I get these emails as a digest.
I love the list and all the great ideas.
I don't love scrolling and scrolling and scrolling past previous emails.
So when you reply to a message please snip off everything but perhaps, a
portion of the one you are responding to.
Thanks,
Bree Kalb
Carrboro, NC
Don't forget that the registration deadline for the Callers Workshop
with Lisa Greenleaf is coming up. At this point, we're about half full,
and I expect more registrations to be coming in over the next week or
so. If you've been planning to send in your registration and haven't
sent it yet,
Start a hey, ladies pass R, pass P by L on outside, gents meet and then
bounce back to end up on their partner's left for the swing (it can be
nice if the lady catches her partner for the swing.
J
On 4/15/2010 2:45 PM, Ron Nelson wrote:
I would refer to the action by saying "as couples,
The ladies perform the 1/2 hey, crossing the set.
The gents start the 1/2 hey, but meet in the center, touch hands, and bounce
back (or Richochet) to their same side.
- Original Message -
From: "Ron Nelson"
To: call...@sharedweight.net
Sent: Thursday,
Here is the new dance with changes from Jack, and clarification on the zig-zag:
Betty¹s Night Out Rich Goss Improper, Double Prog
A1: Neighbor Dosido and Swing (end facing down hall)
A2: Down hall 4-in-line(4), turn as couples(4); Return(4), hand cast (gents
backing up,
Seems like a good change to the dance. Thanks!
- Original Message -
From: "Jack Mitchell"
To: "Caller's discussion list"
Sent: Thursday, April 15, 2010 9:59:09 AM GMT -08:00 US/Canada Pacific
Subject: Re: [Callers] New Dance
When I've done a dance with a hand cast out of the back up the hall,
it's generally ended up
Down the hall (4 and a bit)
Turn (4 less a bit)
Return (4 and a bit)
Cast (4 less a bit)
The timing can be a bit flexible. In addition, the cast will flow right
into the Hey and so that timing will
That's what I had in mind.
J
On 4/15/2010 11:52 AM, Gary Shapiro wrote:
On Thu, Apr 15, 2010 at 8:31 AM, richgoss-at-comcast.net wrote:
I don't think there would be enough time for a hand cast.
The hand cast or gate or wheel around should take place in A2:
A2: Down hall
On Thu, Apr 15, 2010 at 8:31 AM, richgoss-at-comcast.net wrote:
> I don't think there would be enough time for a hand cast.
The hand cast or gate or wheel around should take place in A2:
A2: Down hall 4-in-line (4), turn as couples (4); return (4), wheel around
(M back up)
I don't think there would be enough time for a hand cast. 1/2 hey is 8 and
that leaves 8 for the partner swing. I haven't done a living room walk-thru on
this one, so you might be right. Seems like if there is any awkwardness there,
it would be for the #1 lady, #2 gent.
Thanks for the
Don't know if it's been written or not either. One thing I do notice is
that the momentum is going to be wierd for the #2 lady and the #1 gent
to get into the hey. They'll both have to change directions from the
bend the line to start the hey. Perhaps rather than bending the line,
doing a
Right. Another way to describe it would be:
As couples zig-zag past 2 N couples, moving left around #1 (current), right
around #2, face the #3 (to A1: dosido).
Let me know how it goes if you call it.
Rich
On 4/15/10 6:46 AM, "Ruth Pershing" wrote:
> Rich ~
>
> I
Rich ~
I don't know the answer to your question about whether the dance has
been written, but could you explain the B2 zig-zag figure? Does it
mean that as a couple, you pass by the next couple to the left (women
pass), then next couple by the right (men pass) and the next by the
left
Excellent points, all! Thanks, Greg.
Martha
On Apr 14, 2010, at 11:32 PM, callers-requ...@sharedweight.net wrote:
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To return to that responsibility issue - I didn't say the caller was
to blame, you know. Taking responsibility is subtly different from
being to blame.
It is also the caller's responsibility to determine how much "chaos"
can be tolerated in the dance. Sometimes you decide that even if the
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