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dear all
after these weeks of discussion, I sometimes wondered how similarly or how
differently we live or treat the personal (and our creative, artistic practice)
to the political,
how directly terror has shadowed us or not, how we
--empyre- soft-skinned space--
dear all
I learnt that Ricardo Dominguez's call to action was successful.
And lastly, a small story I want to tell, again asking about the relations of
art to terror and war, its creative powerlessness in the face of conditions
--empyre- soft-skinned space--Dear Johannes and all of you contributors to this monthlong amazing
discussion
I must excuse myself - due to looking for and finding and starting a new
job I just never found time to participate, not even to read much of this
month's
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ISIS, Absolute Terror, Performance - archive for the month -
http://lists.cofa.unsw.edu.au/pipermail/empyre/2014-November/thread.html
check out also
http://lists.cofa.unsw.edu.au/pipermail/empyre/2014-December/thread.html
since the
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I have tried here to articulate some of my responses to this month’s “heavy
topic.”
And I am not done, so I am including the so-called Permalink for what I will
continue to tweak: http://piermarton.info/present-tense/
The link should
