eugaphy

2006-02-24 Thread Bjørn Magnhildøen
us, psychologically  wn the roads it's quite sharing a Glazes
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Crackd

2006-02-24 Thread John M. Bennett


 
Crackd


dog hum ,mat gum ,tool loose

flavor crisp ,yr breeding thlumb

choke cob ,send yr dimmer packing

cheese sleeve or sobbing in the rinse


foam an lint drying on the wall
ball the hand flying rent an comb


sleeve rubber clapped yr shirt

dimmer home gland ,towel chugging

breeding tent ,the web you wave

hum drawl ,sank the shunt crack

John M. Bennett

__
Dr. John M. Bennett
Curator, Avant Writing Collection
Rare Books  Manuscripts Library
The Ohio State University Libraries
1858 Neil Av Mall
Columbus, OH 43210 USA
(614) 292-3029
[EMAIL PROTECTED]

www.johnmbennett.net
___



Chimpd

2006-02-24 Thread John M. Bennett


 
Chimpd


spraddled in the thumb you )drinking(

hob bled an morted ,age cowled

strew yr colder ,bash ringer

chains an drips ah lush rinser


rod sender ,dag slabbit ,nor crust
hushed bore ,rabbit slag ,bender sod


lush hence yr glod pore ,natter

rinser dug ,tape yr blotter rash

morted joke an transfer ,stiff slab

drinking in the folder ,like a chimp

John M. Bennett

__
Dr. John M. Bennett
Curator, Avant Writing Collection
Rare Books  Manuscripts Library
The Ohio State University Libraries
1858 Neil Av Mall
Columbus, OH 43210 USA
(614) 292-3029
[EMAIL PROTECTED]

www.johnmbennett.net
___



flautista de hamelín

2006-02-24 Thread Ana Buigues
flautista de hamelín

http://www.geocities.com/supermiembro/iconografia/w_ico_flautista_hamelin_09
_00.jpg


44/365, Mark

2006-02-24 Thread Dan Waber
Mark was the two years older football player brother of a girl my age,
and the first death of a person I'd met on my own. He had a heart
attack his Junior year in high school, after a practice.

40 words, 40 years
365 days, 365 people
http://www.logolalia.com/40x365/


Re: flautista de hamelín

2006-02-24 Thread Lanny Quarles
wow, this is fantastic!

unrelated, but I just watched the version where Donovan
plays the p.p. recently..

the midi-eval, the plagues in the setting, the alchemy of desire,
and the info-automatism, even the paedophilic angle, not to mention
the objectifications and mappings.. neat!
very evocactive at this juncture..

thx

lq

 flautista de hamelín

 http://www.geocities.com/supermiembro/iconografia/w_ico_flautista_hamelin_09
 _00.jpg



clarification

2006-02-24 Thread Ana Buigues
when in need of creating a file it is always better
to chose the .txt format instead of the .doc format





















because many of my .doc(s) are just not working anymore
and that can be frustrating, at times.
i consider myself a gentle person, very patient,
but sometimes i get cranky with the computer
especially when one is having a bad day --
not to mention when one is menstruating,
because women are hysterical by nature,
or maybe it is because today i'm wearing my dancing shoes.
my dancing shoes are tacky but sexy (therefore beautiful)
but they are new and have high heels so they're uncomfortable,
but i'm trying to get comfortable in them by wearing them at home,
so when i go dancing tomorrow, anyway, where was i?
and the whole microsoft thing is just a piece of crap,
so please, take my advice and go for .txt and not for .doc


Re: clarification

2006-02-24 Thread John M. Bennett


and there's nothing worse than word
y no hay nada peor que la palabra
hijole, que es lo que acabo de decir ?
john
At 09:54 AM 2/24/2006, you wrote:
when in need of creating a file
it is always better
to chose the .txt format instead of the .doc format










because many of my .doc(s) are just not working anymore
and that can be frustrating, at times.
i consider myself a gentle person, very patient,
but sometimes i get cranky with the computer
especially when one is having a bad day --
not to mention when one is menstruating,
because women are hysterical by nature,
or maybe it is because today i'm wearing my dancing shoes.
my dancing shoes are tacky but sexy (therefore beautiful)
but they are new and have high heels so they're uncomfortable,
but i'm trying to get comfortable in them by wearing them at home,
so when i go dancing tomorrow, anyway, where was i?
and the whole microsoft thing is just a piece of crap,
so please, take my advice and go for .txt and not for
.doc

__
Dr. John M. Bennett
Curator, Avant Writing Collection
Rare Books  Manuscripts Library
The Ohio State University Libraries
1858 Neil Av Mall
Columbus, OH 43210 USA
(614) 292-3029
[EMAIL PROTECTED]

www.johnmbennett.net
___



Re: clarification

2006-02-24 Thread J. Lehmus

On Fri, 24 Feb 2006, Ana Buigues wrote:


so please, take my advice and go for .txt and not for .doc


 preferably with unix line breaks


nznl.com digest, Feb 16, 2006 - Feb 24, 2006

2006-02-24 Thread Geert Dekkers
nznl.com digest Feb 16, 2006 - Feb 24, 2006Posts  1361 - 1369http://nznl.com1361. Feb 16, 2006FOUNDATION, 2010, FOUNDATIONphotoshop/fireworks filehttp://nznl.com/geert/pop.php?dag=200602161362. Feb 17, 2006FOUNDATION, 2010, FOUNDATIONweb pagehttp://nznl.com/geert/pop.php?dag=200602171363. Feb 18, 2006ROOM, 2010, ROOMphotoshop/fireworks filehttp://nznl.com/geert/pop.php?dag=200602181364. Feb 19, 2006FOUNDATION PROBLEM, 2010, INSTALLATION AT THE NZNL.COM EXHIBITION HALL BUILDING SITEfireworks filehttp://nznl.com/geert/pop.php?dag=200602191365. Feb 20, 2006STUDY FOR A DETAIL OF THE NZNL.COM EXHIBITION HALL, 2010, DETAILphotoshop/fireworks filehttp://nznl.com/geert/pop.php?dag=200602201366. Feb 21, 2006PROVISIONAL HEAD, 2010, INSTALLATION AT THE NZNL.COM EXHIBITION HALL CAR PARKphotoshop/fireworks file, googled imagehttp://nznl.com/geert/pop.php?dag=200602211367. Feb 22, 20063 RELICS, 2010, PLYWOOD, PLASTER OF PARIS, ACRYLICSphotoshop/fireworks filehttp://nznl.com/geert/pop.php?dag=200602221368. Feb 23, 2006INTERLUDE, 2010, INTERLUDEweb pagehttp://nznl.com/geert/pop.php?dag=200602231369. Feb 24, 2006INTERLUDE, 2010, INTERLUDEweb pagehttp://nznl.com/geert/pop.php?dag=20060224  Geert Dekkershttp://nznl.com 

Re: beasties, a debacle c

2006-02-24 Thread Peter Ciccariello

Hi Dan.
I got a real kick out of your beasties.
I thought you might like this one I came up with a bit ago. No text
just a beatie.

http://k41.pbase.com/v3/06/512806/2/48609976.hitchhiker.jpg








All the best,
-Peter Ciccariello
ARTIST'S BLOG - http://invisiblenotes.blogspot.com/


-Original Message-
From: Dan Waber [EMAIL PROTECTED]
To: WRYTING-L@LISTSERV.UTORONTO.CA
Sent: Fri, 24 Feb 2006 10:52:31 -0500
Subject: beasties, a debacle c

 One more new project:

beasties: monsters made up from made up monster names's names
(teachers and kids (of all ages) take note! Yes, I'm making them to
order.

http://www.logolalia.com/beasties/

and a seasonal delight, the complete and unaltered exchange between
online support for a tax preparation company and yours disgruntled
truly:

http://www.logolalia.com/block-debacle/

also, for those of you following along at home, untranslatable
continues to grow, thanks to all who've sent things in. Keep 'em
coming, please.

http://www.logolalia.com/untranslatable/

Whee!
Dan


Fallen Idols

2006-02-24 Thread Thomas savage
 Fallen Idols*Rise up again you bits of exploded stone.  Pumice by the furnace of time.  Re-inhabit the bodies you once represented.  There is nothing to admit or exclude.  Own my crisis or yours.What we remember...  What will you forget?  What can we offer  The snake in his box?  Difficulties anent thighs.  Take yourself home, now.Jump into bed but remember your dreams.  They make the sun rise tomorrow.  Plug up the holes in our lives.  Our relatives are dead now  So we can breathe.  The guest room in your soul is waiting.  Your text is gone,  Looking for higher quarters.  Adults will never understand a child's world.Look over my shoulder
 And what you will see  Is more than a fashion statement.  If you only have one name,  How did the other one die?  Be careful what you say  Especially to yourself.Do anything against rage.  The interest in intimacy has been exploited  But not here.  We make one another who we are.  Restore the print to flesh  Then wean us.Tom Savage  2/22/06*Written while watching The Fallen Idol by Carol Reed and Graham Greene
Brings words and photos together (easily) with
PhotoMail  - it's free and works with Yahoo! Mail.

ilq-/u

2006-02-24 Thread Jukka-Pekka Kervinen
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NASA's Next Leap in Mars Exploration Nears Arrival (fwd)

2006-02-24 Thread Alan Sondheim

-- Forwarded message --
Date: Fri, 24 Feb 2006 12:00:59 -0800
From: NASA Jet Propulsion Laboratory [EMAIL PROTECTED]
To: [EMAIL PROTECTED] [EMAIL PROTECTED]
Subject: NASA's Next Leap in Mars Exploration Nears Arrival

MEDIA RELATIONS OFFICE
JET PROPULSION LABORATORY
CALIFORNIA INSTITUTE OF TECHNOLOGY
NATIONAL AERONAUTICS AND SPACE ADMINISTRATION
PASADENA, CALIF. 91109 TELEPHONE (818) 354-5011
http://www.jpl.nasa.gov

Guy Webster  (818) 354-6278
Jet Propulsion Laboratory, Pasadena, Calif.

Dwayne Brown  (202) 358-1726
NASA Headquarters, Washington   
February 24, 2006

News Release: 2006-026

NASA's Next Leap in Mars Exploration Nears Arrival

As it nears Mars on March 10, a NASA spacecraft designed to examine the red 
planet in
unprecedented detail from low orbit will point its main thrusters forward, then 
fire them to slow itself
enough for Mars' gravity to grab it into orbit.

Ground controllers for Mars Reconnaissance Orbiter expect a signal shortly 
after 1:24 p.m. Pacific
time (4:24 p.m. Eastern time) that this mission-critical engine burn has begun. 
 However, the burn
will end during a suspenseful half hour with the spacecraft behind Mars and out 
of radio contact.

This mission will greatly expand our scientific understanding of Mars, pave 
the way for our next
robotic missions later in this decade, and help us prepare for sending humans to 
Mars, said Doug
McCuistion, Director of NASA's Mars Exploration Program. Not only will Mars 
Science
Laboratory's landing and research areas be determined by the Mars 
Reconnaissance Orbiter, but the
first boots on Mars will probably get dusty at one of the many potential 
landing sites this orbiter will
inspect all over the planet.

The orbiter carries six instruments for studying every level of Mars from 
underground layers to the
top of the atmosphere.  Among them, the most powerful telescopic camera ever 
sent to a foreign
planet will reveal rocks the size of a small desk. An advanced mineral-mapper 
will be able to identify
water-related deposits in areas as small as a baseball infield. Radar will 
probe for buried ice and
water. A weather camera will monitor the entire planet daily. An infrared 
sounder will monitor
atmospheric temperatures and the movement of water vapor.

The instruments will produce torrents of data. The orbiter can pour data to 
Earth at about 10 times the
rate of any previous Mars mission, using a dish antenna 3 meters (10 feet) in 
diameter and a
transmitter powered by 9.5 square meters (102 square feet) of solar cells. 
This spacecraft will return
more data than all previous Mars missions combined, said Jim Graf, project 
manager for Mars
Reconnaissance Orbiter at NASA's Jet Propulsion Laboratory, Pasadena, Calif.

Scientists will analyze the information to gain a better understanding of 
changes in Mars' atmosphere
and the processes that have formed and modified the planet's surface.  We're 
especially interested in
water, whether it's ice, liquid or vapor, said JPL's Dr. Richard Zurek, 
project scientist for the orbiter.
Learning more about where the water is today and where it was in the past will 
also guide future
studies about whether Mars has ever supported life.

A second major job for Mars Reconnaissance Orbiter, in addition to its own 
investigation of Mars, is
to relay information from missions working on the surface of the planet. During 
its planned five-year
prime mission, it will support the Phoenix Mars Scout, which is being built to 
land on icy soils near
the northern polar ice cap in 2008, and the Mars Science Laboratory, an 
advanced rover under
development for launch in 2009.

However, before Mars Reconnaissance Orbiter can begin its main assignments, it 
will spend half a
year adjusting its orbit with an adventurous process called aerobraking. The 
initial capture by Mars'
gravity on March 10 will put the spacecraft into a very elongated, 35-hour 
orbit. The planned orbit for
science observations is a low-altitude, nearly circular, two-hour loop. To go 
directly into an orbit like
that when arriving at Mars would have required carrying much more fuel for the 
main thrusters,
requiring a larger and more expensive launch vehicle and leaving less payload 
weight for science
instruments. Aerobraking will use hundreds of carefully calculated dips into 
the upper atmosphere --
deep enough to slow the spacecraft by atmospheric drag, but not deep enough to 
overheat the orbiter.

Aerobraking is like a high-wire act in open air, Graf said. Mars' atmosphere 
can swell rapidly, so
we need to monitor it closely to keep the orbiter at an altitude that is effective 
but safe.  Current
orbiters at Mars will provide a daily watch of the lower atmosphere, an 
important example of the
cooperative activities between missions at Mars.

Additional information about Mars Reconnaissance Orbiter is available online at:

http://www.nasa.gov/mro

The mission is managed by JPL, 

Four Dances: Screen, Bait, Abu Gharayb, Electric

2006-02-24 Thread Alan Sondheim

Four Dances: Screen, Bait, Abu Gharayb, Electric


1. Screen

Projected video with dancers before the image - as if it's a multi-media
performance, dancers 'inserted' into on-screen narrative - but they're out
of sync, they don't match up - the narrative falls apart, it's a mess -
they stumble on-screen as well - it's amateurish, a poor attempt - it's
trying to compete with the big multi-media companies - reaching beyond
what the company can do - the dancers are angry - they're really angry -
they're in front of an audience in a production which is falling apart -
they didn't sign contracts for this - one of them walks off - there's a
gap in what's left of the narrative - this continues until the projection
comes to an end -

The video is poor, hand-held, amateurish, shaky - with some of the same
dancers - they speak a bad pointless dialog - along the lines of

Where's Dmitri?
I don't know. The Revolution is about to begin.
I love you, Martya. I love you too Johannes.
But we can't wait forever.
No, we can't wait forever. They're looking for us all over the city.
Are you sure they're looking?
No, I'm not sure. But then... I'm not sure of anything anymore...
That is why I love you, Martya. [...]

There is some action - anxious walking about the city - nervous, they look
behind them, they're watching - they think they're being watched. And yes,
they dance all of this, on-screen, off-screen. The live dancers may speak,
try to make sense of the dialog; they can't. The live dancers may be the
same as the on-screen characters; it would be best, however, to split the
company - half on, half off, as if they're trying to come together across
an impossible ontology.

Bad film music from the screen, 'programmatic.' The live dancers simply
don't understand.


2. Bait

Either projected video or live - a nude man and woman masturbate stage
left; they are nude, exposed; the dance ends when they cum. They observe
two dancers -

Either dressed or nude - ballet positions, lifts, contacts, splits (facing
audience and masturbating couple) - the dancers sexually aroused - if nude
(preferable)

Masturbating constantly during their movements (the man clearly erect, the
woman with her hand increasingly wet, the audience close enough to smell
the scent of sex) - if at all possible they cum simultaneously with the
masturbating couple.

Swan Lake or some such music.


3. Abu Gharayb

Dancers act out positions of prisoners in Abu Gharayb photographs. Lyndie
England is played by a prima ballerina, her fiancee by the lead male. The
dance should move from position to position. At first it appears opportun-
istic; it becomes increasingly uncomfortable to watch, as if England and
her fiancee were becoming too involved in the violence. Faked blood,
bruising, should be used, as well as leather masks, ropes, etc. .

In other words, a series of iconographic figures. The lead dancers try
their best to behave as beginners - in dance, in torture. The rest of the
company is appears reactive; they're uncomfortable in their roles (often
nude) - broken, scraped. The audience wants more; the audience wants none
of it.

The prisoners are arranged by the lead dancers. They resist weakly at
best. The lead dancers appear simultaneously American and Imperial (i.e.
of any emblematic power). The prisoners appear as Other, signed as Other;
nude, they are the same. The prisoners have nothing. (Perhaps, but only
perhaps, the lead dancers carry Bibles. Or there are Bibles at hand. Or
there is a cross at hand. Or a crown of thorns.)


4. Electric

The dance-floor is covered with wire - grids, meshes, barriers. This acts
as an antenna for VLF (very low frequency) radio. The antenna is fed
through heavy notch filters cutting back on the local (60hz, 50hz) power
grid; it leads to a NASA VLF-3 radio whose output is fed back into the
space vis-a-vis loudspeakers. For one to five dancers. Dancers should be
nude or with little clothing; they interact with each other, with the
wires. Actions include sliding fingers and palms along the wires, wrapping
the body (limbs, neck, penis and breasts if nude, fingers, waist), moving
in and out of contact with other dancers. Performers should try to
maximize sound production as inductance, etc. change. Stage lighting is
sinusoidal, i.e. lights slowly increasing to maximum, then decreasing to
darkness, and back again. At first this appears as 'effect,' but it soon
establishes the rhythm of the dance.

The dancers 'worry about' the wires, about dancing among the wires,
between the wires, on them. This may not have been in the contract. (The
contract might have specified, however, 'any and all.')

The dancers behave as ionizations, lightnings, atmospherics, insects, dead
and live wires, environments. Tech runs a sound-board with effects,
including the possibility of sending the sound through AudioMulch or other
similar programs. The dancers establish and contradict their own rhythms.
The sounds screech and roar.

==

The dances 

New cross-stitch by Maria Damon

2006-02-24 Thread mIEKAL aND
spend a moment with the new cross-stitch by Maria Damon based on a vispoem by mIEKAL aNDSeveral weeks before Lyx Ish died suddenly of pancreatic cancer she suffered a stroke  lost the ability to speak.  The original visual poem was made for her at that time.http://spidertangle.net/liquidtext.com/lyxstitch.html

BacterioPoetics

2006-02-24 Thread mIEKAL aND
http://socialfiction.org/gettags.php?tagski=BacterioPoeticssubmit=send

Cheney's Coup

2006-02-24 Thread Alan Sondheim
http://www.spiegel.de/international/0,1518,402588,00.html

SPIEGEL ONLINE
February 23, 2006

Opinion

Cheney's Coup

By Sidney Blumenthal

A three-year-old executive order that vastly expanded
his powers illuminates how the vice president and his
minions led us into war.

President Bush and Vice President Dick Cheney arrive in
the East Room of the White House.

President Bush and Vice President Dick Cheney arrive in
the East Room of the White House. After shooting Austin
lawyer Harry Whittington, Dick Cheney's immediate
impulse was to control the intelligence. Rather than
call the president directly, he ordered an aide to
inform White House Chief of Staff Andrew Card that
there had been an accident but not that Cheney was its
cause. Then a host of surrogates attacked the victim
for not steering clear of Cheney when he was firing.
Cheney attempted to defuse the subsequent furor by
giving an interview to friendly Fox News. His most
revealing answer came in response to a question about
something other than the hunting accident. Cheney was
asked about court papers filed by his former chief of
staff, I. Lewis Scooter Libby, indicted for perjury
and obstruction of justice in the investigation of the
leaking of the identity of an undercover CIA operative,
Valerie Plame. (She is the wife of former ambassador
Joseph Wilson, a critic of disinformation used to
justify the invasion of Iraq.) In those papers, Libby
laid out a line of defense that he had leaked
classified material at the behest of his superiors
(to wit, Cheney). Libby detailed that he was authorized
to disclose to members of the press classified sections
of the prewar National Intelligence Estimate on Saddam
Hussein's weapons of mass destruction. (The NIE was
exposed as wrongly asserting that Saddam possessed WMD
and was constructing nuclear weapons.) Indeed, Cheney
explained, he has the power to declassify intelligence.
There is an executive order to that effect, he said.
Had he ever done that unilaterally? I don't want to
get into that.

On March 25, 2003, President Bush signed Executive
Order 13292, a hitherto little known document that
grants the greatest expansion of the power of the vice
president in American history. The order gives the vice
president the same ability to classify intelligence as
the president. By controlling classification, the vice
president can in effect control intelligence and,
through that, foreign policy.

Bush operates on the radical notion of the unitary
executive, that the president has inherent and
limitless powers in his role as commander in chief,
above the system of checks and balances. By his
extraordinary order, he elevated Cheney to his level,
an acknowledgment that the vice president was already
the de facto executive in national security. Never
before has any president diminished and divided his
power in this manner. Now the unitary executive
inherently includes the unitary vice president.

The unprecedented executive order bears the earmarks of
Cheney's former counsel and current chief of staff,
David Addington. Addington has been the closest
assistant to Cheney through three decades, since Cheney
served in the House of Representatives in the 1980s.
Inside the executive branch, far and wide, Addington
acts as Cheney's vicar, bullying and sarcastic,
inspiring fear and obedience. Few documents of concern
to the vice president, even executive orders, reach the
eyes of the president without passing first through
Addington's agile hands.

To advance their scenario for the Iraq war, Cheney 
Co. either pressured or dismissed the intelligence
community when it presented contrary analysis. Paul
Pillar, the former CIA national intelligence officer
for the Near East and South Asia, writes in the new
issue of Foreign Affairs, The administration used
intelligence not to inform decision-making, but to
justify a decision already made.

On domestic spying conducted without legal approval of
the Foreign Intelligence Surveillance Court, Addington
and his minions isolated and crushed internal dissent
from James Comey, then deputy attorney general, and
Jack Goldsmith, then head of the Justice Department's
Office of Legal Counsel.

On torture policy, as reported by the New Yorker this
week, Alberto Mora, recently retired as general counsel
to the U.S. Navy, opposed the Bush administration's
abrogation of the Geneva Conventions -- by holding
thousands of detainees in secret camps without due
process and using abusive interrogation techniques --
based on legal doctrines Mora called unlawful and
dangerous. Addington et al. told him the policies
were being ended while continuing to pursue them on a
separate track. To preserve flexibility, they were
willing to throw away our values, Mora said.

The first vice president, John Adams, called his
position the most insignificant office ever the
invention of man contrived or his imagination
conceived. John Nance Garner, Franklin D. Roosevelt's
first vice president, said it was not worth a 

Numbers Up at U.S. Soup Kitchens

2006-02-24 Thread Alan Sondheim
http://www.sunherald.com/mld/duluthsuperior/news/nation/13940566.htm?source=rsschannel=duluthsuperior_nation
DuluthNewsTribune.com
February 23, 2006

Numbers up at U.S. soup kitchens, Second Harvest says

By Stephen Ohlemacher
Associated Press

WASHINGTON - When Lisa Koch asked several people at a
Chicago soup kitchen to complete a survey of the people
who eat there, she got a surprising response: They
asked how long it would take because they had to get
back to work after lunch.

A national survey of people eating at soup kitchens,
food banks and shelters found that 36 percent came from
households in which at least one person had a job. In
the Chicago area, it was 39 percent.

Even though the economy might be changing, it isn't
creating the kinds of jobs that allow people to make
ends meet, said Koch of the Greater Chicago Food
Depository.

More than 25 million Americans turned to the nation's
largest network of food banks, soup kitchens and
shelters for meals last year, up 9 percent from 2001,
says the report by America's Second Harvest.

Those seeking food included 9 million children and
nearly 3 million senior citizens, the report says.

The face of hunger doesn't have a particular color,
and it doesn't come from a particular neighborhood,
said Ertharin Cousin, executive vice president of
America's Second Harvest. They are your neighbors,
they are working Americans, they are senior citizens
who have worked their entire lives, and they are
children.

The organization said it interviewed 52,000 people at
food banks, soup kitchens and shelters across the
country last year. The network represents about 39,000
hunger-relief organizations, or about 80 percent of
those in the United States. The vast majority are run
locally by churches and private nonprofit groups.

The surveys were done before Hurricanes Katrina and
Rita hit the Gulf Coast in 2005. After the hurricanes,
demand for emergency food assistance tripled in Gulf
Coast states, according to a separate report by the
group.

The new report, being released today, found that 35
percent of people seeking food came from households
that received food stamps. Cousin said the numbers show
that the government program, while important, is
insufficient.

The benefits they are receiving are not enough,
Cousin said.

Government reports also show the number of hungry
Americans increasing.

A U.S. Department of Agriculture report released last
year said 13.5 million American households, or nearly
12 percent, had difficulty providing enough food for
family members at some time in 2004. That was up from
about 11 percent in 2003.

(c) 2006 Duluth News Tribune and wire service sources.
http://www.duluthsuperior.com

   ***

http://news.yahoo.com/s/ap/20060223/ap_on_re_us/hunger_glance_1printer=1;_ylt=AiJksTJdjkIHHv8hFnUzqdBH2ocA;_ylu=X3oDMTA3MXN1bHE0BHNlYwN0bWE-
Associated Press
February 23, 2006

Some Characteristics of the Hungry

America's Second Harvest, the nation's largest network
of food banks, soup kitchens and shelters, served 25.3
million people last year, a 9 percent increase from
2001.

Here are some of the characteristics of those seeking
emergency food assistance:

- Thirty-nine percent were white, non-Hispanic; 38
percent were black; 17 percent were Hispanic.

- About 9 million were children.

- Nearly 3 million were 65 or older.

- Nearly 70 percent had incomes below the official
poverty level, which is $15,067 for a family of three.

- Twelve percent were homeless.

- Forty-one percent said they have had to choose
between buying food or paying for utilities.

- About a third said they had to choose between buying
food or paying for medicine or medical care.

- Nearly 30 percent had at least one family member in
poor health.
___

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Re: BacterioPoetics

2006-02-24 Thread Lanny Quarles
thx for sending this Miekal!

 http://socialfiction.org/gettags.php?tagski=BacterioPoeticssubmit=send

here's an interesting one I found recently:

http://www.discover.com/issues/mar-06/cover/