--empyre- soft-skinned space--[about hesychios: see his written for theoduolos in v.1 of the philokalia:
https://archive.org/stream/Philokalia-TheCompleteText/Philokalia-Complete-Text#page/n109/mode/2up/search/Hesychios]
[continuing from yesterday - performance and
--empyre- soft-skinned space--Dear friends,
I would like to share some ideas from my research project about the
cultural imagination of war that was part of my thesis *' Virtually* *True'.
Intermedial Strategies in Staging of War Conflict*. I was concerned that
our
--empyre- soft-skinned space--The theater director and theorist Brenda Laurel was early engaged in
videogames. She worked at the legendary Atari Lab and was envolved in many
games with a pristine narrative. Her work with videogames for girls took
her to Interval
--empyre- soft-skinned space--
[Alan schreibt]
Nearly a thousand years old the first of its kind in Iraq, according to
Archnet, and one of the last six standing, according to Iraq Heritage the
distinctive muqarnas-domed mausoleum is now a statistic. The tomb of Shia
--empyre- soft-skinned space--Thanks for an engaging discussion.
I feel that we’re not only witnessing a vast image of terror but also sensing
shock waves from a tortuous infrastructure that runs right through us. The
cultural accession—and culture as cultivation,
--empyre- soft-skinned space--approx: the greatest calamity that the human race can experience is the
destruction of a city (simone weil on the iliad). city as a cloud of ideas or
better a coherence and intensity of meaning-making - an instanciation of the
human at
--empyre- soft-skinned space--
There are times this 'slow terror' speeds up, times it slows down; it
seems to me it might be problematic to inflate it with ISIS and the like;
there are two - and more - destructive orders of the world and worlding. I
began reading
--empyre- soft-skinned space--scarry's book on beauty (as justice) also alluring.
On Wednesday, November 5, 2014 11:31 AM, Alan Sondheim sondh...@panix.com
wrote:
--empyre- soft-skinned space--
There are times this 'slow terror'
--empyre- soft-skinned space--
thank you Jon, for already joining in and for your comments! allow me thus to
welcome Jon McKenzie to the table, he is amongst the guests we had invited for
this month.
*
[bio]
Jon McKenzie is Director of DesignLab, a digital
--empyre- soft-skinned space--
On Wed, 5 Nov 2014, Pia Holenstein wrote:
--empyre- soft-skinned space--
*/again text unquotable, apologies/*
Perhaps there is only the wall of death, up against the
border of Lyotard's differend? To
--empyre- soft-skinned space--
dear all,
one can only thank those who have joined so far, and welcome Olga and Pia, and
those who like Ana write through their memory pain and evoke the death of hope
for human civilization;
the destructive character seems to favor
--empyre- soft-skinned space--Johannes, only a short remark, when I am writing about my pain and my
memories I am also using literary tools, the body remembers but the
language or the brain don't. I read Butler's Frames of War, Agamben's Homo
Sacer and The remnants of
--empyre- soft-skinned space--Johannes you are raised in Germany I assume you are familiar with Heinrich
Böll s writing. For me his best book is 8.30 biljard, a very powerful novel
about an elderly architect who builds a church (maybe a cathedral, I don't
exactly
--empyre- soft-skinned space--
On 05/Nov/14 15:17, Johannes Birringer wrote:
regards
Johannes Birringer
--
++
Dr. John Hopkins, BSc, MFA, PhD
grounded on a granite batholith
twitter: @neoscenes
--empyre- soft-skinned space--Hello, I am Alicia Migdal, Uruguayan writer and film critic.
Yesterday night I attended the worldwide premiere of the Italian film by
Ermanno Olmi Torneranno i prati (The grass will be back). It was showed at
the Italian Cultural Institute
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