[all-audio] Olympus Ls-14
I’m very glad you mentioned the Olympus LS-14 actually. I tried to get hold of one last year but had to settle for the LS-P4 - no problem there -. One did come up on eBay just recently so I snapped it up. In a few days I will be able to see what the LS-14 offers and of course I’ll be using the excellent review Neal Ewers did on the machine as a reference. Pity about not being able to use rechargeable batteries with the LS-14 so I’ll use one of the Powerbanks I have instead. > On 10 Feb 2019, at 3:46 pm, Hamit Campos wrote: > > Ah well 48 KHZ 24 bits is the web standard anyways. I guess I'm just > coming from another perspective I heard on another of Scott's shows. > Where if you record in 96 let's say, when you resample you'll get a > better 48 24 recording. I've even used 44 thousand 100 16 bits CD audio > on mine just because the LS-14 can't play anything elase in mono. It has > to be CD quality for it to work in mono. Which I was confused by when I > got it. Because all the DMs I'd had before this even playeed 48 16 in > mono though they didn't record that. But oh well. I can't wait to hear > some F8N samples. > > On 2/9/2019 9:51 PM, Dane Trethowan wrote: >> I chose 96K 24-bit because not all functions of the Zoom F8N support higher >> bit rates, Auto Mix for example but nevertheless 96K is a damn good rate to >> be using with 24 bit. >> I can understand where the engineer is coming from in a lot of ways setting >> the sampling rate at 48KHZ. >> Whilst I prefer higher myself a lot of computers would probably have trouble >> handling any more than 48K depending on the software and Sound Card being >> used so that would be one factor to take into consideration. >> With the Mac which I use most of the time this isn’t a problem. >> The other point being here is that you’re making live recordings and you >> probably won’t be wanting to master them. >> So back to the recorder itself. >> I’ve been going through the menu options as I’ve been telling the list over >> the last month or so. >> The first 2 options in the memory are “Finder” and “Medadata For Next Take”. >> The Finder allows you to search for content within folders on the SD card or >> cards if you have more than one installed. >> I’ve not examined this option but will do in the future when I work out how >> to connect a Keyboard to the F8N though even then without speech there seems >> little point. >> On the other hand Enter Metadata for Next Take may be slightly useable with >> a keyboard. No, I won’t get any feedback however I should be able to >> remember the order in which the metadata is presented thus I can move >> through the fields etc. >> The manual for the F8N gives specific keyboard commands to do just that. >> The next 2 options in the menu system are Input and Output respectively and >> I’ll be working on those next week. >> >> >>> On 10 Feb 2019, at 7:48 am, Hamit Campos wrote: >>> >>> Ah yes I forgot that. Yes the higher the quality, the more memory you'll >>> need. Especially if you're also planning to go multi channal. >>> On 2/9/2019 3:28 PM, Dane Trethowan wrote: >>> I can’t argue with the statements below. I actually have my F8N and other recorders set to 96K 24-bit but in the end its up to the individual how they want things done. One has to remember too that with higher bit rates then the bigger SD memory card you’ll require. So what given the Zoom F8N can take 2 512GB memory cards? Well the so what comes to quite a bit of money to lay out if you wish to proceed down that path. > On 10 Feb 2019, at 6:31 am, Hamit Campos wrote: > > h that's 1 of the things I've been putting to the test with my H6. That > whole the human ear can't hear super HD 96 KHZ or 192 KHZ 24 bits audio > thing. Now if you think of it as a frequency responce thing that should > be true. Hell not only can't you hear it, most condencers can't. But it's > not necessarily a frequency thing. Another ingenier on Scott Wilkinson's > Home Theater Geeks show explained it this way. Andy you were right. It's > a resolution thig. It's like being able to take 192 pictures per second. > He compaired it to the rappid fire camera shutter clicking you hear at > presidentual things or what not. The 24 bits gives you more open dinamic > range. Things don't over load and destort as easy I suppose and you can > get louder and quieter in 24 bits. Again someone help out here if you > wish I'm no real audio expert like Neal or this man that helped you out > Andy. But I'm just telling ya what I have heard other experts say. I say > again if I had an F8N best believe it bro 192 KHZ 24 bits is the first > thing that gets set on it. Oh and on your clip on mics. If they use the > little head phone like plug they won't use phantum. They use what's > called plug in power. So you'll need the Zoom XYH6 peace or
Re: [all-audio] To Dane and list
Ah well 48 KHZ 24 bits is the web standard anyways. I guess I'm just coming from another perspective I heard on another of Scott's shows. Where if you record in 96 let's say, when you resample you'll get a better 48 24 recording. I've even used 44 thousand 100 16 bits CD audio on mine just because the LS-14 can't play anything elase in mono. It has to be CD quality for it to work in mono. Which I was confused by when I got it. Because all the DMs I'd had before this even playeed 48 16 in mono though they didn't record that. But oh well. I can't wait to hear some F8N samples. On 2/9/2019 9:51 PM, Dane Trethowan wrote: I chose 96K 24-bit because not all functions of the Zoom F8N support higher bit rates, Auto Mix for example but nevertheless 96K is a damn good rate to be using with 24 bit. I can understand where the engineer is coming from in a lot of ways setting the sampling rate at 48KHZ. Whilst I prefer higher myself a lot of computers would probably have trouble handling any more than 48K depending on the software and Sound Card being used so that would be one factor to take into consideration. With the Mac which I use most of the time this isn’t a problem. The other point being here is that you’re making live recordings and you probably won’t be wanting to master them. So back to the recorder itself. I’ve been going through the menu options as I’ve been telling the list over the last month or so. The first 2 options in the memory are “Finder” and “Medadata For Next Take”. The Finder allows you to search for content within folders on the SD card or cards if you have more than one installed. I’ve not examined this option but will do in the future when I work out how to connect a Keyboard to the F8N though even then without speech there seems little point. On the other hand Enter Metadata for Next Take may be slightly useable with a keyboard. No, I won’t get any feedback however I should be able to remember the order in which the metadata is presented thus I can move through the fields etc. The manual for the F8N gives specific keyboard commands to do just that. The next 2 options in the menu system are Input and Output respectively and I’ll be working on those next week. On 10 Feb 2019, at 7:48 am, Hamit Campos wrote: Ah yes I forgot that. Yes the higher the quality, the more memory you'll need. Especially if you're also planning to go multi channal. On 2/9/2019 3:28 PM, Dane Trethowan wrote: I can’t argue with the statements below. I actually have my F8N and other recorders set to 96K 24-bit but in the end its up to the individual how they want things done. One has to remember too that with higher bit rates then the bigger SD memory card you’ll require. So what given the Zoom F8N can take 2 512GB memory cards? Well the so what comes to quite a bit of money to lay out if you wish to proceed down that path. On 10 Feb 2019, at 6:31 am, Hamit Campos wrote: h that's 1 of the things I've been putting to the test with my H6. That whole the human ear can't hear super HD 96 KHZ or 192 KHZ 24 bits audio thing. Now if you think of it as a frequency responce thing that should be true. Hell not only can't you hear it, most condencers can't. But it's not necessarily a frequency thing. Another ingenier on Scott Wilkinson's Home Theater Geeks show explained it this way. Andy you were right. It's a resolution thig. It's like being able to take 192 pictures per second. He compaired it to the rappid fire camera shutter clicking you hear at presidentual things or what not. The 24 bits gives you more open dinamic range. Things don't over load and destort as easy I suppose and you can get louder and quieter in 24 bits. Again someone help out here if you wish I'm no real audio expert like Neal or this man that helped you out Andy. But I'm just telling ya what I have heard other experts say. I say again if I had an F8N best believe it bro 192 KHZ 24 bits is the first thing that gets set on it. Oh and on your clip on mics. If they use the little head phone like plug they won't use phantum. They use what's called plug in power. So you'll need the Zoom XYH6 peace or even the XY H5 peace. Then connect them to that. On 2/9/2019 12:24 PM, Andy via Groups.Io wrote: Hi Dane and list. Further to my last message a few weeks ago when I advised that I had secured the assistance of my local bar maid to describe the layout and functions of my Zoom F8N, and that I had also secured assistance in setting my device up by the Radio Operations Manager at BBC Radio Scotlands flagship at Pacific Quay. Well guys all went very well indeed. I recorded the bar maid on my old Olympus DS50, so I can return to that as often as I need. The BBC engineer's visit was slightly later than planned and I simply forgot all about making a recording! Shame that. Anyway Dane. You were right, the functionality is laid out very simply and very tactilly and like you said, it's going to be a piece of
Re: [all-audio] To Dane and list
I chose 96K 24-bit because not all functions of the Zoom F8N support higher bit rates, Auto Mix for example but nevertheless 96K is a damn good rate to be using with 24 bit. I can understand where the engineer is coming from in a lot of ways setting the sampling rate at 48KHZ. Whilst I prefer higher myself a lot of computers would probably have trouble handling any more than 48K depending on the software and Sound Card being used so that would be one factor to take into consideration. With the Mac which I use most of the time this isn’t a problem. The other point being here is that you’re making live recordings and you probably won’t be wanting to master them. So back to the recorder itself. I’ve been going through the menu options as I’ve been telling the list over the last month or so. The first 2 options in the memory are “Finder” and “Medadata For Next Take”. The Finder allows you to search for content within folders on the SD card or cards if you have more than one installed. I’ve not examined this option but will do in the future when I work out how to connect a Keyboard to the F8N though even then without speech there seems little point. On the other hand Enter Metadata for Next Take may be slightly useable with a keyboard. No, I won’t get any feedback however I should be able to remember the order in which the metadata is presented thus I can move through the fields etc. The manual for the F8N gives specific keyboard commands to do just that. The next 2 options in the menu system are Input and Output respectively and I’ll be working on those next week. > On 10 Feb 2019, at 7:48 am, Hamit Campos wrote: > > Ah yes I forgot that. Yes the higher the quality, the more memory you'll > need. Especially if you're also planning to go multi channal. > On 2/9/2019 3:28 PM, Dane Trethowan wrote: > >> I can’t argue with the statements below. >> I actually have my F8N and other recorders set to 96K 24-bit but in the end >> its up to the individual how they want things done. >> One has to remember too that with higher bit rates then the bigger SD memory >> card you’ll require. >> So what given the Zoom F8N can take 2 512GB memory cards? Well the so what >> comes to quite a bit of money to lay out if you wish to proceed down that >> path. >> >> >>> On 10 Feb 2019, at 6:31 am, Hamit Campos wrote: >>> >>> h that's 1 of the things I've been putting to the test with my H6. That >>> whole the human ear can't hear super HD 96 KHZ or 192 KHZ 24 bits audio >>> thing. Now if you think of it as a frequency responce thing that should be >>> true. Hell not only can't you hear it, most condencers can't. But it's not >>> necessarily a frequency thing. Another ingenier on Scott Wilkinson's Home >>> Theater Geeks show explained it this way. Andy you were right. It's a >>> resolution thig. It's like being able to take 192 pictures per second. He >>> compaired it to the rappid fire camera shutter clicking you hear at >>> presidentual things or what not. The 24 bits gives you more open dinamic >>> range. Things don't over load and destort as easy I suppose and you can get >>> louder and quieter in 24 bits. Again someone help out here if you wish I'm >>> no real audio expert like Neal or this man that helped you out Andy. But >>> I'm just telling ya what I have heard other experts say. I say again if I >>> had an F8N best believe it bro 192 KHZ 24 bits is the first thing that gets >>> set on it. Oh and on your clip on mics. If they use the little head phone >>> like plug they won't use phantum. They use what's called plug in power. So >>> you'll need the Zoom XYH6 peace or even the XY H5 peace. Then connect them >>> to that. >>> >>> On 2/9/2019 12:24 PM, Andy via Groups.Io wrote: Hi Dane and list. Further to my last message a few weeks ago when I advised that I had secured the assistance of my local bar maid to describe the layout and functions of my Zoom F8N, and that I had also secured assistance in setting my device up by the Radio Operations Manager at BBC Radio Scotlands flagship at Pacific Quay. Well guys all went very well indeed. I recorded the bar maid on my old Olympus DS50, so I can return to that as often as I need. The BBC engineer's visit was slightly later than planned and I simply forgot all about making a recording! Shame that. Anyway Dane. You were right, the functionality is laid out very simply and very tactilly and like you said, it's going to be a piece of cake. Although I was wanting him to set up 24 bit WAV at 192, he recomended against this and droped to the standard of 40 or 48. He stated that the human ear really could not tell the difference. I just wanted it because it was there. After he asked me of the kind of recording I did, he recommented that tracks 1 through 4 should be on microphone and tracks 5 through 8 Line
Re: [all-audio] Tapin Radio Question: Scheduling
Tab through the scheduler. You will come to a list of scheduled events. It can take a little doing to identify these events, since the name you gave may not be the name that appears in the schedule. But you can focus on an event, then shift+tab to read the various bits of information about the event. Once you identify the event you want to update, alter those fields as needed, then click Update Event. -Original Message- From: all-audio@groups.io On Behalf Of Tom Kaufman Sent: Saturday, February 9, 2019 1:09 PM To: all-audio@groups.io Subject: [all-audio] Tapin Radio Question: Scheduling Hello List: Have a question concerning the paid version of Tapin Radio (which I do have) this version enables one to schedule an event." But I've been wondering (and have been told that it should be able to be done) so if you have scheduled an event; then discover that you have made a mistake and need to change something? With the version I have (can't remember exactly which version number it is) will come back with that info in a bit; meanwhile, it would seem that once I've scheduled the task and "okayed it".there is no way to go back and fix anything! Am I missing something here? A friend of mine tried to show me how to do this! But her version has options that my version of Tapin Radio does not seem to have! So if anyone on here knows anything about how one goes about accomplishing this, I'd love to hear from you! Thanks in advance! Tom Kaufman (U.S.A.) -=-=-=-=-=-=-=-=-=-=-=- Groups.io Links: You receive all messages sent to this group. View/Reply Online (#1903): https://groups.io/g/all-audio/message/1903 Mute This Topic: https://groups.io/mt/29715493/21656 Group Owner: all-audio+ow...@groups.io Unsubscribe: https://groups.io/g/all-audio/leave/1074140/405281159/xyzzy [arch...@mail-archive.com] -=-=-=-=-=-=-=-=-=-=-=-
Re: [all-audio] To Dane and list
Ah yes I forgot that. Yes the higher the quality, the more memory you'll need. Especially if you're also planning to go multi channal. On 2/9/2019 3:28 PM, Dane Trethowan wrote: I can’t argue with the statements below. I actually have my F8N and other recorders set to 96K 24-bit but in the end its up to the individual how they want things done. One has to remember too that with higher bit rates then the bigger SD memory card you’ll require. So what given the Zoom F8N can take 2 512GB memory cards? Well the so what comes to quite a bit of money to lay out if you wish to proceed down that path. On 10 Feb 2019, at 6:31 am, Hamit Campos wrote: h that's 1 of the things I've been putting to the test with my H6. That whole the human ear can't hear super HD 96 KHZ or 192 KHZ 24 bits audio thing. Now if you think of it as a frequency responce thing that should be true. Hell not only can't you hear it, most condencers can't. But it's not necessarily a frequency thing. Another ingenier on Scott Wilkinson's Home Theater Geeks show explained it this way. Andy you were right. It's a resolution thig. It's like being able to take 192 pictures per second. He compaired it to the rappid fire camera shutter clicking you hear at presidentual things or what not. The 24 bits gives you more open dinamic range. Things don't over load and destort as easy I suppose and you can get louder and quieter in 24 bits. Again someone help out here if you wish I'm no real audio expert like Neal or this man that helped you out Andy. But I'm just telling ya what I have heard other experts say. I say again if I had an F8N best believe it bro 192 KHZ 24 bits is the first thing that gets set on it. Oh and on your clip on mics. If they use the little head phone like plug they won't use phantum. They use what's called plug in power. So you'll need the Zoom XYH6 peace or even the XY H5 peace. Then connect them to that. On 2/9/2019 12:24 PM, Andy via Groups.Io wrote: Hi Dane and list. Further to my last message a few weeks ago when I advised that I had secured the assistance of my local bar maid to describe the layout and functions of my Zoom F8N, and that I had also secured assistance in setting my device up by the Radio Operations Manager at BBC Radio Scotlands flagship at Pacific Quay. Well guys all went very well indeed. I recorded the bar maid on my old Olympus DS50, so I can return to that as often as I need. The BBC engineer's visit was slightly later than planned and I simply forgot all about making a recording! Shame that. Anyway Dane. You were right, the functionality is laid out very simply and very tactilly and like you said, it's going to be a piece of cake. Although I was wanting him to set up 24 bit WAV at 192, he recomended against this and droped to the standard of 40 or 48. He stated that the human ear really could not tell the difference. I just wanted it because it was there. After he asked me of the kind of recording I did, he recommented that tracks 1 through 4 should be on microphone and tracks 5 through 8 Line in. Anyway I couldn't argue with a sound engineer of our capital radio station, haha. Anyway it's all done now and I intend to use my old X Y and Side angle microphones to plug directly into the device for desk-top or table-top recordings. But it's a Field Recorder so I want to get out and about in the streets and record things, so the clip-on microphones will be of little use as the device will be in a sound bag. So I'm looking for a good microphone that I can attach to my jacket. I would love to use my BSM Binaural microphones for this but I don't know exactly how to do this. Obviously I'd need an adaptor to take the small plug up to quarter of an inch. But would I need Phantom power turned on, on that channel? One thing is for sure I cannot walk through the streets of Glasgow with a guide dog on my left, a sound bag hanging from my right and me holding a microphone out in front of me. This is why I like the BSm 9 Clip on microphones. Any advice regarding how best to use my BSM binaural microphones out of doors or an alternative type of body microphone that anyone can recommend would be very helpful. Very best wishes. Andy. - Original Message - From: "Dane Trethowan" To: Sent: Saturday, January 26, 2019 1:47 AM Subject: Re: [all-audio] To Dane and list I’m not laughing and I’m very lucky I guess in that I’m curious and I get some sighted assistance every now and then to give me a hand. Firstly the Zoom F8N stands on 4 rubber feet which are placed on the bottom of the recorder so you know where the bottom is by the feel of the rubber feet. The top is easily identified by 4 slotted screws that hold the recorder into the rack mount. There is a handle on each side of the recorder so when the recorder is standing on its rubber feet these each handle will be protruding from either side of the recorder. The display of the recorder
Re: [all-audio] To Dane and list
I can’t argue with the statements below. I actually have my F8N and other recorders set to 96K 24-bit but in the end its up to the individual how they want things done. One has to remember too that with higher bit rates then the bigger SD memory card you’ll require. So what given the Zoom F8N can take 2 512GB memory cards? Well the so what comes to quite a bit of money to lay out if you wish to proceed down that path. > On 10 Feb 2019, at 6:31 am, Hamit Campos wrote: > > h that's 1 of the things I've been putting to the test with my H6. That whole > the human ear can't hear super HD 96 KHZ or 192 KHZ 24 bits audio thing. Now > if you think of it as a frequency responce thing that should be true. Hell > not only can't you hear it, most condencers can't. But it's not necessarily a > frequency thing. Another ingenier on Scott Wilkinson's Home Theater Geeks > show explained it this way. Andy you were right. It's a resolution thig. It's > like being able to take 192 pictures per second. He compaired it to the > rappid fire camera shutter clicking you hear at presidentual things or what > not. The 24 bits gives you more open dinamic range. Things don't over load > and destort as easy I suppose and you can get louder and quieter in 24 bits. > Again someone help out here if you wish I'm no real audio expert like Neal or > this man that helped you out Andy. But I'm just telling ya what I have heard > other experts say. I say again if I had an F8N best believe it bro 192 KHZ 24 > bits is the first thing that gets set on it. Oh and on your clip on mics. If > they use the little head phone like plug they won't use phantum. They use > what's called plug in power. So you'll need the Zoom XYH6 peace or even the > XY H5 peace. Then connect them to that. > > On 2/9/2019 12:24 PM, Andy via Groups.Io wrote: >> Hi Dane and list. >> >> Further to my last message a few weeks ago when I advised that I had secured >> the assistance of my local bar maid to describe the layout and functions of >> my Zoom F8N, and that I had also secured assistance in setting my device up >> by the Radio Operations Manager at BBC Radio Scotlands flagship at Pacific >> Quay. >> >> Well guys all went very well indeed. >> >> I recorded the bar maid on my old Olympus DS50, so I can return to that as >> often as I need. The BBC engineer's visit was slightly later than planned >> and I simply forgot all about making a recording! Shame that. >> >> Anyway Dane. You were right, the functionality is laid out very simply and >> very tactilly and like you said, it's going to be a piece of cake. >> >> Although I was wanting him to set up 24 bit WAV at 192, he recomended >> against this and droped to the standard of 40 or 48. He stated that the >> human ear really could not tell the difference. I just wanted it because it >> was there. >> >> After he asked me of the kind of recording I did, he recommented that tracks >> 1 through 4 should be on microphone and tracks 5 through 8 Line in. >> >> Anyway I couldn't argue with a sound engineer of our capital radio station, >> haha. >> >> Anyway it's all done now and I intend to use my old X Y and Side angle >> microphones to plug directly into the device for desk-top or table-top >> recordings. >> >> But it's a Field Recorder so I want to get out and about in the streets and >> record things, so the clip-on microphones will be of little use as the >> device will be in a sound bag. >> >> So I'm looking for a good microphone that I can attach to my jacket. >> >> I would love to use my BSM Binaural microphones for this but I don't know >> exactly how to do this. Obviously I'd need an adaptor to take the small >> plug up to quarter of an inch. But would I need Phantom power turned on, on >> that channel? >> >> One thing is for sure I cannot walk through the streets of Glasgow with a >> guide dog on my left, a sound bag hanging from my right and me holding a >> microphone out in front of me. This is why I like the BSm 9 Clip on >> microphones. >> >> Any advice regarding how best to use my BSM binaural microphones out of >> doors or an alternative type of body microphone that anyone can recommend >> would be very helpful. >> >> Very best wishes. >> >> Andy. >> >> - Original Message - From: "Dane Trethowan" >> >> To: >> Sent: Saturday, January 26, 2019 1:47 AM >> Subject: Re: [all-audio] To Dane and list >> >> >> I’m not laughing and I’m very lucky I guess in that I’m curious and I get >> some sighted assistance every now and then to give me a hand. >> Firstly the Zoom F8N stands on 4 rubber feet which are placed on the bottom >> of the recorder so you know where the bottom is by the feel of the rubber >> feet. >> The top is easily identified by 4 slotted screws that hold the recorder into >> the rack mount. >> There is a handle on each side of the recorder so when the recorder is >> standing on its rubber feet these each handle will
Re: [all-audio] To Dane and list
h that's 1 of the things I've been putting to the test with my H6. That whole the human ear can't hear super HD 96 KHZ or 192 KHZ 24 bits audio thing. Now if you think of it as a frequency responce thing that should be true. Hell not only can't you hear it, most condencers can't. But it's not necessarily a frequency thing. Another ingenier on Scott Wilkinson's Home Theater Geeks show explained it this way. Andy you were right. It's a resolution thig. It's like being able to take 192 pictures per second. He compaired it to the rappid fire camera shutter clicking you hear at presidentual things or what not. The 24 bits gives you more open dinamic range. Things don't over load and destort as easy I suppose and you can get louder and quieter in 24 bits. Again someone help out here if you wish I'm no real audio expert like Neal or this man that helped you out Andy. But I'm just telling ya what I have heard other experts say. I say again if I had an F8N best believe it bro 192 KHZ 24 bits is the first thing that gets set on it. Oh and on your clip on mics. If they use the little head phone like plug they won't use phantum. They use what's called plug in power. So you'll need the Zoom XYH6 peace or even the XY H5 peace. Then connect them to that. On 2/9/2019 12:24 PM, Andy via Groups.Io wrote: Hi Dane and list. Further to my last message a few weeks ago when I advised that I had secured the assistance of my local bar maid to describe the layout and functions of my Zoom F8N, and that I had also secured assistance in setting my device up by the Radio Operations Manager at BBC Radio Scotlands flagship at Pacific Quay. Well guys all went very well indeed. I recorded the bar maid on my old Olympus DS50, so I can return to that as often as I need. The BBC engineer's visit was slightly later than planned and I simply forgot all about making a recording! Shame that. Anyway Dane. You were right, the functionality is laid out very simply and very tactilly and like you said, it's going to be a piece of cake. Although I was wanting him to set up 24 bit WAV at 192, he recomended against this and droped to the standard of 40 or 48. He stated that the human ear really could not tell the difference. I just wanted it because it was there. After he asked me of the kind of recording I did, he recommented that tracks 1 through 4 should be on microphone and tracks 5 through 8 Line in. Anyway I couldn't argue with a sound engineer of our capital radio station, haha. Anyway it's all done now and I intend to use my old X Y and Side angle microphones to plug directly into the device for desk-top or table-top recordings. But it's a Field Recorder so I want to get out and about in the streets and record things, so the clip-on microphones will be of little use as the device will be in a sound bag. So I'm looking for a good microphone that I can attach to my jacket. I would love to use my BSM Binaural microphones for this but I don't know exactly how to do this. Obviously I'd need an adaptor to take the small plug up to quarter of an inch. But would I need Phantom power turned on, on that channel? One thing is for sure I cannot walk through the streets of Glasgow with a guide dog on my left, a sound bag hanging from my right and me holding a microphone out in front of me. This is why I like the BSm 9 Clip on microphones. Any advice regarding how best to use my BSM binaural microphones out of doors or an alternative type of body microphone that anyone can recommend would be very helpful. Very best wishes. Andy. - Original Message - From: "Dane Trethowan" To: Sent: Saturday, January 26, 2019 1:47 AM Subject: Re: [all-audio] To Dane and list I’m not laughing and I’m very lucky I guess in that I’m curious and I get some sighted assistance every now and then to give me a hand. Firstly the Zoom F8N stands on 4 rubber feet which are placed on the bottom of the recorder so you know where the bottom is by the feel of the rubber feet. The top is easily identified by 4 slotted screws that hold the recorder into the rack mount. There is a handle on each side of the recorder so when the recorder is standing on its rubber feet these each handle will be protruding from either side of the recorder. The display of the recorder therefor is on the front left with the control panel taking up the rest of the area on the front panel. On the left hand side you have tracks 1 through 4 as XLR/TRS inputs along with the 2 SD Card slots and the multi function USB port. On the right hand side you have tracks 5 through 8 XLR/TRS inputs along with the external power supply socket mini XLR out sockets, a sub output socket and the headphones socket. On the back from left to right there is the Zoom Capsule connector which has a cover over it, 2 sockets which are for Time syncing with a video camera and so on and the 9 volts DC power socket for the supplied AC
[all-audio] My Version Of Tapin Radio
Okay; the version of Tapin Radio that I have is v2 1 1 2x64 Hope this will help! Tom Kaufman -=-=-=-=-=-=-=-=-=-=-=- Groups.io Links: You receive all messages sent to this group. View/Reply Online (#1899): https://groups.io/g/all-audio/message/1899 Mute This Topic: https://groups.io/mt/29715537/21656 Group Owner: all-audio+ow...@groups.io Unsubscribe: https://groups.io/g/all-audio/leave/1074140/405281159/xyzzy [arch...@mail-archive.com] -=-=-=-=-=-=-=-=-=-=-=-
[all-audio] Tapin Radio Question: Scheduling
Hello List: Have a question concerning the paid version of Tapin Radio (which I do have) this version enables one to schedule an event." But I've been wondering (and have been told that it should be able to be done) so if you have scheduled an event; then discover that you have made a mistake and need to change something? With the version I have (can't remember exactly which version number it is) will come back with that info in a bit; meanwhile, it would seem that once I've scheduled the task and "okayed it".there is no way to go back and fix anything! Am I missing something here? A friend of mine tried to show me how to do this! But her version has options that my version of Tapin Radio does not seem to have! So if anyone on here knows anything about how one goes about accomplishing this, I'd love to hear from you! Thanks in advance! Tom Kaufman (U.S.A.) -=-=-=-=-=-=-=-=-=-=-=- Groups.io Links: You receive all messages sent to this group. View/Reply Online (#1898): https://groups.io/g/all-audio/message/1898 Mute This Topic: https://groups.io/mt/29715493/21656 Group Owner: all-audio+ow...@groups.io Unsubscribe: https://groups.io/g/all-audio/leave/1074140/405281159/xyzzy [arch...@mail-archive.com] -=-=-=-=-=-=-=-=-=-=-=-
