I find the real challenge sometimes is getting other dancers to adjust
speed, stride length, etc. in order to support fellow dancers who may be
limited by age or something not visible.
I encourage people to be mindful of their fellow dancers and may mention
that adjusting to others in various
Thanks to all who have offered comments, on-list and off, about using music
during a contra dance newcomers' orientation.
I have follow-up questions to some of the things people have said. I also
welcome anybody's additional comment on any aspect of the subject, whether or
not they relate to
Woody, I'm so glad to hear your explanation of your workshop. I've seen you
do it many times and always thought to myself, "he's putting them through
drills, that's not fun. Why not get them dancing." But I've also seen that
it works. I haven't called quite as many dances as you, but I've
Here Chris, you might find this helpful:
https://www.copyright.gov/circs/circ52.pdf
We are mostly on an honor system here anyway. Since social dances
themselves are not covered by copy right, there is nor a huge point to
doing it.
You can protect your specific written notes, like any written
Hi,
Does anyone have experience/advice using a creative commons license
with dance descriptions?
(asking for someone else)
-Chris Page
California
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