--empyre- soft-skinned space--dear empyre:
so sorry - finding your posts fascinating and unique, but - my inbox is a
little overwhelmed? possible to unsubscribe, at least for now?
e
On Sunday, July 27, 2014 10:28 AM, Johannes Birringer
belongs to those who insist on their
facility as technocrats of light.
On Monday, November 3, 2014 12:08 PM, Alan Sondheim sondh...@panix.com wrote:
--empyre- soft-skinned space--
I'd like to introduce Erik Ehn, whose plays are often concerned with
issues
--empyre- soft-skinned space--[about hesychios: see his written for theoduolos in v.1 of the philokalia:
https://archive.org/stream/Philokalia-TheCompleteText/Philokalia-Complete-Text#page/n109/mode/2up/search/Hesychios]
[continuing from yesterday - performance and
--empyre- soft-skinned space--approx: the greatest calamity that the human race can experience is the
destruction of a city (simone weil on the iliad). city as a cloud of ideas or
better a coherence and intensity of meaning-making - an instanciation of the
human at
--empyre- soft-skinned space--scarry's book on beauty (as justice) also alluring.
On Wednesday, November 5, 2014 11:31 AM, Alan Sondheim sondh...@panix.com
wrote:
--empyre- soft-skinned space--
There are times this 'slow terror'
--empyre- soft-skinned space--[an important array of inquiries, ana. looking forward.
to earlier question about the position of the performer/re-performer in the art
of testimony... the act of re-presenting, including first person,
autobiographical accounts, is to
--empyre- soft-skinned space--museveni is known for exerting crowd control by just killing one or two
people as a ugandan friend pointed out to me. wade into a crowd, kill a couple
of folks, and everybody quiets down or disperses. this doesn't always work, but
seems
--empyre- soft-skinned space--yes, you're right... the terroristic act caused real terror... i'm wondering
why i said what i said. perhaps - my mind raced to relate it to cliches - part
of the design of terror (banality?) - built at such an extreme that we will not
. The fish, the gerilla, could not survive without water, the
indigenous acted as the water to the fish, from it the gerilla took
their nutrients.
It was called the massacre
It happened in the nineties, far more recently than in Sargon's time.
Ana
On Thu, Nov 6, 2014 at 8:04 PM, Erik Ehn shadowtac
--empyre- soft-skinned space--excellent. in the perpetrator, victim, witness triad - the witness is
shocked/severed out of the equation, specifically in order to collapse
imaginative and expressive space for the victim. the witness still exists, but
to demonstrate
--empyre- soft-skinned space--a thing, to be art, must represent a thing by other means. so, the life in a
flower (a feature of time) is re-presented in arrangement (a feature of space).
[barba, dictionary of theatre anthropology]
to represent killing by killing is
--empyre- soft-skinned space--represented by other means in the sense that the floor didn't need to be swept
or if it did that wasn't the point - what was being represented was the labor,
above the activity, or specifically spectatorship... so the work of sweeping
--empyre- soft-skinned space--and - many overlaps, but also looking at the difference between destruction and
decreation.
On Saturday, November 15, 2014 12:33 PM, Erik Ehn shadowtac...@sbcglobal.net
wrote:
represented by other means in the sense that the floor
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