On Fri, Jul 08, 2016, Mark Pigman via Callers wrote:
>
> I frequently roll swap with my partners on Californiatwirls and Petronella
> twirls as well.
>
> However, when I have had neighbors do a longlines partner swap, I have felt
> abandoned as they discard my hand in the middleof the move. Is
I frequently roll swap with my partners on Californiatwirls and Petronella
twirls as well.
However, when I have had neighbors do a longlines partner swap, I have felt
abandoned as they discard my hand in the middleof the move. Is there a way
execute thisswap without interfering with whole-set
Ilove using role-neutral swings, and as Maia suggested, I think they are
afabulous teaching tool to correct awkward swings during a lesson. However, I
have observed stress indicatorsfrom some dancers newish to role swapping when I
have tried using a neutralswing. It seems as though having an
:)
On Wed, Jul 6, 2016 at 3:36 PM, Dale Wilson wrote:
> Exactly, it's the hand that confuses me.
> On Jul 6, 2016 1:40 PM, "Alexandra Deis-Lauby"
> wrote:
>
>> Left hand?
>>
>> On Wed, Jul 6, 2016 at 1:56 PM, Dale Wilson via Callers <
>>
Exactly, it's the hand that confuses me.
On Jul 6, 2016 1:40 PM, "Alexandra Deis-Lauby" wrote:
> Left hand?
>
> On Wed, Jul 6, 2016 at 1:56 PM, Dale Wilson via Callers <
> callers@lists.sharedweight.net> wrote:
>
>> When I'm dancing the lady's role the only thing I
Left hand?
On Wed, Jul 6, 2016 at 1:56 PM, Dale Wilson via Callers <
callers@lists.sharedweight.net> wrote:
> When I'm dancing the lady's role the only thing I consciously think about
> is putting my right and on the Gent's shoulder as we start to swing. If I
> get that right, everything else
When I'm dancing the lady's role the only thing I consciously think about
is putting my right and on the Gent's shoulder as we start to swing. If I
get that right, everything else seems natural (to me).
Dale
On Tue, Jul 5, 2016 at 9:13 PM, tavi merrill via Callers <
Regarding swing position: With good frame, differences between the roles in
giving weight are slight. But not all dancers are accustomed to good frame.
I find a mirrored ballroom hold (both dancers have right hand on the
other's shoulder blade, left hand on the other's shoulder) offers several
Everything Maia said!
Also, if you find you are teaching to people who are doing well with both
roles, and want to learn when they can switch within a dance other than in
a swing, the easiest places are in Long lines if one is across from your
partner, (do like a hole-in-the wall gypsy), in Long
On Tue, Jul 05, 2016, Susan Pleck via Callers wrote:
>
> I'm to lead a workshop/extended intro lesson at a local dance this
> Saturday on gender-free dancing/dancing the "other" role/switching
> roles. Not having done this before, I'd appreciate any thoughts
> or advice about what this should
I find that a lot of people who have danced mostly the gent's role, when
they start dancing the lady's role, think that when they swing, they're
supposed to go backwards or sorta sideways... I mean, hell, a lot of people
think that's how a lady swings when they first start dancing that role!
But,
One subtle thing that's different is progression instincts -- typically men's
role progress on the left, women's on the right. (Like with a final B2
of circle left 3/4, pass through).
The few times I've had everyone do a gender swap, I've gone with the
dance "Bicoastal Contra" by Pete Campbell.
On 7/5/2016 11:32 AM, Susan Pleck via Callers wrote:
Hi folks,
I'm to lead a workshop/extended intro lesson at a local dance this
Saturday on gender-free dancing/dancing the "other" role/switching
roles. Not having done this before, I'd appreciate any thoughts or
advice about what this
Hi folks,
I'm to lead a workshop/extended intro lesson at a local dance this Saturday on
gender-free dancing/dancing the "other" role/switching roles. Not having done
this before, I'd appreciate any thoughts or advice about what this should
include. For the gender-free aspect, I'm not sure
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