Andy, thanks for emphasizing the "ID your Shadow" and that you include the
clue about which shadow.
It's a pet peeve how many callers will call a shadow dance and never
identity the shadow. It gives me the distinct impression that they don't
even know they are calling a dance that has a shadow.
Do you love traditional dance and music? Contribute now to support this
exciting project.
https://www.hatchfund.org/project/the_dancingmaster
The Dancingmaster is a whimsical musical portrait of the legendary contra dance
caller, Dudley Laufman. Dudley almost single-handedly provided the link
Just in case everyone hasn’t seen this yet:
-- Forwarded message --
From:
List-Post: callers@lists.sharedweight.net
Date: Thu, Apr 17, 2014 at 10:22 AM
Subject: 2014-2015 Callers Insurance
To: l...@lisasieverts.com
Hello Callers!
Callers Liability Insurance
announce
> that the 2014 weekend will happen on MLK weekend in January at the
> University of New Hampshire. We are also happy to welcome Dudley
> Laufman and Susan Kevra as our featured callers, along with music by
> Calliuope and Maivish. The Friday night dance will include calling by
>
Rich,
Take a look at ForScore for iPad. It's an app designed for musicians to
manage PDF scores, but I find that it's great for managing my PDFed dances.
Lisa
On Sun, Oct 14, 2012 at 2:05 PM, Rich Goss wrote:
> I do keep my dance files in my computer, where I enter new
Lynn,
I was lucky enough to be one of the many callers mentored by Larry
Jennings. He completely changed my ideas about caller responsibilities. I
owe him so much.
One of the very specific things he did was to force me to recite
"walk-throughs" in front of him, over and over, until I developed
memorize
> the dances? I've done a fair bit of practicing while riding in the car, but
> not yet driving.
>
> On Fri, Dec 2, 2011 at 3:49 PM, Lisa Sieverts <l...@lisasieverts.com>wrote:
>
>> Don,
>>
>> Welcome!
>>
>> My favorite way to practice calling is to
On Fri, Dec 2, 2011 at 4:32 PM, Donald Perley wrote:
> On Fri, Dec 2, 2011 at 12:54 PM, Chrissy Fowler
> > Anyone else have this experience? Anyone know what might make a given
> part of the tune sound "A-ish" or "B-ish"? And perhaps more to the point,
> does anyone even
Don,
Welcome!
My favorite way to practice calling is to play tunes on the stereo and call
while DRIVING. It's a reasonable simulation of the number of things you
need to be able to do at the same time that you are calling.
Note that I have missed exits in this manner, but have never been in an
Thanks, Chrissy. Yes, this is especially relevant since many of us will be
attending the Northeast Dance Organizers Conference in a few weeks. I've
just signed up for the Shared Weight Organizers list (finally) and look
forward to seeing that list reinvigorated post-conference.
What Amy said.
Thank You.
Lisa
On Monday, September 19, 2011, Amy Cann wrote:
> Yay YOU Chris, not just us.
>
> Plenty of people say "Gee, wouldn't it be nice if ..."
> -- it takes a certain kind of person to actually go and *do* the nice
thing.
>
> You are that certain
Why not a simple
w...@sharedweight.net
Lisa
On Fri, Sep 16, 2011 at 1:19 AM, Gary Shapiro <
sharedweight-gar...@snkmail.com> wrote:
> Count me in. I barely maintain a low-tech website for the Santa Barbara
> CDS.
> ___
> Callers mailing list
>
I would definitely sign up.
Lisa Sieverts
webmaster
http://www.monadnockfolk.org
On Thu, Sep 15, 2011 at 1:44 PM, Andy Shore <square.a.sh...@gmail.com>wrote:
> I've been wondering if there would be enough interest (and traffic) to form
> an email list for contra dance websit
Mary DesRosier, long-time caller in New England, lost her home and pets to a
fire on Tuesday. Any help we can provide from our music and dance community
is appreciated.
http://www.facebook.com/pages/Mary-DesRosiers-Rising-from-the-Ashes/175284202501731
or
DONATIONS: Community Church of
We never cross over in Nelson -- the next dance might be Money Musk or
Chorus Jig or ...
Lisa
On Wed, Dec 1, 2010 at 8:03 PM, Ric Goldman wrote:
> I always include "Hands 4 from the top, actives cross over if you haven't
> already" if that's what I want for
Congratulations, Tony and Beth! I know I treasure my first edition copy.
Lisa
On Sun, Nov 7, 2010 at 10:07 AM, b...@hands4.com wrote:
> Please forgive the blatant advertisement, but I feel that members of this
> list would like to know that Tony's book, Contra Dance Calling:
Hi calling friends,
I know a bunch of us attend the Ralph Page weekend in January ... and
congrats to Lynn Ackerson for being a featured caller along with the amazing
Tod Whittemore. It's going to be a great weekend.
I was working on getting a hotel room and was shocked to discover that the
New
Jefferson and Liberty
Contra Proper
Jefferson & Liberty
*EASY*
PROPER formation
1. Circle Left
2. Circle Right
3. Star Right
4. Star Left
5. Actives down the outside
6. and back
7. Actives in the center, down the hall (about 6 beats)
8. Back up 4 steps, actives arch, 2s through arch, on
Nancy,
Thanks for a great post. Here's another link (I've posted it before) about
how dance works as therapy, sometimes.
http://traumatherapy.typepad.com/trauma_attachment_therapy/contradance/
Lisa
I went to college with Martin Sirk. He's an astronomer. He discovered contra
dance much later in life.
Lisa
On Sat, Mar 27, 2010 at 9:05 PM, Martha Edwards wrote:
> Leda -
>
> It worked on me...
>
> And it should be noted that the dance at which I was charmed by Venus
that bet
>
>
> Thanks to Lisa Sieverts for pointing out that this dance works great for
> beginners.
>
>
>
I'm placing bets it's a Rick Mohr dance. Perhaps Comfort Deluxe or Night
Sail?
On Mon, Mar 8, 2010 at 1:31 AM, Laur wrote:
> Yes, do tell..
>
> --- On Mon, 3/8/10, Dave Colestock wrote:
>
> From: Dave Colestock
>
. As
you say, it's not fun for the dancers when they can no longer hear the
phrasing and have to THINK about when to do the next move. That gets us
totally out of the groove which is ironic because the musicians probably
expect that things are more groovy in these situations.
Lisa Sieverts
On Sun
On Wed, Jan 6, 2010 at 8:10 PM, Ron Nelson wrote:
>
> What I don't understand is what the spammer hopes to accomplish with this.
> Anyone have a take on this? (I get them too, by the way.)
>
>
>
> Ron Nelson
>
> Chula Vista, CA
>
>
My take is that it's some sort of
Hi Callers,
Are any of the rest of you getting this SPAM message? I know it's SPAM
because I've received several of them with almost the same wording though
different stories. Are dance teachers considered an easy mark for Spammers?
Lisa
-- Forwarded message --
From: Owen
On Jul 9, 2009, at 4:17 AM, Tina Fields wrote:
I really like Greg MacKenzie's question,
The real question is: What is your purpose? And what is the
purpose of the
majority of those who attend?
What is the purpose of our event and what is the caller's job in
realizing
that purpose?
These people have never danced? And you have 5 minutes?
I'd recommend nothing harder than Blobs:
Blobs
longways sets, gender doesn't matter
1. F
2. F
BEGIN TEACHING HERE (Blobs begin at the top, make circles of 2, 4, or
6 people -- or more as long as they don't tell you about it!)
3. Blob
Probably Wonderland by Al Olsen, it's in Give and Take, I think.
Lisa
On Sep 14, 2008, at 6:15 AM, Richard Allen Fischer wrote:
Hi! Can someone help me remember a dance I did this summer? I
believe it started with the ones doing a half figure eight through
the twos, and then long lines
Not 4, but 2, and a surprisingly accessible dance:
Petronella's Pin - 08/05/2005 Dave Colestock (as modified by Nils
Fredland)
Duple, Improper
1. Balance in a Ring of 4, Spin to the Right 1 Place
2. Balance in a Ring of 4, Spin to the Right 1 Place
3. Balance in a Ring of 4
4. Swing
I like the occasional medley, such as the special ones at NEFFA, but
I do feel ambushed when a caller throws one in at a regular dance. As
a dancer, I love to get into the groove of the dance, and I love when
the caller stops calling. Therefore, I hate medleys because I have to
keep
It is Dead Cat Bounce. I got the dance direct from Nathaniel.
Lisa
On Feb 7, 2008, at 12:24 PM, Tepfer, Seth wrote:
All this time I thought it was Dead "Cat" Bounce, named after the
Wall Street Phenomenon ...
http://en.wikipedia.org/wiki/Dead_cat_bounce
-Original Message-
From:
How about we share some dances WITHOUT a circle? Sometimes I think
every dance in my repertoire has a circle left.
Lisa
Anyone know the name?
from Lisa Greenleaf 12/30/2006
improper
1. NEIGHBOR alle RIGHT 1½ to long waves (W face OUT)
2. Balance wave; rotate (Men cross to P spot, women to
http://traumatherapy.typepad.com/trauma_attachment_therapy/2007/05/
intersubjectivi.html
An excerpt:
"I recommend contradance for clients who want to do something fun
that doesn't involved drinking. I send people who have enough
attachability to tolerate the eye/human contact and who
On Apr 22, 2007, at 3:44 PM, Keith Holmes wrote:
The first time I danced Daybreak Reel was to Michael's calling in
Brattleboro back in 1981. Starting balances on the left foot was
the custom
in the Monadnock area of New Hampshire at the time. I wrote the
dance down
and talked with Michael
Here's a little shameless self-promotion for the dance I wrote based
on Sue's dance. I wanted that great circle -> hey -> balance & swing
interaction with my partner:
Mood Ring Lisa Sieverts
BECKET - sawtooth
1. on left diagonal, circle left halfway with next couple, roll awa
Hi gang,
So we're planning for a medley and I had a concern that perhaps
people were aiming too high. So I wrote:
As you're thinking about dances for a medley, keep in mind that
there will be no walk-through so you have to plan for the
excellent words you will use (taking up no more
You probably have it, but I love Jefferson and Liberty as a good
intro to contra dancing:
Contra Proper
Jefferson & Liberty
*EASY*
PROPER formation
1. Circle Left
2. Circle Right
3. Star Right
4. Star Left
5. Actives down the outside
6. and back up the outside, step in between the 2s
7.
can't listen to anyway.
The most important thing is that they need to begin the hey with
someone other than their partner. If the hey begins with their
partner, then the odds are high that they will never figure it out.
Lisa Sieverts
Gale,
I'll support what others have said. If it's a true family dance,
don't expect to do any contras at all. There are plenty of fun dances
that will make sure that everyone feels successful.
Here are some more:
A LITTLE BRANDY.
Longways set for as many as will. Any 2/4 tune will do.
from
I'm interested! I'll be there from Friday through Sunday, will have
to miss the Thursday dance, alas, unless I decide to forego sleep
which I may well do!
Lisa Sieverts
On Apr 16, 2006, at 5:59 PM, Karen Fontana wrote:
Hi Shared Weight friends,
I will be coming from California to NEFFA
So true, except that it's David Smukler who puts them together. It's
an amazing piece of work, and a treasure trove for callers now and in
the future.
Lisa
On Jan 18, 2006, at 8:15 PM, Gale Wood wrote:
A great resource provided by the RPDLW is the syllabus produced by
Tony Sallatan
it
workshop.
Sounds feasible.
Lisa Sieverts
Another interesting variation is the band that wants to play a
melodic introduction, usually 8 beats. It's fine if you know it's
going to happen, but can be quite a shock if you're expecting 4
potatoes.
Gale, great to hear that the rest of the evening went well!
Congratulations.
Lisa
A request:
Begin forwarded message:
From: Izzy Young
Date: November 7, 2005 10:18:56 AM EST
And besides that you said you would pass my name onto forty or
so contradance callers with my request to find out their favorite 5
or 6 dances, and, ALSO, to list 1 or 2
The last time I did the research, albeit a while ago, Shure
dual-diversity (fancy way of saying "two antennae") were the best. Best
sound, good battery life, and rugged. The one I bought in 1995 is still
in use, tho not by me.
Lisa
On Jul 13, 2005, at 5:39 PM, Chris Weiler wrote:
Hi
Add
Excretion Reel, also known as The Process of Elimination
Lisa
On Jul 8, 2005, at 8:39 AM, Seth Tepfer wrote:
At 08:03 AM 7/8/2005, Seth Tepfer wrote:
Okay, I've got:
"Hello My Baby" and "The Baby Rose" and "Crumbs in the Diaper".
Possibly "Rant and Roar".
What other
Of course, Larry being Larry, he had modified this dance to the
following:
BECKET (Sawtooth Formation -- See "Give and Take" for more information)
1. Cir L till you are across from pt, facing Neighbor
2. Dsd N
3&4. R hand to N: grand R & L along the set (and around the ends) to
the fourth
Contact David directly if you are interested.
Begin forwarded message:
From: david.millst...@valley.net (David Millstone)
Date: April 28, 2005 7:19:30 PM EDT
To: (Recipient list suppressed)
Subject: Wanted! New callers!
Reply-To: millst...@valley.net
Calling all potential callers!
I'm
erwise reminded: The next
Montague dance is this Sunday, May 1, at the grange hall by the common
in Montague Center.
Co-host callers are Lisa Sieverts and David Kaynor, both of whom
encourage other callers and proto-callers to take a turn; music is by
the All-Comers Band, which can be joined on th
On Jan 26, 2005, at 6:04 PM, lynn ackerson wrote:
2) As a caller, what information would you like to have included in
such a document?
Here are my standard questions to booking coordinators. Some of it
relates to guidelines, some of it is just information that I like to
know ahead of time.
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