Are you sure that's from 1995? Seems a bit odd that it mentions the
Matrix and the new Star Wars films. It must be a bit more recent than
that...
Brendan
On 25/06/07, Guilherme Menegon Arantes [EMAIL PROTECTED] wrote:
Hi list,
Again out of my dusty boxes with old magazines, found this
This is possibly a bit of a tongue in cheek suggestion, but how about
Geez'n'Gosh's My Life With Jesus?
http://www.discogs.com/release/29670
It fits the description of synthetic sounds with gospel vocals anyway...
Brendan
On 09/02/07, [EMAIL PROTECTED]
[EMAIL PROTECTED] wrote:
We all
On 10/01/07, David Beattie [EMAIL PROTECTED] wrote:
Yeah - welcome everyone, I hope that along with some
fresh blood we get some of the old heads who have left
over the years (last year particularly).
I'm one of the oldsters who's returned, mainly because I heard a
rumour that you could now
Mine is lunar_selector but I'm only sporadically...
Brendan
On 11/01/07, Nik Stoltzman [EMAIL PROTECTED] wrote:
moralcrusader
Let me know if you want access and I'll add you to my userlist - my bandwidth
is too limited to
make it available to all. I tried it once and my internet access
Agreed - you need to get all the Main Street records, basically. Round Five has
a similar feel to a Rhythm Sound track, while Round Four is abstract enough
to sound like an M-series release. Round Two is my personal favourite though -
it knocks me for six every time I listen to it.
Brendan
It used to be the Camden Palace, so it's pretty big and decced out like a
ballroom inside. The nearest tube is Mornington Crescent. Should be a laugh
to see how this night turns out - I can imagine the venue being quite well
suited to an evening of May/Brikha, but have a few misgivings about the
-Original Message-
From: Jason Brunton [mailto:[EMAIL PROTECTED]
Sent: 24 March 2005 09:36
Rob Hall is a fairly regular visitor to Glasgow and an all round nice
guy- usually spends a good day or so going through our racks and
listening to new music- his comment on the Iridite
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Sent: 24 March 2005 12:00
I can't wait to play at a techno club.
I wonder when that might be happening? ;)
Brendan
Here it is:
http://www.chromedecay.org/rob/
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Sent: 21 March 2005 15:14
wonder what rob is up to, anyway.
he was funny!
he's got a blog I think. dunno where mind.
That track ended up coming out on the Minimal Nation M-Plant repress:
http://www.discogs.com/release/7000
Really nice track, that one!
Brendan
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Sent: 16 March 2005 14:30
To: 313@hyperreal.org
Subject: (313) Rob
I'd rather go out to hear good tunes than good mixing myself - the
performance isn't any more valid or enjoyable for me even if the performer
has to go through an unnecessarily arduous process in order to send music
out through the speakers.
Then again, someone trying to generate Basic
Hi Aidan,
It's a Flashpoint night at Public Life on Saturday March 26th - Dublin's
D1/D1aspora collective are playing at the night along with the residents (Matt
Chester, Guy Thackeray and myself).
There'll be a live PA from Americhord, with DJ sets from David Donohue and
Eamonn Doyle, and it
I'd also recommend the Stop Making Sense DVD as a great
introduction to Talking Heads - I saw that for the first
time fairly recently and was blown away...
Brendan
-Original Message-
From: Ian Malbon [mailto:[EMAIL PROTECTED]
Sent: 11 March 2005 15:41
To: dinamica
Cc:
Churchill (Headspace, Emoticon, Nordic Trax, DiY Discs)
plus Flashpoint residents
Guy Thackeray (Non Stop DJs)
Brendan Nelson (Non Stop DJs)
Matt Chester (11th Hour)
Visuals by circuit_c
@ Public Life, 82a Commercial St, London EC1
Saturday 9th February 9pm - late
nearest tube Liverpool St / Aldgate
-Original Message-
From: Tosh Cooey [mailto:[EMAIL PROTECTED]
Sent: 09 February 2005 17:23
Now this is something that bugs me. Some Europeans will
often say America has no culture.
I don't think you'll find any Europeans on this list who would
often say that, this being a
It's a rave classic!! ;)
I have to admit, though, that I do have a soft spot for his
remix of Acid Over...
Brendan
-Original Message-
From: Paul Kendrick [mailto:[EMAIL PROTECTED]
Sent: 28 January 2005 11:39
To: Hardie, Nick; Martin Dust
Cc: 313@hyperreal.org
Subject: RE: (313)
And, of course, a whole load of brilliant records released
on Trance Fusion...
http://www.discogs.com/label/Trance+Fusion
-Original Message-
From: M : A : T : R : I : X [mailto:[EMAIL PROTECTED]
Sent: 28 January 2005 13:50
To: Blaauw, Martijn de
Cc: 313@hyperreal.org
Subject: Re:
I'd suggest Hardtrance Acperience by Hardfloor as the first
record that made some producers think, I've got to have that
sort of snare roll in every track I make!
I'm sure it wasn't the first track to employ that sort of
technique, but it really did put the big-breakdown'n'snare-
roll on the
It's a bit of an epic thread, but the Ableton part of the discussion
gets going here:
http://www.littledetroit.net/forums/viewtopic.php?t=7091postorder=ascstart=137
Brendan
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]
Sent: 24 January 2005 16:19
To: robin
I'd suggest getting Juan back in the studio with Moritz. If
that collaboration was revisited, it might be pretty interesting
these days - techno-influenced dub rather than the dub-influenced
techno of the Starlight era.
Alternatively, a collaboration between Juan Atkins and Mr De might
result
Orchestra, Mauler, Deep Forces, RSP,
South Union
plus Flashpoint residents
Guy Thackeray (Non Stop DJs)
Brendan Nelson (Non Stop DJs)
Matt Chester (11th Hour)
Visuals by circuit_c
Saturday 15th January 2005, 9pm-3am
@ Public Life, 82a Commercial St, London EC1
nearest tube Liverpool St
Annoyingly, the Worldpay server is moving at a snail-like pace -
I guess it's being swamped with orders for the new BMB record...
Brendan
-Original Message-
From: Martin Dust [mailto:[EMAIL PROTECTED]
Sent: 11 January 2005 08:33
To: '313' (E-mail)
Subject: Re: (313) Father Loves Us
-Original Message-
From: matt kane's brain [mailto:[EMAIL PROTECTED]
Sent: 05 January 2005 16:33
At 11:31 AM 1/5/2005, [EMAIL PROTECTED] wrote:
In Simpsons comic book guy voice: Worst... music
'criticism'... ever...
What's sad is how many of friends consider Reynolds (and guys
He's not on 313 any more...
-Original Message-
From: Martin Dust [mailto:[EMAIL PROTECTED]
Sent: 21 December 2004 15:06
To: 313@hyperreal.org
Subject: (313) Where's Alex?
Where's the pikey one gone? Anyone know?
Martin
I don't think that a discussion about whether vocals add to or
detract from a house/techno track is a brilliant example of
something that's phenomenally off-topic. Especially when it's
specifically referring to What Happened?, which is undeniably
a 313 track.
The thing here is that everyone
What I reckon would sort me out is one of those tablet PCs with
the touch screens - particularly the ones that are made with
heavy rubber padding around them to make them robust and resilient.
That way you could just lay the screen part of the laptop flat
out in front of you, and control it by
gloves would deal with the sweaty-
fingertip issue too... :)
Brendan
-Original Message-
From: Martin Dust [mailto:[EMAIL PROTECTED]
Sent: 03 December 2004 15:50
To: Brendan Nelson
Cc: 313@hyperreal.org
Subject: Re: (313) Ableton control (was RE: (313) Sasha)
We have one
We can't have a proper barney about a record so few people have
heard yet.
So, I suggest that Planet E send every notoriously tetchy 313er a
copy so we can all check it out and then argue about it online.
Brendan Anyone who dislikes this record should be shot Nelson
-Original
Featuring:
Rei Loci (Iridite, 7th Sign, Headspace, Down Low) - Live PA
Jason Brunton (Iridite, Down Low, Soma, 20:20 Vision) - DJ set
Elijah (Iridite, Traxx) - DJ set
plus residents:
Matt Chester (11th Hour)
Brendan Nelson (Non Stop DJs)
Guy Thackeray (Non Stop DJs)
@ Public Life, 82a Commercial Street
Hmmm... if Alex already has all the meta-files (the .asd ones with
the same names as the .wav files), then that's not an issue. I recently
had the demo of Ableton 4 and was using my WAV collection with no problems.
(I bought it after ten minutes - it's a huge leap forward from 3. But
wasn't so
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Sent: 12 November 2004 14:10
So, what would I need to save I guess is my question?
Apart from when I use it to do re-edits or new tracks,
the only times I save things in Ableton is when I want
to set up a blank
I second Matt's choice of New Day by Round Two. I had that on
loud the other day, and that key change roughly halfway through,
just before the we got a new day line, sent shivers up my
spine the like of which I haven't felt since...
A few weeks ago I was round at someone's house and New Day
-Original Message-
From: Thomas D. Cox, Jr. [mailto:[EMAIL PROTECTED]
Sent: 11 November 2004 19:23
Also, there's Scorpio by Grandmaster Flash and the Furious
Five. A track that sounds like it was created in a semi-legal
funk research laboratory, way ahead of its time and
-Original Message-
From: Tristan Watkins [mailto:[EMAIL PROTECTED]
Sent: 11 November 2004 20:01
-Original Message-
From: Brendan Nelson [mailto:[EMAIL PROTECTED]
Sent: 11 November 2004 16:40
To: 313@hyperreal.org
Subject: RE: (313) These Go up to 11
The final
Careful Rob! We can't have 'em all coming over here, stealing our
jobs, chewing their gum, wooing our womenfolk and raiding our
second-hand shops for desirable rarities before we've even had a
chance to sleep off our hangovers... ;)
-Original Message-
From: Robert Taylor
Well, the American nation was founded by people who were escaping
persecution and discrimination in their home countries. It's not
entirely out of keeping with the American mindset for people who
aren't extreme right-wingers to be getting itchy feet themselves
right about now.
-Original
Good point - UK-bashing is definitely a bit of a trend these days on 313,
but let's not go down the road of forgetting what nation has the world's
biggest problem with obesity... :)
-Original Message-
From: Robert Taylor [mailto:[EMAIL PROTECTED]
Sent: 20 October 2004 10:57
To: [EMAIL
We're currently working on getting the recording of Shawn's live
PA in London online - should be happening in a few days - but, in
the meantime, here are some pictures from the night. There are one
or two regular 313 contributors showing up in these shots, and a
lot of strangers as well. It
Err, there are...
3 of them, making up...
1 band, and they've worked with...
3 producers on their most recent album?
-Original Message-
From: Robert Taylor [mailto:[EMAIL PROTECTED]
Sent: 19 October 2004 18:23
To: SeanDeason©; Martin Dust
Cc: 313@hyperreal.org
Subject: RE: (313) are
)
featuring:
* Shawn Rudiman * - live PA (11th Hour, 7th City, Technoir Audio)
plus:
Matt Chester (11th Hour)
Tristan Watkins Nick Craddock (Phonopsia / Valvo)
Guy Thackeray and Brendan Nelson (Non Stop DJs)
Doors open at 6.30pm, the night runs until around 2am, and
entry is *free*!
Here's some
It wouldn't surprise me if there's no music actually sitting on their
computers at all - they may well have just populated their database directly
from Discogs.
The whole enterprise looks highly dodgy to me. I hope it doesn't indicate
that sharky mp3 net entrepeneur types, scared off by the
True, it doesn't. But at the same time I myself don't find the
idea of listening to someone else paying their bills very
appealing...
-Original Message-
From: /0 [mailto:[EMAIL PROTECTED]
Sent: 06 October 2004 16:29
To: 313@hyperreal.org; [EMAIL PROTECTED]
Subject: Re: (313) This
Very well said, Eamonn. This is the most clear and articulate response
to Mani's boycott announcement that I've read yet. I do hope that
those who've been accusing some of us of overreacting to the proposed
boycott of our continent's electronic music scene take the time to read
through this
To paraphrase the first paragraph of his statement:
For a long time obS/EAR existed as an entity which assisted in marketing EU
artists and beyond into the US... I have decided to make a major change... I
have decided that I am going to begin looking inward. This means that this
collective of
Lastly, I depart with this. Why is that the USA is up in arms when
technology jobs are outsourced to India and China, yet not at all
DISGUSTED when the European magazines and scene come into our scenes
demanding huge fees and arriving with difficult attitudes, resulting to a
trend of the US
From: Robert Taylor [mailto:[EMAIL PROTECTED]
Sent: 01 October 2004 11:02
Let's not turn this into a Europe vs USA bitter flame war.
I think most people know that good music should be supported
whether it comes from Missouri or Macedonia - techno has no
national borders, surely?
-Original Message-
From: robin [mailto:[EMAIL PROTECTED]
Sent: 01 October 2004 10:18
i mean maybe the fact that techno is appreciated a lot
more in Europe is a problem for some peoplebut that is
not the fault of Europeans and to point the finger in that
direction is unfair.
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Sent: 01 October 2004 13:45
That's why my blood starts boiling beyond belief when people
like this come along blaming europeans for whatever it is we
are supposed to have done.
I know exactly what you mean -
For the sake of being mildly controversial, it could be argued
that Dusseldorf is city #1 (Kraftwerk) while Detroit is city #2
(Atkins, May, Saunderson co)...
In the context of techno music, though, rather than electronic
music in a broader sense, I'd definitely plump for Berlin over
any
They're at http://www.emotionelectric.com/mixes.html ...
-Original Message-
From: Stewart Caig [mailto:[EMAIL PROTECTED]
Sent: 20 September 2004 11:42
To: 313@hyperreal.org
Subject: (313) Deep space mixes
Can someone point me in the direction of those Deep Space
mixes? Working
I've heard a remix of Blue Monday by Richie Hawtin before,
but I'm not totally sure if it was done under the Plastikman
alias. I wasn't totally blown away by it, to be honest, but
it's a while since I last gave it a listen (it's at home on
my hard drive...)
Brendan
-Original
Odeluga (Bleep43)
1.45am-closeMatt Chester (11th Hour)/Brendan Nelson (Non Stop DJs)
And remember, just mention 313 on the door and you'll get in for free...
Brendan
-Original Message-
From: placid [mailto:[EMAIL PROTECTED]
Sent: 17 September 2004 12:21
To: '313 Mailinglist List
I really like Dusk Til Dawn, although I realise that hardly anyone else does...
I think Marsel likes it too, actually? This subject came up a couple of weeks
back:
...while everyone else I've spoken to about it says they really don't like the
B side track, I'm very much drawn to it. I first
Bloody hell! I've just finished downloading the first set, and already
there's more... luckily I don't pay for bandwidth by the megabyte :)
How did the tracklist for the previous show get on? I seem to remember only
two tracks being listed...
Brendan
-Original Message-
From: robin
Yeah, that's the book. Well worth a read, I reckon. The
unifying theme behind each of the articles, which span
from 1980 up til 1999 (IIRC), is nightclubs and dance
culture. Other points of interest in the book include
an article on NYC disco from 1983, featuring interviews
with people like
Chicago's DJ Nephets (Stephen to his mum) gets up to the same sorts of
shenanigans, so I guess it spans the mid-west and isn't just restricted to
Detroit!
Brendan
-Original Message-
From: Mann, Ravinder [mailto:[EMAIL PROTECTED]
Sent: 09 September 2004 10:05
To: '[EMAIL PROTECTED]';
Is that the June 1984 one? I've got that book which has a big selection of
Face articles on clubbing and dance music culture, and it includes a big
electro article from 1984 by David Toop and Paul Rambali - I'm guessing
you've got the original issue?
Competition is fierce, reputations are waiting
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Sent: 07 September 2004 09:50
When someone says to you Detroit Techno, what do you
immediately think of?
a) the hard industrial vibe hard music for a hard city?
or
b) the melodic mid-tempo beats of say,
That's odd, that was one of the tracks I was going to suggest
as being a piece of dead centre Detroit techno. But having
already mentioned Kaotic Harmony and Icon I figured that
there was a bit too much Derrick May content in my email
already :)
When I first heard It Is What It Is I was
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Sent: 07 September 2004 10:45
Rare Piece Man Extroadinaire SaidFor me - 'it is what it is'
encapsulates everything about Detroit techno that I love
Yep, I get you.
So, I might do a similar thing, for
-Original Message-
From: Martin Dust [mailto:[EMAIL PROTECTED]
Sent: 07 September 2004 11:05
[Quetzal]
Well, I'd ask you to be objective rather than subjective ;)
I love that track...
I'd agree that Quetzal is also pretty near the bullseye,
but would probably say that Birth Of
I remember when I first came across that Flash guide to
electronic music that was put together by a bloke called
Ashok or something, which attempted to sum up Detroit
techno with an audio snippet of Hood's Pole Position
and a spiel about how Detroit techno is supposed to make
you feel quite
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Sent: 07 September 2004 12:01
it's just what Matt said yesterday really made me think about
the other people on this list, and maybe they get a bit hacked
off with me and a few others talking about the kind of
)
Maxim Sullivan (Soda Studios)
Matt Chester (11th Hour)
Ken Odeluga (Bleep43)
Brendan Nelson (Non Stop DJs)
If anyone has anything they need confirmed or clarified, get
back to me offlist and I'll do my best to help. Also, if anyone
is thinking of coming from outside the UK or London and needs
[Juan Atkins - Back to Basics pt 2]
I'm with Marsel on this one - while everyone else I've spoken to about it
says they really don't like the B side track, I'm very much drawn to it. I
first heard it blind (went to visit a friend and he put it on without
showing me the label) and was really blown
-Original Message-
From: Thomas D. Cox, Jr. [mailto:[EMAIL PROTECTED]
Sent: 28 August 2004 18:15
[Juan Atkins - Back to Basics pt 2]
I'm with Marsel on this one - while everyone else I've spoken to
about it says they really don't like the B side track, I'm very
much drawn to it.
-Original Message-
From: Matt MacQueen [mailto:[EMAIL PROTECTED]
Sent: 26 August 2004 03:16
On Aug 25, 2004, at 11:39 AM, Jussi Mononen wrote:
urban culture - the wonders of wishing [eclipse]
quadrant - dytiq [new electronica]
VERY hot!
Especially these last two! I dug
It seems to be working fine from here...or at least
http://forum.ghettotech.de is
-Original Message-
From: George Jones IV - Logic7 [mailto:[EMAIL PROTECTED]
Sent: 25 August 2004 20:49
To: 313@hyperreal.org
Subject: (313) ghettotech.de down???
Anyone know what's up with
Also, there's Phebes by Hallucinator, on Chain Reaction. Could be from either
Blade Runner or Solaris, I guess.
Brendan
-Original Message-
From: Pascoe Mr S M [mailto:[EMAIL PROTECTED]
Sent: 17 August 2004 10:47
To: 313@hyperreal.org
Subject: Re: (313) Vangelis influences in techno
When I was first getting into Detroit techno and similar
sorts of sounds, I had a Commodore Amiga and most of the
games I liked playing while listening to electronic music
were early 3D games. There was something cold, crisp and
sharply polygonal about 16-bit simulated realities that
tied in
-Original Message-
From: matt kane's brain [mailto:[EMAIL PROTECTED]
Sent: 17 August 2004 20:22
At 03:23 PM 8/17/2004, atomly wrote:
What would you listen to on the way there to get yourself pumped up?
i would recommend sonic destroyer by x-101
Go 4 Yourz by Ultramagnetic MCs,
My take on Star Wars is that it's 1930s sci-fi visually
rendered with an immense 21st-century budget. Immature,
swashbuckling, aimed-at-kids romp - yep, that's all true.
But that's pretty much the form.
It's undeniable that it influenced practically a whole
generation, and caused loads of
I'm generally agreed with everyone on the Blade Runner,
Metropolis and 2001 mentions. Solaris, though, has always
struck me as being a bit of an ambient film, or more
accurately a Basic Channel film; when I watch it, I
can't help thinking how it would work with a dubbed
soundtrack by
much better in the past) is,
I'd suggest, another way in which nostalgia can override
one's critical faculties.
Brendan
-Original Message-
From: Robert Taylor [mailto:[EMAIL PROTECTED]
Sent: 16 August 2004 13:16
To: Brendan Nelson; Stewart Caig; 313@hyperreal.org
Subject: RE: (313
-Original Message-
From: Robert Taylor [mailto:[EMAIL PROTECTED]
Sent: 16 August 2004 13:39
To: Brendan Nelson; 313@hyperreal.org
Subject: RE: (313) Star Wars (was RE: (313) Techno Films)
I guess you're right - Star Wars is a particular bugbear of
mine, but it is more to do with what
-Original Message-
From: Thomas D. Cox, Jr. [mailto:[EMAIL PROTECTED]
Sent: 16 August 2004 13:47
it is one of my favorite movies ever. the best sample ive heard
using it is the I've seen things you people wouldn't believe.
Attack ships on fire off the shoulder of Orion. I watched
-Original Message-
From: Martin Dust [mailto:[EMAIL PROTECTED]
Sent: 16 August 2004 16:19
Now I'm feeling a little better...
For me I'd have to go for something by Alejandro Jodorsky,
maybe Santa Sangre. Dark, twisted and outside norm, not a
cliche in sight - a very clever
-Original Message-
From: Greg Earle [mailto:[EMAIL PROTECTED]
Sent: 16 August 2004 17:29
much the same now as it was in, say, the late 1960s. To
think otherwise (films were much better in the past) is,
I'd suggest, another way in which nostalgia can override
one's critical
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]
Sent: 16 August 2004 18:25
The general point I'd make is this: when someone in 2004 thinks to
themselves, say, what movies came out in 1971?, I would be pretty
confident that they'll forget a whole heap of awful
-Original Message-
From: robin [mailto:[EMAIL PROTECTED]
Sent: 11 August 2004 11:16
as does playing these tracks as part of a mix on radio (online or
otherwise). and i think technically playing records out in public ie.
at a club.
so where does this leave us?
Juno, Piccadilly
-Original Message-
From: Rc [mailto:[EMAIL PROTECTED]
Sent: 11 August 2004 11:24
you'll actually find that virtually all terrestrial radio
stations (bar the odd pirate staion) in the UK have licences
in place to braodcast musical works. Most clubs will have
public performance
-Original Message-
From: Martin Dust [mailto:[EMAIL PROTECTED]
Sent: 11 August 2004 11:30
Juno, Piccadilly and other online record shops can't host clips of
tracks any more, for one...
Why B?
I was just pointing out the sorts of things that would change if
hosting low-quality
Yep, the party is a definite go for September 18th.
I'll just take this chance to mention that not all slots have been booked, so
if you're thinking of coming and fancy spinning some records, then drop me a
line! Priority will be given to people coming in from outside the UK, or
outside
-Original Message-
From: jason kenjar [mailto:[EMAIL PROTECTED]
Sent: 04 August 2004 13:56
Who dat sporting the record collector tee??? thats like 5 blocks from
my house.
I believe that's former Iowa City resident Tristan Watkins.
you london kids are a damn strange bunch
What
The funny thing is, the party itself has generated no traffic aside from my
original notice about it. This whole thread largely consists of complaints
about the fact that no-one's set something up in Detroit, and so I think
most of the contributors to it wouldn't move to a separate list to
i hope i can make it!
:P
fab
- Original Message -
From: Brendan Nelson [EMAIL PROTECTED]
To: 313@hyperreal.org
Sent: Wednesday, August 04, 2004 1:02 PM
Subject: RE: (313) 313 Tenth Anniversary Party
The funny thing is, the party itself has generated no traffic aside from
my
Here are a few IDs for anyone who wants to put some names to
faces:
http://www.non-stop-djs.com/imgs/boatparty/0012-guy_on_decks.JPG
- Guy Thackeray
http://www.non-stop-djs.com/imgs/boatparty/0022-orang_nicole_2.JPG
- Nicole Slavin and Robert Taylor
This is sounding really nice - I heard some snippets of it
the other day. Possibly my favourite work of Arne's so far,
and well worth pre-ordering, IMHO (didn't know there were only
300 copies!)...
Brendan
-Original Message-
From: kj at technotourist dot org [mailto:[EMAIL
Back in September 1994, when there wasn't much to the internet apart from
Usenet and email, the mailing lists run from hyperreal.org were pretty much the
only way to gather information about the world of electronic music. And when
313 was launched in that month, it became the only internet
or town that has more
than one [313]er living there, to be honest...
Brendan
-Original Message-
From: Klaas-Jan Jongsma [mailto:[EMAIL PROTECTED]
Sent: 02 August 2004 15:34
To: Brendan Nelson
Cc: 313@hyperreal.org
Subject: Re: (313) 313 Tenth Anniversary Party
I think that London
Dan Sicko, Matt MacQueen and George Smiley? :)
-Original Message-
From: Martin Dust [mailto:[EMAIL PROTECTED]
Sent: 02 August 2004 15:58
To: Brendan Nelson; [EMAIL PROTECTED]
Cc: 313@hyperreal.org
Subject: Re: (313) 313 Tenth Anniversary Party
I'm only coming if the Big Three
Yes, but ISTR that when 313 actually started out, it was
coming from uta.edu before being adopted by Hyperreal...
my memory is a bit foggy though!
Brendan
-Original Message-
From: Hans Veneman [mailto:[EMAIL PROTECTED]
Sent: 02 August 2004 15:58
To: [EMAIL PROTECTED]
Cc: Brendan
Sorry about this...
Here are the set times for this Saturday's 313 / Little Detroit boat party.
If you're after any tickets (or information generally), go to
www.littledetroit.net/Party or contact me offlist.
Pub sets
7pm-8pm Jon Hawken (Prescience)
8pm-9pm Bionika (Dust)
9pm-10pmDub Kult (Arcola/Raum/Dust
It was absorbed into the mainstream and is now used in
adverts for Wella hairspray.
-Original Message-
From: Robert Taylor [mailto:[EMAIL PROTECTED]
Sent: 22 July 2004 15:10
To: matrix313; 313@hyperreal.org
Subject: RE: (313) miss kitten ?
The magazines that covered it all went
I remember Alex Bond - a music industry insider in Manchester -
was a bit of a cheerleader for the genre, and was pretty much
to Sextronica what Neil Rushton was to techno. Can't remember
any other Sextronica producers though.
I'm feeling really nostalgic now for those days, when everything
I have to admit, I've gone a little bit rustic in the last few weeks
and have been sucked back into the world of Every Man And Woman Is A
Star by Ultramarine, sleazing it up with I Want You by Marvin Gaye
and gazing at my shoes to the sounds of Loveless by My Bloody
Valentine... I even did an
-Original Message-
From: Matt MacQueen [mailto:[EMAIL PROTECTED]
Sent: 23 June 2004 17:24
On Jun 23, 2004, at 11:14 AM, Neil Wiernik wrote:
like I said Im not the biggest fan of acid any thing...
fair enough... but rather I do see the merit in exposing new
generations of DJs
It might be that sound guys/girls hear the Basic Channel
tracks and think hmmm, that's a bit muddy, thus completely
missing the point? It's an unusual and distinctive sound, and
familiar enough to a lot of us, but I can imagine a lot of
sound engineers hearing it and thinking hmmm, I need to
-Original Message-
From: [EMAIL PROTECTED]
And then to have KDJ EXPECT - meaning to consider
reasonable or due...
A bit of a semantic sidepoint here, but to expect something
is going to happen isn't the same as accepting that the coming
event is reasonable or justifiable.
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