--empyre- soft-skinned space--Hello all,
These are all good points!
For me, it also raises the question of who the audience needs to be for
tabletop games. Now that it is possible to publish games with limited runs
and to be both funded and advertised through
--empyre- soft-skinned space--Yes to this!
I want to link your points here on sustainability to the conversations on
the list last week. You're right! Modern board games are only being built
for a crowdfunded splash and 1-2 actual plays at the moment. But the
marketing
--empyre- soft-skinned space--Thanks, Beth.
These insights from your research are fascinating.
I’m looking forward to reading more when the research is published, especially
about the use of online platforms to produce a community for discussions that
might not
--empyre- soft-skinned space--You have some very interesting ideas, which by différance cannot never
actually be ascertained with finality. Let me then add a couple of minor
points:
1. Levinas is quite rightly is just did in the statuses of something called
art, and
--empyre- soft-skinned space--In my most recent poem *Animals of Dawn *(Talisman, 2016) I deal with the
same idea of stasis (its relation to infinity) in terms of Hamlet's delay
in taking revenge --that he does that because he exists in an another
temporal dimension
--empyre- soft-skinned space--Dear Norie,
Thanks for the great connections to both the Algae Opera and your own
microbiotic grumblings.
I have read about the Algae Opera, and would really love to see it live. I
think reframing our own autonomic processes of breathing
--empyre- soft-skinned space--Hello Tyler and everyone
What a great post, Tyler, and wonderful to hear about your work. Perhaps you
know about the algae opera by Michael Burton and Michiko Nitta?
(http://www.burtonnitta.co.uk/algaeopera.html)
--empyre- soft-skinned space--
What a fantastic range of projects on the Blast Theory site. Their brilliant
app work Karen (2015) certainly belongs in this discussion. Its framework of
the “life coach” professional relationship points to a version of care that’s
--empyre- soft-skinned space--
Dear Simon
aesthetics is found in the work and in the practice, so, from the outside, it
can only be read.
[And I know Tommy would not like this, but some of us are not are
practitioners, so we “read” for form and aesthetics, so
--empyre- soft-skinned space--
right, thanks friends. this is all very helpful to think about possibilities
and potential outcomes of any sort of work, and intellectual work in
particular.
I remain insistent on securing ideologies in experience, even in this
--empyre- soft-skinned space--
Dear Alessandra,
thank you for your reply. Along the pole of an analytic that is able to
be performed immanently, with aesthetic as well as analytical
possibilities, is there not a risk here of falling into what Whitehead
called the
--empyre- soft-skinned space--
Dear Simon,
liquid blackness is meant to do at least two things, which I have described in
this discussion as its two poles:
one the one hand, it is meant to work as a diagnostic tool which helps us
understand the tremendous amount of
--empyre- soft-skinned space--
Murat,
I took your last post as more of a comment than a question, but I
appreciate your clarification. I think your formation of "liquid
blackness" as not strictly racial is/can be productive, though in my
understanding of the notion, it
--empyre- soft-skinned space--Hi Derek,
Let me clarify my position. I am a Jew from the Middle East who grew up in
Istanbul, but I have lived in the States for over forty years. Though I see
the issues raised by "liquid blackness" relevant and provocative, I do not
see
--empyre- soft-skinned space--
Dear Graham Teeple,
I totally agree with you that the Human Plant Interaction should investigated more. The possible interactions could be not only in one direction, it has many different forms. An plant interface could also works on our
--empyre- soft-skinned space--A warm hello to everyone!
My name is Špela Petrič. I'm a biologist who was too curious about the
strings attached to science to stay and have been wandering in the realm of
art to see if living systems shine differently through the
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