Shows what happens when you give a barbarian a meter.
Yeah, but it's data. How good the data is may be open to
interpretation, but it's a lot better than arbitrary statements
about what format sounds better.
Data is not the same as information. It may even me misinformation.
If he finds such a
To support Betty, I always understood that the transition from analog to CD
resulted in a loss of details that any fan (for ex of the Beatles) would
notice on DC if they were used to listening to a good condition LP on a
decent stereo.
Back when I wasn't a geezer getting a new LP was a big
PM
Subject: Re: [CGUYS] perfection
To support Betty, I always understood that the transition from analog to
CD
resulted in a loss of details that any fan (for ex of the Beatles) would
notice on DC if they were used to listening to a good condition LP on a
decent stereo.
Back when I wasn't
http://tinyurl.com/224y8j
Shows what happens when you give a barbarian a meter. Bad methodology
produces impressive looking, meaningless, pseudo-scientific graphs.
* == QUICK LIST-COMMAND REFERENCE - Put the following
To support Betty, I always understood that the transition from analog to CD
resulted in a loss of details that any fan (for ex of the Beatles) would notice
on DC if they were used to listening to a good condition LP on a decent stereo.
One reason I have been waiting for the high quality DVD's
While this sounds like a good rule at first, several questions arise.
How do we know the source was 'good' to begin with? Was the room in
which it was recorded 'correct'? Is the design of the instrument
'correct'? Was the musician playing the instrument 'properly'?
Since all the words in quotes
see. It was a poor representation.
:-)
- Original Message -
From: Tony B [EMAIL PROTECTED]
To: COMPUTERGUYS-L@LISTSERV.AOL.COM
Sent: Sunday, December 30, 2007 1:33 PM
Subject: [CGUYS] perfection
While this sounds like a good rule at first, several questions arise.
How do we know
On Dec 30, 2007, at 1:33 PM, Tony B wrote:
While this sounds like a good rule at first, several questions arise.
How do we know the source was 'good' to begin with? Was the room in
which it was recorded 'correct'? Is the design of the instrument
'correct'? Was the musician playing the
Those questions are silly. You're obviously not a musician or music
connoisseur, otherwise you wouldn't bother to ask. Ever hear John Cage?
How do you judge? A recording is what it is--you like it or you don't.
My concern is to recreate an original recording as accurately, with as
much data as