Thank you Eric and Steve,
I’ll go for the upgrade.
Giovanni
Giovanni Andreani
www.giovanniandreani.com
www.ga-music.com
www.twitter.com/MrAvenarius
> On 9 Dec 2016, at 15:11, Steve Parker wrote:
>
> Runs fine on my 2010 white MacBook with Sierra.
>
> Steve P.
>
>> On 9 Dec 2
Yes, I conducted it in a large 3 with two bounces on each beat. I tried to stay
clean because there was a lot going on there and I didn’t want to distract
anyone from what was important (nailing the figures!) I agree that the music
should come out properly, and I try to make sure that when I am
On 12/10/2016 8:34 AM, Christopher Smith wrote:
> You might have missed my response. I said the passage in “Arabesque” in 6/4
> was marked “2+2+2” and I agreed with it.
>
I did see it, but I had forgotten it this morning. :-( Sorry.
So how did you conduct that? In the traditional 6 pattern th
in Speedy, opt-=.
This only works when there are endings involved, much to my dismay. I think
Finale should make it work anywhere. If you are, for example, starting a coda
system with a previously-tied note, you will have to tie forward in the usual
way, then edit the tie to go backwards with
You might have missed my response. I said the passage in “Arabesque” in 6/4 was
marked “2+2+2” and I agreed with it.
Christopher
> On Dec 10, 2016, at 4:53 AM, David H. Bailey
> wrote:
>
> Yes, the original question was indeed about a case where the stresses
> were important and the person w
Dear Listers,
I want to tie a note across the bar line into a 2nd ending, so I need a
backwards tie. (I am using Finale 2K11 on a Mac.) I forgot how to do this and
turn to the collective wisdom of my colleagues on the Final List.
Larry Eden
___
Fina
Hi Darcy,
I may have overstated my insistence on 3/2 vs 6/4. My own music changes meter
often, suppresses downbeats (or emphasizes offbeats), sometimes floats freely
above the meter for long stretches. Your wisdom — along with your experience —
is evident, clear, and also well known.
Even sti
Hi John,
Does Pagemaker still exist? I always use this programme for lots of things
but the version I had would not work on later versions of windows and I was
unable to find an upgrade.
Cheers,
Lawrence
On 10 December 2016 at 03:40, John Roberts wrote:
> I do this sort of thing a lot, and h
On 12/9/2016 10:40 PM, John Roberts wrote:
> I do this sort of thing a lot, and have always used PageMaker or InDesign for
> the final document, exporting from the individual Finale files via eps (in
> the old days) or pdf (much better). If you don’t own this sort of page layout
> program, do fo
On 12/9/2016 5:14 PM, iCloud wrote:
> Hi Steve,
>
> The distinction is useful until it’s not.
>
> If I have a fast piece in 2/2, conducted in 2, and then I need a bar that’s
> elongated by a beat, I’m going to write a bar of 3/2, and conduct that bar in
> 3.
>
> If I have a piece in 5/4, conduc
On 12/9/2016 5:14 PM, iCloud wrote:
> Hi Steve,
>
> The distinction is useful until it’s not.
>
> If I have a fast piece in 2/2, conducted in 2, and then I need a bar that’s
> elongated by a beat, I’m going to write a bar of 3/2, and conduct that bar in
> 3.
>
> If I have a piece in 5/4, conducte
On 12/9/2016 6:49 PM, Steve Parker wrote:
[snip]
> The original question was (I thought) about the case where the stresses were
> important?
[snip]
Yes, the original question was indeed about a case where the stresses
were important and the person was asking how best to get the stresses on
quar
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