[SlimDevices: Audiophiles] Re: NorthStar 192 or Meridian 563 or Musical Fidelity A324?

2006-11-03 Thread P Floding

pingpong;152150 Wrote: 
 Hi,
 
 Looking for used DAC To partner with the SB3 to improve the sound. Over
 at my place, I could get the NorthStar 192 or Meridian 563 or Musical
 Fidelity A324 at about the same price.
 
 May I know which is most compatible with the SB3. Looking for warm,
 lush and laid back kind of sound. Bright and forward is a big no no.
 
 TIA.
 
 Rgds

As long as transports affect the sound of the DAC this is a tough
question to answer. Some people might give you definitive answers,
but I would be sceptical unless they also specified what transport this
is valid for. (And method of connection.)

Some people here used to promote the Lavry, which supposedly is
unaffected by choice of transport, but now some of these same people
seem to prefer the Transporter. (Although I don't believe the
Transporter has been claimed to reject input jitter 100%, so it may not
be as good for other external digital sources.)


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[SlimDevices: Audiophiles] Re: Newbie seeking the best sound quality

2006-11-03 Thread DirectViewer

tomjtx;152134 Wrote: 
 I was thinking the theta was a dac only.
 But I think you should try the TP dac and run its analog using the
 theta as a line level preamp.
 You can also run the TP straight to the amp, but use the attenuation
 inside the TP that works through the RCA outs.
 There is a thread on this with much more detail.
 You might like the TP dac more than the theta but you will only know if
 you try it.
 The reason I recommend at least a week is that the TP,to my ears,
 improves a lot with time. It's great out of the box, but even better
 after a few weeks IMHO

Thanks, Tom, I'll give it a try.


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[SlimDevices: Audiophiles] Re: NorthStar 192 or Meridian 563 or Musical Fidelity A324?

2006-11-03 Thread adamslim

pingpong;152150 Wrote: 
 Hi,
 
 Looking for used DAC To partner with the SB3 to improve the sound. Over
 at my place, I could get the NorthStar 192 or Meridian 563 or Musical
 Fidelity A324 at about the same price.
 
 May I know which is most compatible with the SB3. Looking for warm,
 lush and laid back kind of sound. Bright and forward is a big no no.
 
 TIA.
 
 Rgds

I was very pleased to sell my Meridian 566 DAC a few years ago - my
Shanling (CD player) sounds vastly better than the Meridian did; the
Meridian was detailed but lacked warmth and air, to my ears.

Given the kind of sound you seem to like, it might be worth looking at
the non-os DACs currently available - Derek Shek, Monica2 and mhdt, for
example.  They are just £75-£200 ($150-350), so a bit of a no-risk buy
in the scheme of things.  I'm thinking of getting one just to play :)

Adam


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[SlimDevices: Audiophiles] Re: TP changes with break in

2006-11-03 Thread Jenks

I am not hoping for or expecting anyone to believe in burn in - the
issue is not a religious one.  But I hope there is enough here to
caution about making hasty judgements about the sound of any component
- regardless of what it is that burns in.  That's all...


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[SlimDevices: Audiophiles] Re: Newbie seeking the best sound quality

2006-11-03 Thread tomjtx

DirectViewer;152165 Wrote: 
 Thanks, Tom, I'll give it a try.

Ley us know what you end up liking the best.


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[SlimDevices: Audiophiles] Re: NorthStar 192 or Meridian 563 or Musical Fidelity A324?

2006-11-03 Thread mitchjstein

I have the NorthStar and like it alot, very detailed without being hard
to listen to, it pairs well to the Squeezebox. Unfortunately I have
them hooked up to all tube equipment. I listened to the Meridian and
Northstar on solid state and went with the Northstar.

The Musical fidelity equipment is top notch British sound. Stick to
these two.


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[SlimDevices: Audiophiles] Re: NorthStar 192 or Meridian 563 or Musical Fidelity A324?

2006-11-03 Thread Jitterbug

I use a eoku soundbridge with an A324 in a secondary system and have
never really enjoyed the sound. I find it cold and lifeless. This may
be because of the upsampling. 

By comparison, in my other system I use an SB3 integrated with a RAKK
DAC and the sound is much warmer and more detailed. 

I have also swapped aropund the components and find the results from
the A324 consistently poor. This piece of equipment got some
extraordinary reviews at the time of release which I have not been able
to understand.


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[SlimDevices: Audiophiles] Re: TP changes with break in

2006-11-03 Thread CardinalFang

Jenks;152190 Wrote: 
 I am not hoping for or expecting anyone to believe in burn in - the
 issue is not a religious one.  But I hope there is enough here to
 caution about making hasty judgements about the sound of any component
 - regardless of what it is that burns in.  That's all...

I don't think the problem is that burn-in per se is hard to believe for
many components, it's just that sometimes wild explanations are plucked
out of the air by some audiophiles and that detracts from the
plausability. Things do settle in over time in many situations, 
especially when there are mechanical components, but cables don;t move
as a rule unless you have very big fields being generated.

In point of fact, I have seen, or more correctly heard, cables moving.
In my youth I worked for an industrial automation company and one of
the products was control systems for huge motors and other electrical
systems that required big, big currents. If they went unstable
(hysteresis in the control loops, hunting, bad programming etc.) then
sudden peaks in current could be generated and it was enough to make
the cables bang against the metal trunking...


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[SlimDevices: Audiophiles] Re: NorthStar 192 or Meridian 563 or Musical Fidelity A324?

2006-11-03 Thread adamslim

Jitterbug;152248 Wrote: 
 ...never really enjoyed the sound. I find it cold and lifeless. This may
 be because of the upsampling. 

I turn the upsampling off in my Shanling.  I find that it seems to
throw detail forwards, rather than leaving it in place.  Superficially
it sounds better, but it's just not as 'right'.

I did hear an upsampling dcS full monty system some time ago and it
sounded astonishing, though.  It was a £20k CD system in a full system
worth well north of £100k all-in, so I suppose it should...

Adam


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[SlimDevices: Audiophiles] Re: NorthStar 192 or Meridian 563 or Musical Fidelity A324?

2006-11-03 Thread ezkcdude

adamslim;152268 Wrote: 
 
 I did hear an upsampling dcS full monty system some time ago and it
 sounded astonishing, though.  It was a £20k CD system in a full system
 worth well north of £100k all-in, so I suppose it should...
 
 Adam

Ummm...You don't think that other gear might have made the Shanling
sound nice, too? Comparing DAC's in completely different systems is
completely worthless. What you need to do is spend $100K and surround
your A/B comparison with really nice gear, volume match, do DBT, and
then tell us what you think about each DAC.


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SB3-EZDAC-MIT Terminator 2 interconnects-Endler Audio 24-step
Attenuators (RCA-direct)-Parasound Halo A23 125W/ch amplifier-Speltz
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[SlimDevices: Audiophiles] Re: NorthStar 192 or Meridian 563 or Musical Fidelity A324?

2006-11-03 Thread Coffee

(Can someone tell me how to quote a previous message?)

'ezkcdude': you mentioned doing a DBT to confirm if the differences are
real. I notice that you list MIT cables as part of your equipment. Have
you done DBT tests with the MIT cables and confirm that they indeed
give you a different sound?


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[SlimDevices: Audiophiles] Re: NorthStar 192 or Meridian 563 or Musical Fidelity A324?

2006-11-03 Thread ezkcdude

Coffee;152296 Wrote: 
 (Can someone tell me how to quote a previous message?)
 
 'ezkcdude': you mentioned doing a DBT to confirm if the differences are
 real. I notice that you list MIT cables as part of your equipment. Have
 you done DBT tests with the MIT cables and confirm that they indeed
 give you a different sound?

Nope, but I didn't make any claims about their superiority, did I?

Oh, and to answer your parenthetical, just hit the Quote button. You
can quote me on that.


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SB3-EZDAC-MIT Terminator 2 interconnects-Endler Audio 24-step
Attenuators (RCA-direct)-Parasound Halo A23 125W/ch amplifier-Speltz
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He's not hi-fi, he's my stereo.

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[SlimDevices: Audiophiles] Toslink cable test

2006-11-03 Thread mschlack

I recently changed my SB1 setup to go through my BelCanto II DAC. This
has one coax and one optical input, and as my Pioneer Elite DV-59Avi
universal player uses the coax for Redbook output, I had to go optical.
I took the opportunity to trial cables and was surprised at the
difference they made.

I started with a Radio Shack level $10 cable, went to an $80 Kimber
Toslink, an $85 AQ Optilink 1 and then an AQ $200 Optilink 3. I found
very discernible differences. I was mostly looking for detail and used
two test cuts that have a lot of detail. I compared the cuts to the CD
through the same DAC, using a Kimber Illuminations DV-60 coax cable and
to each of the optical cables. The Radio Shack cable had a noticeable
drop in detail compared to the CD/coax. The Kimber and Optilink 1 were
similar -- a step up but not up to the level of the CD/coax combo.

The Optilink 3 was indistinguishable from the CD/coax combo. I also
tried the DV-60 with the SB and that was indistinguishable for me from
either the Optilink3 or the CD/coax combo.

I have to say that using a $200 cable to connect a $250 device took a
bit of mental gymnastics for me. But considering it's part of a system
with my server and DAC, that made sense. In the end, I'm getting good
CD quality playback with all of the advantages of a media server, so
spending the extra $120 or so isn't really that big a deal.


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[SlimDevices: Audiophiles] Re: NorthStar 192 or Meridian 563 or Musical Fidelity A324?

2006-11-03 Thread adamslim

ezkcdude;152283 Wrote: 
 Ummm...You don't think that other gear might have made the Shanling
 sound nice, too? Comparing DAC's in completely different systems is
 completely worthless. What you need to do is spend $100K and surround
 your A/B comparison with really nice gear, volume match, do DBT, and
 then tell us what you think about each DAC.

Yeah indeed - mine was a lighthearted comment that perhaps there is
nothing wrong with upsampling in principle, as long as it's done
carefully.

I am often not a fan of DBT: of course it is the right way to detect
differences, but I find that the volume matching is very difficult (by
ear, anyway).  Even when you consider the differences, it is often not
a meaningful difference - which is, really, better?  I prefer to live
with equipment for some time and consider how much I'm really enjoying
the music.  The problems of my approach, too, are all to obvious to
me!

Coffee: to quote, just click the quote button on the right.  Unless you
are subscribing by email, in which case I don't know!  You could always
put Quote and /Quote in square brackets.  Try editing one of your
posts to see.

Adam


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[SlimDevices: Audiophiles] Re: Toslink cable test

2006-11-03 Thread jeffluckett

Did you in any way blind this test?  How can you be sure your
expectation of better sound from the high-dollar cable didn't color
your perception of sound quality?

What factors could possibly affect signal transmission over a short run
in an optical cable enough to produce an actual audible change?

In cables that rely on electrical conduction (especially in the analog
realm) I can see, up to a point, how a quality cable could outperform a
cheapo. This is not to say I beleive that price-point translates to
quality after a certain point ... there is a point at which I think
people are paying for peace of mind and brand recognition, and some
cable-makers boat.

In optical transmission, how much signal degradation could possibly
exist over a 3-6 foot run assuming that the cable is above dirt cheap
quality?

I'm not posting to be a wise guy ... I really want to know technical
details (not back of the package marketing-speek) how a $200.00 toslink
optical cable outperforms a quality cable at a more reasonable price
point?


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[SlimDevices: Audiophiles] Re: NorthStar 192 or Meridian 563 or Musical Fidelity A324?

2006-11-03 Thread Coffee

ezkcdude;152299 Wrote: 
 Nope, but I didn't make any claims about their superiority, did I?
 
 Oh, and to answer your parenthetical, just hit the Quote button. You
 can quote me on that.

Understood. That's why I was careful not to say 'better', but
'different'.

I'm not trying to provoke anybody. As an electrical engineer (but not
one who specializes in audio equipment, few are) I have always wondered
what any engineer can possibly do to a cable to make it transmit audio
frequency signals better, other than reducing the resistance and
increasing the capacitance. It is possible, I suppose, that there are
some phenomena that scientists have not figured out yet. So I am
perfectly willing to accept the possibility that super expensive cables
do sound different ('better' is subjective, 'different' is objective and
can be proven). Since you seem to believe in DBT tests, I was hoping you
can shed some light on this mystery.


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[SlimDevices: Audiophiles] Re: NorthStar 192 or Meridian 563 or Musical Fidelity A324?

2006-11-03 Thread ezkcdude

Well, I do believe DBT are the only way to truly detect real
differences, but I would not subject myself to such torture ;). Oh, and
I highly doubt that cables make a noticeable difference. When I first
became an audiophile I bought into all that hooey, but since then
I've changed my thinking. The final straw came this past year, as I've
designed my own DAC. Just understanding all the design decisions that
go into that, I laugh at anyone who spends $1000 on cables.


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[SlimDevices: Audiophiles] Re: Location of table of all supported formats and bitrates

2006-11-03 Thread CatBus

By supported, do you mean it works or SlimDevices will give me
official technical support for this.  That could be a significant
distinction.

Since server-side transcoding is very flexible, I'd say that any format
that can be understood by the server platform can work on the client. 
Since SlimServer runs on any platform you are likely to have, you could
safely say the clients work for every format you are likely to
consider.

So I guess you should specify what your exact needs are.  If you're
asking What works?, well, everything works.  I'm sure even MIDI files
could be made to work.  (Hey, that's a good idea...!)

I'd follow the ripping guideline in the Wiki
(http://wiki.slimdevices.com/index.cgi?BeginnersGuideToFileFormats)

FLAC is a good choice for the uncertain.  Even if you decide at a later
time that you want to use a different format, because it's lossless, you
can safely convert to a new format without losing any data (unless you
choose to convert to a lossy format).  Also use EAC if it works on your
platform--not all CD rippers are created equal.


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[SlimDevices: Audiophiles] Re: Newbie seeking the best sound quality

2006-11-03 Thread DirectViewer

tomjtx;152224 Wrote: 
 Ley us know what you end up liking the best.

Yes, I shall.

My first step will be to download and install Slim Server because I
need to have that running smoothly before the hardware can work.


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[SlimDevices: Audiophiles] Re: Toslink cable test

2006-11-03 Thread TiredLegs

jeffluckett;152305 Wrote: 
 Did you in any way blind this test?  How can you be sure your
 expectation of better sound from the high-dollar cable didn't color
 your perception of sound quality?
 
 What factors could possibly affect signal transmission over a short run
 in an optical cable enough to produce an actual audible change?
 
 In cables that rely on electrical conduction (especially in the analog
 realm) I can see, up to a point, how a quality cable could outperform a
 cheapo. This is not to say I beleive that price-point translates to
 quality after a certain point ... there is a point at which I think
 people are paying for peace of mind and brand recognition, and some
 cable-makers boat.
 
 In optical transmission, how much signal degradation could possibly
 exist over a 3-6 foot run assuming that the cable is above dirt cheap
 quality?
 
 I'm not posting to be a wise guy ... I really want to know technical
 details (not back of the package marketing-speek) how a $200.00 toslink
 optical cable outperforms a quality cable at a more reasonable price
 point?

I'm with you in the skeptics department on this one. I tried both a $30
bargain glass fiber cable and a $70 Monster (plastic fiber) and could
not distinguish any audible difference between them, although it took
about 30 seconds to make the swap each time, so it's hard to say with
certainty. However, I also compared TOSLINK to coax, which I could do
very easily and instantly via a flip of a switch on my DAC, without it
producing any click or gap during the change. Those two were so
indistinguishable that I wasn't even sure the DAC was making the switch
until I unplugged the TOSLINK cable while listening. (Don't try that
with the coax!)

I'd bet any responses you get claiming there's a difference will
include the word jitter.


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[SlimDevices: Audiophiles] Re: Toslink cable test

2006-11-03 Thread Mark Lanctot

I can't understand how there can be differences in digital cables.

As I understand it, in an optical cable, the S/PDIF reciever is looking
for a change in state between bright and dim, not bright and dim
themselves, but the transition.  I suppose a sub-par cable would make
this job difficult and it may miss a state change or two.  Not too much
though or you'd lose synch with the stream and get a dropout.

As these signals form part of a PCM digital code, I fail to understand
how missing the occasional transition could have a consistent,
continuous audible effect.  Any audible effect would have to be
specifically written as part of the PCM code.  You'd actually have to
purposefully encode brightness or detail or specifically remove it from
the signal at the originating S/PDIF transciever. Again, you may miss a
transition or two, which I suppose could affect sound, but not too many
or you lose the stream.

How the cable affects jitter I'm not sure, but jitter is quite a small
effect, and as bad as it is, I've never heard anyone accurately
describe it.  About the best I have ever read is that it affects
airiness and spaciousness.  Pretty difficult for a universal agreement
given each person's hearing and equipment...

Optical engineers in the telecommunications industry must be laughing
at the audiophile community.  They are concerned with data rates in the
Gbps range over many miles, and audiophiles are worried about 1.5 Mbps
signals over a few feet.

I'm not much of an analog cable difference believer either, but at
least there, there's stuff you can pick up (EMI) and effects which will
be directly reproduced at the speakers.


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[SlimDevices: Audiophiles] Re: Trasporter display configuration - done much?

2006-11-03 Thread ceejay

Hi

sorry to hijack your thread but having a similar dilemma.  Also using
MusicInfoScr and don't seem to be able to get what I'm looking for...

The issue seems to be that its not possible to set up the right hand
display so that it can be used for Analog VU meters (which look really
good on the Transporter) in screensaver mode and for extended text in
now playing mode.

The reasoning is that most of the time when listening I just want a
subset of info (I can get this on the left display) with the VU eye
candy ... but if I want the full lowdown on what I'm listening to I
just press NowPlaying and get the full set of text info on both
displays.  

I can do something like this if I have no visualiser on the right, or
with the SpectrumAnalyser with text on top, but thats not what I want.

Have I missed something? Am I asking for the impossible? Or is this an
enhancement request I see before me?

Any comments very welcome...

Ceejay


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[SlimDevices: Audiophiles] Re: Trasporter display configuration - done much?

2006-11-03 Thread Mark Lanctot

I was also thinking the Transporter screens aren't fully utilized to
their advantage yet.  There's twice as much real estate now, more VFD
pixels than nearly any other device you can think of.

One cosmetic thing: when both screens are in spectrum analyzer mode and
the now playing text comes flying in from the right, this only takes
place on the left-hand screen like on the SB3.  This looks a little odd
and truncated on the Transporter, it looks like it's coming in from the
knob.  ;-)  It would look better if it flew in from the right screen,
across it, then onto the left screen, perhaps after a slight pause as
it goes through the knob panel.

Also I was thinking of a pure data screensaver that would use both
displays.  Bars for buffer fullness and signal strength then text
showing the bitrate and sample depth.

Both these may be simple enough that I just might be able to muddle
through and figure something out on my own, but if anyone is
interested, go ahead.


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[SlimDevices: Audiophiles] Re: Toslink cable test

2006-11-03 Thread P Floding

Mark Lanctot;152320 Wrote: 
 I can't understand how there can be differences in digital cables.
 
 As I understand it, in an optical cable, the S/PDIF reciever is looking
 for a change in state between bright and dim, not bright and dim
 themselves, but the transition.  I suppose a sub-par cable would make
 this job difficult and it may miss a state change or two.  Not too much
 though or you'd lose synch with the stream and get a dropout.
 
 As these signals form part of a PCM digital code, I fail to understand
 how missing the occasional transition could have a consistent,
 continuous audible effect.  Any audible effect would have to be
 specifically written as part of the PCM code.  You'd actually have to
 purposefully encode brightness or detail or specifically remove it from
 the signal at the originating S/PDIF transciever. Again, you may miss a
 transition or two, which I suppose could affect sound, but not too many
 or you lose the stream.
 
 How the cable affects jitter I'm not sure, but jitter is quite a small
 effect, and as bad as it is, I've never heard anyone accurately
 describe it.  About the best I have ever read is that it affects
 airiness and spaciousness.  Pretty difficult for a universal agreement
 given each person's hearing and equipment...
 
 Optical engineers in the telecommunications industry must be laughing
 at the audiophile community.  They are concerned with data rates in the
 Gbps range over many miles, and audiophiles are worried about 1.5 Mbps
 signals over a few feet.
 
 I'm not much of an analog cable difference believer either, but at
 least there, there's stuff you can pick up (EMI) and effects which will
 be directly reproduced at the speakers.

You are probably posting in the wrong forum.
Jitter is well known to cause nasty digititis.


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[SlimDevices: Audiophiles] Re: Toslink cable test

2006-11-03 Thread Mark Lanctot

P Floding;152326 Wrote: 
 You are probably posting in the wrong forum.
 Jitter is well known to cause nasty digititis.

OK, post edited, but I stand by the rest of it.

The Squeezebox/Transporter are very low-jitter devices and they sound
better than most other audio sources, so there must be something to
it.

I guess I don't know enough about it to comment.  However I'd think the
room and speakers would have an effect many orders of magnitude higher.


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[SlimDevices: Audiophiles] Re: 24/96 on Transporter: should it work?

2006-11-03 Thread emeraldcityeg

Hey guys,

Update...  I got the 7db high-gain antennas from Linksys for my WAP54G
(I know its an old school AP but it works great) and then installed the
3.04 Hyperwap firmware to boost my TX power a little.  I'm getting an
89% avg signal strength at the Transporter which is 2 rooms away with a
microwave in between.  I played 3 albums last night at 24/96 FLAC with
only one stutter which I believe was caused by a heavy load on my
server, not a wireless dropout.

Cheers,
dd


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[SlimDevices: Audiophiles] Re: Toslink cable test

2006-11-03 Thread jeffluckett

P Floding;152328 Wrote: 
 That could possibly be because they are identical, and the Monster label
 costs the additional $40.

I recently purchased an HDTV, and was agape at the cost of HDMI cables
that were readily available, so I started reading reviews of the
various cables to see if the cost could at all be justified.

I found a review that tested a range of cables from a $10.00 no-name up
to the top-shelf offering from Monster costing over $100.00.

In bench tests, they could find no measurable difference.  In viewing
tests they actually found a difference ... the cheaper cables actually
ALL fared better than the Monster cable.

The reason the Monster cable fared worse than the competition was due
to EXACTLY the reason that Monster justifies thier extreme cost.  HDMI
connectors have no locking mechanism.  The Monster cable turned out to
be so thick and heavy, it was pulling on the connector causing signal
dropout. Ironic, no?

In the end, I bought a cheap cable off of eBay ... the picture is
beautiful.


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[SlimDevices: Audiophiles] Re: Toslink cable test

2006-11-03 Thread P Floding

Mark Lanctot;152331 Wrote: 
 OK, post edited, but I stand by the rest of it.
 
 The Squeezebox/Transporter are very low-jitter devices and they sound
 better than most other audio sources, so there must be something to it.
 
 I guess I don't know enough about it to comment.  However I'd think the
 room and speakers would have an effect many orders of magnitude higher.

Almost everyone with just a little experience of hifi thinks speakers
are the most important component. In my experience the source
components are usually the real bandits when sound is bad. That and
bad connectors (even internally in the speakers). Surprisingly good
sound can come out of very cheap speakers if everything else is in good
order!


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[SlimDevices: Audiophiles] Re: Toslink cable test

2006-11-03 Thread P Floding

jeffluckett;152334 Wrote: 
 I recently purchased an HDTV, and was agape at the cost of HDMI cables
 that were readily available, so I started reading reviews of the
 various cables to see if the cost could at all be justified.
 
 I found a review that tested a range of cables from a $10.00 no-name up
 to the top-shelf offering from Monster costing over $100.00.
 
 In bench tests, they could find no measurable difference.  In viewing
 tests they actually found a difference ... the cheaper cables actually
 ALL fared better than the Monster cable.
 
 The reason the Monster cable fared worse than the competition was due
 to EXACTLY the reason that Monster justifies thier extreme cost.  HDMI
 connectors have no locking mechanism.  The Monster cable turned out to
 be so thick and heavy, it was pulling on the connector causing signal
 dropout. Ironic, no?
 
 In the end, I bought a cheap cable off of eBay ... the picture is
 beautiful.

Obviously!
There is no need to test HDMI cables. Either they work or they don't.
The whole business of testing them is stupidity.

There are no timing issues with HDMI that can affect picture quality.


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[SlimDevices: Audiophiles] Re: Toslink cable test

2006-11-03 Thread jeffluckett

P Floding;152337 Wrote: 
 Obviously!
 There is no need to test HDMI cables. Either they work or they don't.
 The whole business of testing them is stupidity.
 
 There are no timing issues with HDMI that can affect picture quality.

Well, my point here was that HDMI is a digital cable ... as are toslink
and coax.

As long as it's capable of transparently delivering the bits from one
end to the other, there should be no effect on the delivered sound. 
I'd be surprised if a cable could introduce any meaningful amount of
jitter, as isn't that really a function of clock accuracy of the
device?

Anyway, you could more easily sell me on there being problems from
induced currents in a coax than you ever could on an optical cable. 
Either the bits arrive at thier destination or they don't.


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[SlimDevices: Audiophiles] Re: Toslink cable test

2006-11-03 Thread P Floding

jeffluckett;152340 Wrote: 
 Well, my point here was that HDMI is a digital cable ... as are toslink
 and coax.
 
 As long as it's capable of transparently delivering the bits from one
 end to the other, there should be no effect on the delivered sound. 
 I'd be surprised if a cable could introduce any meaningful amount of
 jitter, as isn't that really a function of clock accuracy of the
 device?
 
 Anyway, you could more easily sell me on there being problems from
 induced currents in a coax than you ever could on an optical cable. 
 Either the bits arrive at thier destination or they don't.

If the effect of jitter is real, which it is because it has been
measured, then the cables can affect jitter with most digital equipment
due to the way the clock recovery works. I agree that it seems less
likely that optical cables sound different, but I'm not prepared to
rule it out without doing the research first.

SPDIF is not comparable to HDMI. A 50 Hz picture with all bits being
dumped over HDMI a frame at a time is not comparable to streamed SPDIF.


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[SlimDevices: Audiophiles] Re: Toslink cable test

2006-11-03 Thread Mark Lanctot

P Floding;152335 Wrote: 
 Almost everyone with just a little experience of hifi thinks speakers
 are the most important component. In my experience the source
 components are usually the real bandits when sound is bad. That and
 bad connectors (even internally in the speakers). Surprisingly good
 sound can come out of very cheap speakers if everything else is in good
 order!

Yes but it's likely been many, many years since you had/heard
entry-level speakers.  I would imagine you're going from $5000/pr
speakers to $6000/pr speakers now, surely the gains are smaller than
going from $100/pr Cerwin Vegas to $1000/pr Energy Cs like I did...the
difference was immense.  I've changed amplification 4 times since then
with much smaller effects, and I went from a DVD player playing CDs to
a Squeezebox 3 then a Transporter with good increases in sound quality
each time, but not nearly as much as with the speakers.

Plus going from one room to another when I moved had a huge effect as
well, unfortunately, not for the better.

This is OT though.


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[SlimDevices: Audiophiles] Re: Toslink cable test

2006-11-03 Thread P Floding

Mark Lanctot;152343 Wrote: 
 Yes but it's likely been many, many years since you had/heard
 entry-level speakers.  I would imagine you're going from $5000/pr
 speakers to $6000/pr speakers now, surely the gains are smaller than
 going from $100/pr Cerwin Vegas to $1000/pr Energy Cs like I did...the
 difference was immense.  I've changed amplification 4 times since then
 with much smaller effects, and I went from a DVD player playing CDs to
 a Squeezebox 3 then a Transporter with good increases in sound quality
 each time, but not nearly as much as with the speakers.
 
 Plus going from one room to another when I moved had a huge effect as
 well, unfortunately, not for the better.
 
 This is OT though.

The whole forum is OT it seems! :-D
My other system has $200 speakers. Sounds pretty good with a T-amp
driving them.

P.S: Unless you have looked into contact cleaning, now is the time...


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[SlimDevices: Audiophiles] Re: Location of table of all supported formats and bitrates

2006-11-03 Thread CatBus

Ah, with that I'm afraid I can't help you.  You could always experiment
yourself to find out, but that's certainly not as easy as a simple
chart.


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[SlimDevices: Audiophiles] Re: Location of table of all supported formats and bitrates

2006-11-03 Thread SuperQ

ctbarker32;152314 Wrote: 
 Hi,
 
 I am a very happy three SB3 household.
 
 As I convert my couple thousand CD collection to my SB3 network, I
 often find my self asking if SB3 supports this or that.
 
 For example, I would like to have in one place on the web site a table
 listing all the formats and permutations supported by the Slimdevices
 products. I may be wrong, but I do not believe this exists?
 
 Things that I often have to dig around to confirm are such things as:
 
 1. SB3 supports native FLAC on all OS environments up to 48k 24bit?
 Higher rates are down converted except on the Transporter?
 
 2. WMA Lossless is only supported when the server is run on a Windows
 OS. WMA Lossless requires extra royalites? Has there ever been the
 thought that one could pay extra for a WMA Lossless firmware for those
 that want it?
 
 3. SB3 firmware supports WMA lossy, MP3, FLAC, Ogg in firmware (i.e.
 natively). Other formats are supported depending on host OS for the
 server.
 
 Thanks for any help.
 
 -CB

Have you looked at this page:
http://wiki.slimdevices.com/index.cgi?HardwareComparison

That should be the definitive guide to the hardware.


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[SlimDevices: Audiophiles] Re: Location of table of all supported formats and bitrates

2006-11-03 Thread ctbarker32

SuperQ;152368 Wrote: 
 Have you looked at this page:
 http://wiki.slimdevices.com/index.cgi?HardwareComparison
 
 That should be the definitive guide to the hardware.

Yes, I have looked at this but it illustrates my point in that it is
less than definitive in in its information. For example there is no
information on what bit rates and sample rates are supported by FLAC.
It does not differentiate that some codecs can be supported depending
on what OS the slimserver is hosted on. I'm just asking for clear
complete display of information. Right now these odd bits of info are
scattered all over.

-CB


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[SlimDevices: Audiophiles] Re: Suggested amplifier for Transporter?

2006-11-03 Thread shane

You could always ask these guys:

http://www.world-designs.co.uk/forum/index.php


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[SlimDevices: Audiophiles] Re: Toslink cable test

2006-11-03 Thread opaqueice

jeffluckett;152340 Wrote: 
 
 Anyway, you could more easily sell me on there being problems from
 induced currents in a coax than you ever could on an optical cable. 
 Either the bits arrive at thier destination or they don't.

Not all digital standards are created equal - S/PDIF is synchronous,
meaning that the time at which the bits arrive is used to generate the
clock which controls the DAC, and therefore timing variations affects
the sound.  Something like TCP/IP, on the other hand, is asynchronous -
the bits arrive when they arrive, and if they don't arrive they get sent
again.  Not sure about HDMI, but from P Floding's comments I guess it's
asynchronous.

That said, in my own tests I was unable to distinguish between coax and
toslink, so I'd be very skeptical about any differences between toslink
cables.  I challenge anyone to distinguish between toslinks in a blind
test.


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[SlimDevices: Audiophiles] Re: Location of table of all supported formats and bitrates

2006-11-03 Thread Mark Lanctot

Why not make a page in the wiki?  That's what it's for.


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[SlimDevices: Audiophiles] PSU for SB?

2006-11-03 Thread Coffee

I noticed that many users are using a PSU with an SB3 and an external
DAC. If the DAC is a good one (that resamples the input digital
signal), why would a PSU to the SB3 make any difference? It's all
digital. I've never heard of anyone adding a PSU to a computer to make
it more 'accurate'!


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[SlimDevices: Audiophiles] Re: Toslink cable test

2006-11-03 Thread mschlack

First, let me agree that there's way too much emphasis on cables. I am
every bit the skeptic.

I did not do a blind fold test, but what I did do was observe the
ability to hear low-level details that are right on the edge of
resolution. I used A Case of You from Diana Krall's Live in Paris and
If I Were Blue from Patricia Barber's Verse. The former has a lot of
ambient stuff: people coughing, pedal noise, hall reverb. The latter
has a nylon string guitar solo where Neal Alger takes a few breaths,
moves around a bit on his chair, and of course, finger noise on the
strings. I have used these cuts on many systems, and believe me,
sometimes you can hear these things and sometimes you can't (even the
ones you know to expect).

I checked the volume with an SPL meter to make sure there were no level
differences. While all cables showed some of this low level detail,
there was a general correlation between price and detail. I re-listened
when I thought I had heard something that I didn't hear on a cheaper
cable, and verified every time.

That says nothing about imaging, general tonal quality, etc. But I
think the theory is that if you are dropping discreet low level events,
you are probably also dropping transients, minor harmonics and other
parts of the signal that make it life-like, contribute to imaging, and
so on. At least, that was my theory.

As to why, I don't know. I have read some articles on coax cables that
talk about reflection. Digital signals travel as a pulse. Some people
say that cables that don't strictly offer 75 ohm impedance can cause
internal reflections (possibly other factors there too besides the
impedance) that cause collisions between the pulses. That can lead to
zeros becoming ones and vice versa, and if that happens a lot, some of
the signal is degraded.

Can that happen to an optical signal? Beyond my expertise. I have
generally found optical to be inferior to digital, as have many people,
but I don't why that would be either.

I do know that if you talk to engineers who work in data
communications, they can verify that optical cable quality is certainly
an issue for high load or high distance, and that carriers, for example,
spend more on cables that need it (is it single-mode vs. multi-mode
fiber that's the difference?). That may or may not be relevant to
carrying a single audio signal for a short distance.

AQ's propaganda shows one being able to read a small e from a book
through the Optilink 3, and not through the 1, but my eyes are way past
being able to do that. Nice stunt, but I don't know if it's relevant or
not. Some of AQ's stuff seems full of it (most reviewers pooh-poohed
their battery-powered cable jackets, for example), so who knows?

To put it in perspective, the cheap Radio Shack cable was acceptable.
However, why would one buy a DAC, etc., if you weren't looking to
squeeze the most out of your setup? I don't own any cables more
expensive than this, so I'm not buying into Nordost Valhalla type
craziness, but I thought the $200 was worth it. I didn't really think
the $80 ones were better enough than the Radio Shack, though. YMMV


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[SlimDevices: Audiophiles] Re: Trasporter display configuration - done much?

2006-11-03 Thread ModelCitizen

ceejay;152321 Wrote: 
 Hi, sorry to hijack your thread
I'm very relieved someone did!
MC


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[SlimDevices: Audiophiles] Re: Toslink cable test

2006-11-03 Thread P Floding

mschlack;152393 Wrote: 
 First, let me agree that there's way too much emphasis on cables. I am
 every bit the skeptic.
 
 I did not do a blind fold test, but what I did do was observe the
 ability to hear low-level details that are right on the edge of
 resolution. I used A Case of You from Diana Krall's Live in Paris and
 If I Were Blue from Patricia Barber's Verse. The former has a lot of
 ambient stuff: people coughing, pedal noise, hall reverb. The latter
 has a nylon string guitar solo where Neal Alger takes a few breaths,
 moves around a bit on his chair, and of course, finger noise on the
 strings. I have used these cuts on many systems, and believe me,
 sometimes you can hear these things and sometimes you can't (even the
 ones you know to expect).
 
 I checked the volume with an SPL meter to make sure there were no level
 differences. While all cables showed some of this low level detail,
 there was a general correlation between price and detail. I re-listened
 when I thought I had heard something that I didn't hear on a cheaper
 cable, and verified every time.
 
 That says nothing about imaging, general tonal quality, etc. But I
 think the theory is that if you are dropping discreet low level events,
 you are probably also dropping transients, minor harmonics and other
 parts of the signal that make it life-like, contribute to imaging, and
 so on. At least, that was my theory.
 
 As to why, I don't know. I have read some articles on coax cables that
 talk about reflection. Digital signals travel as a pulse. Some people
 say that cables that don't strictly offer 75 ohm impedance can cause
 internal reflections (possibly other factors there too besides the
 impedance) that cause collisions between the pulses. That can lead to
 zeros becoming ones and vice versa, and if that happens a lot, some of
 the signal is degraded.
 
 Can that happen to an optical signal? Beyond my expertise. I have
 generally found optical to be inferior to digital, as have many people,
 but I don't why that would be either.
 
 I do know that if you talk to engineers who work in data
 communications, they can verify that optical cable quality is certainly
 an issue for high load or high distance, and that carriers, for example,
 spend more on cables that need it (is it single-mode vs. multi-mode
 fiber that's the difference?). That may or may not be relevant to
 carrying a single audio signal for a short distance.
 
 AQ's propaganda shows one being able to read a small e from a book
 through the Optilink 3, and not through the 1, but my eyes are way past
 being able to do that. Nice stunt, but I don't know if it's relevant or
 not. Some of AQ's stuff seems full of it (most reviewers pooh-poohed
 their battery-powered cable jackets, for example), so who knows?
 
 To put it in perspective, the cheap Radio Shack cable was acceptable.
 However, why would one buy a DAC, etc., if you weren't looking to
 squeeze the most out of your setup? I don't own any cables more
 expensive than this, so I'm not buying into Nordost Valhalla type
 craziness, but I thought the $200 was worth it. I didn't really think
 the $80 ones were better enough than the Radio Shack, though. YMMV

When it comes to coax my guess is that, provided the cable is properly
shielded, the contacs make the most difference. I have achieved
astonishing improvements by treating the contacts, so I wouldn't be the
least surprised if most of any differences are due to contact pressure
etc.


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[SlimDevices: Audiophiles] Re: PSU for SB?

2006-11-03 Thread P Floding

Coffee;152395 Wrote: 
 I noticed that many users are using a PSU with an SB3 and an external
 DAC. If the DAC is a good one (that resamples the input digital
 signal), why would a PSU to the SB3 make any difference? It's all
 digital. I've never heard of anyone adding a PSU to a computer to make
 it more 'accurate'!

Read here:
http://www.tnt-audio.com/clinica/jitter1_e.html


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[SlimDevices: Audiophiles] Re: Toslink cable test

2006-11-03 Thread jhm731

Part of the benefit of using Toslink or other fiber connections
is electrical isolation.

To properly evaluate Toslink vs Coax cables, you should disconnect the
Coax cable when listening to the Toslink.

All Toslink transceivers are not created equal, and like any
electronic devise, they benefit from a low noise power supply.


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[SlimDevices: Audiophiles] Re: Trasporter display configuration - done much?

2006-11-03 Thread Greg Erskine

I went through the same thing a few weeks ago and in the end went back
to the standard settings. Confused, you bet ya.


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[SlimDevices: Audiophiles] Will Transporter support video?

2006-11-03 Thread ackcheng

This media server looks good. Is half the price of transporter and
support video as well


http://www.neodigits.com/new/body/products/Xline/x5000.asp


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[SlimDevices: Audiophiles] Re: Will Transporter support video?

2006-11-03 Thread Mark Lanctot

http://forums.slimdevices.com/showthread.php?t=28615

It's really intended for a separate market.  BTW it's 1/4 the price of
the Transporter.

Personally I have no idea why the whole world is fascinated with video.
You have 100 000 devices to choose from in that field.  Why does Slim
Devices/Logitech have to enter that saturated market?


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[SlimDevices: Audiophiles] Re: PSU for SB?

2006-11-03 Thread Coffee

P Floding;152401 Wrote: 
 Read here:
 http://www.tnt-audio.com/clinica/jitter1_e.html

According to the reference [10] quoted by the 'tnt' article:

http://www.epanorama.net/documents/audio/spdif.html

Small jitter D/A conversion is implemented by using separate PLL
clocks for data recover and DAC and by using a buffering between data
recovery and DAC. 

Which makes sense. The SPDIF signals represent each bit by 2 edge
transitions. The original sampling frequency is known (44.1 kHz).
Therefore, by buffering the incoming bits a good DAC can eliminate all
the jitter introduced in the previous stages, regardless of the origin
of the jitter. I can understand that a good power supply is important
for the DAC itself, so that it doesn't generate its own jitter. But I
don't see why the power supply to the digital sections need to be so
perfect.


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[SlimDevices: Audiophiles] Re: PSU for SB?

2006-11-03 Thread DCtoDaylight

A good stable quiet supply reduces the jitter in digital circuits as
well.  Delay times and transition times of digital circuits are
dependant on the supply voltage, so more tightly controlling the
voltage can improve the amount of jitter.  Do some web searching on
over clocking the cpu in your PC, and you'll quickly see that tweeking
the supply voltages are an integral part of the procedure.

The clock and data are combined in the SPDIF signal, so any jitter in
the clock on the digital sending side has the potential to influence
the clock in the receiving DAC.

Hope this make sense!
Dave


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[SlimDevices: Audiophiles] Re: PSU for SB?

2006-11-03 Thread ezkcdude

DCtoDaylight;152418 Wrote: 
 
 The clock and data are combined in the SPDIF signal, so any jitter in
 the clock on the digital sending side has the potential to influence
 the clock in the receiving DAC.
 
 Hope this make sense!
 Dave

Well, if asynchronous resampling is used in the DAC, then the jitter
per se in the SPDIF signal becomes less important. However, noise can
be transmitted between components through the coaxial connection, so it
is good to isolate the transport from the DAC, if possible, with a pulse
transformer on the receiving end.


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[SlimDevices: Audiophiles] Re: Will Transporter support video?

2006-11-03 Thread fathom39

Mark 
Personally I have no idea why the whole world is fascinated with video.[/QUOTE 
Wrote: 
 
 
 Me neither.  And, somehow video has become a requirement on new
 portable music players.


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[SlimDevices: Audiophiles] Re: Will Transporter support video?

2006-11-03 Thread JJZolx

Mark Lanctot;152411 Wrote: 
 It's really intended for a separate market.
What market would that be?

 BTW it's 1/4 the price of the Transporter.
It is, isn't it?


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Jim

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[SlimDevices: Audiophiles] Re: Trasporter display configuration - done much?

2006-11-03 Thread JJZolx

I've found that turning off the (as yet) useless 2nd display to be the
best of all worlds.  Until someone thinks up a good use for the thing.


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