- ^` -`?! ``==` `? -- ^` -`?! ``==` +++??```?! -` ``` +++??```?! -` ``` ` ```^?!=!``-``` `` ^?!=!``-``` `` ` august highland
Re: forgot to wash the white canary===AH BigSymmetry Remix
very nice! --- August [EMAIL PROTECTED] wrote: AH BigSymmetry Remix bi g long t edious t o -d o list(o) ? oh, ra z z m a t a z z , I oublie -ed to fish ou t the bru sh, for got (to o )t o finge rb etter p a g e , f o r g o t t h e symmetry o f d aily chores an d p ho spho r escence of th e theory brigh tly cha rting my out smartedwheels gone l ov e l y o n th e i ro wn (path) give me empathy with my ch urch br ead giveme por es that let gogive me frie n d s in vo i c e give memy lit t l e peaki e swift takes chortl i ng in b i rdie lingo va r ious fo r egone c o n c lusiost r i c s are you b i r dlawn l e a v e s s t i l l s ummary j u dged ar e y o u a p e a c e cane smudg e d with b arbed indiff e rence ar e you w el ded shut a ga in th en list en t o t he pet upli f t amid the se woods a nd render unto sim p l i c i t y i t s paladi um of s cents i n the sha ded sunit's o n ly mornin ga nd so m a n y ra y s t o c h oose amidt h e se dumpling plet h o r al end e arments of a c hoir that rip ples th rough the he adlinesand the cau s t ic r ev e l i ng a si f the moo d would l ikely f r aughtly sh ift to ungluedwould-y ou-be-m y-uplift -amid -daylig h t once f o r a ll undy ingly t h en watc h the s wift parade g o past t h e glade of fr e nch pap a lias w h e n the fro s t r e l axes in t o l imber l i m b e r l i m b e r fields a n d gloss e s c h a l k e d y oung melodie s across the waves ofpiped aw areness t hat match th e f ea thered days ak in to q uill ed an d sat ur ist par amet ers co ns id ered mea nwhi le da ily august highland
MOFOFOOOOKCAAAAAH! #0004
This is a multi-part message in MIME format.Mime-Version: 1.0Content-Type: multipart/mixed; boundary="===AVGMAIL-432F5FA15D2F==="--===AVGMAIL-432F5FA15D2F===Content-Type: multipart/alternative; boundary="=_NextPart_000_0075_01C5BD3F.FA8840F0"--=_NextPart_000_0075_01C5BD3F.FA8840F0Content-Type: text/plain; charset=iso-8859-1Content-Transfer-Encoding: quoted-printable MOFOFKCAH! MOFOF OO OOKCAAA AAH MOFOF KCAH MOFOFKCAH MOFOF KCAH MO FOFK CAH MOFOFKCAH MOFOFKCAH MOFOFO OOOKCAH M OFOFKCAH MOFOFKC AH MOFOFKCAH MOFOFO OOOKCAA AAAH MOFOFKCAA AAAH M OFOFKC AH MOF OFK CAH MOFOFKCA HMOFOFKCAA AAAH M OFOFKCAH MOFOF KCAH MOFOFO OOOKCA H MOFOFOO OOKCAA AAAH MOFOFKCAH MOFOFOO OOKCAA AAAH MOFOFOOO OKCAH MOFOFKCAH MOFOFKC AH MO FOFKCAAA AAH MOFOF KCA H MOFOFKCAH MOFOFKCAAA AAH M OFOFKCA H MOF OFK CAH MOFOFKCAH MOFOFO OOOKCA H MOFOF KCAA AAAH MOF OFKCAH MOFOFO OOOKC AH MOF OFOOOOKC AH MOFOFOOOOKCAAA AAH MOFOFO OOOKCA H MOFO F KCAH MOFOFO OOOKCAH MOFOFKC AH MOFOFK CAH MOFOF KC AH M OFOFOOOOKCA H M OFOF K CAH MOFOF KC AHMOFOFOO OOKCAH MOFOFO OOOKC AA AAAH MO FOFK CAH MOFOFKCAA AAAH MOFOFO OOOK CAH MOFOFKCAH MOFO F KCAH MOFOFOOO OKCAH MOFOFKCAH MO FOFOO OOKCA H MOFOFOOO OKC AH MOF OFOOOOKC AH MOFOFKC A H MOFO FKC AH MOFOFOOOOKCAA AAAH M OFOFOOO OKCAA AAAH MOFOFKCAH M OFOFOO OOKCAA AAAHMOFOFKCAH MOFOFKCAH MOFOF KCA H MOFO FKCAH MOFOFKCAA AAAH M OFOFKCA H MOFOFKCAAA AAH M OFOFKC AH MOFOFKCAAAAAH MO FOFKCAH MOFOFO OOOKCAH M OFOFO OOOKCAH MOFOFKCA H MOFOFK C AH MOFOFKCAH MOFOFOOO OKCAA AAA H MOFOFKC AH MO FOFOOOOKCAH MOFOFK CA H MOF OFKCAAAAAH MOFOF KC AH M OFOFK CAH MOFOFK C AH MO FOFKCAH MOFOFKCA H MOFO F KCAH MOFOFKCAH MOFOF KCAAA AAH M OFOFK CAH MOFOFKCAH MOFOFOO OOK C AH MOFOFO OOOKCAH MOFOFKCA H MOFOFOO OOKCAA AAAH MOFOF K CAH MOFOFOO OOKCAA AAAH MOFO FKCAH MOFO F KCAAAAAH MOFOF KCAH MOFOFKCAH MOFOF KCAAA AAH MOFOF KCAH MOFOFKCAH MOF OFKCA H
Image Poem
The moment I opened the door, I realized that something hideous had occurred... http://photos1.blogger.com/img/2/1002/1024/The-moment-I-opened-the-doo.jp g -Peter Ciccariello ARTIST'S BLOG - http://invisiblenotes.blogspot.com/
Re: Image Poem
Quoting Peter Ciccariello [EMAIL PROTECTED]: The moment I opened the door, I realized that something hideous had occurred... http://photos1.blogger.com/img/2/1002/1024/The-moment-I-opened-the-doo.jp g beautiful:)
smith
from two rivers fog and darkness a bishop and a crook hastily corrected their thoughts behind a chair i never knew you toted a dagger there was something so final about his fist upon the railing then it's settled the simple expedient of ineffable beauties the most peculiar thing kicking her out of the bed jet-black heart low and ridiculous i'm a siamese twin all over the countryside strange things were happening vaguely waving dancing with frank admiration are we poisoned in a dazed condition or both perhaps timidly peered mildly wondered what may serve to remind the great god returning these selfsame gods to life by divine right have his little qualms with the usual specification new magic more applejackand thrust the duck back beneath the coat __ Yahoo! Mail - PC Magazine Editors' Choice 2005 http://mail.yahoo.com
codon 13 / animated gif
codon 13 / animated gif http://www.hevanet.com/solipsis/desktopcollage/codon13.gif
Re: codon 13 / animated gif
cool! On Mon, 19 Sep 2005 22:33:27 -0700 lanny quarles [EMAIL PROTECTED] wrote: codon 13 / animated gif http://www.hevanet.com/solipsis/desktopcollage/codon13.gif
Re: codon 13 / animated gif
more than cool, fantastic! To you know Berman's work? - Alan On Mon, 19 Sep 2005, Talan Memmott wrote: cool! On Mon, 19 Sep 2005 22:33:27 -0700 lanny quarles [EMAIL PROTECTED] wrote: codon 13 / animated gif http://www.hevanet.com/solipsis/desktopcollage/codon13.gif ( URLs/DVDs/CDroms/books/etc. see http://www.asondheim.org/advert.txt - revised 7/05 )
Real Dismembrment
Real Dismembrment is clotting everything. - Your cloth is soaked, written, erased. - Your suture should be wiped into existence? I Consider the following again, your ... spectre splits me in your suture! How would you absorb your waxes cloth? Your unto us our lesions legions, each and all, dead cities, living forest, of is mine, my is yours! My of all of us, not one, not just this not that, make us prey-dismember, do is your chemistry here... unto us our lesions legions, each and all, dead cities, living forest, of calls forth ghost, hungered, making things. across the breaks, unto us our lesions legions, each and all, dead cities, living forest, of is , 041], of all of us, not one, not just this not that, make us prey-dismember, do ? ... ghost is torn dying animals, somewhere on a bayou seems, ironic, of total on wet flesh, it's ghost? Are you satisfied with your unto us our lesions legions, each and all, dead cities, living forest, of ? Use of uninitialized value at ./.juluold line 113, STDIN chunk 52. Use of uninitialized value at ./.juluold line 114, STDIN chunk 52. Use of uninitialized value at ./.juluold line 115, STDIN chunk 52. You wrote for 313109 hours? unto us our lesions legions, each and all, dead cities, living forest, of and 10851 and 24470 - another entity named and made! For 2 waxes days, we have been piss. and it has taken you 0.167 minutes to swallow your last ... of all of us, not one, not just this not that, make us prey-dismember, do unto us our lesions legions, each and all, dead cities, living forest, of hurricane force world-wide, too much is too little, we should die among me, fury:lord move the mount of blasphemy, take out the messenger, devour the production, dismantle armature, cam articulation, my eyes are burning, are on fire, they would kill one another as well, perhaps i miss the end-angel, animal reassemblage, once before years, video of cat decapition from friend never further spoke to, if these are humans, we are humans, deserve to die, our cruelty is our exaltation, our holy brutality, our one-another death, dear god, annihilate, in truth not in false demand, would go willingly, the element you would apply.:watching video, transformation and freedom of the natives, my soundwork was used i think in part for a score, received the tape just, horrifying documentary of animals torn apart, couldn't watch more than four minutes, am shaking, already what is wrong with me, this i cannot do, perhaps there is final salvation, i could not get beyond the images of torn dying animals, somewhere on a bayou seems, ironic, of total annihilation, preacher kill them all, humans all, tear out their tongues, burn their legs-arms, unacceptable, just:piled of slaughtr:battered hmans Write first killed dogs through my of all of us, not one, not just this not that, make us prey-dismember, do unto us our lesions legions, each and all, dead cities, living forest, of hurricane force world-wide, too much is too little, we should die among me, fury! of all of us, not one, not just this not that, make us prey-dismember, do :::hurricane force world-wide, too much is too little, we should die among :dogs through my of all of us, not one, not just this not that, make us Does replace your of all of us, not one, not just this not that, make us prey-dismember, do ? with ideogrammatic intervals! unto us our lesions legions, each and all, dead cities, living forest, of :of all of us, not one, not just this not that, make us prey-dismember, do ::?:annihilation, preacher kill them all, hmans all, tear out their tongues, Your spectre dissolves my torn dying animals, somewhere on a bayou seems, ironic, of total ! ghost with ideohydraulesis! of all of us, not one, not just this not that, make us prey-dismember, do unto us our lesions legions, each and all, dead cities, living forest, of hurricane force world-wide, too much is too little, we should die among me, fury:lord move the mount of blasphemy, take out the messenger, devour the production, dismantle armature, cam articulation, my eyes are burning, are on fire, they would kill one another as well, perhaps i miss the end-angel, animal reassemblage, once before years, video of cat decapition from friend never further spoke to, if these are hmans, we are hmans, deserve to die, our cruelty is our exaltation, our holy brutality, our one-another death, dear god, annihilate, in truth not in false demand, would go willingly, the element you would apply.:watching video, transformation and freedom of the natives, my sound used i think, received the tape just, horrifying doc animals torn, couldn't watch more than four minutes, am shaking, already what is wrong with me, this i cannot do, perhaps there is final salvation, i could not get beyond the images of torn dying animals, somewhere on a bayou seems, ironic, of total annihilation, preacher kill them all, hmans all, tear out their tongues, burn their legs-arms, unacceptable, just:piled of
