Re: [backstage] Last played songs?

2006-05-18 Thread Martin Belam
 I suspect at many points in the show, he's has on two different 
tracks, plus his own drum machine.



Well, that at least goes some way to explaining why I find it an 
intolerable racket ;-)


More seriously on this point, I think on this list there are a 
collection of people who are likely to be more tolerant of the 80/20 
rule than the general public. You would be astonished at the number of 
phone calls, yes *phone calls*, that the BBC gets to complain about 
typographical errors on news.bbc.co.uk or spelling mistakes on News 24 
captions or about pages failing to update on Ceefax. Dan is right to be 
wary.


m




James Mastros wrote:

On Tue, May 16, 2006 at 05:04:53PM +0100, Richard P Edwards wrote:

   Hi,
   I would like to add to this.
   If you look on the Pete Tong Radio 1 web-site, for example, you will see
   that a playlist is published as much as possible.

Note, by the way, that the Pete Tong show (if it's the one I'm thinking of;
I've only caught the beginning of it once -- not my cup of tea) contains
just about every possible special case.  It contains music mixed from the
source well in advance, it contains a live show, it probably contains single
performances split into multiple 2 hour chuncks.  It's likely nearly
impossible for even the majority of the transcript to be up live, and I
suspect at many points in the show, he's has on two different tracks, plus
his own drum machine.


   Two points come to mind...
   1. If the shows are specialist then it is very important that the audience
   has this information.
   2. In which ever case, for the sake of the music business and new artists,
   there should never be a situation where this information is not documented
   for MCPS/PRS etc..

I assume what you mean is so that the artists get paid.  There's a limit
to that, though.  Artists don't need to get paid for several weeks (possibly
several months).  They don't get paid for a few seconds of the song.  In
fact, I'm surprised they get paid directly by the BBC at all -- in the US,
the recording industry gives away tracks, including the right to play them
on air -- to the radio.  They consider it great advertising.  OTOH, around
here there's a lot more TV advertising for music.  (Not on the BBC,
obviously.)


   Therefore 80% actually online now, is far better than the odd piece
   missed, for everyone concerned. Anyway - what do those show producers do
   whilst on air?

Um, produce the show?  It takes a lot of effort to make this sort of thing
look effortless.  Who do you think listens to everybody calling the Jo
Whiley show?  (Which reminds me of another fun special case -- every morning
on her show at approx 10:30, she has a segment during which the entire point 
is that the audience doesn't know what tracks are being played in real-time, 
the 7 song shuffle.)


-=- James Mastros
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[backstage] Out of the Office

2006-05-18 Thread jclover
To whom it may concern;

I'm out of the office on annual leave and will return on Monday May 22. In the 
meantime I'll be checking emails on an occasional basis only.

Regards
Julian Clover
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RE: [backstage] Last played songs?

2006-05-18 Thread Kenneth Burrell-CAPITA
Yes I work in the area that takes the phone calls and e-mails from the
audience and am always amazed by what the comments and enquiries are.

Last week of the 24,610 contacts from the audience 114 were about Ceefax
and 35 complaints about errors and inaccuracies...

There will always have to be a balance between making information
available and the cost (resource and otherwise) to provide it.

Ken

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of Martin Belam
Sent: 18 May 2006 15:15
To: backstage@lists.bbc.co.uk
Subject: Re: [backstage] Last played songs?

  I suspect at many points in the show, he's has on two different 
tracks, plus his own drum machine.


Well, that at least goes some way to explaining why I find it an 
intolerable racket ;-)

More seriously on this point, I think on this list there are a 
collection of people who are likely to be more tolerant of the 80/20 
rule than the general public. You would be astonished at the number of 
phone calls, yes *phone calls*, that the BBC gets to complain about 
typographical errors on news.bbc.co.uk or spelling mistakes on News 24 
captions or about pages failing to update on Ceefax. Dan is right to be 
wary.

m




James Mastros wrote:
 On Tue, May 16, 2006 at 05:04:53PM +0100, Richard P Edwards wrote:
Hi,
I would like to add to this.
If you look on the Pete Tong Radio 1 web-site, for example, you
will see
that a playlist is published as much as possible.
 Note, by the way, that the Pete Tong show (if it's the one I'm
thinking of;
 I've only caught the beginning of it once -- not my cup of tea)
contains
 just about every possible special case.  It contains music mixed from
the
 source well in advance, it contains a live show, it probably contains
single
 performances split into multiple 2 hour chuncks.  It's likely nearly
 impossible for even the majority of the transcript to be up live, and
I
 suspect at many points in the show, he's has on two different tracks,
plus
 his own drum machine.
 
Two points come to mind...
1. If the shows are specialist then it is very important that the
audience
has this information.
2. In which ever case, for the sake of the music business and new
artists,
there should never be a situation where this information is not
documented
for MCPS/PRS etc..
 I assume what you mean is so that the artists get paid.  There's a
limit
 to that, though.  Artists don't need to get paid for several weeks
(possibly
 several months).  They don't get paid for a few seconds of the song.
In
 fact, I'm surprised they get paid directly by the BBC at all -- in the
US,
 the recording industry gives away tracks, including the right to play
them
 on air -- to the radio.  They consider it great advertising.  OTOH,
around
 here there's a lot more TV advertising for music.  (Not on the BBC,
 obviously.)
 
Therefore 80% actually online now, is far better than the odd
piece
missed, for everyone concerned. Anyway - what do those show
producers do
whilst on air?
 Um, produce the show?  It takes a lot of effort to make this sort of
thing
 look effortless.  Who do you think listens to everybody calling the Jo
 Whiley show?  (Which reminds me of another fun special case -- every
morning
 on her show at approx 10:30, she has a segment during which the entire
point 
 is that the audience doesn't know what tracks are being played in
real-time, 
 the 7 song shuffle.)
 
 -=- James Mastros
 -
 Sent via the backstage.bbc.co.uk discussion group.  To unsubscribe,
please visit
http://backstage.bbc.co.uk/archives/2005/01/mailing_list.html.
Unofficial list archive:
http://www.mail-archive.com/backstage@lists.bbc.co.uk/
 

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RE: [backstage] Out of the Office

2006-05-18 Thread Marc Gilbert
This could get annoying 

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of
[EMAIL PROTECTED]
Sent: 18 May 2006 15:56
To: backstage@lists.bbc.co.uk
Subject: [backstage] Out of the Office

To whom it may concern;

I'm out of the office on annual leave and will return on Monday May 22.
In the meantime I'll be checking emails on an occasional basis only.

Regards
Julian Clover
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RE: [backstage] Out of the Office

2006-05-18 Thread Ben Metcalfe
 To whom it may concern;
 
 I'm out of the office on annual leave and will return on 
 Monday May 22. In the meantime I'll be checking emails on an 
 occasional basis only.
 
 Regards
 Julian Clover

Lol, this could have got funny, and then very annoying.

I've removed Julian from the list and sent him an email inviting him
back when he has fixed his Out-Of-Office.


:)


Ben :: backstage.bbc.co.uk

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Re: [backstage] Out of the Office

2006-05-18 Thread Graeme Mulvaney
We used to have a 'game' at uni where we'd trigger email cascades and take bets on how high the load average would get before the mailserver went down. 

I thought out-of-office replies recognised mailinglists?

On 5/18/06, Marc Gilbert [EMAIL PROTECTED] wrote:
This could get annoying-Original Message-From: 
[EMAIL PROTECTED][mailto:[EMAIL PROTECTED]] On Behalf Of[EMAIL PROTECTED]
Sent: 18 May 2006 15:56To: backstage@lists.bbc.co.ukSubject: [backstage] Out of the OfficeTo whom it may concern;I'm out of the office on annual leave and will return on Monday May 22.
In the meantime I'll be checking emails on an occasional basis only.RegardsJulian Clover-Sent via the backstage.bbc.co.uk discussion group.To unsubscribe,
please visithttp://backstage.bbc.co.uk/archives/2005/01/mailing_list.html.Unofficial list archive:
http://www.mail-archive.com/backstage@lists.bbc.co.uk/-Sent via the backstage.bbc.co.uk discussion group.To unsubscribe, please visit 
http://backstage.bbc.co.uk/archives/2005/01/mailing_list.html.Unofficial list archive: http://www.mail-archive.com/backstage@lists.bbc.co.uk/
-- You can't build a reputation based on what you are going to do. 


Re[2]: [backstage] Out of the Office

2006-05-18 Thread Spandex

GM I thought out-of-office replies recognised mailinglists?

From the mailman FAQ:-

There are varying degrees of broken-ness, but there do not appear to
be any limits on the stupidity of broken auto-responders.

:)

Matt

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