Dear listers,
Something different: I'm racking my brains to give my 1st year beginner
music theory students a public domain orchestra piece that is a good
demonstration of the different instrument families of the orchestra and
introductory score reading.
My first thought was perhaps Jupiter
At 3:30 PM -0700 4/17/10, Ryan wrote:
Where is it necessary to place the dynamics when writing for organ?
The manuscript I'm working from isn't consistent in the placement of
dynamics. It also doesn't specify individual stops to use (for example, a
trumpet stop that would naturally sound louder
On Apr 17, 2010, at 7:50 PM, David W. Fenton wrote:
The player could tell from the content of the music what was intended
in regard to all of
those parameters. So can any properly-trained modern organist.
That may be the problem with the academic world view of music, thus
one might read a
At 6:54 PM +1000 4/18/10, Matthew Hindson (gmail) wrote:
Dear listers,
Something different: I'm racking my brains to give my 1st year
beginner music theory students a public domain orchestra piece that
is a good demonstration of the different instrument families of the
orchestra and
On 18 Apr 2010 at 9:40, timothy.price wrote:
On Apr 17, 2010, at 7:50 PM, David W. Fenton wrote:
The player could tell from the content of the music what was
intended in regard to all of those parameters. So can any
properly-trained modern organist.
Note that this comment is taken
On 18 Apr 2010 at 14:14, John Howell wrote:
And of course his 5/4 waltz movement from another symphony is a
masterpiece of non-standard meter, alternating 3+2 with 2+3
throughout, that was unequalled until Brubeck's Take 5!
I don't know the exact level of the orchestra that this was asked
Matthew Hindson (gmail) wrote:
Dear listers,
Something different: I'm racking my brains to give my 1st year beginner
music theory students a public domain orchestra piece that is a good
demonstration of the different instrument families of the orchestra and
introductory score reading.
My first
Perhaps there are WYSIWYG editors that produce TeX
output,
Lyx is pretty much what you just said (http://www.lyx.org/) It's very good,
really nikce. You can get the quality of TeX and it's not difficult to
learn. As easy as MS-Word. You can import EPS graphics and Lilypond files (
Other thingg good for academic works is that it organizes the indexes, doc,
bibliographys, citations, footnotes all altomaticalle. References you an
prepare with zotero and/or bibtex. For academic works it's the best.
On 18 April 2010 20:04, Bernardo Barros bernardobarr...@gmail.com wrote:
On Apr 18, 2010, at 4:24 PM, David W. Fenton wrote:
On 18 Apr 2010 at 9:40, timothy.price wrote:
On Apr 17, 2010, at 7:50 PM, David W. Fenton wrote:
The player could tell from the content of the music what was
intended in regard to all of those parameters. So can any
properly-trained modern
Matthew Hindson (gmail) wrote:
Something different: I'm racking my brains to give my 1st year beginner
music theory students a public domain orchestra piece that is a good
demonstration of the different instrument families of the orchestra and
introductory score reading.
Since you're in
On 18 Apr 2010 at 19:58, timothy.price wrote:
On Apr 18, 2010, at 4:24 PM, David W. Fenton wrote:
On 18 Apr 2010 at 9:40, timothy.price wrote:
On Apr 17, 2010, at 7:50 PM, David W. Fenton wrote:
The player could tell from the content of the music what was
intended in regard to all of
Wow. Didn't mean to start up such a debate!
Perhaps I should clarify my situation. I'm engraving a piece for organ
by a dead composer. He has marked dynamics in the music. Sometimes
there's one marking under the top staff only. Sometimes there's a
marking under all three staves. Sometimes
On 18 Apr 2010 at 18:56, Ryan Beard wrote:
Perhaps I should clarify my situation. I'm engraving a piece for
organ
by a dead composer. He has marked dynamics in the music. Sometimes
there's one marking under the top staff only. Sometimes there's a
marking under all three staves. Sometimes
At 7:58 PM -0400 4/18/10, timothy.price wrote:
Don't pay any attention to non-organist comments, they can be
misleading.
If that's referring to me,
No, I was not referring to you, but to John Howell's previous comment
about thinking it best not to include dynamic markings, but that he was
Ryan,
If you are not familiar with the conventions of music notation for the
organ in the place and at the time the composer lived, the best thing to
do is to consult with someone who is. Take the MS, or a printout of your
notesetting effort to an experienced organist, and get their opinions.
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