There is a Staff Style included in the new templates called Blank Notation with
Rests Layer 1. Apply that to your Flute 2 part ONLY (it will not show up in the
score by default if you enter it in the part). You can then select the bars
(and any surrounding bars) and Create a multimeasure rest fo
On 16 Mar 2011 at 8:28, Robert Patterson wrote:
> A question has come up on another list about what Elaine Gould in her
> book calls "dual meter". This a situation where, for example, 2/4 and
> 6/8 coincide vertically or in not-necessarily predictable horizontal
> patterns, but the beats (and the
This unfortunately is the drawback and I have found no way round it, except
that rather than fight it I go with it and leave the 1st Flute part in the 2nd
Flute part and indicate it as a cue (you can hide the text expression in the
1st part and show in the 2nd). Most doubled/trebled stand player
I think de Falla's "El Sombrero de Tres Picos: Suite No.1" uses the =
sign quite a bit.
**Leigh
>
>Examples of the 1st option (parentheses) are fairly easy to come by. I feel
>virtually certain I've seen the "=" notation in a few standard orchestral
>works, but I can't remember which. I think I'v
A question has come up on another list about what Elaine Gould in her book
calls "dual meter". This a situation where, for example, 2/4 and 6/8
coincide vertically or in not-necessarily predictable horizontal patterns,
but the beats (and the barlines) always line up and have the same duration.
Goul
I love this, will make the full scores much easier to read. Just a few
questions/notes.
I needed to check stem directions in layers under document-layers options,
so that the stems in the parts went the right way. Check 'ignore layers
containing only hidden notes'.
If, say, on a flute part with b
