--empyre- soft-skinned space--Hi everyone,
As far as I'm concerned, two awesome things happened in the 70s:
--Irigaray started publishing things
--Eliane Radigue started using ARPs
Parallel, in my mind, with a third awesome thing (much maligned as
essentialist):
--empyre- soft-skinned space--thank you, lyn, for bringing up the topic of space in these conversations.
the study of specifically gendered spaces is new to me, and i greatly
appreciate having my brain be nudged forward in this direction. i of
course have no answers
--empyre- soft-skinned space--of interest, perhaps, to a future discussion, the poet
Anne Carson's essay, The Gender of Sound, in her collection
*Glass, Irony and God*
Stephanie
Stephanie Strickland
1175 York Avenue 16B
New York NY 10065
212-759-5175
--empyre- soft-skinned space--I want to step back a bit and enter into the concept of space in this
discussion. A lot of our focus so far has been on performance and
instruments, but I'd like to consider the spaces and sites of sound art for
a moment in this. Rather
