-Original Message-
From: David Gordon [SMTP:[EMAIL PROTECTED]]
Sent: Monday, August 13, 2001 11:21 PM
To: Filmscanners
Subject: RE: filmscanners: Good neg stck on Scanwit
Oostrom, Jerry [[EMAIL PROTECTED]] wrote on Mon, 13 Aug
2001 15:48:10 +0200
Kodak Supra negative
Rob writes:
The film is Provia 100F and the scanner is
a Nikon LS30.
Hmm ... I scan Provia 100F (my favorite film) all the time with a Coolscan, too,
and I don't recall any problems with turquoise--then again I haven't shot
anything that was really a bright turquoise in recent memory. If
frankmazz [[EMAIL PROTECTED]] wrote on Tue, 14 Aug 2001 00:52:01 -0500
And, again dreaming, the system would be able to connect (relate) each
variation (filename) to each other and to the original.
I'm not sure what you mean but I think iView will do this...
http://www.iview-multimedia.com
Mike Duncan [[EMAIL PROTECTED]] wrote on Mon, 13 Aug 2001 18:51:27 -0400
Vuescan works fine on my Mac G3 with OS9.04 and 640MB, but NikonScan
doesn't seem to recognize the scanner. I'm using an OrangeLink
Firewire/USB card. The OrangeLink driver uses Apple's USB software.
Why are you using a
And we have a winner!!! the helpful message was:
Are you using the mouse or a digitizing tablet like a Wacom pad? In the
latter
case, check to see if the Size option is checked for the tool; if it is,
the
size of the brush will vary with the pressure you apply to the pad. This
should
not
Mike Duncan wrote:
appears the sensor or the A/D has a negative offset. Similar results are
obtained with Vuescan and NikonScan 3.0.
Mike Duncan
Thought Nikon Scan 3.0 to be buggy? I went and downloaded 3.1.
rob
I downloaded 3.1, but the installer won't work.
Mike Duncan
I will need to look at iView (though I currently run on the PC platform).
My base requirements are just the ability to track images based on keywords,
date, serial number, submission history, submission status, rights status,
and possibly a thumbnail (I don't scan everything).
The ideal would
Rob writes:
I don't remember what manipulations I made on
this image. Very little.
Hmm ... looks like you cranked the blue and red saturation pretty heavily.
Also, levels look adjusted for blue, but not for red or green.
My guess is that you lost or misplaced your green channel too greatly
Rob wrote:
what you say about RGB and turquoise would presumably apply to the scanner
itself.
From the limited number of Nikon scans I've seen on the Net and in
publications, I'd guess that's true. They seem to have a strong Blue
component (it shows also in skin tones and warm ochre-ish
Cary wrote:
This technique can help many balky applications to run correctly on Win2K.
This (below) sounds like a good answer to a bad problem. Before I try it on
my next install, though, has anyone here tried this type of custom
installation on Win98?
Best regardds--LRA
Original Message--
Respectfully, I agree with much of the below but there are some things I
disagree with. I work for a company that was involved in a major lawsuit.
At the time of discovery I worked for the IT department and watched the
furious scramble to comply with the subpoenas issued for the backed up data.
I'm looking for some recommendations on what image management software
folks
are using. The size of my image collection, both scanned and unscanned
is
growing past my normal haphazard filing systems capabilities. Given the
amount of images being scanned, anyone have any
Hi all,
What do I do? I've been waiting over 2 months now for my LS4000 only to be
told each week, it will be here next week. *sigh* I rang Nikon UK today to
be told that 'oh yes we won't have any more of those for another month or
so'. They certainly don't seem to care much about their
In the specs Polaroid say that the SS120 will scan up to 6x9.
From looking at there 4000 the mechanics will allow long scans which I assume
that the SS120 is the same.
Can this be made to scan 6x17 or is there any intention by Polaroid to allow
scans longer than 9cm. ( Is there inherent
I agree about trying ACDSee.
We wrote a review of it that explains how to use it as a management program
and includes screen captures:
http://www.bermangraphics.com/press/acdsee.htm
Personally, I use it as a viewer. And to drag and drop images into
Photoshop from my second monitor.
When
Neil,
Perhaps it works much differently in the UK, but here in the colonies I
sought out a small, but reputable, professional camera dealer who had a list
for people waiting to receive the LS-4000. I gave him no money until the
day I picked up my scanner. He only receives a few each month,
At 13:17 14-08-01 +, you wrote:
Cary wrote:
This technique can help many balky applications to run correctly on Win2K.
This (below) sounds like a good answer to a bad problem. Before I try it
on my next install, though, has anyone here tried this type of custom
installation on Win98?
The
Karl,
Your words are well taken.
I would say that your solution may be the best for a no touch archive.
My personal preference is to be have an actively maintained archive. I am
content to be the computer technician (or at least have an archive
compatible machine maintained for use) and to
The September 2001 issue of PC World had this relevant article:
http://www.pcworld.com/howto/article/0,aid,55149,00.asp
It also mentions a free program called CD Check that will compare the CD
to the files it was burned from:
http://fusion.zejn.si/
Larry
***
Lynn writes:
I *think* there's also a way to save global
tweak-settings in Photoshop ...
You can save a given set of curves, saturation values, levels, etc., and then
just reload them for subsequent images. Also, NikonScan lets you load curves
from Photoshop into the scanner, if you want to
Neil wrote:
What do I do? I've been waiting over 2 months now for my LS4000 only to be
told each week, it will be here next week. *sigh*
clip
I am looking to go medium format shortly so maybe this is a good chance to
consider another alternative, unfortunately price might prevent me there.
In a message dated Tue, 14 Aug 2001 3:36:00 PM Eastern Daylight Time, Bob Kehl -
Kvernstoen, Kehl Assoc. [EMAIL PROTECTED] writes:
Neil,
Perhaps it works much differently in the UK, but here in the colonies I
sought out a small, but reputable, professional camera dealer who had a list
Anthony wrote:
You can save a given set of curves, saturation values, levels, etc., and
then just reload them for subsequent images.
Thanks, and yes, I found that in Edit (at the bottom) in a friend's PS6. It
doesn't seem to be available in PS-LE, however, which may be what Rob is
using. As
Hello.
I just scanned a black and white infrared negative Kodak HIE with
Vuescan, and I didn't find this film on Vuescan's films mask list.
Does anybody know which settings should I apply, or which mask film
from those available in Vuescan does approach this film's settings ?
Thanks.
--
- Original Message -
From: Lynn Allen [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Tuesday, August 14, 2001 2:24 PM
Subject: Re: filmscanners: Re: filmscanners: Why not sRGB ?
Isn't there also a way to select a color in Photoshop, either from the
screen or from the palette, and
My apologies to the other list members who haven't seen the image in question.
It was sent as a 54K jpeg so I didn't send it to the list.
Anthony wrote:
Hmm ... looks like you cranked the blue and red saturation pretty heavily.
Also, levels look adjusted for blue, but not for red or green.
At 01:21 AM 8/15/2001 +0100, Christian Tsotras wrote:
I just scanned a black and white infrared negative Kodak HIE with
Vuescan, and I didn't find this film on Vuescan's films mask list.
Does anybody know which settings should I apply, or which mask film
from those available in Vuescan does
Early tests using the Stouffer gray scale obtained with Vuescan (Slide
setting and BW=0.001) show exceptional linearity down
to an OD of 2.11, then an abrupt flattening of the curve above that. Using
OD axis, the sensitivity is actually highest between 1.6 and 2.11. It
appears the sensor or the
Lynn writes:
Isn't there also a way to select a color in
Photoshop, either from the screen or from the
palette, and tell it This is the reference
color for *that* area?
I'm not sure ... what do you mean by reference color?
I've only used the full version of PS, so I'm not sure what Adobe
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