available. Contact: Benjamin Narvey
tel: (++33/(0) 1 44 27 03 44
email: [EMAIL PROTECTED] OR [EMAIL PROTECTED]
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of temperaments.
Any help will be appreciated.
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overall feel as compared to accompanying the same music
on an
Italian tuning? Do you play without a chanterelle?
Etc,
Rob
www.rmguitar.info
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Benjamin Narvey
information at
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Benjamin Narvey Luthiste:
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doesn't matter any more once you've learned the chitarrone
fretboard by heart.
I TOTALLY AGREE
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My fellow luters,
Thanks so much for all your good wishes that I've been receiving both on and
off-list!!!
I am very pleased to have been awarded this prize, and I am particularly
hoping that the next issue of Goldberg will help pique curiosity in the lute
repertoire in general, and that of the
Dear Collected Wisdom,
I've been reflecting recently on standard string lengths for 11-course
lutes, and have been rather stumped at the incredibly little information we
have at our disposal for the comprehension of such a vital repertoire. I am
aware of iconographic studies done by Robert
lutes.
Duncan Midwinter
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] sweet, the latter harmonious
Best, Andrea
Il giorno 02/mag/08, alle ore 00:33, Benjamin Narvey ha scritto:
Dear Gernot and Duncan,
Thank you both SO MUCH for your help; I was able to get the gist of it,
but
I really wanted to know more precisely what was being said - or rather,
more
Dear Collected Wisdom,
I'm trying to get my hands on some songs with baroque lute accompaniment
whose part is set in tablature; this is for a student of mine who cannot yet
realise continuo. Can anyone point me in the right direction towards
on-line resources? I'm not sure how much of this is
Thought so - but could you tell me what there is? I think there is
bizarrely some Telemann somewhere.
2008/6/8 Roman Turovsky [EMAIL PROTECTED]:
There is almost nothing-
http://polyhymnion.org/lieder/german.html
RT
From: Benjamin Narvey [EMAIL PROTECTED]
I'm trying to get my hands
be nice to see a word from an expert, if he is on the Liste
now.
Regards and thanks in advance,
Jurek
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Dear all,
I'm trying to complete a bibliography and have just realised that I lent out
my LSA journal of 1997 to a friend who is away on hols.could someone
just let me know the page numbers of the following article? (That is, if
anyone is still at home in front of their computer!) It is:
. At any rate, plain gut could not possibly achieve those
pitches at such a short string length.
Best wishes,
Benjamin
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Dear Mathias,
It's interesting you say that. I'd be curious to know what you and
other people on this list think about the differences
(advantages/disadvantages) between rider lutes and swan neck lutes. I
think the main difference between these lute types is one of balance
vs.
too much about the upper
end of this range. It's not so much a question of breakage, but
more the limits of how small a gut string can be made and what it
sounds like. Bigger strings are nice...
Best wishes,
Martin.
Benjamin Narvey wrote:
Dear All,
Just out
. Photos of this lute are available on Grant's
website: [1]http://www.tomlinsonlutes.com/thirt2.html , No.3. Contact
Benjamin Narvey for details: [2]luthi...@gmail.com
--
References
1. http://www.tomlinsonlutes.com/thirt2.html
2. mailto:luthi...@gmail.com
To get on or off this list
Dear all,
Does anyone on this list know of any tablature sources for colascione
(colachon)? I suppose there are not many prints or manuscripts
available for this instrument, but if anyone knows anything about this
I'd be most grateful. I'm looking for a specimen sample.
Perhaps
lutenet [5]baroque-l...@cs.dartmouth.edu; Benjamin Narvey
[6]luthi...@gmail.com
Sent: Thursday, April 30, 2009 3:25 PM
Subject: [BAROQUE-LUTE] Re: Colascione
Don't know if you got any secret links yet but here's one
[7]http://musickshandmade.com/lute/facbooks/view/28 if you're
]dyoung5...@wowway.com wrote:
From: Dale Young [3]dyoung5...@wowway.com
Subject: [BAROQUE-LUTE] Re: Colascione
To: [4]lute-cs.dartmouth.edu [5]l...@cs.dartmouth.edu, baroque
lutenet [6]baroque-l...@cs.dartmouth.edu, Benjamin Narvey
[7]luthi...@gmail.com
Date
conduct
through artistic experience. Thus, the case of the French lute serves
to highlight
the interdependence between contemporary ethics and aesthetics, and
thereby
provides a useful example of how music can be linked to moral
sensibilities.
Benjamin Narvey
be linked to moral
sensibilities.
Benjamin Narvey is professional lutenist and a post-doctoral fellow at
the
Ecole Pratique des Hautes Etudes (Sorbonne) working on a critical
edition of the
lute music of Robert de Visee (c.1660-c.1732). In 2008, Benjamin was
the winner
. Photos of this lute are available on Grant's
website: [1]http://www.tomlinsonlutes.com/thirt2.html , No.3. For
sound files, more photos, or any other questions, please contact
Benjamin Narvey for details: [2]luthi...@gmail.com
--
Dr Benjamin A. Narvey
Post-doctorant/Post
A very Merry Christmas to one and all!
'Tis the season to be merry, and so I'm getting new strings...and would
like to run something past this list!
I'm currently setting up a theorbo that goes down to a low F (i.e. the
lowest diapason goes down a tone below the normal low G) to
Hello luters,
If anyone should happen to have a facsimile of Ms. Schwerin 641, could
you get in touch off list?
Many thanks!
Benjamin
--
Dr Benjamin A. Narvey
Institute of Musical Research
School of Advanced Study
University of London
t +33 (0) 1 44 27 03 44
p/m +33 (0) 6 71 79 98 98
Site
Hi all,
Interesting thread!
In fact, the d-minor tuning (what came to be known as the accord
ordinaire) was around earlier. Thomas Mace writes in 1676 that the
d-minor tuning, which although it be (to my knowledge) at least 40
years old; yet it goes under the name of the new
A subject close to my heart!
Precisely as Burris explains - and as my own readings of Baron,
Mattheson, and Weiss would confirm - the d-minor theorbo did not have
a re-entrant top f'. I am not aware of any source that backs this up,
although of course absence of evidence is not evidence of
Dear all,
If anyone on this list could scan me the chaconne on page 120 of the
Saizenay manuscript I'd be much obliged!
Many thanks,
Benjamin
--
Dr Benjamin A. Narvey
Institute of Musical Research
School of Advanced Study
University of London
t +33 (0) 1 44 27 03 44
p/m +33 (0) 6 71 79 98 98
Dear Chris,
There are the following wonderful pieces without BOTH top strings in MS
Saizenay (pp. 115-6):
Allemande sans chanterelle ni seconde
Courante sans chanterelle ni seconde
There is also a lovely Chaconne sans chantrelle on p. 120
Oh yes, and L'Adieu by Gaultier, off
--bcaec51967adb1cfcb04a4484b89
Content-Type: text/plain; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable
(English below)
Bonjour à tous,
Un petit mot pour vous dire que je fais un petit récital de luth ce dimanche
à la Cave du 38 rue de Rivoli
Oops, let's try that again - without the spam! I don't think the
server liked the French text
Dear All,
Just a note to say that I'll be playing a recital this Sunday at the
Cave du 38 rue de Rivoli:
Thanks Arto - perhaps next time!
Bestest,
Benjamin
On 27 May 2011 23:23, wikla wi...@cs.helsinki.fi wrote:
Good luck Benjamin!
I really would like to be there: most interesting repertoire!
Arto
On Fri, 27 May 2011 23:05:21 +0200, Benjamin Narvey luthi...@gmail.com
wrote
Tellier, flutes `a bec
Benjamin Narvey, luth et theorbe
Vendredi 9 decembre 2011 `a 20 h 45
Chapelle de Jesus-Enfant
29 rue Las Cases, 75007 PARIS
Metro : Solferino, Assemblee Nationale, Invalides
Parc de stationnement Place des Invalides
Prix des places : gratuit pour les enfants
Hi luters,
Does anyone on this list have experience with Victor Vorko's cases? See:
http://victorvorko.voila.net/history.html
If so, please get in touch privately.
Best!
Benjamin
Sent from my iPhone
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Hello luters,
Just passing this on for those who may be interested:
LUTE/THEORBO CASES for sale: I have duplicate cases for various
instruments of mine (some lighter, some stronger, for varying travel
conditions) and, due to a combination conjugal pressure and the
restraints of
Dear Luters,
Might one of you charming people be able to pass along the following
article? It is:
Lynda Sayce, 'Continuo Lutes in 17th and 18th century England', Early
Music, 23 (1995), 667-684.
I'd be eternally grateful.
Many thanks,
Benjamin
--
[1]www.luthiste.com
, De Visée ( 18e siècle)
par Anne Besson : flûte traversière *baroque, et Benjamin Narvey : luth
baroque.*
*
*
*Bienvenue au dernier concert de la saison ! Profitez ! *
*
*
*Venez vous régaler des sonorités suaves et douces du luth et du traverso
..*
*
*
**
*
*
--
www.luthiste.com
*t +33 (0) 1 44 27
Dear Sterling,
I have been playing Weiss, et al., on a 76cm string length recently and
it works nicely, although for some of the crazier keys where big
stretches are involved it can be uncomfortable. That said, most of the
rep works fine on that string length - and I have very
Dear Lutenists,
Should any of you have a baroque lute (11c or 13c) by Paul Thomson that
you might consider selling, could you please get in touch?
Many thanks,
Benjamin
--
[1]www.luthiste.com
t +33 (0) 1 44 27 03 44
p/m +33 (0) 6 71 79 98 98
--
References
1.
Dear All,
Does anybody on this list have any experience with 12c lutes? I am
considering getting one if I can get the funds together and I would be
grateful for any counsel drawn from actual experience. I have never
even laid finger to fret on one of these lutes before, so it is a
Dear Lutenists,
Stephen GottliebA's obituary was published in today's edition of the
Guardian:
[1]http://www.theguardian.com/music/2014/may/20/stephen-gottlieb
He will be greatlyA missed.
Best to you all,
BenjaminA
--
[2]www.luthiste.com
t +33 (0) 1 44 27 03 44
and I will consider any offers. The case is in Paris.
Please contact Benjamin Narvey atA [1]luthi...@gmail.com
--
[2]www.luthiste.com
t +33 (0) 1 44 27 03 44
p/m +33 (0) 6 71 79 98 98
--
References
1. mailto:luthi...@gmail.com
2. http://www.luthiste.com/
To get on or off
A lovely film about the late Stephen Gottlieb in his workshop making a
lute, made for the BBC in their aIn The Making' series, filmed in 1979
and broadcast in 1980 has now been posted to the web, for free viewing
A
[1]http://www.editor.net/lutemaker/inthemaking.html
--
(English below)
Bonjour A toutes et A tous,A
Un petit mot pour vous dire que La GA(c)nA(c)ration harmonique -
David Chivers (violon), Brice Sailly (claveAS:in) et moi-mA-ame
(thA(c)orbe) - va jouer un petit concert ce dimanche A la Cave du 38
Rue de Rivoli, un endroit connu
Dear Lutenists,
I cordially invite you to peruse my updated website, with some new
recordings, articles, and a few other goodies to boot.
All best wishes,
Benjamin
[1]http://luthiste.com
Benjamin Narvey, lute - Welcome
Official Website of the Canadian lute player, Benjamin
Dear All,
I forward the following message from our friend Grant Tomlinson:
Dear Benjamin,
Just a quick note.A I have finally figured out how to get into my
email account from Kathmandu, and have been reading through all of the
concerned messages from friends.A Thanks so much
Dear Lutenists,
Just a note to say that Prom 25, performed in London and broadcast
worldwide on the BBC this [1]coming Tuesday, will be particularly
lutey. It is a semi-staged production of Monteverdi's L'Orfeo
directed by Sir John Eliot Gardiner, with the English Baroque
Dear Luters,
A note to say that I am selling an 11c lute by Stephen Murphy, made in
1994. 69 cm string length, after Hoffmann (private collection in
Switzerland). The instrument has a very fine carved pegbox. I
currently have it set up as a 10c lute in E (2c single) for work with
Dear Lutenists,
A very happy new year! In case this may be of interest, do contact me
in a private message.
All best wishes,
Benjamin
14C THEORBO/BAROQUE LUTE BY IVO MAGHERINI (2015), sold with PVC
ultra-lightweight Vorko Case. 76cm/120cm. Can be set up with single or
49 matches
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