I have been asked by an external source if it is possible to remove
darkening varnish on a cricket bat.
It is starting to obscure the autographs below. Has anyone in the UK
carried out this sort of work?
Obviously the ink underneath needs to be preserved. I know from the
bats we have in
Our exhibition planners want to use artificial scents in our exhibitions and we
are concerned that the compounds in the aerosols may harm the objects. Further,
some people are sensitive to scents and may develop allergic reactions.
Please share your thoughts regarding scent in museum
I'm a big fan of ionic fixatives, and I went searching for the Neschen
replacements in 2014. I posted about them on the DistList here:
http://cool.conservation-us.org/byform/mailing-lists/cdl/2014/0099.html
I'll copy and paste the pertinent information that I posted then:
I found a supplier for
s.org/pipermail/consdistlist/attachments/20180820/ac7e40b1/attachment.ksh>
**
Unsubscribe by sending a message to consdistlist-le...@cool.conservation-us.org
Searchable archives: http://cool.conservation-us.org/byform/mailing-lists/cdl/
It's conserving a magnificent history that will be enjoyed by future
generations.
It's working with a shared and unique purpose, and it's caring for and
presenting one of the world's largest art collections. This is what makes
working for Royal Collection Trust so different.
The Royal
NANOmaterials for the RESToration of works of ART conference, 29-30th November
2018, Copenhagen
Venue: The National Museum of Denmark
Ny Vestergade, 1471 Copenhagen, Denmark
Within the EU Horizon 2020 NANORESTART research project, new materials and
treatment methods based on nanotechnology
A newly forming network, the Contemporary Art Network (AIC-CAN!), is seeking
papers for a session at the AIC's 47th Annual Meeting in New England, to
discuss the shifting roles of the conservator in contemporary art, and to
foster interdisciplinary collaboration; recognizing that the
