Re: Edinburgh shops

[ja...@iridite.com]

Hey Gerald - sorry, just saw this

Underground Solushun is the main one in Edinburgh - Gav who records on
Firecracker Records works there and has dynamite taste in music

https://undergroundsolushn.com/

cheers

Jason



On Wed, 31 Aug 2022 at 11:17, Gerald Sabbadin 
wrote:

> Can anyone recommend a good record shop in Edinburgh, Scotland?
> Cheers!
> Gerald
>

Re: Le Morte D'Abby "Not Someone Who Is Loved"

[ja...@iridite.com]

On Tue, 23 Aug 2022 at 17:24, kent williams  wrote:

> Le Morte D'Abby is aware of techno, no doubt, but I think he got to that
> almost-Knights-Of-The-Jaguar sound on that song without actually hearing
> Rolando.
>
> There's a 'Detroit Sound' but it's composed of things that aren't unique
> to techno. You hears echoes of it from people with no great knowledge of
> techno.
>
> The most direct ancestor of that Detroit melodic techno sound is jazz. And
> there's a direct line from the legit jazz players that made up the Motown
> house sound to guys like Mad Mike and Amp Fiddler.  The "Strings Of Life"
> sound came directly from Michael James recording MIDI of his live playing
> and it's really jazz changes.
>

Absolutely



>
> I've been reading the excellent J Dilla biography "Dilla Time" by Dan
> Charnas, and it really underlines the interconnectedness of Detroit music.
> Amp Fiddler was Dilla's mentor early on, and there's mentions of how much
> techno & ghettotech were in the air as J grew up. Dilla's dad Dewitt Yancey
> was a jazz bassist, and J grew up hearing his parents play jazz every day.
>

I've got this, just need to find time to actually read it!





>
> On Tue, Aug 23, 2022 at 9:36 AM ja...@iridite.com 
> wrote:
>
>> Thanks Kent - yeah, that's a pretty "familiar" sound on that release :)
>>
>>
>> On Mon, 22 Aug 2022 at 17:32, Rob Theakston 
>> wrote:
>> >
>> > Reminds me quite a bit of Ian O Brien and recent Kirk stuff. Quite
>> lovely.
>> >
>> > On Mon, Aug 22, 2022 at 12:25 PM kent williams 
>> wrote:
>> >>
>> >> Le Morte D'Abby puts out stuff on the label that's released some of my
>> music.  He isn't a techno producer per se, but man this track screams
>> Detroit to me.
>> >>
>> >> https://triplicaterecords.bandcamp.com/track/not-someone-who-is-loved
>>
>

Iridite Greetings - paging Marcel fae Delsin

[ja...@iridite.com]

Hey Marcel - if you're still on the list can you drop me a quick email
on ja...@iridite.com?

cheers

Jason

Re: Le Morte D'Abby "Not Someone Who Is Loved"

[ja...@iridite.com]

Thanks Kent - yeah, that's a pretty "familiar" sound on that release :)


On Mon, 22 Aug 2022 at 17:32, Rob Theakston  wrote:
>
> Reminds me quite a bit of Ian O Brien and recent Kirk stuff. Quite lovely.
>
> On Mon, Aug 22, 2022 at 12:25 PM kent williams  wrote:
>>
>> Le Morte D'Abby puts out stuff on the label that's released some of my 
>> music.  He isn't a techno producer per se, but man this track screams 
>> Detroit to me.
>>
>> https://triplicaterecords.bandcamp.com/track/not-someone-who-is-loved

Re: What the

[ja...@iridite.com]

Heavy on the Concept, light on the Content



On Sat, 11 Dec 2021 at 23:54, Philip McGarva 
wrote:

> *I thought Kenny Larkin was the only comedian in techno however this is
> hilarious *
>
> *Jeff Mills and the Zanza 21* project is a new forthcoming creation
> that’s been self-constructing for quite some time. Not out in the open and
> easy to see, but it’s been evolving more in recent months through the
> imprint “Millsart” album releases and as an accumulation of ideas that are
> influences of Mills’ affection for Jazz Music as well as his constant
> appetite to creatively explore. The idea behind Zanza 21 is based on an old
> theory that “Music is most useful at the point when it touches the soul
> of the listener, until then, its just sound”. So, the main layer in the
> foundation starts there.
>
> To begin, this is music in which one can live with. It’s “everyday” music.
> The more you listen, the more you connect to it. It’s music for anytime,
> anywhere and for any reason. A large part of this connection is based on
> comfort and how easy it is to understand so for this, the music had to have
> a certain level of clarity and organization. Second, playing instruments
> can have “human connection” qualities that are often misunderstood and
> overlooked, so the basis of Zanza 21 was to create music in a soloist
> mindset to demonstrate intent, not as a matter of coincidence. These are
> melodies and rhythms from the mind of the composer, not the machine.
>
> And third and most importantly, this music was created with the design in
> mind that it should connect to those who love music unconditionally.
>
> In these first releases, all acoustic and electronic instruments are
> programmed and played by Jeff Mills, but an aspect of this project is that
> Zanza 21 is actually the initial vision for the creation of a live
> performance band. As this project evolves, so will the step process to
> materialize such an effort to its full potential.
>
> Starting with this first debut 12” EP release of “When The Time Is Right”
> b/w “Something Like That”, please consider there is already a large body of
> existing compositions waiting to be dispensed. A Jeff Mills and The Zanza
> album is scheduled for early 2022 entitled “When Stars Align”.  Thus,
> making the revised artist title “Jeff Mills and The Zanza 22”.
>
>
> https://www.axisrecords.com/product/jeff-mills-and-the-zanza-21-when-the-time-is-right/
>
>

Re: New 313-relevant stuff

[ja...@iridite.com]

That Strand release is superb Tristan, thanks!!



On Mon, 10 May 2021 at 13:01, Tristan Watkins  wrote:

> Yo.
>
> A couple of (313) things I thought people would want to know about.
>
> New Strand https://strand313.bandcamp.com/album/silicon
>
> Newish Russ Gabriel on Ferox.
> https://russgabriel.bandcamp.com/album/off-centre. I like his other
> recent stuff, but this is back on top form for me. Like he is drifting
> somewhere in between his '00s less techy output (of which I am a huge
> admirer) and the recent return to techno.
>
> Some Nuron releases I'd missed. https://nuron.bandcamp.com/music. There
> is also a new 2x12" Likemind reissue that I need to pick up before it goes
> https://www.rubadub.co.uk/records/likemind-06.
>
> Placid Angels - Touch the Sky
> https://figure-music.bandcamp.com/album/touch-the-earth (note, for some
> reason the digital release is priced much higher at Bandcamp than other
> stores for some reason I am struggling to fathom).
>
> Kyle Hall's MPC Dreams https://kylehall.bandcamp.com/album/mpc-dreams
>
> Urban Tribe reissue (which is incredible)
> https://urbantribe.bandcamp.com/album/urban-tribe
>
> Loads of other great stuff about presently, but this was the topical stuff
> I don't think I've seen mentioned.
>
> Cheers,
>
> Tristan
> https://category.horse
> Headless Horseman (HC002) releases 21 May
>
>
>

Re: Tammy Lakkis Notice

[ja...@iridite.com]

I wasn't 100% convinced on this one at first but.it's growing on me

thanks for posting it Kent

Jason

On Mon, 26 Apr 2021 at 21:01, Matt Dubspun 
wrote:

> Nice House track
>
> On Mon, Apr 26, 2021, 2:09 PM kent williams 
> wrote:
>
>> A new - to me - Detroit producer.  She makes stripped down
>> Soca-influenced tracks that mean business.
>> https://tammylakkis.bandcamp.com/album/notice/
>>
>

Re: Dopplereffekt

[ja...@iridite.com]

I ordered this whilst slightly inebriated one night and completely forgot
about it until I logged into my Bandcamp account last week :)



On Tue, 30 Jun 2020 at 17:12, Patrick Wacher  wrote:

> Speaking of Dopplereffekt, well more specifically, Heinrich Muller, the
> collaboration album between him & The Exaltics “Dimensional Shifting” is
> just pure heat.
>
> https://solaronemusic.bandcamp.com/album/dimensional-shifting
>
> thx,
> P
> On Jun 30, 2020, 8:20 AM -0700, Mario De Block ,
> wrote:
>
> well, it's a first 2lp and digital format version of this former
> International Deejay Gigolos cd release (
> https://www.discogs.com/Dopplereffekt-Linear-Accelerator/master/12581),
> but indeed, some tracks are really tight
>
> Mario
> --
> *Van:* kent williams 
> *Verzonden:* dinsdag 30 juni 2020 16:37
> *Aan:* list 313 <313@hyperreal.org>
> *Onderwerp:* Re: Dopplereffekt
>
> Great news, and I love the one preview track.
>
> On Mon, Jun 29, 2020 at 4:05 PM Mario De Block 
> wrote:
>
> digitally available from July 19th:
> https://wemerecords.bandcamp.com/album/linear-accelerator-weme31327
> 
> Linear Accelerator WeMe313.27, by Dopplereffekt
> 
> 6 track album
> wemerecords.bandcamp.com
>
> (2lp pre-order is sold out,
>
> https://wemerecords.com/shop/dopplereffekt-linear-accelerator-2lp-crystal-clear-vinyl-pre-order/
> )
>
> Mario
>
> --
> *Van:* John Sokolowski 
> *Verzonden:* maandag 29 juni 2020 22:58
> *Aan:* list 313 <313@hyperreal.org>
> *Onderwerp:* Mike Huckaby - From The Mind Of S Y N T H mix
>
> Here is a Mike Huckaby mix for those interested. It is from a mix CD
> released in Japan. Enjoy!
>
>
> https://www.mixcloud.com/Electro_Daddy/mike-huckaby-from-the-mind-of-s-y-n-t-h/
>
>

Re: new music from Eddie Fowlkes and also Thomas Barnett

[ja...@iridite.com]

Excellent - I'm a huge fan of the City Boy stuff that Eddie did (with the
notable exception of the Rider On The Storm cover which was..a rare
moment of madness!)



On Thu, 19 Mar 2020 at 13:22, Andrew Duke 
wrote:

> Music helps in the good times and also helps in challenging times like we
> are currently facing with the COVID-19 situation.
>
> Some techno legends continue to release new music. Last month, it was
> Blake Baxter with his "Into The Groove" collaboration with Abe Duque
> released on Kevin's Saunderson's KMS imprint.
>
> April will see new material out from Eddie Fowlkes and also Thomas Barnett.
>
> Eddie has restarted City Boy Music and his "Knuckle Head" series will see
> EPs released in April and May and a third to follow later in the year. The
> first release is two songs, not sure about the others, and is out April 17.
>
> Many don't realize that Thomas Barnett is the man behind "Nude Photo". He
> operates the Visillusion label; the "Low Tech Funk" EP is due out the same
> day as Eddie's release. A nice coincidence. "Low Tech Funk" features 3 new
> songs from TB and 3 from friend Ecilo.
>
> I'm lucky to have promos on both these and they are quite enjoyable and
> recommended.
>
> Wishing everyone all the best.
> Andrew
> http:andrewdukeinthemix.com
>
>
>
>

Oldham Industries

[ja...@iridite.com]

Hi list - a friend of mine runs a T-Shirt company here in Glasgow that
specialises in small run T-Shirts with some really nice collaborators.
Their latest release is for a Fear-E x Oldham Industries creation, thought
it might be worth mentioning on here:

https://weare1of100.co.uk/limited-edition/fear-e-x-oldham-industries/

Fear-E also releases on Dixon Avenue Basement Jams, he's a good guy and a
great DJ, worth checking as he's playing out in the UK more and more at the
moment

cheers

Jason

Re: Keep it real (and on topic)

[ja...@iridite.com]

Amen to that Fred.

On Wed, 26 Feb 2020 at 19:28, Fred Heutte  wrote:

> I'm also basically a lurker these days but a list member since 1994.  Also
> had the great fortune to meet Lakuti along with Earl Gateshead and the
> Flying/Plastic People crew in London 20 years ago -- and saw her play
> at the Detroit Artist Test Lab during the festival last year.  (damn, that
> was
> a Throw Down!)  She has listings on RA (so many!).
>
> https://www.residentadvisor.net/dj/lakuti/dates?yr=2020
>
> She has been a friend to so many, built so much along the way, opened
> doors and kept them open.  I hope my good friend decides to stay on
> 313, but either way I honor the decision.
>
> So here is what I have to say: this raises core questions about the
> ongoing purpose of this list.  If we can't respect each other, why
> should any of us continue to subscribe?
>
> The 313 list has been a valued and even inspirational resource for me
> for a quarter century.  It has persisted long after most of the other
> mid-1990s
> mailing lists have faded away.  It has enabled lifetime friendships.
>
> Interaction online exposes different viewpoints and that's actually
> beneficial -- as long as we truly demonstrate respect for each other.
> Without that, there is no reason to continue.
>
> peace
>
> fh
>
>
>
>
>
> -
> >crikey . classic example of how not to built community .
> >i am writing to you as a black african queer woman denise who has put a
> lot
> >into supporting and nurturing a lot of djs and artists .
> >and i continue to work hard to support communities within the global music
> >network young and old often from marginalized communities who do not get a
> >look in , in the current climate in electronic music but yeah carry on
> >being tone deaf .
> >my last word . thanks for everything to everyone else over the yrs .
> >keep supporting music not egos .
> >i am out of here .
> >
> >On Wed, 26 Feb 2020 at 18:52, Denise Dalphond 
> >wrote:
> >
> >> Hey guys, I owe you nothing. You don’t have to like my communication.
> I’ll
> >> take up as much space as I need. Most people expect women to be quiet.
> I’m
> >> not. You can read my writing in some published books. It’s all on my
> >> website, which is in my signature. Next up is an article on Detroit and
> >> resistance in the first Oxford Handbook of Electronic Dance Music.
> It’s a
> >> pretty big series.
> >>
> >> I’ve never unsubscribed. This is the 313 list, not the IDM list.
> It’s
> >> pretty important. I used to never or rarely talk on this list. Now I
> speak
> >> up more. It’s super patriarchal of everyone to gang up on the woman.
> Often,
> >> I get private messages of support from subscribers when I speak up on
> this
> >> list.
> >>
> >> I’ll email the 313 list any time I have something to contribute.
> >>
> >> Denise Dalphond
> >>
> >>
> >>
> >>
> >>
> >> On Wed, Feb 26, 2020 at 12:45 PM Joe Marougi 
> wrote:
> >>
> >>> Very well said.  What’s worse is the lack of remorse. Just empty
> >>> “admissions of guiltâ€
> >>>
> >>> On Wed, Feb 26, 2020 at 9:42 AM Lerato Khathi <
> >>> booki...@uzuriartistbookingsandmanagement.com> wrote:
> >>>
>  i do not know you denise but i have been subscribed to this group for
> a
>  long time therefore i feel that i am a bit qualified to make a
> comment ..
>  i am a lurker and posted sometimes but only occasionally yrs back .
>  i do find though that your approach denise  can be very
> confrontational
>  and can often take up a lot of space . it often feels like the list is
>  dormant bar the denise show .
>  i am personally not gaining a lot from the list  compared to former
>  times and will need to unsubscribe shortly because i get no joy from
> these
>  occasional outbursts .
> 
> 
> 
>  On Wed, 26 Feb 2020 at 18:20, Denise Dalphond <
> denisedalph...@gmail.com>
>  wrote:
> 
> > Well, Kent, nobody knows who’s unsubbing except for you. So maybe
> it’s
> > just your family.
> >
> > I wish I had money to go clubbing more often in Detroit. I wish I
> had a
> > boyfriend to go clubbing with. But I’m pretty sure I never been
> wishin I
> > was Black because then you have to suffer racism.
> >
> > I do love the internet though because I can follow Liquid Sky and
> other
> > NYC 90s rave accounts on Instagram and see pics of clubs I used to go
> > raving at in NYC in 1995-1999 when I was going to NYU. Like Twilo, I
> forgot
> > about Twilo. And Shelter. And Vinyl. And Roxy. I brought baby powder
> for
> > the floor at the Roxy sometimes in my bright blue Adidas backpack,
> or my
> > Lisa Frank backpack, cause I was a preppy raver. And the nights, like
> > Konkrete Jungle.
> >
> > Too off topic? Too emotional? I’m so irrational.
> >
> > Denise Dalphond
> >
> >
> >
> >
> >
> > On Wed, Feb 26, 2020 at 12:10 PM kent williams <
> 

Re: Michael James vs Derrick May

[ja...@iridite.com]

I think he started off with some fairly valid points but has become more
hysterical and dramatic over the month that he's been posting on the
subject (he's been posting fresh "revelations" every day for 30 days to
represent the 30 years that he feels Derrick has been stealing from him).

To my mind, if he really feels he has genuine evidence of Derrick being an
abusive person then he would have been much better pursuing that
separately - mixing it in with his (and Thomas Barnett's) personal business
dealings hasn't done his case any favours at all

cheers

Jason



On Tue, 28 Jan 2020 at 11:56, FC  wrote:

> Honestly have no clue if it’s true or not. You want to give someone the
> benefit of the doubt and maybe o need to go back to some earlier post but I
> got as far down the Nancy G. Issue of her asking him to leave her family’s
> name out of his story. I just feel he should have respected them on their
> request. Confused on his lacy of privacy for the text Nancy sent yo him.
> You would think if he’s trying to do the right thing he would in all ways
> just not how he sees fit for his agenda. I guess that’s life though.
>
> Jeremy Ferguson
> FCH
>
>
> On Jan 28, 2020, at 05:43, Denise Dalphond 
> wrote:
>
> 
> Wow. Didn’t even know nothin about this. I love how Francesco Tristano is
> “on the run.”
>
> Denise
>
>
>
> On Tue, Jan 28, 2020 at 4:45 AM Wibo Lammerts  wrote:
>
>> Goodmorning good people of the 313,
>>
>> I don't see any post about this, or I could have missed it, but I was
>> wondering what the general opinion is about the recent messages from
>> Michael James on Facebook regarding Derrick May?
>>
>> https://www.facebook.com/profile.php?id=793874029
>>
>> Cheers,
>>
>> W
>>
>>
>> --
>> | soundcloud  | mixcloud
>>  | twitter  |
>> --
>>
> --
> Denise Dalphond, Ph. D.
> ethnomusicologist
> schoolcraftwax.work
>
>

Re: The Hydra

[ja...@iridite.com]

Sorry I missed you Benn, was pretty hectic and packed venue and I forgot my
charger so was walking about London with 6% charge for most of the two days
I was there

The gig was great - not "clubbing" in my normal experience of it but the
venue is very impressive (Bladerunner/Aliens vibe) and sound and lights
were generally amazing

I'm not normally into BOSH BOSH BOSH Techno so I was pleasantly surprised
by James Ruskin's set and Marcel Detmann played a Prescription track and
maybe a couple of Wild Pitch numbers so generally got he thumbs up too.
Octave One absolutely rocked it for me - superb blend of driving house
rhythms with their tight techno riffs and stabs over the top.  Only
downside was the vocal version of Blackwater they played - massive thumbs
down for that one.

The Stingray set was not good at the beginning, there was something
seriously murky about the sound and he couldn't get his groove and then it
totally kicked in and I loved it

Unfortunately I thought Jeff was pretty off form - he was spacey without
being trippy and/or not generally playing with enough energy to move a
crowd and venue of that size.  Plus I fxxcking hate The Bells so that
didn't endear him to me at all :)

Interesting venue, I'd def go back and check it again, was a bit weird
being in a club listening to utterly banging techno at 2:30 on a Saturday
afternoon though

Jason





On Mon, 17 Dec 2018 at 10:44, cnd <3...@coke-smyth.net> wrote:

> Nsfw. Good vibe? Stingray on form?
>
> C
>
> On 2018-12-17 08:49, Benn Glazier wrote:
> > Just going to cut and paste my Instagram post:
> > https://www.instagram.com/p/BrcqX1XnJjw/
> >
> > BG
> >
> >
>

Re: The Hydra

[ja...@iridite.com]

And genuinely lovely guys too - met them a few times at Rubadub over the
years



On Thu, 13 Dec 2018 at 22:55,  wrote:

> I love Octave One.
>
> A few years ago, Paxahau actually gave me a press pass and I got to stand
> on the stage behind Octave One watching them play. And filming it.
>
> They are geniuses. Obviously.
>
>
>
> *Denise Dalphond, Ph.D.*
> *ethnomusicologist*
> *schoolcraftwax.work *
>
> On Dec 13, 2018, at 17:45, Benn Glazier  wrote:
>
> And don't forget Stingray.
>
> Yes, I have my ticket and as long as I'm over the flu, I'll be heading
> down with a small group.
>
>
>
> On Thu, 13 Dec 2018 at 22:35 Jason Brunton  wrote:
>
>>
>> Anyone going to see big Millsy in London at the weekend?
>>
>> Octave One too :)
>>
>> Me, Rei Loci and Clyde (who did all the Iridite artwork) are going down
>> in the train so it’s the Iridite Office Xmas night out, come and join us
>>
>>
>> Sent from my iPhone
>
> --
>
> --
> b...@bennglazier.com
> WWW.BENNGLAZIER.COM
>
>

Re: The Hydra

[ja...@iridite.com]

I'll be the old guy lying on the couch haven peaked too soon about 4PM
(it's a 12 until 11 event...very strange)

On Thu, 13 Dec 2018 at 22:45, Benn Glazier  wrote:

> And don't forget Stingray.
>
> Yes, I have my ticket and as long as I'm over the flu, I'll be heading
> down with a small group.
>
>
>
> On Thu, 13 Dec 2018 at 22:35 Jason Brunton  wrote:
>
>>
>> Anyone going to see big Millsy in London at the weekend?
>>
>> Octave One too :)
>>
>> Me, Rei Loci and Clyde (who did all the Iridite artwork) are going down
>> in the train so it’s the Iridite Office Xmas night out, come and join us
>>
>>
>> Sent from my iPhone
>
> --
>
> --
> b...@bennglazier.com
> WWW.BENNGLAZIER.COM
>

Re: Mad Mike Tresor interview

[ja...@iridite.com]

Well...hopefully we can have a new start now ?

On Thu, 13 Dec 2018 at 20:52, Kent Sandvik  wrote:

> I unsubscribed from 313. It's not great when the mind is polluted by harsh
> comments back and forth little to do with techno. --Kent
>
> On Thu, Dec 13, 2018 at 12:20 PM ja...@iridite.com 
> wrote:
>
>> It's not me that's Unsubbing Joe...it's others.  And there's not a huge
>> amount of traffic on here and as Kent mentioned a few weeks ago, there's a
>> significant amount of new people on here who's first experience of the
>> hallowed 313 list is a couple of people bickering endlessly
>>
>> That's nothing like the sparky and knowledgeable chats I used to see on
>> here 15 years ago.
>>
>> On Thu, 13 Dec 2018 at 20:16, Joe Marougi  wrote:
>>
>>> I don’t like it when she bullies others.  They may be too polite to bite
>>> back but I’m not.
>>>
>>> I’ve received private messages from users in support of my replies.
>>>
>>> How about you ignore them?  Its not like it happens that often, nor does
>>> it get in the way of other discussions.
>>>
>>> If she can use posts as segways into her self/white hate by directly or
>>> indirectly baiting us into false race-related angles then why can’t we
>>> respond?
>>>
>>> The Drexciya video thread was a classic example.
>>>
>>>
>>>
>>>
>>> On Thu, Dec 13, 2018 at 12:08 PM ja...@iridite.com 
>>> wrote:
>>>
>>>>
>>>> Denise and Joe, is there no way you can keep your mutual animosity out
>>>>> of this arena?  It's seriously off-putting.
>>>>>
>>>>
>>>>> On Thu, 13 Dec 2018 at 17:37, Kent Sandvik  wrote:
>>>>>
>>>>>> Threads like this with so much hatred have nothing to do with techno
>>>>>> and Detroit so most likely I will unsubscribe. --Kent
>>>>>>
>>>>>> On Thu, Dec 13, 2018 at 9:27 AM Manish Miglani <
>>>>>> noreplyfut...@gmail.com> wrote:
>>>>>>
>>>>>>> Please unsubscribe.
>>>>>>>
>>>>>>>
>>>>>>> Manish Miglani
>>>>>>>
>>>>>>> Sent from my iPhone
>>>>>>>
>>>>>>> *“Never doubt that a small group of thoughtful, committed citizens
>>>>>>> can change the world.  Indeed, it’s the only thing that ever has.”
>>>>>>> Margaret Mead*
>>>>>>>
>>>>>>> On Dec 13, 2018, at 11:25 AM, denisedalph...@gmail.com wrote:
>>>>>>>
>>>>>>> It does stand for that. They changed the meaning of it because my
>>>>>>> shit was so strong.
>>>>>>>
>>>>>>> Joe, did you read my new article about Drexciya and Moodymann and UR
>>>>>>> and Theo Parrish? It’s in a book.
>>>>>>>
>>>>>>> Love,
>>>>>>> Denise
>>>>>>>
>>>>>>>
>>>>>>> *Denise Dalphond, Ph.D.*
>>>>>>> *ethnomusicologist*
>>>>>>> *schoolcraftwax.work <http://schoolcraftwax.work/>*
>>>>>>>
>>>>>>> On Dec 13, 2018, at 12:05, Joe Marougi  wrote:
>>>>>>>
>>>>>>> Her “heart?”
>>>>>>>
>>>>>>> You mean her “hate”.
>>>>>>>
>>>>>>> She’s the biggest racist in this group and doesn’t even realize it.
>>>>>>>
>>>>>>> Her PhD probably stands for profound hate doctorate.
>>>>>>>
>>>>>>>
>>>>>>> On Thu, Dec 13, 2018 at 9:00 AM Martin Dust 
>>>>>>> wrote:
>>>>>>>
>>>>>>>> Red Bull don’t actually make anything, the drink itself is licensed
>>>>>>>> and manufactured by the original Thai licenser (Chaleo Yoovidhya). Red 
>>>>>>>> Bull
>>>>>>>> only exist to make money, somewhere around 6 Billion last time I 
>>>>>>>> looked.
>>>>>>>>
>>>>>>>> All their labour goes into the brand, that’s why they buy out edgy
>>>>>>>> sports and events, they are after the front covers rather than paying 
>>>>>>>> for
>>>>>>>> advertising. This also helps keep up the claim of being an edgy
>>>>>>>> “non-marketed brand” - it cost a lot of money to do that.
>>>>>>>>
>>>>>>>> There target is always young kids, the next generation, pretty easy
>>>>>>>> when they have a 70% share of the market.
>>>>>>>>
>>>>>>>> My experience of them is they collect people, creditability and
>>>>>>>> “things”, they employ creative agencies to do the buying and not cheap
>>>>>>>> agencies either.
>>>>>>>>
>>>>>>>> I’m surprised that Denise has any support in her heart for people
>>>>>>>> who do this on a weekly basis.
>>>>>>>>
>>>>>>>> https://imgur.com/a/VfHYGjU
>>>>>>>>
>>>>>>>> > On 13 Dec 2018, at 16:58, denisedalph...@gmail.com wrote:
>>>>>>>> >
>>>>>>>> > Moodymann just played Paisley Park and red bull had a hand in
>>>>>>>> arranging that. That’s good for Moodymann, who plays in Detroit a lot. 
>>>>>>>> So
>>>>>>>> that’s good for Detroit.
>>>>>>>> >
>>>>>>>> > Mike Banks should have been treated with way more fanfare and
>>>>>>>> better questions. But he gets to take that enormous, global stage. 
>>>>>>>> That’s
>>>>>>>> good for Mike Banks and good for Detroit.
>>>>>>>> >
>>>>>>>> >
>>>>>>>> >
>>>>>>>> > Denise Dalphond, Ph.D.
>>>>>>>> > ethnomusicologist
>>>>>>>> > schoolcraftwax.work
>>>>>>>>
>>>>>>>>

Re: Mad Mike Tresor interview

[ja...@iridite.com]

Never heard of them, glad to see you are promoting new talent Joe 

On Thu, 13 Dec 2018 at 20:48, Joe Marougi  wrote:

> Ok then if i will be forced to bite my tongue with her then I’ll have to
> replace it with some self promotion of a new 2-track (vinyl only) ep Im
> working on for my label. Still ironing out the final agreement.
>
> It will be a 45rpm 12” that will have an original track from Rick Wilhite
> on one side and one from Norm Talley on the other 
>
> Preview coming hopefully soon...
>
>
>
>
> On Thu, Dec 13, 2018 at 12:41 PM ja...@iridite.com 
> wrote:
>
>> I just think it's 100% plain that you two trigger each other to a high
>> degree and I can completely understand whybut how do we move forward
>> and talk about music and the knowledge we've got about it when so many
>> subjects seem to lead to a shouting match between two people?
>>
>> ANYHOW, did anyone check out the Todd Sines EP on Sleepers from a year or
>> two ago?  Very good Detroit-ish Techno, I really liked it.
>>
>> https://soundcloud.com/sleepersound-2/a2-depth
>>
>>
>>
>> On Thu, 13 Dec 2018 at 20:30, Joe Marougi  wrote:
>>
>>> Denise,
>>> The fact that you think that your views would make anyone laugh deserves
>>> a thread of its own.
>>>
>>> Jason,
>>> I hear you and I promise to tone it down.
>>>
>>>
>>>
>>> On Thu, Dec 13, 2018 at 12:24 PM  wrote:
>>>
>>>> It is my sincere hope that my words make some people on this list
>>>> laugh. And don’t forget about all the lurkers. Their opinions might be
>>>> smart, too.
>>>>
>>>>
>>>> *Denise Dalphond, Ph.D.*
>>>> *ethnomusicologist*
>>>> *schoolcraftwax.work <http://schoolcraftwax.work/>*
>>>>
>>>> On Dec 13, 2018, at 15:19, "ja...@iridite.com" 
>>>> wrote:
>>>>
>>>> It's not me that's Unsubbing Joe...it's others.  And there's not a huge
>>>> amount of traffic on here and as Kent mentioned a few weeks ago, there's a
>>>> significant amount of new people on here who's first experience of the
>>>> hallowed 313 list is a couple of people bickering endlessly
>>>>
>>>> That's nothing like the sparky and knowledgeable chats I used to see on
>>>> here 15 years ago.
>>>>
>>>> On Thu, 13 Dec 2018 at 20:16, Joe Marougi  wrote:
>>>>
>>>>> I don’t like it when she bullies others.  They may be too polite to
>>>>> bite back but I’m not.
>>>>>
>>>>> I’ve received private messages from users in support of my replies.
>>>>>
>>>>> How about you ignore them?  Its not like it happens that often, nor
>>>>> does it get in the way of other discussions.
>>>>>
>>>>> If she can use posts as segways into her self/white hate by directly
>>>>> or indirectly baiting us into false race-related angles then why can’t we
>>>>> respond?
>>>>>
>>>>> The Drexciya video thread was a classic example.
>>>>>
>>>>>
>>>>>
>>>>>
>>>>> On Thu, Dec 13, 2018 at 12:08 PM ja...@iridite.com 
>>>>> wrote:
>>>>>
>>>>>>
>>>>>> Denise and Joe, is there no way you can keep your mutual animosity
>>>>>>> out of this arena?  It's seriously off-putting.
>>>>>>>
>>>>>>
>>>>>>> On Thu, 13 Dec 2018 at 17:37, Kent Sandvik 
>>>>>>> wrote:
>>>>>>>
>>>>>>>> Threads like this with so much hatred have nothing to do with
>>>>>>>> techno and Detroit so most likely I will unsubscribe. --Kent
>>>>>>>>
>>>>>>>> On Thu, Dec 13, 2018 at 9:27 AM Manish Miglani <
>>>>>>>> noreplyfut...@gmail.com> wrote:
>>>>>>>>
>>>>>>>>> Please unsubscribe.
>>>>>>>>>
>>>>>>>>>
>>>>>>>>> Manish Miglani
>>>>>>>>>
>>>>>>>>> Sent from my iPhone
>>>>>>>>>
>>>>>>>>> *“Never doubt that a small group of thoughtful, committed citizens
>>>>>>>>> can change the world.  Indeed, it’s the only thing that ever has.”
>>>>>>>

Re: Mad Mike Tresor interview

[ja...@iridite.com]

Also the Nubian Mindz and CN records on that label are pretty hot too

On Thu, 13 Dec 2018 at 20:48, Aidan O'Doherty 
wrote:

> Nope, Todd Sines has been off my radar for while, so thanks for the heads
> up, Jason.
>
> On Thu, Dec 13, 2018 at 8:41 PM ja...@iridite.com 
> wrote:
>
>> I just think it's 100% plain that you two trigger each other to a high
>> degree and I can completely understand whybut how do we move forward
>> and talk about music and the knowledge we've got about it when so many
>> subjects seem to lead to a shouting match between two people?
>>
>> ANYHOW, did anyone check out the Todd Sines EP on Sleepers from a year or
>> two ago?  Very good Detroit-ish Techno, I really liked it.
>>
>> https://soundcloud.com/sleepersound-2/a2-depth
>>
>>
>>
>> On Thu, 13 Dec 2018 at 20:30, Joe Marougi  wrote:
>>
>>> Denise,
>>> The fact that you think that your views would make anyone laugh deserves
>>> a thread of its own.
>>>
>>> Jason,
>>> I hear you and I promise to tone it down.
>>>
>>>
>>>
>>> On Thu, Dec 13, 2018 at 12:24 PM  wrote:
>>>
>>>> It is my sincere hope that my words make some people on this list
>>>> laugh. And don’t forget about all the lurkers. Their opinions might be
>>>> smart, too.
>>>>
>>>>
>>>> *Denise Dalphond, Ph.D.*
>>>> *ethnomusicologist*
>>>> *schoolcraftwax.work <http://schoolcraftwax.work/>*
>>>>
>>>> On Dec 13, 2018, at 15:19, "ja...@iridite.com" 
>>>> wrote:
>>>>
>>>> It's not me that's Unsubbing Joe...it's others.  And there's not a huge
>>>> amount of traffic on here and as Kent mentioned a few weeks ago, there's a
>>>> significant amount of new people on here who's first experience of the
>>>> hallowed 313 list is a couple of people bickering endlessly
>>>>
>>>> That's nothing like the sparky and knowledgeable chats I used to see on
>>>> here 15 years ago.
>>>>
>>>> On Thu, 13 Dec 2018 at 20:16, Joe Marougi  wrote:
>>>>
>>>>> I don’t like it when she bullies others.  They may be too polite to
>>>>> bite back but I’m not.
>>>>>
>>>>> I’ve received private messages from users in support of my replies.
>>>>>
>>>>> How about you ignore them?  Its not like it happens that often, nor
>>>>> does it get in the way of other discussions.
>>>>>
>>>>> If she can use posts as segways into her self/white hate by directly
>>>>> or indirectly baiting us into false race-related angles then why can’t we
>>>>> respond?
>>>>>
>>>>> The Drexciya video thread was a classic example.
>>>>>
>>>>>
>>>>>
>>>>>
>>>>> On Thu, Dec 13, 2018 at 12:08 PM ja...@iridite.com 
>>>>> wrote:
>>>>>
>>>>>>
>>>>>> Denise and Joe, is there no way you can keep your mutual animosity
>>>>>>> out of this arena?  It's seriously off-putting.
>>>>>>>
>>>>>>
>>>>>>> On Thu, 13 Dec 2018 at 17:37, Kent Sandvik 
>>>>>>> wrote:
>>>>>>>
>>>>>>>> Threads like this with so much hatred have nothing to do with
>>>>>>>> techno and Detroit so most likely I will unsubscribe. --Kent
>>>>>>>>
>>>>>>>> On Thu, Dec 13, 2018 at 9:27 AM Manish Miglani <
>>>>>>>> noreplyfut...@gmail.com> wrote:
>>>>>>>>
>>>>>>>>> Please unsubscribe.
>>>>>>>>>
>>>>>>>>>
>>>>>>>>> Manish Miglani
>>>>>>>>>
>>>>>>>>> Sent from my iPhone
>>>>>>>>>
>>>>>>>>> *“Never doubt that a small group of thoughtful, committed citizens
>>>>>>>>> can change the world.  Indeed, it’s the only thing that ever has.”
>>>>>>>>> Margaret Mead*
>>>>>>>>>
>>>>>>>>> On Dec 13, 2018, at 11:25 AM, denisedalph...@gmail.com wrote:
>>>>>>>>>
>>>>>>>>> It does stand for that. They changed the meaning of it because my
>>>>>>

Re: Mad Mike Tresor interview

[ja...@iridite.com]

I just think it's 100% plain that you two trigger each other to a high
degree and I can completely understand whybut how do we move forward
and talk about music and the knowledge we've got about it when so many
subjects seem to lead to a shouting match between two people?

ANYHOW, did anyone check out the Todd Sines EP on Sleepers from a year or
two ago?  Very good Detroit-ish Techno, I really liked it.

https://soundcloud.com/sleepersound-2/a2-depth



On Thu, 13 Dec 2018 at 20:30, Joe Marougi  wrote:

> Denise,
> The fact that you think that your views would make anyone laugh deserves a
> thread of its own.
>
> Jason,
> I hear you and I promise to tone it down.
>
>
>
> On Thu, Dec 13, 2018 at 12:24 PM  wrote:
>
>> It is my sincere hope that my words make some people on this list laugh.
>> And don’t forget about all the lurkers. Their opinions might be smart, too.
>>
>>
>> *Denise Dalphond, Ph.D.*
>> *ethnomusicologist*
>> *schoolcraftwax.work <http://schoolcraftwax.work/>*
>>
>> On Dec 13, 2018, at 15:19, "ja...@iridite.com"  wrote:
>>
>> It's not me that's Unsubbing Joe...it's others.  And there's not a huge
>> amount of traffic on here and as Kent mentioned a few weeks ago, there's a
>> significant amount of new people on here who's first experience of the
>> hallowed 313 list is a couple of people bickering endlessly
>>
>> That's nothing like the sparky and knowledgeable chats I used to see on
>> here 15 years ago.
>>
>> On Thu, 13 Dec 2018 at 20:16, Joe Marougi  wrote:
>>
>>> I don’t like it when she bullies others.  They may be too polite to bite
>>> back but I’m not.
>>>
>>> I’ve received private messages from users in support of my replies.
>>>
>>> How about you ignore them?  Its not like it happens that often, nor does
>>> it get in the way of other discussions.
>>>
>>> If she can use posts as segways into her self/white hate by directly or
>>> indirectly baiting us into false race-related angles then why can’t we
>>> respond?
>>>
>>> The Drexciya video thread was a classic example.
>>>
>>>
>>>
>>>
>>> On Thu, Dec 13, 2018 at 12:08 PM ja...@iridite.com 
>>> wrote:
>>>
>>>>
>>>> Denise and Joe, is there no way you can keep your mutual animosity out
>>>>> of this arena?  It's seriously off-putting.
>>>>>
>>>>
>>>>> On Thu, 13 Dec 2018 at 17:37, Kent Sandvik  wrote:
>>>>>
>>>>>> Threads like this with so much hatred have nothing to do with techno
>>>>>> and Detroit so most likely I will unsubscribe. --Kent
>>>>>>
>>>>>> On Thu, Dec 13, 2018 at 9:27 AM Manish Miglani <
>>>>>> noreplyfut...@gmail.com> wrote:
>>>>>>
>>>>>>> Please unsubscribe.
>>>>>>>
>>>>>>>
>>>>>>> Manish Miglani
>>>>>>>
>>>>>>> Sent from my iPhone
>>>>>>>
>>>>>>> *“Never doubt that a small group of thoughtful, committed citizens
>>>>>>> can change the world.  Indeed, it’s the only thing that ever has.”
>>>>>>> Margaret Mead*
>>>>>>>
>>>>>>> On Dec 13, 2018, at 11:25 AM, denisedalph...@gmail.com wrote:
>>>>>>>
>>>>>>> It does stand for that. They changed the meaning of it because my
>>>>>>> shit was so strong.
>>>>>>>
>>>>>>> Joe, did you read my new article about Drexciya and Moodymann and UR
>>>>>>> and Theo Parrish? It’s in a book.
>>>>>>>
>>>>>>> Love,
>>>>>>> Denise
>>>>>>>
>>>>>>>
>>>>>>> *Denise Dalphond, Ph.D.*
>>>>>>> *ethnomusicologist*
>>>>>>> *schoolcraftwax.work <http://schoolcraftwax.work/>*
>>>>>>>
>>>>>>> On Dec 13, 2018, at 12:05, Joe Marougi  wrote:
>>>>>>>
>>>>>>> Her “heart?”
>>>>>>>
>>>>>>> You mean her “hate”.
>>>>>>>
>>>>>>> She’s the biggest racist in this group and doesn’t even realize it.
>>>>>>>
>>>>>>> Her PhD probably stands for profound hate doctorate.
>>>>>>>
>>>>&

Re: Mad Mike Tresor interview

[ja...@iridite.com]

It's not me that's Unsubbing Joe...it's others.  And there's not a huge
amount of traffic on here and as Kent mentioned a few weeks ago, there's a
significant amount of new people on here who's first experience of the
hallowed 313 list is a couple of people bickering endlessly

That's nothing like the sparky and knowledgeable chats I used to see on
here 15 years ago.

On Thu, 13 Dec 2018 at 20:16, Joe Marougi  wrote:

> I don’t like it when she bullies others.  They may be too polite to bite
> back but I’m not.
>
> I’ve received private messages from users in support of my replies.
>
> How about you ignore them?  Its not like it happens that often, nor does
> it get in the way of other discussions.
>
> If she can use posts as segways into her self/white hate by directly or
> indirectly baiting us into false race-related angles then why can’t we
> respond?
>
> The Drexciya video thread was a classic example.
>
>
>
>
> On Thu, Dec 13, 2018 at 12:08 PM ja...@iridite.com 
> wrote:
>
>>
>> Denise and Joe, is there no way you can keep your mutual animosity out of
>>> this arena?  It's seriously off-putting.
>>>
>>
>>> On Thu, 13 Dec 2018 at 17:37, Kent Sandvik  wrote:
>>>
>>>> Threads like this with so much hatred have nothing to do with techno
>>>> and Detroit so most likely I will unsubscribe. --Kent
>>>>
>>>> On Thu, Dec 13, 2018 at 9:27 AM Manish Miglani 
>>>> wrote:
>>>>
>>>>> Please unsubscribe.
>>>>>
>>>>>
>>>>> Manish Miglani
>>>>>
>>>>> Sent from my iPhone
>>>>>
>>>>> *“Never doubt that a small group of thoughtful, committed citizens can
>>>>> change the world.  Indeed, it’s the only thing that ever has.”  Margaret
>>>>> Mead*
>>>>>
>>>>> On Dec 13, 2018, at 11:25 AM, denisedalph...@gmail.com wrote:
>>>>>
>>>>> It does stand for that. They changed the meaning of it because my shit
>>>>> was so strong.
>>>>>
>>>>> Joe, did you read my new article about Drexciya and Moodymann and UR
>>>>> and Theo Parrish? It’s in a book.
>>>>>
>>>>> Love,
>>>>> Denise
>>>>>
>>>>>
>>>>> *Denise Dalphond, Ph.D.*
>>>>> *ethnomusicologist*
>>>>> *schoolcraftwax.work <http://schoolcraftwax.work/>*
>>>>>
>>>>> On Dec 13, 2018, at 12:05, Joe Marougi  wrote:
>>>>>
>>>>> Her “heart?”
>>>>>
>>>>> You mean her “hate”.
>>>>>
>>>>> She’s the biggest racist in this group and doesn’t even realize it.
>>>>>
>>>>> Her PhD probably stands for profound hate doctorate.
>>>>>
>>>>>
>>>>> On Thu, Dec 13, 2018 at 9:00 AM Martin Dust 
>>>>> wrote:
>>>>>
>>>>>> Red Bull don’t actually make anything, the drink itself is licensed
>>>>>> and manufactured by the original Thai licenser (Chaleo Yoovidhya). Red 
>>>>>> Bull
>>>>>> only exist to make money, somewhere around 6 Billion last time I looked.
>>>>>>
>>>>>> All their labour goes into the brand, that’s why they buy out edgy
>>>>>> sports and events, they are after the front covers rather than paying for
>>>>>> advertising. This also helps keep up the claim of being an edgy
>>>>>> “non-marketed brand” - it cost a lot of money to do that.
>>>>>>
>>>>>> There target is always young kids, the next generation, pretty easy
>>>>>> when they have a 70% share of the market.
>>>>>>
>>>>>> My experience of them is they collect people, creditability and
>>>>>> “things”, they employ creative agencies to do the buying and not cheap
>>>>>> agencies either.
>>>>>>
>>>>>> I’m surprised that Denise has any support in her heart for people who
>>>>>> do this on a weekly basis.
>>>>>>
>>>>>> https://imgur.com/a/VfHYGjU
>>>>>>
>>>>>> > On 13 Dec 2018, at 16:58, denisedalph...@gmail.com wrote:
>>>>>> >
>>>>>> > Moodymann just played Paisley Park and red bull had a hand in
>>>>>> arranging that. That’s good for Moodymann, who plays in Detroit a lot. So
>>>>>> that’s good for Detroit.
>>>>>> >
>>>>>> > Mike Banks should have been treated with way more fanfare and
>>>>>> better questions. But he gets to take that enormous, global stage. That’s
>>>>>> good for Mike Banks and good for Detroit.
>>>>>> >
>>>>>> >
>>>>>> >
>>>>>> > Denise Dalphond, Ph.D.
>>>>>> > ethnomusicologist
>>>>>> > schoolcraftwax.work
>>>>>>
>>>>>>

Re: Mad Mike Tresor interview

[ja...@iridite.com]

> Denise and Joe, is there no way you can keep your mutual animosity out of
> this arena?  It's seriously off-putting.
>
> On Thu, 13 Dec 2018 at 17:37, Kent Sandvik  wrote:
>
>> Threads like this with so much hatred have nothing to do with techno and
>> Detroit so most likely I will unsubscribe. --Kent
>>
>> On Thu, Dec 13, 2018 at 9:27 AM Manish Miglani 
>> wrote:
>>
>>> Please unsubscribe.
>>>
>>>
>>> Manish Miglani
>>>
>>> Sent from my iPhone
>>>
>>> *“Never doubt that a small group of thoughtful, committed citizens can
>>> change the world.  Indeed, it’s the only thing that ever has.”  Margaret
>>> Mead*
>>>
>>> On Dec 13, 2018, at 11:25 AM, denisedalph...@gmail.com wrote:
>>>
>>> It does stand for that. They changed the meaning of it because my shit
>>> was so strong.
>>>
>>> Joe, did you read my new article about Drexciya and Moodymann and UR and
>>> Theo Parrish? It’s in a book.
>>>
>>> Love,
>>> Denise
>>>
>>>
>>> *Denise Dalphond, Ph.D.*
>>> *ethnomusicologist*
>>> *schoolcraftwax.work *
>>>
>>> On Dec 13, 2018, at 12:05, Joe Marougi  wrote:
>>>
>>> Her “heart?”
>>>
>>> You mean her “hate”.
>>>
>>> She’s the biggest racist in this group and doesn’t even realize it.
>>>
>>> Her PhD probably stands for profound hate doctorate.
>>>
>>>
>>> On Thu, Dec 13, 2018 at 9:00 AM Martin Dust 
>>> wrote:
>>>
 Red Bull don’t actually make anything, the drink itself is licensed and
 manufactured by the original Thai licenser (Chaleo Yoovidhya). Red Bull
 only exist to make money, somewhere around 6 Billion last time I looked.

 All their labour goes into the brand, that’s why they buy out edgy
 sports and events, they are after the front covers rather than paying for
 advertising. This also helps keep up the claim of being an edgy
 “non-marketed brand” - it cost a lot of money to do that.

 There target is always young kids, the next generation, pretty easy
 when they have a 70% share of the market.

 My experience of them is they collect people, creditability and
 “things”, they employ creative agencies to do the buying and not cheap
 agencies either.

 I’m surprised that Denise has any support in her heart for people who
 do this on a weekly basis.

 https://imgur.com/a/VfHYGjU

 > On 13 Dec 2018, at 16:58, denisedalph...@gmail.com wrote:
 >
 > Moodymann just played Paisley Park and red bull had a hand in
 arranging that. That’s good for Moodymann, who plays in Detroit a lot. So
 that’s good for Detroit.
 >
 > Mike Banks should have been treated with way more fanfare and better
 questions. But he gets to take that enormous, global stage. That’s good for
 Mike Banks and good for Detroit.
 >
 >
 >
 > Denise Dalphond, Ph.D.
 > ethnomusicologist
 > schoolcraftwax.work

Re: The Order from Ian Fink

[ja...@iridite.com]

Thanks fort all this info Ali, really nice to hear the story and thanks for
posting this Aidan, i'm checking it out now

cheers

Jason

On Wed, 12 Dec 2018 at 17:21, Ali Berger  wrote:

> Love this record. Ian is great, in his mid-20s iirc, he's a killer jazz
> keyboard player. He has a residency on Wednesdays at Motorcity Wine where
> it's just him and a drummer with some other guest musicians every once in a
> while. A couple friends and I also booked him at a chillout party we did at
> The Schvitz (a sauna/bathhouse) late in November. Ian brought a workstation
> keyboard and a loop pedal and did over an hour of improvised deep
> atmospheric stuff... I guess what I'm saying is keep an eye on him! I
> believe he also features on some Omar-S stuff from the last few years if
> you look closely. And he plays in Scott Grooves Overdubs (Scott's live band
> project).
>
>
> While I'm here, hi, I'm Ali (it's short for Alexander, I'm yet another
> white dude). I've been living in Detroit (technically Hamtramck) since
> September 2015, I DJ and make records and I'm very actively involved in the
> scene here. Been lurking on the list since the Drexciya business, looking
> forward to occasionally sharing some insight on what it's actually like
> day-to-day here.
>
> On Wed, Dec 12, 2018, 11:28 AM Aidan O'Doherty  wrote:
>
>>
>> http://ianfink.bandcamp.com/album/the-order
>>
>> Like this, by an artist I've never heard of from the D. Available on
>> digital and vinyl.
>>
>

Re: Why Drexciya Took Detroit Electro Underwater

[ja...@iridite.com]

rsation.
>>
>> The feeling I woke up with this morning was that James Stinson did feel
>> very strongly about it, that I should know, and I hand't really listened to
>> what he said in the interview. I felt bad about it, because it was
>> ignorant. In the same manner I would defend other parties that fail to
>> appreciate the sensitive nature of it, as probably not aware of the insult.
>> I just didn't see it that way, that the interpretation as a listener
>> probably just suited my own world view. I want to be clear that I'm not
>> disappointed if that were the case, and I regret writing that I would be
>> disappointed. I am not personally ashamed, but I see no reason to be
>> disappointed. It's fair enough. I just don't really know enough about it,
>> leading to my ignorance.
>>
>> It's funny the emoticon you have put there looks like happy surprise
>> (though it probably depends on the image being used in the particular email
>> reader I guess). It's hard to tell if it's meant to be. You seem happily
>> provocative, and I don't really object to that. I might go and read more of
>> what you have got to say about it. The music is something else in any case,
>> but I accept that you probably know a lot better the motivations behind the
>> music, and that you may be right.
>>
>> On Tue, 6 Nov 2018, at 12:15 PM, denisedalph...@gmail.com wrote:
>>
>>
>> It took you this long to think of a response. 
>>
>> On Nov 6, 2018, at 04:07, Steven Robertson  wrote:
>>
>> Denise
>>
>> I woke up this morning having had a dream where I hadn't really heard
>> what James Stinson was saying to Andrew Duke, that it was about racism, and
>> that Denise was right. The feeling was strong. Only 20 minutes later I'm
>> writing this and I'm still half asleep, but I know this was playing on my
>> mind since reading an article on the mostly unknown involvement of Scottish
>> families in the slave trade, and how Glasgow and Edinburgh benefited, and
>> honoured those families. It makes you feel sick.
>>
>> I'm not well read on history, but I also have read more recently about
>> the practically unknown, hidden and widespread occupation of Scotland by
>> the British army for many many years following the battle of Culloden.
>> Following that were the highland clearances, ordered by land-owners in
>> England. There's a monument to one of them, the Duke of Sutherland, twice
>> an MP in the British Parliament, he later became the British ambassador in
>> Paris. People demand that the statue be removed, or at least moved. In
>> short, it says more about the British involvement in the slave trade at the
>> time, but Scotland is shamed. Ports were not directly used, but they were
>> used in some arrangement which was directly involved with the slave
>> trade. I felt that we had nothing to do with that ugly business. I was born
>> in Glasgow, and my ancestors there were all poor working class families. I
>> think we should be taught this stuff in school. That's all white-washing
>> and as a result we are mostly ignorant. I will apologise for my own
>> ignorance, and appreciate that you may be right. I certainly woke with a
>> strong feeling that you could be.
>>
>> Regards
>>
>> Steve
>>
>> On Wed, 24 Oct 2018, at 7:23 PM, denisedalph...@gmail.com wrote:
>>
>>
>> I didn’t say that Black people would be, should be, or are offended. Read
>> my original statements. I’m confused by your rage. Better yet, you’re
>> confused by your rage.
>>
>> Denise
>>
>>
>>
>>
>>
>> On Oct 24, 2018, at 13:33, Joe Marougi  wrote:
>>
>> Even though English is my second language I just looked it up and I feel
>> that it was an accurate description of her intentions based on >50% of the
>> synonyms being a match.
>>
>> Could I have used another word?  Sure, there are many synonyms to choose
>> from.  I think “not being fair” and “not applying proper moral principles”
>> is precisely what she’s guilty of:
>>
>>
>> https://www.google.com/search?rlz=1CDGOYI_enUS761US761=en-US=_KnQW9COIdrB0PEPjLmWgAM=false=unscrupulous=uns_l=mobile-gws-wiz-serp.1.0.35i39j0i131l2j46i20i264j0i131.3280.5506..6457...1.0..3.502.2111.0j9j1j5-1..01...5..0j0i71j0i10j46i39j0i131i20i264.72dD2dpqNVQ
>>
>>
>>
>> On Wed, Oct 24, 2018 at 10:19 AM kent williams 
>> wrote:
>>
>> I think it's fine to disagree, even to argue, but putting on my 313 List
>> Administrator Crown and picking up my 313 List Administrator Sceptre, let
>> me say this:
>

Re: Why Drexciya Took Detroit Electro Underwater

[ja...@iridite.com]

Heh, they're all coming out of the woodwork today!

Alrighty Eamonn?

On Wed, 24 Oct 2018 at 17:55, Eamonn Doyle  wrote:

> http://drexciyaresearchlab.blogspot.com/
>
> Probably the most exhaustively researched site / blog about all things
> Drexciya out there -  *[caution: written by a white Irish guy]*
>
> http://drexciyaresearchlab.blogspot.com/
>
>
>
>
> 
>
> Eamonn Doyle
>
> D1 Recordings, Dublin
>
>
>
>
>
>
>
>
> On 24 Oct 2018, at 17:48, ja...@iridite.com wrote:
>
> Heh - you obviously weren't part of our.discussion about Dixon Avenue
> Basement Jams a year or so ago on Facebook :)
>
> ANYWAYlet's move off the insta-drama and on to the music..much love,
> massive respect, nuff said
>
> Jason
>
> On Wed, 24 Oct 2018 at 17:42, kent williams 
> wrote:
>
>> Tom Cox got the fuck out of the 313 list when the getting was good. He's
>> still as opinionated as ever, still doing battle with the sucka MCs (aren't
>> we all?), but I think he mostly stays out of trouble these days.
>>
>> I'm trying to remember when he posted to 313 last. Something like 15
>> years ago?
>>
>> On Wed, Oct 24, 2018 at 11:38 AM Martin Dust 
>> wrote:
>>
>>>
>>> > On 24 Oct 2018, at 17:36, ja...@iridite.com wrote:
>>> >
>>> > Where's Tom Cox when you need him?  He's always got a calm and
>>> measured response in situations like this.
>>> >
>>>
>>> Proper LOL
>>
>>
>

Re: Why Drexciya Took Detroit Electro Underwater

[ja...@iridite.com]

Heh - you obviously weren't part of our.discussion about Dixon Avenue
Basement Jams a year or so ago on Facebook :)

ANYWAYlet's move off the insta-drama and on to the music..much love,
massive respect, nuff said

Jason

On Wed, 24 Oct 2018 at 17:42, kent williams  wrote:

> Tom Cox got the fuck out of the 313 list when the getting was good. He's
> still as opinionated as ever, still doing battle with the sucka MCs (aren't
> we all?), but I think he mostly stays out of trouble these days.
>
> I'm trying to remember when he posted to 313 last. Something like 15 years
> ago?
>
> On Wed, Oct 24, 2018 at 11:38 AM Martin Dust 
> wrote:
>
>>
>> > On 24 Oct 2018, at 17:36, ja...@iridite.com wrote:
>> >
>> > Where's Tom Cox when you need him?  He's always got a calm and measured
>> response in situations like this.
>> >
>>
>> Proper LOL
>
>

Re: Why Drexciya Took Detroit Electro Underwater

[ja...@iridite.com]

Where's Tom Cox when you need him?  He's always got a calm and measured
response in situations like this.



On Wed, 24 Oct 2018 at 17:18, Aidan O'Doherty 
wrote:

> Ladies and gentlemen, we've only got the band back together and already
> we're squabbling worse than Fleetwood Mac
>
> Denise, Moxie is RA's go-to-person to narrate their docs. Yes, it would
> have been better if they had used a Detroit native and artist, but there
> are a myriad of reasons why that isn't the case, none of which I would say
> are racist. The most obvious one is that they probably never thought of it.
> It is a great idea and it's a pity - Stingray would have been perfect -
> that it didn't happen, as it would add extra legitimacy to the project. And
> if you mentioned it to RA heads, they would probably kick themselves for
> not doing it.
>
> I can actually ask someone if you want, who is an employee at RA, if they
> had actually considered this.
>
> Thanks,
> Aidan
>
> On Wed 24 Oct 2018, 16:59 ,  wrote:
>
>> What about people of color who are on this list? You don’t know how all
>> this old man thinking could be making anyone feel. It’s not a white list!
>> WTF
>>
>> On Oct 24, 2018, at 11:58, Joe Marougi  wrote:
>>
>> I’m saying I’d rather continue to not post much at all than to spew
>> racist views like you do.
>>
>> Apparently you’re not getting the hint from others that have been trying
>> to point this out to you more respectfully so I’ll take one for the team
>> with this approach.
>>
>> Couldn’t care less what you think of me.  Grow the fuck up and be happy
>> that maybe at least a handful of “racist white folks” now know who Drexciya
>> is and maybe even bought a release or two.
>>
>>
>>
>>
>> On Wed, Oct 24, 2018 at 8:50 AM  wrote:
>>
>>> Pathetic is one word that comes to mind when I recall Joe Marougi’s past
>>> contributions to this listserv.
>>>
>>> Are you sad that I’m smart or triggered by truth?
>>>
>>>
>>> Denise
>>>
>>>
>>>
>>>
>>>
>>>
>>> On Oct 24, 2018, at 11:32, Joe Marougi  wrote:
>>>
>>> Wow Denise you must really be fun at parties.  What the hell are you
>>> talking about?
>>>
>>> That was an amazing video tribute to Drexciya and the “oppressive white
>>> woman” was blowing them the whole time with mad props!?
>>>
>>> Maybe you’re forgetting a few things:
>>>
>>> - RA (or no one at all for that matter) are OBLIGATED to do anything in
>>> a certain way.  Their money, their resources, their business. As long as it
>>> was done with integrity and factual etc then there shouldn’t be a problem
>>> with it.
>>>
>>> - Apparenly they felt that the woman had the voice they wanted to lead
>>> the video.  Umm, let’s see...maybe because the fucking AUDIENCE they target
>>> look and sound like her??  And again, it’s their dime not yours or mine.
>>>
>>> - Instead of being pumped that a documentary like this was released and
>>> hopefully generated some more awareness for very well-deserved artists you
>>> have to come in with your miserable take and try to shit on it.
>>>
>>> - You’re the only racist here by saying that a white person can’t make
>>> something about black people, especially when it’s geared towards MORE
>>> white people (their audience).
>>>
>>> - For fucks sake, this was a totally positive project and you’re trying
>>> to make them out to be slave owners.  Are you jelly that you didn’t make
>>> it??
>>>
>>> The only thing that sucks is if they used my man Andrew’s interview
>>> without asking him, but that’s far from any sort of racial bias or angle.
>>>
>>> That’s like someone starving being given food then complaining it isn’t
>>> filet mignon.
>>>
>>> Pathetic.
>>>
>>>
>>>
>>> On Thu, Oct 18, 2018 at 7:06 AM Denise Dalphond <
>>> denisedalph...@gmail.com> wrote:
>>>
 I love Drexciya. And it's really cool to be able to hear from James
 Stinson still in 2018, thanks to Andrew Duke. And it's pretty amazing that
 Andrew Duke did that interview. It's a priceless artifact. I could go on!

 Resident Advisor didn't credit Andrew Duke when they first posted the
 video, and why is there a white woman's british voice narrating? It's off
 putting. They're using the voice of the colonizer to tell the story of
 brilliant, musical escape from enslavement and forced labor. Escape from
 the colonizer.

 Oh here goes Denise, making everything about race. But this actually
 all the way super duper is all about race and racism.

 And how much electronic music culture coverage is based in europe, the
 birthplace of imperialism and colonialism?  A lot.

 Music fans and writers should be more concerned about preserving and
 protecting and respecting the culture that made this music.

 Why didn't they ask Cornelius Harris to narrate? Why didn't they ask
 John Collins to narrate? That would be meaningful to artists and fans 
 alike.



 Denise



 *Denise Dalphond, Ph.D.*
 *ethnomusicologist*

Re: New subscribers?

[ja...@iridite.com]

Hello everyone - my name is Jason, I'm from Glasgow and I've been on the
list since the 1990's (can't remember exactly when)

I produce music mostly under my own name and run a label focussing on
Glasgow based artists called Iridite - www.iridite.com

I also run a small store called Signal Sounds that concentrates on
electronic music production and Modular/Boutique synths in general
(Denisehit me up if you're even in Glasgow!!) - www.signalsounds.com

I still buy music but my available time to listen to is as close to zero as
makes no difference but I still love getting the odd recommendation from
here and I follow Kent's Bandcamp recommendations eagerly :)

cheers

Jason



On Wed, 24 Oct 2018 at 12:45, Ronny Pries (rktic) 
wrote:

> Hello new'- and old'sters.
>
> Was just wondering if I ever „properly" introduced myself here. Apart from
> „Hi, I’m Ronny. I like Techno.“
>
> The recent Drexciya thread, articles and thoughts made me think. You know,
> I’m a caucasian, born and raised around Hamburg/Germany. Hence my personal
> experience of being a victim of racism is about zero. Then again, being a
> german, you’ve got to reflect about these things. Imho.
>
> Crap, this is awkward. I have no concept about what it feels like to be
> historically oppressed because of the color of skin. Neither was I raised
> in economical circumstances as close as those found in Detroit. The weight
> or burden of that combination I can at best try to imagine or feel. This is
> a tough topic for a cultural ‚bystander‘ wanting to approach it in the most
> respectful way possible.
>
> What I do have a personal experience with:
> Living with Angst or anxiety if you will. Being risen to function, showing
> good manners on the surface. Avoid looking inside by any means. Getting a
> good whack of post-WW2 parenting.
>
> For long I thought Techno mainly appealed to me because my parents didn’t
> get it. But that’s not an emotional response, right. What I found in Techno
> was a strong sense of place. Where I was allowed to breathe, think and
> feel. True freedom.
>
> So, I’m aware that if I say „I kinda get it“ it’s still lacking cultural
> background. Yet, where can one draw a line? And can anyone relate at all?
>
> Just thinking out loud
> Ronny
>
>
>
> Am 22.10.2018 um 03:08 schrieb Edward Thompson :
>
> 
>
>
> On Mon., 22 Oct. 2018, 10:51 am Aidan O'Doherty, <
> aidan.b.odohe...@gmail.com> wrote:
>
>> Bloody hell, what's with all the traffic? You wait ages on a bus, then
>> all of a sudden loads of 313s arrive!
>>
>> Welcome aboard, Matt Deegan. This list has been a desert of discourse for
>> a very long time, until the last few days.
>>
>> My name is Aidan O'Doherty, from Dublin, Ireland. I am simply an
>> electronic music fan, an erstwhile record collector (used to have an
>> extensive collection, mostly sold) and hobbyist DJ who loves a lot of
>> techno/house music that has and still comes out of Detroit or is clearly
>> inspired by the city.
>>
>> I have been on this list for 18 or 19 years and have never unsubscribed
>> despite the serious drought in content over the last few years.
>>
>> I am usually a lurker, therefore not aiding with content, but did inspire
>> a poll years ago (top five Detroit tracks) that Delsin's Marsel van der
>> Wielen put on the NoMoreWords site (everyone's individual choices were kept
>> there), which is gone now, or rather, transformed.
>>
>> Most of the communications on the list are civil (not always in the
>> past), don't remember much in the way of racism, but my memory could be
>> selective. Denise, feel free to call me a potato-eating, alcoholic Paddy
>> anytime you want, I won't be offended, because it's all true.
>>
>> Glad to see names popping up again that I haven't heard from in ages.
>>
>> Yours in music,
>> Aidan
>>
>>
>>
>> On Sat 20 Oct 2018, 13:02 ,  wrote:
>>
>>> Introductions.
>>>
>>> I’m Denise Dalphond. I wrote my dissertation on Detroit techno and house
>>> music in 2014 after spending three years doing research and conducting
>>> interviews with techno kings and queens in Detroit. I write about music and
>>> activism at schoolcraftwax.work. I’ve published a lot about Detroit
>>> electronic music. My CV is on my website.
>>>
>>> In 2006, I organized and led the Roots of Techno conference at Indiana
>>> University. Panelists were Theo Parrish, Terrence Parker, Rick Wilhite,
>>> Marcellus Pittman, Minx, Mike Clark, Cornelius Harris, and two rad people
>>> from the Detroit Historical Museum.
>>>
>>> The Archives of African American Music and Culture at Indiana University
>>> is where the video recordings of the conference are housed, as well as my
>>> research materials and interview recordings.
>>>
>>> I was co-founder if the Detroit Sound Conservancy with Carleton Gholz.
>>> Together, we hosted educational tours of Submerge, created the Dan Sicko
>>> scholarship for new Detroit journalists, and made plans for cultural
>>> preservation in Detroit music culture.
>>>
>>> 

Re: New Music

[ja...@iridite.com]

That John Hassell album is fantastic

On Wed, 12 Sep 2018 at 11:24, <3...@coke-smyth.net> wrote:

> XOR Gate - Conic Sections FLAC
> Different mix to the vinyl, twist your mind around Heinrich Mueller
> (Kraftwork)'s spatial dimensional reasoning not without a conspicuously
> fluidic appreciation of the moment unreminiscent of cold and esoteric
> Detroit electronic manipulation.
>
> Jon Hassell - Listening to Pictures CD
> accessible first track follows into trumpet driven(?) percussive
> electronic soundscapes from mature California pioneer.
>
> Carlos Nino and Friends - Going Home LP
> California represent with regional self-expression through spiritual
> musicality surpassing late night sleepers of Motor City to the East.
>
> Stacey Pullen - Detroit Love CD
> Fresh mix for the Toyota, journeying late into the night explains to my
> passenger the importance of a decent beat and percussive.
>
> Victor Birgiss - That Time When YOUTUBE
> https://www.youtube.com/watch?v=XMnwz9_-dqw
>
> cheers
>
> C
>

Re: 20-year service pin

[ja...@iridite.com]

Think I must have a couple of years left, don't think i had Internet at
home until about 1998 at earliest



On 17 December 2017 at 08:24, <3...@coke-smyth.net> wrote:

> 2017
>>> Vatican Shadow ‎– Luxor Necropolitics
>>> The Exaltics ‎– Das Heise Experiment 2 [The Prequel]
>>> ASC - Sentinel
>>> [...]
>>>
>>
>> No lists for me this year but I just wanted to say that James/ASC is a
>> genius.
>>
>
> also check out anything by Rainforest Spiritual Enslavement. Vatican
> Shadow alter-ego I think.
>
> 313 Pin-badges you say?
>
> cheers
>
> C
>

Re: Techno 2017

[ja...@iridite.com]

Another amazing record on Texas Underground Recordings - such a great
label!!

https://texasrecordingsunderground.bandcamp.com/album/texas-instrumentals

On 14 December 2017 at 02:42, the Beauty and Belief Society <
thequietoverh...@gmail.com> wrote:

> Will follow up as soon as there's peace in the universe..or whenever I get
> home.
>
> Whichever comes first.
>
> -hue
>
> On Dec 13, 2017 8:12 PM, "John Sokolowski" 
> wrote:
>
>> Sure!
>>
>>
>> RECORDS
>> Norm Talley - Norm-A-Lize
>>
>> Scott Grooves - The Five Heartbeats
>>
>> Fair EP on STRCTR
>> Derek Carr - Warm Machines EP
>> S.A.M. - Dream State Of A Bellmaker
>>
>> CDs
>> DeepChord presents Echospace - Live in Detroit
>>
>> NEW LABEL
>> The Lauren Bacall (new to me, anyway)
>>
>> ARTIST OF YEAR
>> Derek Carr
>>
>> ARTWORK
>>
>> Jack Peoples - Laptop Cafe
>>
>>
>>
>>
>> --
>> *From:* 3...@coke-smyth.net <3...@coke-smyth.net>
>> *Sent:* Wednesday, December 13, 2017 11:05 AM
>> *To:* 313@hyperreal.org
>> *Subject:* Techno 2017
>>
>> Hey 313,
>>
>> Im gonna take a risk of desolate response, but end of year lists anyone?
>>
>> RECORDS
>> Cybonix - Make This Party Live
>> Seldom Seen - Bringing Slide Back
>> Various - CoOp presents: Selectors Assemble
>> Josef Leimberg - Astral Progressions
>> Kamasi Washington - Harmony Of Difference
>>
>> Im finding more faith in the more unusual records these days, the CoOp
>> sounds weird on the clips but its a fine fine piece of wax at the end of
>> the day and very beautiful to listen to even on a cheap portable
>> turntable.
>>
>> CDs
>> DJ Stingray Kern Vol 4
>> Tresor Dreamy Harbor
>>
>> NEW LABEL
>> 6Dimensions
>>
>> ARTIST OF YEAR
>> B12
>>
>> ARTWORK [Technically prob 2016]
>> Convextion 2845 Lp
>>
>> Some of my selections may be a bit off, but there's been plenty I
>> haven't been able to afford this year also :-)
>>
>> cheers
>>
>> C
>>
>

Re: Female Producers

[ja...@iridite.com]

Complaining about the English, Kent, not the British :)

On 20 August 2017 at 18:23, kent williams  wrote:

> Just what you imagine.  I don't find an official discussion of it, but
> looking at urban dictionary it's a word popular in Ireland, supposedly
> originating in Cork.  Which would fit with Aidan who is as Irish as a
> Leprechaun eating Lucky Charms while complaining about the British.
>
>
> On Sun, Aug 20, 2017 at 12:16 PM Peter Bense  wrote:
>
>> What does... "a langer" mean?
>>
>> On Sun, Aug 20, 2017 at 10:11 AM, Aidan O'Doherty <
>> aidan.b.odohe...@gmail.com> wrote:
>>
>>> I couldn't give a monkeys about whether a dj or producer has a langer or
>>> not. I just want good music. Them being male or female doesn't enhance it
>>> either way.
>>>
>>> On 20 Aug 2017 17:58, <3...@coke-smyth.net> wrote:
>>>
 But seriously tho

 Jenifa and Cooly G at least appear to have more 'wonk' in their funk.
 Is this some m/f rhythm thing?

 C

 On 17 Aug 2017, at 10:38, 3...@coke-smyth.net wrote:
>>>
>>> Cooly G
>>> DJ Genesis
>>> Jenifa Mananja
>>>
>>> Anyone else to be scoping...?
>>>
>>> cheers
>>>
>>> C
>>>
>>

>>

Re: Looking for Elecktroids Elektroworld on vinyl, I have S.I.D.-002 to trade

[ja...@iridite.com]

Funny story - about 10 years ago a guy who had worked in Rubadub went on to
work at Warp as an intern (it's Callum, now better know as Spencer from
Numbers).  He was going through their stock sheets and noticed they had
200+ copies of Electroworld on vinyl sitting on the shelves at their
distributors warehouse forgotten about for years.

Cue much frothing at mouth by us "HOLD THEM, HOLD THEM!!  WE'LL TAKE THEM
ALL".  There was then a bit of negotiation to circumnavigate the
difficult world of record shop politics ("yeah...if we give them to you
then "" will have their nose out of joint and we're doing an instore
with them next month and blah blah blah") and it was decided that we would
be allocated around 80 or 100 copies depending on how many copies there
actually were.

On the Monday we were all pacing about the shop waiting for the courier to
come like kids waiting for Santa to arrive.  The van pulls up, the guy
get's out and unloads a couple of boxes.  Something's not quite right,
those boxes don't look like they're quite 12" squarehm

Open the box and.it's 100 copies of Electroworld on CD.  Distributor
had misfiled them on their system as Vinyl.

I think we shut the shop for the day and went to the pub to drown our
sorrows and curse warehouse men up and down the land

Jason

On 23 September 2016 at 05:31, Daniel Troberg  wrote:

> As per the subject. SID002 is:
>
> https://www.discogs.com/Andre-Holland-Abstract-EP/master/7204
>
> My copy is near mint. Ive played it once and then put it back in the cage.
> Item is in Los Angeles, CA, USA.
>
> Email me at erasemu...@mac.com
>
> Thanks
>
> Daniel
>

Iridite Greetings - we're back!

[ja...@iridite.com]

Not strictly 313 related, sorry for the Spam etc etc etc  :)

First new release in about 8 years, check it out and hassle your local
store to stock it if it's up your street

http://www.juno.co.uk/products/simplon-elijah-jason-closer-to-the-stars/610453-01/

cheers!

jason

Re: Free Microworld

[ja...@iridite.com]

Really loving the Orange Sun EP Philip, great to see you back releasing
music again

cheers

Jason

On 23 March 2016 at 23:30, Philip McGarva  wrote:

> Please enjoy DJ Mansard's remix of 'Step Sequence' from Curle 055!
>
> https://www.facebook.com/Philip-McGarva-Music-670833986351220/?ref=hl
> https://soundcloud.com/philip-mcgarva/step-sequence-dj-mansard-remix
> https://soundcloud.com/curlerec/sets/microworld-orange-sun
>

Re: Metroplex re-issues

[ja...@iridite.com]

Hopefully they get a full release before Miami Winter Music Conference and
they can become club smashes and Clavin Harris can start playing them in
Vegas.

On 15 March 2016 at 07:01, Jason Brunton  wrote:

> LOL!
>
> Sent from my iPhone
>
> On 15 Mar 2016, at 05:40, Mike Taylor  wrote:
>
> I'm sure these represses will be great or whatever, but I'm really looking
> forward to those Green Velvet and Luciano remixes.
>
> If there is one thing these tracks really need, it is modern club remixes.
> It's not like they are untouchable masterpieces by one of the best
> producers in any genre of music of the 20th century.
>
>
>
> On Tue, Mar 15, 2016 at 12:57 AM, jwan allen  wrote:
>
>> Second copy of the chase would be nice. But reissues save us money.
>> On Mar 15, 2016 12:30 AM, "Kevin Kennedy"  wrote:
>>
>>> Yawn.  Only if night drive through Babylon gets a remaster, I'll keep my
>>> copy I got from shake.
>>>
>>>but, it might make sense to revisit the early catalog for those who
>>> might have missed out...
>>> --
>>> From: Patrick Wacher 
>>> Sent: ‎3/‎15/‎2016 12:00 AM
>>> To: list 313 <313@hyperreal.org>
>>> Subject: Metroplex re-issues
>>>
>>>
>>> http://www.factmag.com/2016/03/14/juan-atkins-model-500-robert-hood-metroplex-reissues/
>>>
>>> - Patrick.
>>>
>>>
>

Re: Gari Romalis

[ja...@iridite.com]

Superb, thanks Mike!

On 12 January 2016 at 15:50, Mike Taylor  wrote:

> Interview starts 16 minutes in:
>
> http://youtu.be/n-XUZMKjoJE
>
>
>

Re: Gari Romalis

[ja...@iridite.com]

Good solid chugging Detroit House, like it

Resident Advisor says he worked at Transmat, DJed at Music Institue and
managed Buy Rite  etc?  I'd never heard of him before

On 12 January 2016 at 10:44, ja...@iridite.com <ja...@iridite.com> wrote:

> Holy molly - he put out about 20 records in the last two years!!
>
> On 8 January 2016 at 23:56, Nathan Goode <nathg...@tpg.com.au> wrote:
>
>> Yeah he's been pumping out the releases. He did one on Dockside a year or
>> so ago and the got the ball rolling. Really nice guy too from my
>> interactions with him on Facebook.
>>
>> Ps - when you mentioned Gari earlier, I was looking for the "like"
>> button! Gotta get used to this email stuff again :-)
>>
>> Sent from my iPhone
>>
>> On 9 Jan 2016, at 8:59 am, John Sokolowski <jrsokolow...@hotmail.com>
>> wrote:
>>
>> Exactly! Thanks, Nath. Was just listening to clips of Comeback on Juno
>> this AM which got me thinking of asking about him here and nearly picked up
>> the Specialist a few weeks back. Both sound very nice. Also saw that he has
>> a whooping 11 releases listed on Discogs for the year 1995...wait, make
>> that 2015. Still having issues typing the correct century. ;)
>>
>> --
>> Subject: Re: Gari Romalis
>> From: nathg...@tpg.com.au
>> Date: Sat, 9 Jan 2016 08:20:37 +1030
>> CC: chaircrus...@gmail.com; jrsokolow...@hotmail.com; 313@hyperreal.org
>> To: ja...@iridite.com
>>
>> I'm quite the fan of Gari, he's put out some really nice stuff in my
>> opinion.
>>
>> Some examples :-)
>>
>>
>> http://www.juno.co.uk/products/gari-romalis-detroit-rollerskate-disko-2/570075-01/
>>
>> http://www.juno.co.uk/products/gari-romalis-comeback/590937-01/
>>
>> http://www.juno.co.uk/products/gari-romalis-the-specialist/590587-01/
>>
>> Cheers
>> Nath
>> www.somewheredownthere.com
>>
>>
>>
>> Sent from my iPhone
>>
>> On 9 Jan 2016, at 7:06 am, "ja...@iridite.com" <ja...@iridite.com> wrote:
>>
>> It's not the 90's now John get with the programme!
>>
>>
>>
>> On 8 January 2016 at 20:35, kent williams <chaircrus...@gmail.com> wrote:
>>
>> It's a new decade, include URLs of examples of his work!
>>
>>
>> On Fri, Jan 8, 2016 at 10:45 AM John Sokolowski <jrsokolow...@hotmail.com>
>> wrote:
>>
>> Has anyone gotten into Gari Romalis much? He has put out a lot over the
>> last couple of years which means he may not have been discussed here much,
>> yet. Some of his clips have really caught my attention.
>>
>>
>>
>

Re: Gari Romalis

[ja...@iridite.com]

Holy molly - he put out about 20 records in the last two years!!

On 8 January 2016 at 23:56, Nathan Goode <nathg...@tpg.com.au> wrote:

> Yeah he's been pumping out the releases. He did one on Dockside a year or
> so ago and the got the ball rolling. Really nice guy too from my
> interactions with him on Facebook.
>
> Ps - when you mentioned Gari earlier, I was looking for the "like" button!
> Gotta get used to this email stuff again :-)
>
> Sent from my iPhone
>
> On 9 Jan 2016, at 8:59 am, John Sokolowski <jrsokolow...@hotmail.com>
> wrote:
>
> Exactly! Thanks, Nath. Was just listening to clips of Comeback on Juno
> this AM which got me thinking of asking about him here and nearly picked up
> the Specialist a few weeks back. Both sound very nice. Also saw that he has
> a whooping 11 releases listed on Discogs for the year 1995...wait, make
> that 2015. Still having issues typing the correct century. ;)
>
> --
> Subject: Re: Gari Romalis
> From: nathg...@tpg.com.au
> Date: Sat, 9 Jan 2016 08:20:37 +1030
> CC: chaircrus...@gmail.com; jrsokolow...@hotmail.com; 313@hyperreal.org
> To: ja...@iridite.com
>
> I'm quite the fan of Gari, he's put out some really nice stuff in my
> opinion.
>
> Some examples :-)
>
>
> http://www.juno.co.uk/products/gari-romalis-detroit-rollerskate-disko-2/570075-01/
>
> http://www.juno.co.uk/products/gari-romalis-comeback/590937-01/
>
> http://www.juno.co.uk/products/gari-romalis-the-specialist/590587-01/
>
> Cheers
> Nath
> www.somewheredownthere.com
>
>
>
> Sent from my iPhone
>
> On 9 Jan 2016, at 7:06 am, "ja...@iridite.com" <ja...@iridite.com> wrote:
>
> It's not the 90's now John get with the programme!
>
>
>
> On 8 January 2016 at 20:35, kent williams <chaircrus...@gmail.com> wrote:
>
> It's a new decade, include URLs of examples of his work!
>
>
> On Fri, Jan 8, 2016 at 10:45 AM John Sokolowski <jrsokolow...@hotmail.com>
> wrote:
>
> Has anyone gotten into Gari Romalis much? He has put out a lot over the
> last couple of years which means he may not have been discussed here much,
> yet. Some of his clips have really caught my attention.
>
>
>

Re: Gari Romalis

[ja...@iridite.com]

It's not the 90's now John get with the programme!



On 8 January 2016 at 20:35, kent williams  wrote:

> It's a new decade, include URLs of examples of his work!
>
>
> On Fri, Jan 8, 2016 at 10:45 AM John Sokolowski 
> wrote:
>
>> Has anyone gotten into Gari Romalis much? He has put out a lot over the
>> last couple of years which means he may not have been discussed here much,
>> yet. Some of his clips have really caught my attention.
>>
>

Re: 4x new Transmat EPs

[ja...@iridite.com]

I've not seen it on any lists or heard any mention of it either

On 7 January 2016 at 21:09, Aidan O'Doherty <aidan.b.odohe...@gmail.com>
wrote:

> Am I mad or is their no mention of this new release from 7th City on
> Discogs?
>
> Both of the above statements could be true. Or false.
> On 7 Jan 2016 17:04, "jwan allen" <jwan.al...@gmail.com> wrote:
>
>> Two things regarding the 7th City record.
>>
>> 1) Nice to see the old Logo:)
>>
>> 2) Framework by Altitude (aka Matt Thibideau)  was originally released
>> on Blue Recordings out of Toronto, what a lovely tune.
>>
>>
>> Jwan
>>
>> On Thu, Jan 7, 2016 at 11:43 AM, John Sokolowski
>> <jrsokolow...@hotmail.com> wrote:
>> > It is a two-tracker with Cab Drivers on one side and Altitude on the
>> other.
>> > One of the two is actually a re-release from another label. I didn't
>> know
>> > 7th City was in the re-release business but in Dan Bell I trust. :) It
>> came
>> > out last month right before the holidays.
>> >
>> > 
>> > Date: Thu, 7 Jan 2016 00:21:29 +
>> > Subject: Re: 4x new Transmat EPs
>> > From: ja...@iridite.com
>> > To: jrsokolow...@hotmail.com
>> > CC: booki...@uzuriartistbookingsandmanagement.com; jwan.al...@gmail.com
>> ;
>> > pwac...@gmail.com; 313@hyperreal.org; mar...@nomorewords.net
>> >
>> >
>> > What's the 7th City one John?
>> >
>> >
>> >
>> > On 6 January 2016 at 15:41, John Sokolowski <jrsokolow...@hotmail.com>
>> > wrote:
>> >
>> > What is even more incredible is that the tracks on new Kyle Hall album
>> are
>> > all older cuts from his archives. All were recorded around the time he
>> > launched his label, I believe.
>> >
>> > I have really been digging the new DeepChord double CD on Soma, and on
>> the
>> > bouncier side, the new one on 7th City.
>> >
>> >
>> > 
>> > Date: Wed, 6 Jan 2016 15:53:17 +0100
>> > Subject: Re: 4x new Transmat EPs
>> > From: booki...@uzuriartistbookingsandmanagement.com
>> > To: jwan.al...@gmail.com
>> > CC: ja...@iridite.com; pwac...@gmail.com; 313@hyperreal.org;
>> > mar...@nomorewords.net
>> >
>> >
>> > kyle for such a young head shows incredible maturity on this album .
>> great
>> > stuff !
>> >
>> > On 6 January 2016 at 15:47, jwan allen <jwan.al...@gmail.com> wrote:
>> >
>> > Also on the new music front.
>> >
>> > The latest Kyle Hall, two thumbs up. While I don't own it, I've had to
>> > opportunity to get an extended preview and it's giving me Hanna /
>> > Warren Harris vibes and that's never a bad thing.
>> >
>> >
>> > Reissue front. The Fingers Inc. album.
>> >
>> > The packaging on each is also top notch. I'm not afraid to admit it, I
>> > enjoy pretty things. :)
>> >
>> >
>> > Jwan
>> >
>> > On Wed, Jan 6, 2016 at 3:20 AM, ja...@iridite.com <ja...@iridite.com>
>> wrote:
>> >> I'm going to revisit the Model 500 album todayI think I was a bit
>> >> scarred after hearing the dubstep/metal guitar solo track on it.
>> >>
>> >> On 5 January 2016 at 22:47, Patrick Wacher <pwac...@gmail.com> wrote:
>> >>>
>> >>> I wasn't really grabbed by any of the new Transmat snippets, might
>> need a
>> >>> few listens. As Aidan said, I really wanted to like it, but it's not
>> >>> quite
>> >>> doing it for me.
>> >>>
>> >>> Still yet to hear the Model 500 album, keen to check it out though.
>> >>>
>> >>> Happy New Year all, hope to see some more discussion on the list this
>> >>> year
>> >>> ;)
>> >>>
>> >>> - Patrick.
>> >>>
>> >>> On Tue, Jan 5, 2016 at 9:18 PM, ja...@iridite.com <ja...@iridite.com>
>> >>> wrote:
>> >>>>
>> >>>> Happy New Year everyone!
>> >>>>
>> >>>> Hope Derrick has got someone with a clue doing the A this time
>> around?
>> >>>> Have you heard the clips Marsel?
>> >>>>
>> >>>> cheers
>> >>>>
>> >>>> Jason
>> >>>>
>> >>>> On 5 January 2016 at 08:40, Marsel van der Wielen
>> >>>> <mar...@nomorewords.net> wrote:
>> >>>>>
>> >>>>> hey techno daddies (and mums?)
>> >>>>>
>> >>>>> as this list seems still alive after 22 years -
>> >>>>> here's what might sound as a very classic post -
>> >>>>>
>> >>>>> but it's really true there are for new Transmat EPs coming
>> >>>>> :-)
>> >>>>>
>> >>>>>
>> >>>>>
>> >>>>>
>> http://www.rushhour.nl/distribution_label.php?idxLabel=254=1
>> >>>>
>> >>>>
>> >>>
>> >>
>> >
>> >
>> >
>> > --
>> > Technoir Audio
>> > http://www.technoiraudio.com
>> > "dealing with your imperfect world"
>> >
>> >
>> >
>> >
>> > --
>> >
>> > Lerato Khathi
>> > http://uzurirecordings.com
>> > http://uzuriartistbookingsandmanagement.com
>> > http://soundcloud.com/uzuri
>> > Skype : Lakuti
>> >
>> >
>>
>>
>>
>> --
>> Technoir Audio
>> http://www.technoiraudio.com
>> "dealing with your imperfect world"
>>
>

Re: 4x new Transmat EPs

[ja...@iridite.com]

I'm going to revisit the Model 500 album todayI think I was a bit
scarred after hearing the dubstep/metal guitar solo track on it.

On 5 January 2016 at 22:47, Patrick Wacher <pwac...@gmail.com> wrote:

> I wasn't really grabbed by any of the new Transmat snippets, might need a
> few listens. As Aidan said, I really wanted to like it, but it's not quite
> doing it for me.
>
> Still yet to hear the Model 500 album, keen to check it out though.
>
> Happy New Year all, hope to see some more discussion on the list this year
> ;)
>
> - Patrick.
>
> On Tue, Jan 5, 2016 at 9:18 PM, ja...@iridite.com <ja...@iridite.com>
> wrote:
>
>> Happy New Year everyone!
>>
>> Hope Derrick has got someone with a clue doing the A this time around?
>> Have you heard the clips Marsel?
>>
>> cheers
>>
>> Jason
>>
>> On 5 January 2016 at 08:40, Marsel van der Wielen <mar...@nomorewords.net
>> > wrote:
>>
>>> hey techno daddies (and mums?)
>>>
>>> as this list seems still alive after 22 years -
>>> here's what might sound as a very classic post -
>>>
>>> but it's really true there are for new Transmat EPs coming
>>> :-)
>>>
>>>
>>> http://www.rushhour.nl/distribution_label.php?idxLabel=254=1
>>>
>>
>>
>

Re: 4x new Transmat EPs

[ja...@iridite.com]

What's the 7th City one John?



On 6 January 2016 at 15:41, John Sokolowski <jrsokolow...@hotmail.com>
wrote:

> What is even more incredible is that the tracks on new Kyle Hall album are
> all older cuts from his archives. All were recorded around the time he
> launched his label, I believe.
>
> I have really been digging the new DeepChord double CD on Soma, and on
> the bouncier side, the new one on 7th City.
>
>
> --
> Date: Wed, 6 Jan 2016 15:53:17 +0100
> Subject: Re: 4x new Transmat EPs
> From: booki...@uzuriartistbookingsandmanagement.com
> To: jwan.al...@gmail.com
> CC: ja...@iridite.com; pwac...@gmail.com; 313@hyperreal.org;
> mar...@nomorewords.net
>
>
> kyle for such a young head shows incredible maturity on this album . great
> stuff !
>
> On 6 January 2016 at 15:47, jwan allen <jwan.al...@gmail.com> wrote:
>
> Also on the new music front.
>
> The latest Kyle Hall, two thumbs up. While I don't own it, I've had to
> opportunity to get an extended preview and it's giving me Hanna /
> Warren Harris vibes and that's never a bad thing.
>
>
> Reissue front. The Fingers Inc. album.
>
> The packaging on each is also top notch. I'm not afraid to admit it, I
> enjoy pretty things. :)
>
>
> Jwan
>
> On Wed, Jan 6, 2016 at 3:20 AM, ja...@iridite.com <ja...@iridite.com>
> wrote:
> > I'm going to revisit the Model 500 album todayI think I was a bit
> > scarred after hearing the dubstep/metal guitar solo track on it.
> >
> > On 5 January 2016 at 22:47, Patrick Wacher <pwac...@gmail.com> wrote:
> >>
> >> I wasn't really grabbed by any of the new Transmat snippets, might need
> a
> >> few listens. As Aidan said, I really wanted to like it, but it's not
> quite
> >> doing it for me.
> >>
> >> Still yet to hear the Model 500 album, keen to check it out though.
> >>
> >> Happy New Year all, hope to see some more discussion on the list this
> year
> >> ;)
> >>
> >> - Patrick.
> >>
> >> On Tue, Jan 5, 2016 at 9:18 PM, ja...@iridite.com <ja...@iridite.com>
> >> wrote:
> >>>
> >>> Happy New Year everyone!
> >>>
> >>> Hope Derrick has got someone with a clue doing the A this time
> around?
> >>> Have you heard the clips Marsel?
> >>>
> >>> cheers
> >>>
> >>> Jason
> >>>
> >>> On 5 January 2016 at 08:40, Marsel van der Wielen
> >>> <mar...@nomorewords.net> wrote:
> >>>>
> >>>> hey techno daddies (and mums?)
> >>>>
> >>>> as this list seems still alive after 22 years -
> >>>> here's what might sound as a very classic post -
> >>>>
> >>>> but it's really true there are for new Transmat EPs coming
> >>>> :-)
> >>>>
> >>>>
> >>>>
> http://www.rushhour.nl/distribution_label.php?idxLabel=254=1
> >>>
> >>>
> >>
> >
>
>
>
> --
> Technoir Audio
> http://www.technoiraudio.com
> "dealing with your imperfect world"
>
>
>
>
> --
>
> Lerato Khathi
> http://uzurirecordings.com
> http://uzuriartistbookingsandmanagement.com
> http://soundcloud.com/uzuri
> Skype : Lakuti
>

Re: 4x new Transmat EPs

[ja...@iridite.com]

Happy New Year everyone!

Hope Derrick has got someone with a clue doing the A this time around?
Have you heard the clips Marsel?

cheers

Jason

On 5 January 2016 at 08:40, Marsel van der Wielen 
wrote:

> hey techno daddies (and mums?)
>
> as this list seems still alive after 22 years -
> here's what might sound as a very classic post -
>
> but it's really true there are for new Transmat EPs coming
> :-)
>
> http://www.rushhour.nl/distribution_label.php?idxLabel=254=1
>

Re: 4x new Transmat EPs

[ja...@iridite.com]

I thought the Model 500 album wasbetter than I expected.

I don't think things have been so strong for Detroit related sounds in a
LOONNNGGG time.

On 5 January 2016 at 14:47, Marsel van der Wielen <mar...@nomorewords.net>
wrote:

> :-))
>
> ps did you discuss the Model 500 album released last year?
>
> Metroplex also did two EPs last year -
>
> Detroit Techno ain't dead yet!
> ;-)
>
> Op 5-1-2016 om 15:42 schreef ja...@iridite.com:
>
> If he signed the Gregg Gow stuff I'm never talking to him again.
>
>
>
> On 5 January 2016 at 14:37, Daniel Bean <daniel.b...@bbc.co.uk> wrote:
>
>> Pretty sure he did/does the A himself these days.
>>
>> From: < <irid...@gmail.com>irid...@gmail.com> on behalf of "
>> ja...@iridite.com" <ja...@iridite.com>
>> Date: Tuesday, 5 January 2016 10:18
>> To: Marsel van der Wielen <mar...@nomorewords.net>
>> Cc: " <313@hyperreal.org>313@hyperreal.org" <313@hyperreal.org>
>> Subject: Re: 4x new Transmat EPs
>>
>> Happy New Year everyone!
>>
>> Hope Derrick has got someone with a clue doing the A this time around?
>> Have you heard the clips Marsel?
>>
>> cheers
>>
>> Jason
>>
>> On 5 January 2016 at 08:40, Marsel van der Wielen <mar...@nomorewords.net
>> > wrote:
>>
>>> hey techno daddies (and mums?)
>>>
>>> as this list seems still alive after 22 years -
>>> here's what might sound as a very classic post -
>>>
>>> but it's really true there are for new Transmat EPs coming
>>> :-)
>>>
>>>
>>> http://www.rushhour.nl/distribution_label.php?idxLabel=254=1
>>>
>>
>>
>
>

Re: 4x new Transmat EPs

[ja...@iridite.com]

Ahhh, sorry!



On 5 January 2016 at 16:06, Daniel Bean <daniel.b...@bbc.co.uk> wrote:

> Derrick and the Greg Gow stuff.
>
> From: <irid...@gmail.com> on behalf of "ja...@iridite.com" <
> ja...@iridite.com>
> Date: Tuesday, 5 January 2016 15:27
>
> To: Daniel Bean <daniel.b...@bbc.co.uk>
> Cc: Marsel van der Wielen <mar...@nomorewords.net>, "313@hyperreal.org" <
> 313@hyperreal.org>
> Subject: Re: 4x new Transmat EPs
>
> Me?  Or Juan?
>
> On 5 January 2016 at 15:25, Daniel Bean <daniel.b...@bbc.co.uk> wrote:
>
>> He was well into it when it came out.
>>
>> From: <irid...@gmail.com> on behalf of "ja...@iridite.com" <
>> ja...@iridite.com>
>> Date: Tuesday, 5 January 2016 14:42
>> To: Daniel Bean <daniel.b...@bbc.co.uk>
>> Cc: Marsel van der Wielen <mar...@nomorewords.net>, "313@hyperreal.org" <
>> 313@hyperreal.org>
>> Subject: Re: 4x new Transmat EPs
>>
>> If he signed the Gregg Gow stuff I'm never talking to him again.
>>
>>
>>
>> On 5 January 2016 at 14:37, Daniel Bean <daniel.b...@bbc.co.uk> wrote:
>>
>>> Pretty sure he did/does the A himself these days.
>>>
>>> From: <irid...@gmail.com> on behalf of "ja...@iridite.com" <
>>> ja...@iridite.com>
>>> Date: Tuesday, 5 January 2016 10:18
>>> To: Marsel van der Wielen <mar...@nomorewords.net>
>>> Cc: "313@hyperreal.org" <313@hyperreal.org>
>>> Subject: Re: 4x new Transmat EPs
>>>
>>> Happy New Year everyone!
>>>
>>> Hope Derrick has got someone with a clue doing the A this time
>>> around?  Have you heard the clips Marsel?
>>>
>>> cheers
>>>
>>> Jason
>>>
>>> On 5 January 2016 at 08:40, Marsel van der Wielen <
>>> mar...@nomorewords.net> wrote:
>>>
>>>> hey techno daddies (and mums?)
>>>>
>>>> as this list seems still alive after 22 years -
>>>> here's what might sound as a very classic post -
>>>>
>>>> but it's really true there are for new Transmat EPs coming
>>>> :-)
>>>>
>>>>
>>>> http://www.rushhour.nl/distribution_label.php?idxLabel=254=1
>>>>
>>>
>>>
>>
>
>
> 
>
> http://www.bbc.co.uk
> This e-mail (and any attachments) is confidential and may contain personal
> views which are not the views of the BBC unless specifically stated.
> If you have received it in error, please delete it from your system.
> Do not use, copy or disclose the information in any way nor act in
> reliance on it and notify the sender immediately.
> Please note that the BBC monitors e-mails sent or received.
> Further communication will signify your consent to this.
>
> -
>

Re: 4x new Transmat EPs

[ja...@iridite.com]

Me?  Or Juan?

On 5 January 2016 at 15:25, Daniel Bean <daniel.b...@bbc.co.uk> wrote:

> He was well into it when it came out.
>
> From: <irid...@gmail.com> on behalf of "ja...@iridite.com" <
> ja...@iridite.com>
> Date: Tuesday, 5 January 2016 14:42
> To: Daniel Bean <daniel.b...@bbc.co.uk>
> Cc: Marsel van der Wielen <mar...@nomorewords.net>, "313@hyperreal.org" <
> 313@hyperreal.org>
> Subject: Re: 4x new Transmat EPs
>
> If he signed the Gregg Gow stuff I'm never talking to him again.
>
>
>
> On 5 January 2016 at 14:37, Daniel Bean <daniel.b...@bbc.co.uk> wrote:
>
>> Pretty sure he did/does the A himself these days.
>>
>> From: <irid...@gmail.com> on behalf of "ja...@iridite.com" <
>> ja...@iridite.com>
>> Date: Tuesday, 5 January 2016 10:18
>> To: Marsel van der Wielen <mar...@nomorewords.net>
>> Cc: "313@hyperreal.org" <313@hyperreal.org>
>> Subject: Re: 4x new Transmat EPs
>>
>> Happy New Year everyone!
>>
>> Hope Derrick has got someone with a clue doing the A this time around?
>> Have you heard the clips Marsel?
>>
>> cheers
>>
>> Jason
>>
>> On 5 January 2016 at 08:40, Marsel van der Wielen <mar...@nomorewords.net
>> > wrote:
>>
>>> hey techno daddies (and mums?)
>>>
>>> as this list seems still alive after 22 years -
>>> here's what might sound as a very classic post -
>>>
>>> but it's really true there are for new Transmat EPs coming
>>> :-)
>>>
>>>
>>> http://www.rushhour.nl/distribution_label.php?idxLabel=254=1
>>>
>>
>>
>

Re: 4x new Transmat EPs

[ja...@iridite.com]

If he signed the Gregg Gow stuff I'm never talking to him again.



On 5 January 2016 at 14:37, Daniel Bean <daniel.b...@bbc.co.uk> wrote:

> Pretty sure he did/does the A himself these days.
>
> From: <irid...@gmail.com> on behalf of "ja...@iridite.com" <
> ja...@iridite.com>
> Date: Tuesday, 5 January 2016 10:18
> To: Marsel van der Wielen <mar...@nomorewords.net>
> Cc: "313@hyperreal.org" <313@hyperreal.org>
> Subject: Re: 4x new Transmat EPs
>
> Happy New Year everyone!
>
> Hope Derrick has got someone with a clue doing the A this time around?
> Have you heard the clips Marsel?
>
> cheers
>
> Jason
>
> On 5 January 2016 at 08:40, Marsel van der Wielen <mar...@nomorewords.net>
> wrote:
>
>> hey techno daddies (and mums?)
>>
>> as this list seems still alive after 22 years -
>> here's what might sound as a very classic post -
>>
>> but it's really true there are for new Transmat EPs coming
>> :-)
>>
>>
>> http://www.rushhour.nl/distribution_label.php?idxLabel=254=1
>>
>
>

Re: Berlin Vinyl Shops

[ja...@iridite.com]

That looks fantastic!  It's two weeks before I go unfortunately!

On 13 August 2015 at 16:53, Erica Rosalik e.rosa...@gmail.com wrote:

 Vinyl and breakfast at Markthalle Neun, Sunday, 10 to 5:
 https://www.facebook.com/events/438367943017016/
 On Aug 3, 2015 11:26 AM, ja...@iridite.com ja...@iridite.com wrote:

 sheesh...I'm going to have to extend my stay in Berlin for a few days I
 think :)

 Because my store has a very similar range of music to Hardwax I've not
 really found so much in there the last couple of times I've been in but
 will definitely check out the 2nd hand recommendations

 thanks everyone!

 Jason

 On 3 August 2015 at 10:19, Paul Kendrick p...@dagmar-tara.com wrote:

 Hardwax is a must as are Oye and Audio–In.

 I also really rate Power Park Records which is all 2nd hand and similar
 to Audio-in but bigger, its just around the corner too;
 Power Park Recordstore
 Boxhagener Str. 19
 10245 Berlin
 Germany

 Space hall is massive, but I can never find anything to buy!!!

 If you like burgers check out The Bird; http://www.thebirdinxberg.com/

 For great brunch/coffee I love Silo; http://www.silo-coffee.com/

 If you want to go up the Reichstag book in advance so you don’t have to
 queue
 http://www.bundestag.de/kulturundgeschichte/architektur/reichstag/


 -Original Message-
 From: james.hurl...@utoronto.ca [mailto:james.hurl...@utoronto.ca]
 Sent: 01 August 2015 00:11
 To: 313@hyperreal.org
 Subject: Re: Berlin Vinyl Shops

 Go check out my buddy Martins shop Audio In in freidrichshain! Tell him
 James from SF recommended. Great curated selection of 2nd hand Detroit and
 chicago along with lots of other music

 https://m.facebook.com/profile.php?id=10417645964

 Looks like he's got a stand at something called breakfast club now too.



 uoting ja...@iridite.com go check out ja...@iridite.com:

  Great - I've over visiting the Ableton guys next month so i'll be in
  Berlin for a few days, definitely want to get a look around,
  particularly the 2nd hand stuff.  Haven't been to Berlin in about...5
 or 6 years I think.
 
  cheers for the info guys
 
  Jason
 
  On 31 July 2015 at 08:05, Carlos de Brito carlos.debr...@gmx.de
 wrote:
 
  OYE (Prenzlauer Berg) - the best record shop in town Oderberger Str.
  4, 10435 Berlin
 
  OYE (Kreuzkölln) - the little sister of OYE Prenzlauer Berg
  Friedelstraße 49, 12047 Berlin
 
  Spacehall (Kreuzberg) - large selection of everything incl. large
  backstock. oh, and you can smoke while listening to the records. :)
  Zossener Str. 33, 10961 Berlin
 
  Bass Cadet (Neukölln) - small, but very good selection of
  contemporary boom boom Weserstr. 189, 12045 Berlin
 
  The Record Loft (Kreuzberg) - huge 2nd-hand-only store, from disco to
  techno Adalbertstraße 9 - 2nd backyard - 10999 Berlin
 
  Am 31.07.2015 um 08:35 schrieb Wibo Lammerts:
 
  HARDWAX
 
  2015-07-31 4:20 GMT+02:00 Arturo Lopez arturo.m.lo...@gmail.com:
 
  Hey 313ers;
 
  About to be in Berlin for a few days, wanted to ask the collective
  for good record shop recommendations a Techno person would enjoy.
  Any thoughts welcome!
 
  -Arturo
 
 
 
 
  --
  | http://soundcloud.com/w1b0 | http://mixcloud.com/w1b0
  http://soundcloud.com/w1b0 | http://twitter.com/w1b0 |
  --
 
 
 
 

Re: Berlin Vinyl Shops

[ja...@iridite.com]

sheesh...I'm going to have to extend my stay in Berlin for a few days I
think :)

Because my store has a very similar range of music to Hardwax I've not
really found so much in there the last couple of times I've been in but
will definitely check out the 2nd hand recommendations

thanks everyone!

Jason

On 3 August 2015 at 10:19, Paul Kendrick p...@dagmar-tara.com wrote:

 Hardwax is a must as are Oye and Audio–In.

 I also really rate Power Park Records which is all 2nd hand and similar to
 Audio-in but bigger, its just around the corner too;
 Power Park Recordstore
 Boxhagener Str. 19
 10245 Berlin
 Germany

 Space hall is massive, but I can never find anything to buy!!!

 If you like burgers check out The Bird; http://www.thebirdinxberg.com/

 For great brunch/coffee I love Silo; http://www.silo-coffee.com/

 If you want to go up the Reichstag book in advance so you don’t have to
 queue
 http://www.bundestag.de/kulturundgeschichte/architektur/reichstag/


 -Original Message-
 From: james.hurl...@utoronto.ca [mailto:james.hurl...@utoronto.ca]
 Sent: 01 August 2015 00:11
 To: 313@hyperreal.org
 Subject: Re: Berlin Vinyl Shops

 Go check out my buddy Martins shop Audio In in freidrichshain! Tell him
 James from SF recommended. Great curated selection of 2nd hand Detroit and
 chicago along with lots of other music

 https://m.facebook.com/profile.php?id=10417645964

 Looks like he's got a stand at something called breakfast club now too.



 uoting ja...@iridite.com go check out ja...@iridite.com:

  Great - I've over visiting the Ableton guys next month so i'll be in
  Berlin for a few days, definitely want to get a look around,
  particularly the 2nd hand stuff.  Haven't been to Berlin in about...5 or
 6 years I think.
 
  cheers for the info guys
 
  Jason
 
  On 31 July 2015 at 08:05, Carlos de Brito carlos.debr...@gmx.de wrote:
 
  OYE (Prenzlauer Berg) - the best record shop in town Oderberger Str.
  4, 10435 Berlin
 
  OYE (Kreuzkölln) - the little sister of OYE Prenzlauer Berg
  Friedelstraße 49, 12047 Berlin
 
  Spacehall (Kreuzberg) - large selection of everything incl. large
  backstock. oh, and you can smoke while listening to the records. :)
  Zossener Str. 33, 10961 Berlin
 
  Bass Cadet (Neukölln) - small, but very good selection of
  contemporary boom boom Weserstr. 189, 12045 Berlin
 
  The Record Loft (Kreuzberg) - huge 2nd-hand-only store, from disco to
  techno Adalbertstraße 9 - 2nd backyard - 10999 Berlin
 
  Am 31.07.2015 um 08:35 schrieb Wibo Lammerts:
 
  HARDWAX
 
  2015-07-31 4:20 GMT+02:00 Arturo Lopez arturo.m.lo...@gmail.com:
 
  Hey 313ers;
 
  About to be in Berlin for a few days, wanted to ask the collective
  for good record shop recommendations a Techno person would enjoy.
  Any thoughts welcome!
 
  -Arturo
 
 
 
 
  --
  | http://soundcloud.com/w1b0 | http://mixcloud.com/w1b0
  http://soundcloud.com/w1b0 | http://twitter.com/w1b0 |
  --
 
 
 
 

Re: Berlin Vinyl Shops

[ja...@iridite.com]

Great - I've over visiting the Ableton guys next month so i'll be in Berlin
for a few days, definitely want to get a look around, particularly the 2nd
hand stuff.  Haven't been to Berlin in about...5 or 6 years I think.

cheers for the info guys

Jason

On 31 July 2015 at 08:05, Carlos de Brito carlos.debr...@gmx.de wrote:

 OYE (Prenzlauer Berg) - the best record shop in town
 Oderberger Str. 4, 10435 Berlin

 OYE (Kreuzkölln) - the little sister of OYE Prenzlauer Berg
 Friedelstraße 49, 12047 Berlin

 Spacehall (Kreuzberg) - large selection of everything incl. large
 backstock. oh, and you can smoke while listening to the records. :)
 Zossener Str. 33, 10961 Berlin

 Bass Cadet (Neukölln) - small, but very good selection of contemporary boom
 boom
 Weserstr. 189, 12045 Berlin

 The Record Loft (Kreuzberg) - huge 2nd-hand-only store, from disco to
 techno
 Adalbertstraße 9 - 2nd backyard - 10999 Berlin

 Am 31.07.2015 um 08:35 schrieb Wibo Lammerts:

 HARDWAX

 2015-07-31 4:20 GMT+02:00 Arturo Lopez arturo.m.lo...@gmail.com:

 Hey 313ers;

 About to be in Berlin for a few days, wanted to ask the collective for
 good record shop recommendations a Techno person would enjoy.  Any
 thoughts welcome!

 -Arturo




 --
 | http://soundcloud.com/w1b0 | http://mixcloud.com/w1b0
 http://soundcloud.com/w1b0 | http://twitter.com/w1b0 |
 --

Re: Santonio Echols

[ja...@iridite.com]

Any way you look at it, that's a lot of shows Andrew!

On 18 June 2015 at 11:56, Andrew Duke andrewdukecognit...@gmail.com wrote:

 About ten years ago I switched to TV-style numbering, a la SeasonEpisode.
 So S29E28 or in my way #2928 is the 28th show made available in the 29th
 year of doing the show (started in 1987).
 Andrew

 http://andrewdukeinthemix.com



 On Thu, Jun 18, 2015 at 5:22 AM, ja...@iridite.com ja...@iridite.com
 wrote:

 :)

 On 18 June 2015 at 05:10, Andrew Duke andrewdukecognit...@gmail.com
 wrote:

 Gettin' there; weekly (or more) since 1987.


 On Wednesday, June 17, 2015, ja...@iridite.com ja...@iridite.com
 wrote:

 Are you nearly on show 3000 Andrew  Holy moly!

 On 15 June 2015 at 17:43, Andrew Duke andrewdukecognit...@gmail.com
 wrote:

 Very good. I *think* I played this out Saturday night, which will be
 uploaded soon as show #2928. I'll try to remember to share it here.

 http://andrewdukeinthemix.com



 On Sun, Jun 14, 2015 at 6:20 PM, ja...@iridite.com ja...@iridite.com
 wrote:

 There's a new Santonio Echols 12 with a Thomas Barnett remix.
 That's pretty 313, yeah?

 Well, it's actually by Kevin Castro but it's on Santonio's lablel.
 Hey did I ever tell you that story of when Santonio sent Rubadub a promo
 12 and they didn't have any mailers at the post office so he put it in a
 shoe box instead?  It came out exactly how you'd expect a record to come
 out after a journey of seeral 1000 miles in a shoe box.  That was pretty
 funny.

 Anyway, soundclips here:

 http://www.decks.de/t/kevin_castro-lost_in_translation/c5a-ki

 cheers

 Jason





 --
 http://andrewdukeinthemix.com

Re: Santonio Echols

[ja...@iridite.com]

:)

On 18 June 2015 at 05:10, Andrew Duke andrewdukecognit...@gmail.com wrote:

 Gettin' there; weekly (or more) since 1987.


 On Wednesday, June 17, 2015, ja...@iridite.com ja...@iridite.com wrote:

 Are you nearly on show 3000 Andrew  Holy moly!

 On 15 June 2015 at 17:43, Andrew Duke andrewdukecognit...@gmail.com
 wrote:

 Very good. I *think* I played this out Saturday night, which will be
 uploaded soon as show #2928. I'll try to remember to share it here.

 http://andrewdukeinthemix.com



 On Sun, Jun 14, 2015 at 6:20 PM, ja...@iridite.com ja...@iridite.com
 wrote:

 There's a new Santonio Echols 12 with a Thomas Barnett remix.  That's
 pretty 313, yeah?

 Well, it's actually by Kevin Castro but it's on Santonio's lablel.
 Hey did I ever tell you that story of when Santonio sent Rubadub a promo
 12 and they didn't have any mailers at the post office so he put it in a
 shoe box instead?  It came out exactly how you'd expect a record to come
 out after a journey of seeral 1000 miles in a shoe box.  That was pretty
 funny.

 Anyway, soundclips here:

 http://www.decks.de/t/kevin_castro-lost_in_translation/c5a-ki

 cheers

 Jason





 --
 http://andrewdukeinthemix.com

Re: Santonio Echols

[ja...@iridite.com]

Are you nearly on show 3000 Andrew  Holy moly!

On 15 June 2015 at 17:43, Andrew Duke andrewdukecognit...@gmail.com wrote:

 Very good. I *think* I played this out Saturday night, which will be
 uploaded soon as show #2928. I'll try to remember to share it here.

 http://andrewdukeinthemix.com



 On Sun, Jun 14, 2015 at 6:20 PM, ja...@iridite.com ja...@iridite.com
 wrote:

 There's a new Santonio Echols 12 with a Thomas Barnett remix.  That's
 pretty 313, yeah?

 Well, it's actually by Kevin Castro but it's on Santonio's lablel.   Hey
 did I ever tell you that story of when Santonio sent Rubadub a promo 12
 and they didn't have any mailers at the post office so he put it in a shoe
 box instead?  It came out exactly how you'd expect a record to come out
 after a journey of seeral 1000 miles in a shoe box.  That was pretty funny.

 Anyway, soundclips here:

 http://www.decks.de/t/kevin_castro-lost_in_translation/c5a-ki

 cheers

 Jason

Re: Santonio Echols

[ja...@iridite.com]

Yeah, I was trying to work that out.a show a week for 60 years
would about cover it :)

On 17 June 2015 at 23:46, Wibo Lammerts wibo...@gmail.com wrote:

 no that's his numbering ;)


 2015-06-17 23:38 GMT+02:00 ja...@iridite.com ja...@iridite.com:

 Are you nearly on show 3000 Andrew  Holy moly!

 On 15 June 2015 at 17:43, Andrew Duke andrewdukecognit...@gmail.com
 wrote:

 Very good. I *think* I played this out Saturday night, which will be
 uploaded soon as show #2928. I'll try to remember to share it here.

 http://andrewdukeinthemix.com



 On Sun, Jun 14, 2015 at 6:20 PM, ja...@iridite.com ja...@iridite.com
 wrote:

 There's a new Santonio Echols 12 with a Thomas Barnett remix.  That's
 pretty 313, yeah?

 Well, it's actually by Kevin Castro but it's on Santonio's lablel.
 Hey did I ever tell you that story of when Santonio sent Rubadub a promo
 12 and they didn't have any mailers at the post office so he put it in a
 shoe box instead?  It came out exactly how you'd expect a record to come
 out after a journey of seeral 1000 miles in a shoe box.  That was pretty
 funny.

 Anyway, soundclips here:

 http://www.decks.de/t/kevin_castro-lost_in_translation/c5a-ki

 cheers

 Jason






 --
 | http://soundcloud.com/w1b0 | http://mixcloud.com/w1b0
 http://soundcloud.com/w1b0 | http://twitter.com/w1b0 |
 --

Santonio Echols

[ja...@iridite.com]

There's a new Santonio Echols 12 with a Thomas Barnett remix.  That's
pretty 313, yeah?

Well, it's actually by Kevin Castro but it's on Santonio's lablel.   Hey
did I ever tell you that story of when Santonio sent Rubadub a promo 12
and they didn't have any mailers at the post office so he put it in a shoe
box instead?  It came out exactly how you'd expect a record to come out
after a journey of seeral 1000 miles in a shoe box.  That was pretty funny.

Anyway, soundclips here:

http://www.decks.de/t/kevin_castro-lost_in_translation/c5a-ki

cheers

Jason

Re: New E-Dancer release from KMS

[ja...@iridite.com]

I'm still reeling from the Samuel L Sessions recreation of Strings of
Life!  It was so bad I left a wee sad emoticon face on the KMS Facebook
page!

On 11 June 2015 at 19:54, Kevin Kennedy the...@gmail.com wrote:

 Sounds like what I would expect an E-dancer tune to sound like, 17 years
 removed.  The club circuit will love it, as well as about 50% of the
 'heads'...the ones who don't like it would expect more from Mr. Saunderson.

 On Thu, Jun 11, 2015 at 2:44 PM, kent williams chaircrus...@gmail.com
 wrote:

 What do you think?

 https://soundcloud.com/kevinsaunderson/kevin-saunderson-as-e-dancer-foundation




 --
 FBK

 Absoloop/Orange 82

Blaringly obvious Detroit music related fact...

[ja...@iridite.com]

just found out that Jay Daniels (who is hot to trot over here in the UK
right now) is the son ofNaomi Daniels (who did vocals on Carl Craig's
Stars amongst others).

Sorry, that's all the 313 gossip I've got right now!

Jason

Re: Patrice Scott: Euphonium The Album

[ja...@iridite.com]

H, that does sound pretty good, thanks for the tip David!

On 11 June 2015 at 21:53, David Powers cybo...@gmail.com wrote:

 On a more upbeat note, Detroit's Patrice Scott just put out his first
 album, and from the sound clips it's pretty dope:

 http://www.juno.co.uk/products/patrice-scott-euphonium-the-album/563232-01/

Re: New E-Dancer release from KMS

[ja...@iridite.com]

Ahhh - I've never actually heard that mix properly, cheers John.  I was
thinking more back in the day so 87/88?

On 11 June 2015 at 22:11, John Sokolowski jrsokolow...@hotmail.com wrote:

 Always liked his X-mix: Transmissions from Deep Space Radio:
 https://www.youtube.com/watch?v=1367_eYR220

 Wait, does 1997 count as old? ;)


 --
 Date: Thu, 11 Jun 2015 22:02:55 +0100
 Subject: Re: New E-Dancer release from KMS
 From: ja...@iridite.com
 To: chaircrus...@gmail.com
 CC: the...@gmail.com; 313@hyperreal.org


 He did a 25 years of KMS set here in Glasgow in a 200 capacity place
 called La Cheetah with a Funktion 1 rig in it, was pretty gutted to have
 missed that but any time i've seen him playing to more than a few hundred
 people it's been pretty generic funky/loopy Bangers all night.

 I've got some old Derick May and Juan Atkins radio shows from back in teh
 day but Kevin was part of Deep Space too was he not?  Any good tips for old
 KS mixes that rock?

 cheers

 Jason

 On 11 June 2015 at 21:49, kent williams chaircrus...@gmail.com wrote:

 Yeah my thought was that it was exactly the sort of track I'd expect Kevin
 Saunderson to play out. And I'm not much of a fan of his DJing.



 On Thu, Jun 11, 2015 at 1:54 PM Kevin Kennedy the...@gmail.com wrote:

 Sounds like what I would expect an E-dancer tune to sound like, 17 years
 removed.  The club circuit will love it, as well as about 50% of the
 'heads'...the ones who don't like it would expect more from Mr. Saunderson.

 On Thu, Jun 11, 2015 at 2:44 PM, kent williams chaircrus...@gmail.com
 wrote:

 What do you think?

 https://soundcloud.com/kevinsaunderson/kevin-saunderson-as-e-dancer-foundation




 --
 FBK

 Absoloop/Orange 82

Re: New E-Dancer release from KMS

[ja...@iridite.com]

He did a 25 years of KMS set here in Glasgow in a 200 capacity place
called La Cheetah with a Funktion 1 rig in it, was pretty gutted to have
missed that but any time i've seen him playing to more than a few hundred
people it's been pretty generic funky/loopy Bangers all night.

I've got some old Derick May and Juan Atkins radio shows from back in teh
day but Kevin was part of Deep Space too was he not?  Any good tips for old
KS mixes that rock?

cheers

Jason

On 11 June 2015 at 21:49, kent williams chaircrus...@gmail.com wrote:

 Yeah my thought was that it was exactly the sort of track I'd expect Kevin
 Saunderson to play out. And I'm not much of a fan of his DJing.



 On Thu, Jun 11, 2015 at 1:54 PM Kevin Kennedy the...@gmail.com wrote:

 Sounds like what I would expect an E-dancer tune to sound like, 17 years
 removed.  The club circuit will love it, as well as about 50% of the
 'heads'...the ones who don't like it would expect more from Mr. Saunderson.

 On Thu, Jun 11, 2015 at 2:44 PM, kent williams chaircrus...@gmail.com
 wrote:

 What do you think?

 https://soundcloud.com/kevinsaunderson/kevin-saunderson-as-e-dancer-foundation




 --
 FBK

 Absoloop/Orange 82

Re: New Metamorphic release

[ja...@iridite.com]

..and of course some nice remixes and a re-master for The Path coming out
too?  Same guys that dd the Sirkut reissue LP a couple of years ago maybe?

cheers

Jason

On 8 May 2015 at 22:41, d...@metrecs.com wrote:

 Hi 313 ers...
 Dan Curtin here, this might be my first post but I've been on this list
 for ages!  I just wanted to share the new Metamorphic release with
 you...which is not technically from Detroit but definitely inspired, as
 usual, by Detroit.  I hope you all dig...
 https://soundcloud.com/metamorphic-recordings/midwest-pressure

 stay tuned for more vinyl releases from Zach Lubin (of Sonic Sunset and
 Axis fame) and of curse none other than Titonton.

 All the best to the techno supporters
 Dan

Re: Mid-Nineties Detroit techno...

[ja...@iridite.com]

What about the Shawn Rudiman 12 on 7th City - mind blowing!


On 14 August 2014 16:19, John Sokolowski jrsokolow...@hotmail.com wrote:

 If you are looking for 7th City you certainly can't go wrong with Shake's
 Tracks for my Father, the Titonton/Fabrice Lig one, or the New Horizons
 comp. They are all late nineties though.

 Elevate is uber pricey but most of the Rick Wade, Theo and Losoul cuts are
 on other releases that won't break the bank and worth hunting down.

 --
 Date: Tue, 12 Aug 2014 20:25:30 -0400
 Subject: Re: Mid-Nineties Detroit techno...
 From: cybo...@gmail.com
 To: 313@hyperreal.org

 I guess I do know most of these, keep digging... ;-)

 Convextion is maybe another not mentioned yet, and I'm actually not too
 familiar with the 7th city catalog or Elevate. Definitely need to check.
 The two artists I definitely don't know are Stasis, and Nu Era.

 Oh and good call on the Dan Curtin, in fact Metamorphic in general, I got
 one of the Morgan Geist records recently (don't recall which), and it's
 KILLING. And nobody now really knows it, you play stuff that old it's like
 playing brand new music...

 Thanks for posting your thoughts everyone.

 ~dp


 On Tue, Aug 12, 2014 at 6:06 PM, denisedalph...@gmail.com wrote:

 DJ Bone had a good release (his first) in the 90s. Octave One -I'm a fan
 of anything and everything they do. And Moodymann's EPs that eventually
 became Silentintroduction, Dem Young Sconies is my favorite. David, I'm
 sure you're familiar with that last one, but I've got to include it because
 I freakin love it so much!

 Denise

  On Aug 11, 2014, at 14:24, David Powers cybo...@gmail.com wrote:
 
  Mid-90's is a time period for that I'm not too familiar with.
 
  Anyone got recommendations for stuff along the lines of Frictional 001
 (Claude Young Changing Factors)?
 
  ~David

Re: Mid-Nineties Detroit techno...

[ja...@iridite.com]

For Nu Era look for the Beyond Gravity album - if I remember correctly it
was done after the Nu Era guys had spent some time at UR studios...and it
shows

cheers

Jason


On 14 August 2014 16:24, ja...@iridite.com ja...@iridite.com wrote:

 What about the Shawn Rudiman 12 on 7th City - mind blowing!


 On 14 August 2014 16:19, John Sokolowski jrsokolow...@hotmail.com wrote:

 If you are looking for 7th City you certainly can't go wrong with Shake's
 Tracks for my Father, the Titonton/Fabrice Lig one, or the New Horizons
 comp. They are all late nineties though.

 Elevate is uber pricey but most of the Rick Wade, Theo and Losoul cuts
 are on other releases that won't break the bank and worth hunting down.

 --
 Date: Tue, 12 Aug 2014 20:25:30 -0400
 Subject: Re: Mid-Nineties Detroit techno...
 From: cybo...@gmail.com
 To: 313@hyperreal.org

 I guess I do know most of these, keep digging... ;-)

 Convextion is maybe another not mentioned yet, and I'm actually not too
 familiar with the 7th city catalog or Elevate. Definitely need to check.
 The two artists I definitely don't know are Stasis, and Nu Era.

 Oh and good call on the Dan Curtin, in fact Metamorphic in general, I got
 one of the Morgan Geist records recently (don't recall which), and it's
 KILLING. And nobody now really knows it, you play stuff that old it's like
 playing brand new music...

 Thanks for posting your thoughts everyone.

 ~dp


 On Tue, Aug 12, 2014 at 6:06 PM, denisedalph...@gmail.com wrote:

 DJ Bone had a good release (his first) in the 90s. Octave One -I'm a fan
 of anything and everything they do. And Moodymann's EPs that eventually
 became Silentintroduction, Dem Young Sconies is my favorite. David, I'm
 sure you're familiar with that last one, but I've got to include it because
 I freakin love it so much!

 Denise

  On Aug 11, 2014, at 14:24, David Powers cybo...@gmail.com wrote:
 
  Mid-90's is a time period for that I'm not too familiar with.
 
  Anyone got recommendations for stuff along the lines of Frictional 001
 (Claude Young Changing Factors)?
 
  ~David

Re: Mid-Nineties Detroit techno...

[ja...@iridite.com]

Sorry, Evidence of Life - that's the killer one


On 14 August 2014 16:27, John Sokolowski jrsokolow...@hotmail.com wrote:

 Which one? There are two. Or are you saying both? ;)

 --
 Date: Thu, 14 Aug 2014 16:24:39 +0100

 Subject: Re: Mid-Nineties Detroit techno...
 From: ja...@iridite.com
 To: jrsokolow...@hotmail.com
 CC: cybo...@gmail.com; 313@hyperreal.org


 What about the Shawn Rudiman 12 on 7th City - mind blowing!


 On 14 August 2014 16:19, John Sokolowski jrsokolow...@hotmail.com wrote:

 If you are looking for 7th City you certainly can't go wrong with Shake's
 Tracks for my Father, the Titonton/Fabrice Lig one, or the New Horizons
 comp. They are all late nineties though.

 Elevate is uber pricey but most of the Rick Wade, Theo and Losoul cuts are
 on other releases that won't break the bank and worth hunting down.

 --
 Date: Tue, 12 Aug 2014 20:25:30 -0400
 Subject: Re: Mid-Nineties Detroit techno...
 From: cybo...@gmail.com
 To: 313@hyperreal.org

 I guess I do know most of these, keep digging... ;-)

 Convextion is maybe another not mentioned yet, and I'm actually not too
 familiar with the 7th city catalog or Elevate. Definitely need to check.
 The two artists I definitely don't know are Stasis, and Nu Era.

 Oh and good call on the Dan Curtin, in fact Metamorphic in general, I got
 one of the Morgan Geist records recently (don't recall which), and it's
 KILLING. And nobody now really knows it, you play stuff that old it's like
 playing brand new music...

 Thanks for posting your thoughts everyone.

 ~dp


 On Tue, Aug 12, 2014 at 6:06 PM, denisedalph...@gmail.com wrote:

 DJ Bone had a good release (his first) in the 90s. Octave One -I'm a fan
 of anything and everything they do. And Moodymann's EPs that eventually
 became Silentintroduction, Dem Young Sconies is my favorite. David, I'm
 sure you're familiar with that last one, but I've got to include it because
 I freakin love it so much!

 Denise

  On Aug 11, 2014, at 14:24, David Powers cybo...@gmail.com wrote:
 
  Mid-90's is a time period for that I'm not too familiar with.
 
  Anyone got recommendations for stuff along the lines of Frictional 001
 (Claude Young Changing Factors)?
 
  ~David

Re: Mid-Nineties Detroit techno...

[ja...@iridite.com]

which I always play at -6% because I'm soft as butter and a bit tech house




On 14 August 2014 16:29, ja...@iridite.com ja...@iridite.com wrote:

 Sorry, Evidence of Life - that's the killer one


 On 14 August 2014 16:27, John Sokolowski jrsokolow...@hotmail.com wrote:

 Which one? There are two. Or are you saying both? ;)

 --
 Date: Thu, 14 Aug 2014 16:24:39 +0100

 Subject: Re: Mid-Nineties Detroit techno...
 From: ja...@iridite.com
 To: jrsokolow...@hotmail.com
 CC: cybo...@gmail.com; 313@hyperreal.org


 What about the Shawn Rudiman 12 on 7th City - mind blowing!


 On 14 August 2014 16:19, John Sokolowski jrsokolow...@hotmail.com
 wrote:

 If you are looking for 7th City you certainly can't go wrong with Shake's
 Tracks for my Father, the Titonton/Fabrice Lig one, or the New Horizons
 comp. They are all late nineties though.

 Elevate is uber pricey but most of the Rick Wade, Theo and Losoul cuts
 are on other releases that won't break the bank and worth hunting down.

 --
 Date: Tue, 12 Aug 2014 20:25:30 -0400
 Subject: Re: Mid-Nineties Detroit techno...
 From: cybo...@gmail.com
 To: 313@hyperreal.org

 I guess I do know most of these, keep digging... ;-)

 Convextion is maybe another not mentioned yet, and I'm actually not too
 familiar with the 7th city catalog or Elevate. Definitely need to check.
 The two artists I definitely don't know are Stasis, and Nu Era.

 Oh and good call on the Dan Curtin, in fact Metamorphic in general, I got
 one of the Morgan Geist records recently (don't recall which), and it's
 KILLING. And nobody now really knows it, you play stuff that old it's like
 playing brand new music...

 Thanks for posting your thoughts everyone.

 ~dp


 On Tue, Aug 12, 2014 at 6:06 PM, denisedalph...@gmail.com wrote:

 DJ Bone had a good release (his first) in the 90s. Octave One -I'm a fan
 of anything and everything they do. And Moodymann's EPs that eventually
 became Silentintroduction, Dem Young Sconies is my favorite. David, I'm
 sure you're familiar with that last one, but I've got to include it because
 I freakin love it so much!

 Denise

  On Aug 11, 2014, at 14:24, David Powers cybo...@gmail.com wrote:
 
  Mid-90's is a time period for that I'm not too familiar with.
 
  Anyone got recommendations for stuff along the lines of Frictional 001
 (Claude Young Changing Factors)?
 
  ~David

Re: made in glasgow

[ja...@iridite.com]

Hey James - we were all pretty happy with the way that the program ended up
- a few of the more underground guys from the 90's (in particular
Pussypower, Terry and Jason, who were the first to bring Juan Atkins, Kenny
Larkin, Carl Craig, Ubik, Aphex Twin and Black Dog to Glasgow) weren't on
there but...the target audience is 16-30 and they don't want to constantly
hear old bores like me say how much better everything was in the old days :)

There was a trio of 40 minute Essential Mixes by Glasgow peepz on the
Friday too with Dixon Avenue Basement Jams, Sparky (who does stuff on
Numbers) and Jasper James (son of Harri from teh Sub CLub - I remember when
harri used to bring him into Rubadub and sit him on the counter whilst he
was skimming through records, now he's all grown up and DJing at Amnesia in
Ibiza!) - I think they will pop up on Soundcloud too soon

cheers

Jason




On 5 June 2014 00:58, james.hurl...@utoronto.ca wrote:

 Cool interviews with Glasgow scenesters including 313 alumn Jason Brunton.

 https://soundcloud.com/jackmaster/bbc-radio-1s-stories-made-in-glasgow

Re: (313) Mayday

[ja...@iridite.com]

:)


On 2 April 2014 09:34, Rob Taylor barringtonphelo...@gmail.com wrote:

 To be *really* pedantic, only a listener or a reader can *infer*. Mr May
 *implies*.


 Sorry!



 On Tue, Apr 1, 2014 at 8:03 PM, ... ohana...@gmail.com wrote:

 According to you, Bach is no longer a composer as he hasn't released
 anything in nearly 3 centuries.

 great logic

 On Fri, Mar 28, 2014 at 6:30 PM, Kevin Kennedy the...@gmail.com wrote:
  How often are we going to call Derrick May a producer, when he hasn't
  released anything in nearly 3 decades?  I respect his work, I think
 he's a
  fantastic DJ...but he should not be called a producer any longer, in my
  small opinion.
 
  Also, I have to respect a man that can rile up the hopes of many by
  making an inference in any interview that he's ...working on a new
  project/album  (or otherwise in the 'studio').
 
 
  Just my $.002 (adjusted for inflation)
 
 
  On Fri, Mar 28, 2014 at 5:24 PM, Wibo Lammerts wibo...@gmail.com
 wrote:
 
  Yeah! Still got a box full of these. ;)
 
  Back on the subject... It seems there are 2  tracks by Derrick that
 have
  the name Phantom, the one on the innovator compilation and the one
 on the
  Italian Relics compilation. Does anyone know the story behind this?
 
 
  2014-03-28 20:12 GMT+01:00 jrsokolow...@hotmail.com
  jrsokolow...@hotmail.com:
 
  Looks like you are selling one of your doubles of this, Wibo? ;)
 
 
  - Reply message -
  From: Wibo Lammerts wibo...@gmail.com
  To: Weston Prince wespri...@clear.net.nz
  Cc: list 313 313@hyperreal.org
  Subject: (313) Mayday
  Date: Fri, Mar 28, 2014 7:55 AM
 
 
  Wait for te release, or grab your copy at Discogs now:
  http://www.discogs.com/marketplace?release_id=5395020ev=rb ;)
 
 
  2014-03-27 20:34 GMT+01:00 Weston Prince wespri...@clear.net.nz:
 
  Interesting news...
 
 
 
 http://www.factmag.com/2014/03/26/lost-derrick-may-productions-from-1987-released-as-limited-edition-12/
 
  Cheers,
 
  Wes
  http://www.mixcloud.com/westonprince/
 
 
 
 
  --
  | http://soundcloud.com/w1b0 | http://twitter.com/w1b0 |
  --
 
 
 
 
  --
  | http://soundcloud.com/w1b0 | http://twitter.com/w1b0 |
  --
 
 
 
 
  --
  FBK
 
  Absoloop/Orange 82

Re: (313) shameless self promotion

[ja...@iridite.com]

Really like that m3ltfac3 trck Daniel

Nice to see you in LA too - hope you are enjoying the sunshine still

cheers

Jason


On 12 February 2014 16:19, Daniel Troberg erasemu...@gmail.com wrote:

 I think some of you digged the title track a couple years back though.


 https://soundcloud.com/paletterecordings/sets/daniel-troberg-bolivia-ep


 Palette Recordings (PALDG11)
 Digital only ep, release date Feb 25, 2014

 Daniel Troberg - Bolivia EP

 Tracklist
 1. Bolivia
 2. m3ltfac3
 3. The biggest thing I have ever seen
 4. Bolivia (John Tejada Remix)

Re: (313) DJ Marvin - UR?

[ja...@iridite.com]

:)



On 7 September 2013 07:59, Martin mar...@dustscience.com wrote:

 Love the idea of UR being in Whitley Bay tho

 On 7 Sep 2013, at 07:54, Jason Brunton wrote:

  His Soundcloud profile says David Peacock so don't think it's him :)

Re: (313) roll call?

[ja...@iridite.com]

I'm a fully paid up lurker now...been on the list since the late 1990's




On 6 June 2013 21:54, Jamil Ali j...@maplefinancial.com wrote:

  I’ve been mostly lurking, on and off subscribed since around 2000. 

 I really appreciate and enjoy this list.

 ** **

 Jamil

 ** **

 *From:* Chris Czub [mailto:ashgromn...@gmail.com]
 *Sent:* June-06-13 2:36 PM
 *To:* [313]
 *Subject:* Re: (313) roll call?

 ** **

 I've lived in SE MI my whole life… 25 years old, joined this list in about
 2007 on the suggestion of an older friend who was on it in the 90s. I just
 lurk and listen.

 ** **

 On Thu, Jun 6, 2013 at 1:20 PM, Sakari Karipuro saka...@gmail.com wrote:
 

 mmmh.. lurking. lurking a lot lately. reading occasionally. been here
 since 98-99-ish?

 -sakke


 On Wed, Nov 28, 2012 at 1:57 PM,  maxphi...@gmail.com wrote:
  I'm still here - writing from a train on the way from Hamburg to Berlin.
 
  Anyone else?
 
  m50
 
 
  At 2012.11.28 11:47, Marsel van der Wielen wrote:
 
  how many subscribers are left anyway?
 
  and will there be a 20 years anniversary party?
 
 
  Op 28-11-2012 11:46, Philip McGarva schreef:
 
  btw i haven't been lurking for like 5 years - i just resubbed. it's
 good
  to be back!
 
 


 

 --
 - http://sakarik.deviantart.com -
 - http://www.arabuusimiehet.com/sakke/ -

 ** **

Re: (313) Outlet Collective recordings

[ja...@iridite.com]

Breaking your Disco Finger - LOL

I've never heard it called that before :)

Jason


On 23 May 2013 11:31, Rob Taylor barringtonphelo...@gmail.com wrote:

 The Ian O'Brien/Wild Planet one was wicked. Wasn't that one and the Pete
 one both in different sleazy strip bars? You guys chose some strange venues!


 On Thu, May 23, 2013 at 11:19 AM, Paul Kendrick p...@dagmar-tara.comwrote:

 **
 Rick Hopkins also played 'Davina-Don't you want it' that night, and if
 memory serves Haze was really, really ill and started his set with Run DMC
 as Jam-Master Jay had just been shot.

 Sets we didn't record but wish we had were, Monolake Live, Scion Live,
 Sleep Achieve Live, Wild Planet Live, Ian O'Brien and Dan Bell (he asked
 not to be recorded).

  --
 *From:* Rob Taylor [mailto:barringtonphelo...@gmail.com]
 *Sent:* 23 May 2013 11:07

 *To:* Paul Kendrick
 *Cc:* Andrew Duke In The Mix/Cognition Audioworks; Wibo Lammerts; James
 Fisher; 313@hyperreal.org
 *Subject:* Re: (313) Outlet Collective recordings

  Ooh what a question.
 Despite all the amazing well-known guests, I think the best party was one
 at the Rhythm Factory in which you played some ace disco and house to warm
 up, Nick Craddock and Rick Hopkins played some banging tunes (DJ HMC's LSD
 being a particular highlight), and Haze finished off the night with an epic
 eclectic set, despite being under the weather with flu at the time. I
 remember going mental when he played Skinny Puppy's Assimilate!
 misty-eyed nostalgia
 That Surgeon party was amazing too, despite Nick Wilson breaking my
 disco finger in a fit of Xmassy exhuberance!


 On Thu, May 23, 2013 at 10:55 AM, Paul Kendrick p...@dagmar-tara.comwrote:

 **
 Yep Rob I think you were at most for sure, from memory which was your
 fave?

 Parties I really enjoyed were one with Surgeon, TP, Ian O'Brien, Dan
 Bell and the one where Nick Wilson headlined playing all the stuff
 that's now being released;

 http://www.discogs.com/artist/NCW

  --
 *From:* Rob Taylor [mailto:barringtonphelo...@gmail.com]
 *Sent:* 23 May 2013 10:45
 *To:* Paul Kendrick
 *Cc:* Andrew Duke In The Mix/Cognition Audioworks; Wibo Lammerts; James
 Fisher; 313@hyperreal.org
 *Subject:* Re: (313) Outlet Collective recordings

   Cheers Paul,
 Looking forward to hearing these again.
 I was at all of your parties I think, so I shall be listening out to
 hear myself screaming!


 On Thu, May 23, 2013 at 10:18 AM, Paul Kendrick p...@dagmar-tara.comwrote:

 **

 Here are the first recordings I have found from our Outlet Collective
 parties, I still haven’t found the Substance live set or the UR DJ sets.
 I’ll keep looking

 **

 Tony did our Christmas party and asked if he could play what ever he
 wanted, which was fine by us. So it’s got a fair few classics on it, Chi 
 313, as well as some unusual tracks for Surgeon to play, like Yoko Ono,
 some instrumental disco track that I can’t place but defo know, a few
 reggae tracks and a mad Black Sabbath edit near the end.** **

 The link says part 2, but it’s the whole set, part 1 are the warm up
 sets.

 Surgeon, December 2005

 http://www.sendspace.com/file/7ks6tt

 

 Terrace did a live set for us and Stefan stayed for a few days to hang
 out after he had some fun stories to tell regarding Derrick May  Carl
 Craig. Towards the end of the live set there’s a full on 303 assault as
 Stefan’s partner in the Acid Junkies was also at the party and jump up
 on stage and started playing with Stefan, which was a cool surprise.**
 **

 13th November 2004 

 http://www.sendspace.com/file/632hqm

 

 This link is for Terrance Parker who we brought over and promoted the
 party as Outlet Collective presents the RUCK, with a few other people
 involved in the promotion to help.

 TP was excellent and I don’t think the recording does the set justice,
 I’ve been told by people that this was one of the fave Outlet parties. As
 you would think he goes all over the place and shows his skills off to the
 max, 2 copies of loads of records, he gives a little talk at the end too,
 which was fun.** **

 9th September 2006

 http://www.sendspace.com/file/mirah3

 

 

 

 
 --
 *From:* Andrew Duke In The Mix/Cognition Audioworks [mailto:
 andrewdukecognit...@gmail.com]
 *Sent:* 16 May 2013 17:06
 *To:* Paul Kendrick
 *Cc:* Wibo Lammerts; James Fisher; 313@hyperreal.org
 *Subject:* Re: (313) Interview with DJ Pete about Hard Wax etc.

  Yes, please upload that set and any other goodies you might have,
 Paul.

  http://andrewdukeinthemix.com




 On Thu, May 16, 2013 at 7:20 AM, Paul Kendrick p...@dagmar-tara.comwrote:

 **
 OK, I'll get on it and get it up loaded. I have a fair few more too,
 I'll see what else I have and put up a list to see if peeps are 
 interested.

 I do remember the Substance live set was a world debut. I asked him on
 the day of the party to play for longer than a 

Re: (313) Movement, Music and Detroit

[ja...@iridite.com]

Plus buying a record in a certain place gives you additional associations
when you listen to it in the future!

cheers

Jason


On 10 May 2013 20:40, John Sokolowski jrsokolow...@hotmail.com wrote:

  One exception is certainly Detroit Threads. I know that folks like
 Huckaby, Theo, Kyle Hall, BMG and Juan Atkins personally walk their new
 releases into the store. These are some of the names the owner of Threads
 has mentioned to me and I am sure there are many others. They usually get
 about $5 cash for each 12 before it is sold for a few bucks more on the
 floor. If you are there at the right time you will see definitely see new
 Detroit records before they pop up on places like Juno.

 Then there are the records that are released by Detroit labels for the
 festival. Many labels have historically timed their new releases to
 coincide with the festival. You get those in Detroit first. Some of these
 are also exclusive to Detroit, such as Theo's spray painted Skteches,
 Deepchord DEMF editions, etc. And then on top of that you have people like
 KDJ who pull out a box full of mint copies of Shades of Jae and JAN to
 sell at the festival.

 When it comes to this time of year, I agree with Darnistle's comment
 that Detroit is the best place to shop for Detroit techno (and house for
 me). There is a bunch of new stuff I have been holding out on because I
 know it can be had there.

 Cheers,
 John
  Date: Fri, 10 May 2013 13:27:55 -0500
  From: cybo...@gmail.com
  To: gwrenc...@sbcglobal.net
  CC: 313@hyperreal.org
  Subject: Re: (313) Movement, Music and Detroit

 
  Sadly, due to rising costs, poor US market, and poor US distributors,
  the brutal truth is that most of the best new Detroit records are now
  ONLY available in Europe; basically, although I live in Chicago, when
  I want new Detroit music, I order from Juno, Boomkat and Hardwax. I
  don't even bother checking US stores anymore if I am looking for
  specific records, though of course I do shop at Gramaphone here in
  Chicago from time to time as well.
 
  It seems that the whole EDM popularity over here has not helped with
  the US vinyl market for underground house and techno at all. I had
  hoped that increasing vinyl sales would help things, but I can only
  assume that the rising popularity of vinyl is limited more to indie
  rock type music, here in the US...
 
  ~David
 
  On Thu, May 9, 2013 at 10:14 PM, Richard Hester gwrenc...@sbcglobal.net
 wrote:
   Unless you happen to be in Berlin, sad to say...
  

(313) Frankfurt Adventure

[ja...@iridite.com]

Hello brothers and sisters - long time no see!!

I was in Frankfurt on business last year and managed to get to the Robert
Johnson club and had one of the top five club experiences I've ever had (or
at least the ones I can remember anyway)

I'm getting married this year so the destination for the stag do
isFrankfurt.  Looking for any tips, advice, record shops etc and even
places to stay (need to hire a couple of large-ish apartments for the
Friday and Saturday)

Where are the Techno Tourists when you need 'em?

cheers

Jason

Re: (313) Who was George Smiley?

[ja...@iridite.com]

Ha ha - maybe the 313 list is a secret government plot to capture
information on underground music networks?

Congrats by the way Tristan!

cheers

Jason

On 17 August 2012 16:41, Tristan Watkins phonop...@gmail.com wrote:
 Despite discovering that film is basically a sedative for me since
 becoming a parent, I persevered through Tinker Tailor Soldier Spy last
 night. Part of the way through I couldn't shake the notion that I knew
 the name George Smiley from somewhere. Then it clicked. He was the
 original (313) list admin back in the day. From the time that I joined
 the list around '98, he never really posted much, but it occurs to me
 now that this was more likely to have been a pseudonym than a
 coincidence. Anyone know who George Smiley was? Just curious if it was
 one of the later (313) admins in disguise, or maybe one of the
 hyperreal people? Clearly not really important, but it just made me
 curious, especially given the fictional character.

 Cheers,

 Tristan

(313) Detroit Techno Video

[ja...@iridite.com]

Nice little video with Mike Huckaby, Kyle Hall and Carl Craig from the
Moog You Tube channel:

http://www.youtube.com/watch?v=UcHD5VwPzmofeature=em-uploademail

cheers

Jason

Re: (313) Frankenfurter

[ja...@iridite.com]

Only if you have a white suit with skinny black leather tie, crocodile
skin pointy loafer shoes and a moustache.  So you match me and Dan.

thanks for the tips guys - think I've got Saturday afternoon and
evening free from business stuff so I'll try and check out the record
shops too.  I always thought the Robert Johnson might be a bit er,
minimal Techno for me but listening to the streak on their site at the
moment and it's great so might check it out as well

thanks again

Jason

On 19 March 2012 14:10, Daniel Troberg erasemu...@gmail.com wrote:
 jason, you love hedkandi ! can I join you?

 daniel


 On Mar 15, 2012, at 11:22 PM, ja...@iridite.com wrote:

 Hey everyone!

 I'm heading to Frankfurt next week for some business - anyone got any
 recommendations for good bars, record shops, clubs etc?

 I already checked Cocoon and they have a Head Kandi night on :)

 cheers

 Jason

(313) Frankenfurter

[ja...@iridite.com]

Hey everyone!

I'm heading to Frankfurt next week for some business - anyone got any
recommendations for good bars, record shops, clubs etc?

I already checked Cocoon and they have a Head Kandi night on :)

cheers

Jason

Re: (313) Joke of the week

[ja...@iridite.com]

WHAT CAN WE SAY ABOUT MOBY THAT HASN’T BEEN SAID?

Hmmm, I can think of a few things actually now you mention it.

Having said that, he did do a pretty fine remix of LFO on WARP many
years ago so he's not all bad.  Skrillex on the other hand..

Jason


On 28 February 2012 19:23, kent williams chaircrus...@gmail.com wrote:
 The Chose Few DJs House Music Picnic is coming up in June...

 On Tue, Feb 28, 2012 at 1:11 PM, Arturo Lopez arturo.m.lo...@gmail.com 
 wrote:
 Well, so much for us here in Chicago ever getting a house festival of
 the DEMF variety: http://www.springawakeningfestival.com/

 $100 to see Skrillex! I'm going to buy -5- tickets.

 -Art

(313) Big sigh.

[ja...@iridite.com]

http://www.littlewhiteearbuds.com/podcast/lwe-podcast-99-juan-atkins/

Utterly terrible - I know every artist goes through peaks and troughs
in their career butlook at the tracklisting on this mix.  It's
rubbish.

Big sigh.

Jason

Re: (313) Andy Vaz Straight Vacationing

[ja...@iridite.com]

That's a great post Kent - I'll have to check out the album myself!

cheers

Jason

On 2 January 2012 16:31, kent williams chaircrus...@gmail.com wrote:
 This fall I was contacted by Kalle from Yore with news about the new
 Andy Vaz album Straight Vacationing. I liked this album quite a bit,
 played a track on my radio show, and then was distracted by other
 music coming through the promo feed*

 Then, the other day Mr. Vaz e-mailed me out of the blue to ask me
 about how I felt about the record.  I'm enough of a fanboy to still
 get a charge out of talking to artists I admire, but his e-mail
 prompted me to go back and listen to the record again.  And I think
 that it's definitely an album with a lot of depth, and a unique take
 on Detroit-influenced techno.  The lead track is called Detroit In
 Me, after all.

 Over the past couple years in Europe, using Detroit as  a marketing
 come-on has become more common -- often from producers whose music has
 little to do with Detroit Techno.  'Detroit' as an empty signifier
 apparently has some sort of cachet, but anyone who actually cares
 about Detroit and it's music should be offended by it. Too many people
 worked too hard for too long in Detroit to make something special, and
 slapping 'Detroit' on your music because you want some of the cool to
 rub off  is dishonest and Insulting.

 That's not what Andy Vaz is about.  If you listen to Detroit In Me
 you can definitely get a Detroit vibe, but there's something
 idiosyncratic and unusual about how Vaz puts the track together.
 There's so many different elements -- a burbling acid line, deep house
 piano, and the sustained jazzy chords, the vocal sample -- that get
 woven together.  A lesser producer would end up with a busy,
 incoherent mess, but in Vaz's hands, it all hangs together.

 And it's well worth looking for the download release for the remixes
 by Alton Miller, Rick Wade, Patrice Scott, and others (mostly people
 who Vaz has released records by on Yore) solidify the authentic
 connection Vaz has to the Detroit music scene.

 But this is not some sort of slavish imitation of the stylistic
 identifiers of Detroit music.  Vaz is full of musical ideas, and
 doesn't limit himself to the safe bounds of techno or deep house.
 What makes this record good is the way he is able to balance and
 overlap many elements in each track, and get them to mesh into
 something organic, warm, and always dancey. Yes, Vaz loves Detroit,
 and with his label Yore he's sought out some of Detroit's best
 musicians to release new music. But he's also has his own musical
 ideas, and the way he blends his influences with them is what keeps
 Straight Vacationing vital and interesting.

Re: (313) forthcoming VMAX compilation

[ja...@iridite.com]

Hey Matt!

I can't find any info on this at all - I know Heath had a Sillicon 12
out on Frustrated Funk but I can't see anything about the V-Max
release?

cheers

Jason

On 29 November 2011 13:06, Matt Chester chesterm...@gmail.com wrote:
 Brilliant, really looking forward to this.  I had thought Heath had packed
 it all in, very happy to see there's something new coming up. I think it's
 always been one of the most under-rated labels out there.


 On 15/11/2011 19:27, Andrew Duke Cognition Audioworks new email address
 wrote:

 10 track compilation from the VMAX crew
 http://www.discogs.com/label/V-MAX+Records
 being released on December 1st

 np The Black Dog Needle Exchange 077 Dark Wave Vol. 04 mix

 Andrew



 --
 matt chester
 11th hour recordings
 www.matt-chester.com

Re: (313) inner city

[ja...@iridite.com]

Hmmm - not going to write it off yet but that remix is pretty guff -
given the extreme musicality of Kenny's Funkfaker album his
collaboration on an Inner City album could potentially be amazing but
not based on this remix!

Hope for better things from the rest of the album

cheers

Jason

On 29 November 2011 10:22, Martin Dust mar...@dustscience.com wrote:

 On 28 Nov 2011, at 20:19, Marsel van der Wielen wrote:


 me like

 http://soundcloud.com/defectedrecords/kevin-saunderson-presents



 Wasn't keen at all

 m

Re: (313) BMG Derek

[ja...@iridite.com]

Yes indeed!  I posted about it a couple of weeks ago I think - really like it!

Jason

On 26 November 2011 01:25, Marsel van der Wielen mar...@nomorewords.net wrote:
 yes very tasty!
 great to see Interdimensional Transmissions is back in business

 talking about BMG/IT
 this one just out, and very great!
 http://www.rushhour.nl/store_detailed.php?item=61025


 Op 26-11-2011 1:13, Rob schreef:

 313 list members from Detroit/Michigan make music.  If this ain't on-topic
 then I dunno what is.

 Coming soon:


 http://interdimensionaltransmissions.com/discography/it-29-bmg-derek-plaslaiko-your-mother-home

 Sound clips here:

 http://www.rushhour.nl/store_detailed.php?item=62817

(313) Mmmmmmmm, Food!

[ja...@iridite.com]

If there's one thing I like more than music it's food!  One of the
things I always liked about Club Paradiso in Amsterdam was that they
had a decent snack bar in between the main floors so I could combine
my two main loves.

Here's an article in today's Guardian about Detroit and food - yum!

http://www.guardian.co.uk/travel/2011/nov/24/boat-magazine-detroit-food


cheers

Jason

(313) Silly fanboy collectors question...

[ja...@iridite.com]

.so, how many of you out there have signed records in your
collection?  I don't mean ones you've picked up in a store (I still
kick myself after all these years remembering passing up a complete
set of signed and sealed Transmat and Fragile releases in Ruadub
because they were £1 more expensive than the normal copies and I had
the majority of the tracks anyway)...I mean the ones you've actually
taken the time and bother to drag down to a club night where somebody
you totally respect is about to play and you run up to them with a
silver or black marker and...well, you know the rest :)

Tonight, whilst going through my vinyl for the first time in a LONG
time, I found:

Mr Fingers - Amnesia - of course I was new to the signing thing then
and had brought a ball point pen instead of a marker and poor old
Larry had to sort of inscribe the cover as the pen wouldn't write -
this would have been roughly 1994-1995 when he played live (DX7, Emax
II and live vocals- I recoreded the gig on DAT and of course, it
didn't work) in the Volcano club on a Thursday night (where the club
scene in Trainspotting was filmed fact fans!)

Orlando Voorn - 1987 DMC MegaMix - signed at his Art School gig back
in 2001 just before I moved over to Amsterdam - he ended the show by
coming out of the DJ booth, dancing like a crazy man and then
scratching in the next track by leaning back into the booth whilst
still dancing - pretty impressive stuff!

Of course the hardest part after making a fool of yourself is getting
the said record home in one piece..or home at all!

Come on you lot, what you got?

Jason

Re: (313) Silly fanboy collectors question...

[ja...@iridite.com]

Ha ha - that's what I like to see..thought it was just me :)

I got Derrick and Kevin to sign a DEMF poster back in either 2002 or
2003and then lost it at Chicago airport the next week on the way
home :(

Jason

On 10 November 2011 23:25, Placid pla...@acid-house.net wrote:
 i got a derrick may and juan atkins to sign a transmat for me... must have 
 been about 91,  k alexi  all for lee sah i think it was.. not sure why i 
 didnt take a rhythm is rhythm...

 dj pierre to sign got the bug and never give up..  he played  never give 
 up..then signed it, thanx for letting me play this record...

 I got a phuture  acid tracks signed by Adonis... nearly every record i buy, 
 if its direct from an artist, ill ask them to personalize it...  mebbe im odd 
 but i just like it







 On 10 Nov 2011, at 23:17, ja...@iridite.com wrote:

 .so, how many of you out there have signed records in your
 collection?  I don't mean ones you've picked up in a store (I still
 kick myself after all these years remembering passing up a complete
 set of signed and sealed Transmat and Fragile releases in Ruadub
 because they were £1 more expensive than the normal copies and I had
 the majority of the tracks anyway)...I mean the ones you've actually
 taken the time and bother to drag down to a club night where somebody
 you totally respect is about to play and you run up to them with a
 silver or black marker and...well, you know the rest :)

 Tonight, whilst going through my vinyl for the first time in a LONG
 time, I found:

 Mr Fingers - Amnesia - of course I was new to the signing thing then
 and had brought a ball point pen instead of a marker and poor old
 Larry had to sort of inscribe the cover as the pen wouldn't write -
 this would have been roughly 1994-1995 when he played live (DX7, Emax
 II and live vocals- I recoreded the gig on DAT and of course, it
 didn't work) in the Volcano club on a Thursday night (where the club
 scene in Trainspotting was filmed fact fans!)

 Orlando Voorn - 1987 DMC MegaMix - signed at his Art School gig back
 in 2001 just before I moved over to Amsterdam - he ended the show by
 coming out of the DJ booth, dancing like a crazy man and then
 scratching in the next track by leaning back into the booth whilst
 still dancing - pretty impressive stuff!

 Of course the hardest part after making a fool of yourself is getting
 the said record home in one piece..or home at all!

 Come on you lot, what you got?

 Jason

Re: (313) Silly fanboy collectors question...

[ja...@iridite.com]

Hmmm, I can see I'll have to up my game here a little :)

I've also got a 909 signed by Jeff Mills - he did an instore at
Rubadub a few year ago (yes, it was a little busy in the shop that day
thanks for asking) and...well, I just couldn't help myself :)

It wan't eh 909 that Derrick gave to Farley Jackmaster Funk or
anything but still, a nice souvenir

Jason
On 10 November 2011 23:41, Benn Glazier b...@glzr.info wrote:
 On 10 November 2011 23:17, ja...@iridite.com ja...@iridite.com wrote:


 Come on you lot, what you got?


 I have a copy of Nude Photo with the Alan Oldham artwork. Derrick has put
 his initials on the record and then took about 2 minutes doodling all over
 the white sleeve. He then proceeded to do the same thing all over Strings Of
 Life.

 No issue with the getting the record home. I was working with another guy
 doing a documentary and we interviewed Derrick on the night. All happened
 backstage so he had plenty of time

 More Transmat stuff, I was record shopping at Octave Records in Melbourne
 and picked up a copy of the first Stacey Pullen Silent Phase release.
 Downstairs from the record store was a hairdresser where by pure chance
 Stacey was getting his hair cut. He poked his head upstairs say Whassupp?
 to the guys running the store...

 There might be a couple more but the situations don't come to mind and 95%
 of my record collection is in storage so I can't check.


 --

 Benn Glazier
 b...@glzr.info
 www.BennGlazier.com
 www.twitter.com/BennGlazier
 www.facebook.com/BennGlazierPhotography
 +44 (0) 7714 3000 18

Re: (313) Silly fanboy collectors question...

[ja...@iridite.com]

Negativland?  That beats all comers - nice one!

You should wear it out more :)

On 10 November 2011 23:44, Frank Glazer cpe1704...@gmail.com wrote:
 most of the autographs i have aren't on vinyl, and not detroit
 related.  but i've got a signed photo of front line assembly circa
 1993, a signed CD insert of psychic tv - dreams less sweet, a signed
 CD copy of the orbs adventures beyond the ultraworld, a signed copy of
 kid koala's very first mixtape, and a signed eyemask from
 negativland's it's all in your head tour a few years ago.

 On Thu, Nov 10, 2011 at 6:41 PM, Benn Glazier b...@glzr.info wrote:
 On 10 November 2011 23:17, ja...@iridite.com ja...@iridite.com wrote:


 Come on you lot, what you got?


 I have a copy of Nude Photo with the Alan Oldham artwork. Derrick has put
 his initials on the record and then took about 2 minutes doodling all over
 the white sleeve. He then proceeded to do the same thing all over Strings Of
 Life.

 No issue with the getting the record home. I was working with another guy
 doing a documentary and we interviewed Derrick on the night. All happened
 backstage so he had plenty of time

 More Transmat stuff, I was record shopping at Octave Records in Melbourne
 and picked up a copy of the first Stacey Pullen Silent Phase release.
 Downstairs from the record store was a hairdresser where by pure chance
 Stacey was getting his hair cut. He poked his head upstairs say Whassupp?
 to the guys running the store...

 There might be a couple more but the situations don't come to mind and 95%
 of my record collection is in storage so I can't check.


 --

 Benn Glazier
 b...@glzr.info
 www.BennGlazier.com
 www.twitter.com/BennGlazier
 www.facebook.com/BennGlazierPhotography
 +44 (0) 7714 3000 18




 --
 peace,

 frank

 http://www.deejaycountzero.com
 http://www.infinitestatemachine.com

(313) New Interdimensional Transmissions 12

[ja...@iridite.com]

Featuring Brendan Gillan and Sal P from Liquid Liquid - live sounding
NY 80's Bass and nice synth strings over solid beats with great
percussion - I really like this one!

cheers

jason

(313) Loadsa Detroit stuff

[ja...@iridite.com]

1 - New Puzzlebox release - Shadow Dancing with a nice remix by Arne
Weinberg and even Gez Varley!

2 - New Frictional release - Splits  Slits - Hamering - wasn't sure
if I was really going to like this but..I do - remixes by Shake.

3 - T Parker Works - new Terrance Parker release! James Sims (an old
Intangible thing??)  on the classic TP Piano House tip along with some
jazzy Piano House stuff that wasn't quite up my alley but if you like
TP, it definitely wont disappoint!


That's it for now!  Not bad for a Monday though!

cheers

Jason

Re: (313) Made in Detroit 7-inch?

[ja...@iridite.com]

Sounds interesting- am I right in saying this album was only available
through Hard Wax for the first couple of weeks?  Do you think it was
something they put in there or was it actually in the Reel By Real
album?

I love getting 7 bonus records with albums - the one that came with
Kenny Larkin's Azimuth was a belter!

cheers

Jason

On 13 September 2011 21:06, Benajmin Oist yaranaika@gmail.com wrote:
 So, my copy of Reel by Real's Surkit Chamber got here yesterday in all
 its excellence. When I opened it, something unexpected fell out of the
 package: A 7-inch white label with only a Made in Detroit logo and a
 stamped number (apparently limited to 313 copies). The only other
 writing I could find was etching in the dead wax bearing the legend
 M.I.D. 1 or something similar. The A-side was a pretty nice techno
 track with a female vocalist that keeps repeating No more mind games
 at various points, and the B-side is a more tribal-ish track with what
 sounds like vocals in Arabic. Anybody know anything about this?

(313) Real time record reviews...

[ja...@iridite.com]

...errr, not really happening is it?  Think it was 3 weeks ago I
was going to review the NDTAL thing?  I wasn't really that blown away
by it to be honest so, moving swiftly on...

Styrax are releasing an old Kenny Larkin/Pod thing - Anapest along
with G-Man Quo Vadis - I always wonder how these guys (Styrax stay
in business) as they only do 300 copies of a lot of their releases so
I don't even know how they cover costs never mind licensing the tracks
etc?  Glad they're still doing it anyway!

There's some more Detroit goodies been repressed on the rather
excellent Global Communications Out Of The Box compilation and
associated 12's - the new one has BFC, Urban Tribe and Fade II Black
(Jay Denham) on it

and finally, check out Monty Luke's new 12 on his own Black Catalouge
label (he works at Planet E) - nice stuff from the D.


And in a kind of spammy way.our site is finally back up!  Any
comments and criticisms are very welcome - it's still work in progress
and we haven't really told anyone it's been launched yet so..fire
away!

www.rubadub.co.uk

cheers!

Jason

Re: (313) Skudge Phantom

[ja...@iridite.com]

I hadn't heard much of their stuff but they had Rolando and personal
fave 2562 remix some of their stuff recently - worth checking!

Jason

On 18 September 2011 15:46, Marsel van der Wielen
mar...@nomorewords.net wrote:

 to jump in with some shameless self promotion
 Skudge also contributed a track to one of the upcoming Inertia EPs

 //

 EP1
 a1.     Delta Funktionen - Torpor
 a2.     Peter van Hoesen - Last One At 1080
 b1.     Roman Lindau - Borné
 b2.     Sawlin - Excipidial

 EP2
 a1.     Marcelus - 24/7
 a2.     Sigha - Finding Myself
 b1.     Redshape - Static
 b2.     Area Forty_One - C.N.T.C.T.

 EP3
 a1.     Lucy - Wytonia
 a2.     Milton Bradley - Sequence #1
 b1.     Mike Dehnert - Pneumatic
 b2.     Ozka - Square Beauty

 EP4
 a1.     Skudge - Pollution
 a2.     Conforce - When It Appeared
 b1.     Cosmin TRG - Plaisir Interdit
 b2.     Sascha Rydell - Rainy Days


 Op 18-9-2011 16:41, David Powers schreef:

 Good tip I'm going to buy some of their tracks... Hadn't heard of
 them. I play slower bpm and I like my techno deep and slower these
 days, but it's hard to find--this fits the bill perfectly though!

 I must say, the name Skudge made me think I was in for some of that
 really bad bro-step floating around the US these days, luckily that
 wasn't the case... ;-)

 Also, why do you call it tech-house? This is purist techno, I don't
 hear any house whatsoever. House is a feeling in the music, just
 because the bpm is slower doesn't suddenly make it house!!!

 ~David

 On Fri, Sep 16, 2011 at 11:03 PM, darnistledarnis...@cafe-ebola.com
  wrote:

 I've really been enjoying this album a lot.  The style is very Detroit to
 my
 ears (Robert Hood comes to mind), so I was surprised to learn that
 they're
 from Sweden.

 Very good midtempo technohouse to wiggle to, though the nuances can get
 lost
 easily if the volume isn't reasonably high.

 --
 {}0+|

Re: (313) Speaking of Detroit

[ja...@iridite.com]

That looks pretty incredible!

Jason

On 7 September 2011 16:50, Denise Dalphond ddalp...@umail.iu.edu wrote:
 Crazy awesome week long event next week in Detroit:

 http://redbullmusicacademy.com/worldtour/detroit/

 This will undoubtedly be amazing. And yes, Mike Banks will be
 interviewing Juan Atkins. Nick Speed! Dabrye! The workshops will not
 be simply bio type interviews. They will be focused on equipment,
 production, philosophy, and other kinds of focused inquiries. I'm so
 excited about it all. I wish I could go to every single moment of it
 the whole week, but that's not going to be possible.

 And Tribe records - I mean come on

 --
 Denise Dalphond
 Ph.D. Candidate
 Department of Folklore  Ethnomusicology
 Indiana University
 http://schoolcraftwax.com/

Re: (313) Lets start some old topics

[ja...@iridite.com]

Aha - you're not on Facebook (me neither!) but I've seen you lurking
about on Linkedin :)

Corporate Social Networking :)

JB

On 4 September 2011 09:53, Otto o...@technotourist.org wrote:
 On Sat, Sep 3, 2011 at 10:05 PM, Greg Earle ea...@isolar.dyndns.org wrote:

 Are KJ and Otto actual people?  After all, they aren't on Facebook, and all 
 actual people are on Facebook  :P

 Who says I'm not on Facebook? Maybe I'm just underground on Facebook

 Those who know, know :)

 Otto
 PS In the list of classic 313 discussions:
 - Detroit DJs should not play Mayday. Discuss.
 - How do I get my hands on a SID record? Why are they not for sale for
 normal people? That's arrogant!
 - Moby = Techno

 And then all of these follow a similar pattern (as Sean Deason once
 very well observed):
 - huge flamewar erupts
 - all the usual trigger words get brought into is: race, politics,
 underground, sellout, etc.
 - eluna steps in, cleans up the entire debate in one post that
 summarizes everything into a conclusion that has everyone going shit,
 why didn't I see that
 - everyone shuts up because there's nothing left to say.

 Almost like 313's version of Godwin's Meme :)

Re: (313) the D this weekend...

[ja...@iridite.com]

Is this the same Wolf records that release stuff by Chicago Dam guy?

Jason

On 4 September 2011 17:42, Joe Marougi jmaro...@gmail.com wrote:
 Thanks, it's one of my favorite tracks at the moment.  Pretty sweet
 label too (scroll down for the bicep dub mix)   ;-)

 http://soundcloud.com/nysoul


 Joe

 On Sun, Sep 4, 2011 at 3:08 AM, Simon contact.simon.pas...@gmail.com wrote:
 Nice little track on that link Joe - thanks. I've just ordered a copy from
 Juno :-)

 Simon

 On 04/09/2011 01:15, Joe Marougi wrote:

 oops sorry about that, i meant to post this:
 http://www.youtube.com/watch?v=niDmM-HimJM
 Joe
 On Sat, Sep 3, 2011 at 12:35 PM, Joe Marougi jmaro...@gmail.com wrote:

 http://m.youtube.com/?rdm=4nsqg3fre#/watch?bmb=1v=niDmM-HimJM

 Sent from my iPhone

 On Sep 3, 2011, at 12:15 PM, logic7 log...@cox.net wrote:

  http://www.youtube.com/watch?v=_EHf1NNbaW4
 
  ^^^ I couldn't resist.
 
  -Original Message-
  From: kent williams [mailto:chaircrus...@gmail.com]
  Sent: Saturday, September 03, 2011 12:10 PM
  To: david smith
  Cc: ja...@iridite.com; 313@hyperreal.org
  Subject: Re: (313) the D this weekend...
 
  Going to a House event in Detroit is amazing.  Full of people closer to
  my
  age (I just turned 54!) -- grown-up folks, some of whom I swear I
  recognize
  from Youtube videos of the New Dance Show.
 
  On Sat, Sep 3, 2011 at 8:35 AM, david smith bassline...@gmail.com
  wrote:
  A few I don't know either but I doubt they are new-new, some have been
  around for awhile but just haven't put out a record.  I've also
  noticed that some of the older heads don't have much of an internet
  presence.  The house scene here has been overshadowed by techno, and
  now movement/paxahau too (smile).  I've heard many complaints for
  local heads about getting slept on.
 
  Peace,
  DS
 
  PS
  I've been a subscriber to 313 for at least ten years, I just post
  infrequently and have changed addresses a few times.  Now I have
  internet at my apartment, I'll try to update more often.
 
  On Sat, Sep 3, 2011 at 3:24 AM, ja...@iridite.com ja...@iridite.com
  wrote:
  So..I've heard of a few of the names below (Minx, Talley, Ester,
  Wilhite) but the rest are all new to me - are these new peepz or have
  they been around forever and I've never came across them?
 
  cheers
 
  Jason
 
  On 3 September 2011 00:12, david smith bassline...@gmail.com wrote:
  I caught these on facebook, pretty hot Detroit House line up!  There
  is also the Jazz festival @ Heart Plaza all labor day weekend.
 
  P-funk night (Tonight Friday)
  Bagley Optical
  2150 Bagley Corner of 14th
  Detroit, MI
 
 
  Club Waterfalls
  673 Franklin
  Detroit, Michigan
  Toe Tappin House on the River is an all day event on Saturday,
  September 3, 2011 - Labor Day Weekend from 2pm - 2am.
  This event is free until 10pm. After 10pm there will be a $10 cover.
 
  DJ Cent, Stacey Hale, Minx, Sarena Tyler, Christa Schrupp, Marc
  Duncan, Al Ester, Felton Howard, Mike Brown, Norm Talley, Bruce
  Bailey, Mike Melody, Reggie Harrell, Earl McKinney, Rick Wilhite,
  Andre Murph, DJ Taz, Eric Johnson, Phil Da Mixx, Malik Alston, Mondo
  Blaze  Dwayne Jensen...
 
 
 
 

Re: (313) Lets start some old topics

[ja...@iridite.com]

What about Magda?

make the tea Magda :)

Jason

On 3 September 2011 06:16, Jason Kenjar jasonk1...@gmail.com wrote:
 that one brings me back :p

 see also: Why are there no woman in techno.. (covers ears)

 On Sep 2, 2011, at 8:07 PM, Klaas-Jan Jongsma wrote:

 Is there a hidden message in the Red Planet records?


 On 3 sep 2011, at 02:27, Fred Heutte wrote:

 Who is J### M and why does he keep throwing records at me?

 fh

 -
 Okay now we have new subscribers and i am seeing some old cats back on the 
 list, lets start
 some 90's topic all over again :-)

 I will start:
 - Is Plus 8 considered to be real Detroit techno?

 :-))

 KJ

Re: (313) Lets start some old topics

[ja...@iridite.com]

That's an interesting one David - certainly his blending of his own
musicality with samples is truly seamless sometimes and he creates
stuff that's greater than the sum of it's parts - the arrangements are
indeed pretty epic.  I haven't been so keen on most of his work in the
last few years but he's definitely more talented than the average joe.

jason



On 3 September 2011 03:38, David Powers cybo...@gmail.com wrote:
 Okay, here's some controversy. In my (quite serious) opinion, THE most
 INFLUENTIAL and IMPORTANT Detroit techno artist is

 ... wait for it...

 MOODYMANN.

 I'm not joking, it may be considered house, but I think that the way
 Moodymann records are mixed and structured is quite forward thinking,
 and maybe the blueprint for things a lot of producers all over the
 world now are doing, but certainly were not doing when moodymann
 started doing his thing. Jeff Mills also has done some really forward
 thinking things with arrangements and mixing, but that aspect of his
 output hasn't really been that influential in comparison to Jeff's DJ
 style and his trackier side.

 The greatest Moodymann record of all time for me is actually recent by
 the way... it's 2 late 4 u and me!!!

 Discuss... ;-)

 ~David

Re: (313) Lets start some old topics

[ja...@iridite.com]

LOL - I thought that was Vince Watson, no?

Jason

On 3 September 2011 01:27, Klaas-Jan Jongsma grand...@mac.com wrote:
 Hey now watch it, we invented 'gabber' , you are on thin ice buddy :-)
 On 3 sep 2011, at 02:15, Rob Taylor wrote:

 the dutch don't know shit

 On Sat, Sep 3, 2011 at 12:54 AM, Klaas-Jan Jongsma grand...@mac.com wrote:

 Okay now we have new subscribers and i am seeing some old cats back on the
 list, lets start some 90's topic all over again :-)

 I will start:
 - Is Plus 8 considered to be real Detroit techno?

 :-))

 KJ

Re: (313) the D this weekend...

[ja...@iridite.com]

So..I've heard of a few of the names below (Minx, Talley, Ester,
Wilhite) but the rest are all new to me - are these new peepz or have
they been around forever and I've never came across them?

cheers

Jason

On 3 September 2011 00:12, david smith bassline...@gmail.com wrote:
 I caught these on facebook, pretty hot Detroit House line up!  There
 is also the Jazz festival @ Heart Plaza all labor day weekend.

 P-funk night (Tonight Friday)
 Bagley Optical
 2150 Bagley Corner of 14th
 Detroit, MI


 Club Waterfalls
 673 Franklin
 Detroit, Michigan
 Toe Tappin House on the River is an all day event on Saturday,
 September 3, 2011 - Labor Day Weekend from 2pm - 2am.
 This event is free until 10pm. After 10pm there will be a $10 cover.

 DJ Cent, Stacey Hale, Minx, Sarena Tyler, Christa Schrupp,
 Marc Duncan, Al Ester, Felton Howard, Mike Brown, Norm Talley,
 Bruce Bailey, Mike Melody, Reggie Harrell, Earl McKinney, Rick Wilhite,
 Andre Murph, DJ Taz, Eric Johnson, Phil Da Mixx, Malik Alston, Mondo
 Blaze  Dwayne Jensen...