[Consdistlist] asbestos decontamination of collection

2018-04-19 Thread Weidenhofer, Helen (DSD-ARTS)
Hi Vanessa,

Re your posting of 8 April 2018:
>  ... assist a local museum which has recently had a fire , and resulting
>  asbestos contamination of their collection. Fortunately, only one room
>  was badly burnt, and none of the collection is wet. However, our regulations
>  in Australia require asbestos decontamination to be carried out by licenced
>  practitioners only, so no conservators or museum staff will be permitted to
>  be present ...

Artlab has been involved in asbestos decontamination previously.

In South Australia a business undertaking asbestos removal must be licensed, 
and nominate approved supervisors who meet the requirements of the legislation, 
but each worker does not have to be licensed. (However, the supervisor/s of a 
licensed asbestos removalist may have their own requirements and may not be 
willing to take responsibility for workers other than their own employees.)

In 2012 we worked in collaboration with a major national asbestos removal 
company to decontaminate some large paintings, frames and textiles using a mix 
of dry and wet methods (brush vacuuming with HEPA filter vacuums, and aqueous 
cleaning on surfaces that could cope with that). 

The asbestos removal company was responsible for:
- safety induction/training (SWMS were developed collaboratively)
- provision of all PPE and equipment such as HEPA vacuum cleaners
- establishing and maintaining sealed work spaces (negatively pressurised where 
required) with appropriate entry transition spaces to separate contaminated and 
clean areas
- procedures and any materials required for decontamination of staff moving 
from contaminated to clean areas 
- decontamination of work spaces afterwards
- monitoring and clearance testing by a licensed accredited assessor
- disposal of all waste
- decontaminating all surfaces that were not artworks. 
They also decontaminated heritage decorative surfaces (ornate ceilings etc) as 
well as areas such as roof spaces and services (air con ducting), and we were 
able to provide advice on minimising damage to significant surfaces. 
There was full consultation with the South Australian asbestos authorities.

I'd recommend careful selection by the museum of the asbestos removal 
contractor, to make sure that they have sufficient experience and resources to 
handle a complex decontamination of this type. 
The contractor may then be willing to allow you to participate in that process. 
It is also important to undertake sufficient asbestos testing to understand the 
extent of contamination of collection items, as well as what type of asbestos 
you are dealing with, so that risks can be properly considered by all involved. 
Keep in mind too that the fire may have resulted in other contaminants which 
also need to be considered in risk assessments.

Cheers,

Helen

Helen Weidenhofer
Assistant Director
Artlab Australia

Arts South Australia
Department of the Premier and Cabinet

T: +61 8 8207 7520 
F: +61 8 8207 7529
E: helen.weidenho...@sa.gov.au 
W: www.artlabaustralia.com.au

70 Kintore Avenue, ADELAIDE SA 5000, AUSTRALIA


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Re: [Consdistlist] Asbestos decontamination

2018-04-12 Thread Museum Conservation Services Ltd

On Sun, 8 Apr 2018 Vanessa Wiggin asked for conservators to share experience
in dealing with asbestos contamination.

As in Australia, regulations in the UK also require asbestos decontamination
to be carried out by licenced practitioners only.  Faced with treating a
significant group of artworks attached to Asbestos Insulation Board our
approach was to go through the training on removing asbestos.  I then
developed a methodology and carried out a pilot project.  The lessons learnt
were fed back into developing the procedures further.  Nobody was compelled
to work with asbestos; it was entirely voluntary as to whether to take part
in this work or not (some conservators went through the training but then
changed their minds).  A variety of training techniques were used including
working with a mock up.

Our work with asbestos was then supervised by two very experienced
companies.  One took care of building and running the working enclosure,
checking our suiting up and daily work, providing decontamination facilities
and disposal of the contaminated waste.  The other firm monitored the air,
carried out personal sampling and checked the artworks were free of asbestos
fibres at the end of each day.  Our working procedures were reviewed and
improved as we went along.  Our techniques released very little airborne
asbestos; all the monitoring results were either below the limits of
detection or occasionally detectable but well within safe limits.

A publication and lecture on our experiences is being prepared.

Nicholas Burnett
Director
Museum Conservation Services Ltd.
Registered Office: Building 213, Imperial War Museum Duxford, Cambridge,
England, CB22 4QR
Company registration number 3023774, registered in England and Wales 




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[Consdistlist] asbestos decontamination

2018-04-09 Thread Vanessa Wiggin
I have been asked to assist a local museum which has recently had a fire ,
and resulting asbestos contamination of their collection.  Fortunately, only
one room was badly burnt, and none of the collection is wet.  However, our
regulations in Australia require asbestos decontamination to be carried out
by licenced practitioners only, so no conservators or museum staff will be
permitted to be present in the room during this process.  I am hopeful that
a conservator will be permitted to provide some basic handling and surface
cleaning training to the asbestos workers prior to commencement of the
decontamination.  

 

I have read the excellent article by Deucher, Moore and Hemlin from the JAIC
in 2000 which provides some great guidance on decontamination methods.  Does
anyone else have any similar experiences that they could share with me,
particularly in a situation where conservators were not permitted any
access?

 

 

Vanessa Wiggin


Director 

Museumly

0402 137 826

vane...@artworksconservation.com

 

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