I am for the web-based forum, because some topics generate too many e-mails I
don't have time to read, and many of them I don't find very helpful.. - Steve
- Original Message -
From: "rich sbardella"
To: "Caller's discussion list"
In a mixed crowd, I find it more effective to say "Take hands in circles of
four people". Even if a new dancer has just attended a workshop, he/she might
not yet recognize "Hands four from the top".
- Original Message -
From: "Michael Fuerst"
To:
Without using the terminology of "proper", I find it easier when teaching a
beginner's workshop to line up all the men/women on their respective sides,
then teach 1s & 2s, then have the 1's change places with their partners ,
ensuring the men have their partners on the right and ladies on the
For me, it's from my dancing and also from a comment I heard from a dancer.
I've been to dances where men AL 1 1/2 was used 5 or more times. The comment
was from a lady who thought waiting for the men so much was boring. I think
it's a nice move for 1 or 2 dances in an evening, 3 at the
I like the "Gang of Four" much better, as IMHO men AL 1 1/2 is the most
over-used figure in contradancing, and the other dance has (yikes!) two of
them.
- Original Message -
From: "Joy Greenwolfe"
To: "Caller's discussion list"
As a dancer, I find R s difficult when the line is crowded, and as a man,
often can't squeeze through the line to reach my partner or neighbor for a
timely courtesy turn. However, if there is sufficient space, I think it is as
easy a move as any, so if there is room to stretch out the lines
Jo,
Here are a few of my favorites:
Ladies Lib by Kathy Anderson
Phillupspace (Sets in Order)
Teakettle by Ron Buchanan
- Original Message -
From: "Jo Mortland"
To: millst...@valley.net, "Caller's discussion list"
Congratulations, Marguerite!
One idea (if it's not too late) for programming when it's hot, is many people
don't like to put their hands on a sweaty wrist for a star. (I don't!) So,
when it's hot, I try to avoid calling dances with wrist-grip stars except for
the first dance and the