Andrew Stiller wrote:
In 1964, we did West Side Story with exactly one line change, altering
You came here w. your pants open! to You came here w. your mouth
open! ...
Since the Clinton years, I think the amended version might be worse.
RBH
___
If there's many notes shorter than a quaver, three slashed can start to
be very cluttered. In those situations, I will reduce to two slashes,
but have a 'trem.' instruction at the start of the passage.
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf
On 21.06.2006 Godofredo Romero wrote:
Office depot carries the Swingline - long reach- stapler which is ideal for
this, i used it and are very happy with it.
hope this helps.
Does it produce flat or curved legs? I have a long-arm stapler, which
works ok, but they all produce curved legs as
Raymond Horton wrote:
Andrew Stiller wrote:
In 1964, we did West Side Story with exactly one line change, altering
You came here w. your pants open! to You came here w. your mouth
open! ...
Since the Clinton years, I think the amended version might be worse.
Since the Clinton years,
Johannes Gebauer wrote:
On 21.06.2006 Godofredo Romero wrote:
Office depot carries the Swingline - long reach- stapler which is
ideal for this, i used it and are very happy with it.
hope this helps.
Does it produce flat or curved legs? I have a long-arm stapler, which
works ok, but they
Jamin Hoffman wrote:
Dear all -
Is the proper way to represent unmeasured tremolos three slashes across
the note, regardless of the value of the note?
Yes. Any fewer than 3 and they can be misinterpreted as being measured
16th-notes.
--
David H. Bailey
[EMAIL PROTECTED]
I notice that assigning any _expression_ sign to a
note, the playback starts on the next note. If I assign the _expression_ sign to a
rest before that note (when available) playback is ok. What I'm
missing?
Thank you
Marcello
___
Finale mailing
Forget about it, I forgot to set "attached to note"
instead of "attached to measure"
Thank you
- Original Message -
From: Marcello
Noia
To: finale@shsu.edu
Sent: Thursday, June 22, 2006 10:47 AM
Subject: FinWin 2k5 - Expressions signs (f,p,ff etc.) not playing on
the assigned note
On Jun 21, 2006, at 9:05 PM, Carl Dershem wrote:
And I use a King 2b Liberty (dual .581/.591 bore)
You must have meant .481/.491, as .581 is ENORMOUS, like contrabass
trombone bore.
for jazz leads and a lot of small combo work to blend with (usually) 1
sax or a sax and trumpet - the
Does anybody know when Finale 2007 will be released?
Steve
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On Jun 21, 2006, at 10:03 PM, Jamin Hoffman wrote:
Dear all -
Is the proper way to represent unmeasured tremolos three slashes across the note, regardless of the value of the note?
My understanding is that when there are no flags, use three.
With one flag or beam, use two (adds up to
On Jun 21, 2006, at 11:50 PM, Raymond Horton wrote:
Tchaik 1st trombone parts are written for tenor, as are nearly
everything after Brahms. The clefs, as time went on, do NOT always
indicate choice of instrument, nor do the names on the part, which
were sometimes supplied by the
straight.
gr
Lee Actor wrote:
Is this a straight long-throw, or a saddle stapler?
-Lee
Office depot carries the Swingline - long reach- stapler which is ideal
for this, i used it and are very happy with it.
hope this helps.
gr
Johannes Gebauer wrote:
On
the flatness or curveness depends on the length of the staples and the
quality of the wire used to manufacture them, on the outside of the box
of the Swingline there is a recommendation as to which staples to use.
gr
Johannes Gebauer wrote:
On 21.06.2006 Godofredo Romero wrote:
Office
Finalites:
Why is it that when you use fixed size fonts in the Shape
Expression editing window, that they don't actually display at size. I
am trying to create an expression of a double long bracket using two
stacked brackets, deleting the hooks in the middle and replacing with
a line. This is
On Jun 22, 2006, at 10:53 AM, Scot Hanna-Weir wrote:
---And others have the problem where occasionally, when zooming, the
display jumps -6000+ coordinates south? That frustrates me too.
Oh yeah.
They swear that 2007 will address some of these plain old doesn't
work bugs.
Christopher
(I don't think this went through the first time [or the second time],
sorry if it is a repeat. It's my last try, I promise)
Hello list,
A couple of weeks ago I wrote in with some questions about creating
medieval (neumes) notation in Finale. (see the thread: [Finale]
Neumes/Gregorian Chant
See the prophetic Onion story from Jan 17, 2001:
Bush: Our Long National Nightmare Of Peace And Prosperity Is Finally
Over
http://www.theonion.com/content/node/28784
- Darcy
-
[EMAIL PROTECTED]
http://secretsociety.typepad.com
Brooklyn, NY
On 22 Jun 2006, at 3:55 AM, dhbailey wrote:
For those who are interested. It is strangely moving at the end.
http://www.thestandingroom.com/blog/2006/06/in_memoriamgyrg.html
Christopher
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In a message dated 22/06/2006 18:07:00 GMT Daylight Time, [EMAIL PROTECTED]
writes:
(I don't
think this went through the first time [or the second time],sorry if it is
a repeat. It's my last try, I promise)
Have faith my friend, it's getting through! I've had it three
times now. :-)
Many appologies then! Still getting used to the gmail client.
-Scot
On 6/22/06, [EMAIL PROTECTED] [EMAIL PROTECTED] wrote:
In a message dated 22/06/2006 18:07:00 GMT Daylight Time, [EMAIL PROTECTED]
writes:
(I don't think this went through the first time [or the second time],
sorry if it is
Title: Re: [Finale] Re: trombone
clefs
At 11:50 PM -0400 6/21/06, Raymond Horton wrote:
Tchaik 1st trombone parts are written for
tenor, as are nearly everything after Brahms. The clefs, as time
went on, do NOT always indicate choice of instrument, nor do the names
on the part, which were
As a string player I automatically play anything with 3 strokes
tremolo, and automatically assume that anything with fewer is NOT
tremolo but is measured. There is a narrow range of tempos and note
values in which a measured tremolo is indistiguishable from an
unmeasured tremolo.
On Jun 21, 2006, at 10:03 PM, Jamin Hoffman wrote:
Dear all -
Is the proper way to represent unmeasured tremolos three slashes across the note, regardless of the value of the note?
Yes. This same notation is also used for wind fluttertongue and percussion rolls. Because of the possibility of
On Jun 22, 2006, at 2:27 PM, Andrew Stiller wrote:
On Jun 21, 2006, at 10:03 PM, Jamin Hoffman wrote:
Dear all -
Is the proper way to represent unmeasured tremolos three slashes across the note, regardless of the value of the note?
Yes. This same notation is also used for wind fluttertongue
On Jun 22, 2006, at 2:45 PM, Andrew Stiller wrote:
Another bit of confusion: I think that a lot of the very wide-bore,
big-bell btrbs. that some of you have been discussing are the same
thing that I have been calling an F contrabass trombone.
No, not really.
If there is a distinction
Steven Gruver wrote:
Does anybody know when Finale 2007 will be released?
Dennis is right that many know but no-one will tell. It used to happen
in September/October, but the past few have been in August, in order to
catch the eye of band directors and other school teachers so they can
Scot Hanna-Weir wrote:
Finalites:
[snip] the lines to the level of detail you need to connect the brackets
anyway. When, dear friends, will Finale update the shape expression
editor so that we are not all so sad.
Unfortunately, probably not until Sibelius initiates some sort of shape
Christopher Smith wrote:
On Jun 22, 2006, at 10:53 AM, Scot Hanna-Weir wrote:
---And others have the problem where occasionally, when zooming, the
display jumps -6000+ coordinates south? That frustrates me too.
Oh yeah.
They swear that 2007 will address some of these plain old doesn't
Hi, Everyone - for some reason suddenly the hyphens separating
syllables are not putting just 1 dash like it usually does, but it's
putting 2-3 dashes in between syllables and it looks silly! How can
I set this back to just putting 1 dash for each hyphen. I'm not sure
what I changed to
Steven Gruver wrote:
Does anybody know when Finale 2007 will be released?
If 07 is like past releases, many people outside Makemusic probably know what
will be in Fin07, but few if any know when it will be released.
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Finale mailing list
On Jun 21, 2006, at 6:54 PM, Christopher Smith wrote:
The addition of a trigger alone does not make the instrument a
tenor-bass, as even King 3b's (peashooters) are available with
triggers. They are just large-bore tenor trombones, that happen to
have an F trigger. The real tenor-bass that
On Jun 22, 2006, at 12:43 PM, dhbailey wrote:
Steven Gruver wrote:
Does anybody know when Finale 2007 will be released?
Dennis is right that many know but no-one will tell. It used to
happen in September/October, but the past few have been in August,
in order to catch the eye of band
Jacki:
Under Document Options - Lyrics there is a section on hypens. Make
sure your Maximum distance between hyphens is set high enough. Finale
defaults to about .5 inches, or 36 points. (you can change measurement
units at the bottom if yours is displaying in something like EVPUs or
another
On Jun 22, 2006, at 12:47 PM, dhbailey wrote:
Sign me A 2006 early adopter who still doesn't find GPO any more
helpful (especially the saxophones) than the soundfont playback
we've had for years.
Even Garritan JABB (of which I am a fan and supporter) doesn't do
particularly well
On Jun 22, 2006, at 4:26 PM, Andrew Stiller wrote:
but even if it was missing the 2nd trigger (or even a straight horn!
I've seen them!) it would still be a bass trombone.
A simplex bass trombone is an instrument in F.
Did you mean to say G? I thought we had established that the F bass
Go to Document Options Lyrics and put a large value (something
bigger than the width of a system, for instance) in the Maximum
Space Between Hyphens box.
Michael Cook
On 22 Jun 2006, at 22:10, Jacki Barineau wrote:
Hi, Everyone - for some reason suddenly the hyphens separating
syllables
Agreed. There better be some neat stuff in Finale 2007. Like dynamic parts.
dhbailey wrote:
Addressing them is one thing -- solving them is quite another. We'll
just have to wait and see if 2007 is a true notation improvement
package or another let's tack on more bright shiny objects to
I've always wondered why you can't note attach a hairpin like you can a slur. THAT, would be cool.-ScotOn 6/22/06, Eric Dannewitz
[EMAIL PROTECTED] wrote:Agreed. There better be some neat stuff in Finale 2007. Like dynamic parts.
dhbailey wrote: Addressing them is one thing -- solving them is
On 22 Jun 2006 at 13:40, Chuck Israels wrote:
Even Garritan JABB (of which I am a fan and supporter) doesn't do
particularly well with saxophones. They have worked long and hard to
get good samples, but I think we are used to hearing saxophones
played with a higher level of personal
In 1964, we did West Side Story with exactly one line change,
altering You came here w. your pants open! to You came here w.
your mouth open! ...
Since the Clinton years, I think the amended version might be worse.
Since the Clinton years, everything's been worse. :-(
Without a
Seems like a parallel situation to me, and I wonder if there are
significantly better solo string samples. I'm not looking to get
into a war about whose are the best - just curious to know if this
kind of thing has been solved to a greater degree in string samples
than saxophone samples,
Christopher Smith wrote:
On Jun 21, 2006, at 9:05 PM, Carl Dershem wrote:
And I use a King 2b Liberty (dual .581/.591 bore)
You must have meant .481/.491, as .581 is ENORMOUS, like contrabass
trombone bore.
True. My horns vary a lot, from a .445 trumpthe .508 valve trombone,
the .525
Thanks so much for the help! That was just weird because it's never
happened before :)
- Jacki
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Well, there is Garritan's solo Strad library, which is pretty good,
as far as sampled solo string instruments go.
http://www.garritan.com/stradivari.html
Of course, it requires impressive playing/programming to be heard to
best effect (same as the JABB saxophones), and even given that, the
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