The "MUC" era??? Mostly Urban Contra? I started dancing in 1973 in the wilds
of Amherst MA with Dudley Laufman, definitely not urban but equally definitely
a serious piece of the modern contra revival. Those chestnuts allowed Dudley
to play and call, and we on the dance floor dressed up the
Beautifully put.
One other thing I like is the Sufi dance aspect of dancing in perfect tune with
the music and the set, without having to think much about what move is next.
Delicious.
Dorcas hand
-Original Message-
From: callers-boun...@sharedweight.net
On 11/30/2012 4:26 PM, Dale Wilson wrote:
And slightly more seriously.
I don't want to start religious war but I have always wondered about A
Chorus Jig. I just don't see why anyone likes it other than those who
cherish it as a relic of a bygone era. The few times I have danced it my
primary
I suspect contra dancing was somewhat urban before the so-called "MUC" era.
i don't think Ted Sanella and his contemporaries would characterize their
regular dances as non-urban.
Michael Fuerst 802 N Broadway Urbana IL 61801 217-239-5844
From: "johnfr...@aol.com"
Jonathan, you left out
18 The first time you danced it, you must have been dancing with your
favorite partner to music by your favorite band with a world class caller.
And slightly more seriously.
I don't want to start religious war but I have always wondered about A
Chorus Jig. I just don't
On 11/30/2012 3:06 PM, Kalia Kliban wrote:
It's hard to single out any particular dance since so much depends on
the music and the partners. I could have a massively peak dance
experience doing a completely generic dance if my partner and I were
really in tune with each other and the room and
A lot of it is very personal -- what you were exposed to, what was your
original "tradition," whether that started in 1958 or 2009.
There's also context. Favorite for me as a dancer is a bit different than
favorite for me as a caller.
My favorite is probably 333, with a B2 that varies from year
On 11/30/2012 1:38 PM, John Sweeney wrote:
Kalia said, "a right and left through over and back (4 changes of rights
and lefts for you English dancers)".
Q1: Why for English dancers? Dancers in England do R Throughs, and I
am pretty sure that ECD dancers in the USA do them as well.
Q2: "Four
Mac:
DuQuoin Races would be in my top five or ten, but certainly not the top one,
probably because the experience of dancing it varies with the music more than
other dances..
Du Quoin Races, Becket by Orace Johnson (1991)
A1: Balance ring, pass through to an ocean wave
Balance again,
Hello Kalia
Best dance experience of course depends upon both partner and music, but a best
dance transcends both partner and music
Michael Fuerst 802 N Broadway Urbana IL 61801 217-239-5844
From: Kalia Kliban
To:
Mention must be made of "Wizards Walk".
(Was it written, or found?)
- Roger Hayes
Kalia said, "a right and left through over and back (4 changes of rights
and lefts for you English dancers)".
Q1: Why for English dancers? Dancers in England do R Throughs, and I
am pretty sure that ECD dancers in the USA do them as well.
Q2: "Four changes" does NOT (to the best of my
On 11/30/2012 10:04 AM, Robert Golder wrote:
Traditional
1) Mony Musk
2) British Sorrow
I'm glad to hear somebody mention British Sorrow. To my mind this is
one of the best dances ever for introducing folks to triple minor
formation. And it's equally appropriate for English and contra
It's hard to single out any particular dance since so much depends on
the music and the partners. I could have a massively peak dance
experience doing a completely generic dance if my partner and I were
really in tune with each other and the room and if the band was cooking.
Likewise, the
3 that I am thrilled to dance and also get lots of thanks from dancers when
I call them are:
Chorus Jig
There Is No Way to Peace; Peace is the Way (Eric Hoffman)
The Devil's Backbone (William Watson)
Although they are not easy/simple dances, they all work well the 2nd half of
the night here
Traditional
1) Mony Musk
2) British Sorrow
Contemporary (or my idea of "contemporary")
1) King of the Keyboard, Ted Sannella, 1989
2) Flirtation Reel, Tony Parkes, 1985
Kalia,
In Bowl of Cherries, the original calls for the cross trail without hands,
which tends to make it part of the amazingly smooth & flowing dance it is.
Hands help if you have beginners in the line. You can teach it with
hands, and then point out that the actual dance doesn't use hands at
On 11/30/2012 8:46 AM, Michael Fuerst wrote:
Bowl of Cherries, Improper by Sue Rosen
A1 N Dsd & swing
A2 Promenade across, W ch to P
B1 W gypsy each other, then sw P
B2 Circle left, Cross Trails (pass thru across, pass N by left shoulder to
face new N)
I have a question about cross
To Have & To Hold by Don Flaherty Becket R (CCW)
A-1 LL F
Ladies Chain R Diagonal (those who can)
A-2 Pass Thru (across set) & Swing
B-1 Circle L 1X
Gents Al R 1X
B-2 Gent 2 Al L 1/2, Gent 3 Al R 1/2
P-S
Original has the 3 Allemandes happening all in second half of
Michael -
I think you would agree that Du Quion Races would need to be on this list
Mac
From: Michael Fuerst
To: Caller's discussion list
Sent: Friday, November 30, 2012 10:46 AM
Subject: [Callers] Fw:
Concerning Paul's suggestions, what is the sequence for Paul's suggestion "To
Have & To Hold" ?
I found the sequences for the other two:
The second time around, Improper by Jim Kitch
A1 N gypsy & sw
A2 M almd left 1 1/2; 1/2 hey
B1. P gyspy & sw
B2. Long lines; Cir left 3/4, pass
My all-around favorite to begin any dance has long been Don Armstrong's
"Broken Sixpence". It moves a lot, introduces dancers to each other, is easy
for beginners to comprehend, and would look familiar to square dancers. It's
all about the fun!
John B. Freeman, SFTPOCTJ
My votes:
among "modern" contras: 3-33-33 by Steve Zakon-Anderson
of the chestnuts: Chorus Jig
Joyce Miller
Grass Valley, CA
On Nov 29, 2012, at 11:19 PM, Paul Wilde wrote:
> Hey all,
>
> Three of my favorite contemporary dances are:
>
> To Have & to Hold by Don
I often feel the best one ever written is the one I am currently dancing
Mac
From: Greg McKenzie
To: Caller's discussion list
Sent: Friday, November 30, 2012 8:49 AM
Subject: Re: [Callers] What is the best
Alan asked:
"Best" for what purpose?
>
Thank you Alan. This is the real question. What is the purpose?
Maybe that is the only real question.
- Greg McKenzie
Hey all,
Three of my favorite contemporary dances are:
To Have & to Hold by Don Flaherty
The Second Time Around (apologies, author temporarily slipped my mind)
Bowl of Cherries by Sue Rosen
Not intentional, but there isn't a balance in one of them.
warmest regards,
Paul Wilde
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