On 8-Mar-07, at 12:25 PM, John Howell wrote:
At 3:48 AM -0500 3/7/07, dhbailey wrote:
Brennon Bortz wrote:
How would that apply to harmonic structures? Is that seven notes
of a melody, seven notes of chordal structures, or what? What
about distinctive rhythms? :) Seems like much too gre
At 3:48 AM -0500 3/7/07, dhbailey wrote:
Brennon Bortz wrote:
How would that apply to harmonic structures? Is that seven notes
of a melody, seven notes of chordal structures, or what? What
about distinctive rhythms? :) Seems like much too grey an area to
even dabble with.
Rhythms haven'
On Mar 6, 2007, at 9:43 PM, Dennis Bathory-Kitsz wrote:
And just about everything in "Yes, We Have No Bananas". :)
Hallelujah, bananas! Oh, bring back my 'nanas to me.
But that one has the same rhythms. The point of the Rock-Rudolph
comparison is that with completely different rhythm, the
Brennon Bortz wrote:
How would that apply to harmonic structures? Is that seven notes of a
melody, seven notes of chordal structures, or what? What about
distinctive rhythms? :) Seems like much too grey an area to even dabble
with.
Rhythms haven't been shown to be copyrightable, and supp
Dennis Bathory-Kitsz wrote:
At 09:16 PM 3/6/2007 -0800, Mark D Lew wrote:
The same is true of "Rock of Ages" and "Rudolph, the Red-Nosed
Reindeer".
And just about everything in "Yes, We Have No Bananas". :)
You have all seen the YouTube video about Pachelbel's Canon, haven't
you? The sin
he
Rainbow', but with a different rhythm.
Apparently, so he said, you are only allowed seven notes before
copyright
kicks in.
No idea if he is correct.
Gary Griffiths
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On
Behalf Of
dhbailey
Sent: 05 March 2007 20:17
To: f
At 09:16 PM 3/6/2007 -0800, Mark D Lew wrote:
>The same is true of "Rock of Ages" and "Rudolph, the Red-Nosed
>Reindeer".
And just about everything in "Yes, We Have No Bananas". :)
Dennis
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On Mar 6, 2007, at 12:53 AM, G GRIFFITHS wrote:
If you take the first seven notes of 'Unlimited, my future is...'
from 'The
Wizard and I', they are in fact the same notes as 'Somewhere Over The
Rainbow', but with a different rhythm.
The same is true of "Rock of Ages" and "Rudolph, the Red-N
In a message dated 06/03/2007 20:16:12 GMT Standard Time,
[EMAIL PROTECTED] writes:
"And of course Mahler's famous quote from "The Sound of Music" in the
> finale
> of his first symphony - "Soh, a needle pulling thread"
>
And don't forget "White Christmas" in the 9th!"
But is it only
On Mar 6, 2007, at 2:23 PM, [EMAIL PROTECTED] wrote:
And of course Mahler's famous quote from "The Sound of Music" in the
finale
of his first symphony - "Soh, a needle pulling thread"
And don't forget "White Christmas" in the 9th!
Andrew Stiller
Kallisti Music Press
http://www.kallistimusi
iths
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
dhbailey
Sent: 05 March 2007 20:17
To: finale@shsu.edu
Subject: Re: [Finale] How much can I quote?
Raymond Horton wrote:
Thanks, Christopher, for that link, and to everyone else for the
excellent an
And of course Mahler's famous quote from "The Sound of Music" in the finale
of his first symphony - "Soh, a needle pulling thread"
Cheers,
Lawrence
lawrenceyates.co.uk
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At 8:53 AM + 3/6/07, G GRIFFITHS wrote:
If you take the first seven notes of 'Unlimited, my future is...' from 'The
Wizard and I', they are in fact the same notes as 'Somewhere Over The
Rainbow', but with a different rhythm.
Apparently, so he said, you are only allowed seven notes before co
On Mar 6, 2007, at 12:52 PM, Christopher Smith wrote:
I am reminded of the Bernstein essay where he finds "How Dry I Am" in
a dozen or so different works through music history that do not
resemble each other in the least.
The same can be done with "The Sidewalks of New York"--in the Mozart
On 6-Mar-07, at 3:53 AM, G GRIFFITHS wrote:
I heard an interview with Stephen Schwartz on Radio 3's 'Stage and
Screen' a
few weeks ago, talking about Wicked.
If you take the first seven notes of 'Unlimited, my future is...'
from 'The
Wizard and I', they are in fact the same notes as 'Some
0:17
To: finale@shsu.edu
Subject: Re: [Finale] How much can I quote?
Raymond Horton wrote:
> Thanks, Christopher, for that link, and to everyone else for the
> excellent and extremely helpful advice I received here on this subject.
>
>
> For example, I wonder if the opening 7-note g
Raymond Horton wrote:
Thanks, Christopher, for that link, and to everyone else for the
excellent and extremely helpful advice I received here on this subject.
For example, I wonder if the opening 7-note guitar riff from
Lennon-McCartney's "Yer' Birthday, " used in a serious, somewhat
quodlib
Thanks, Christopher, for that link, and to everyone else for the
excellent and extremely helpful advice I received here on this subject.
For example, I wonder if the opening 7-note guitar riff from
Lennon-McCartney's "Yer' Birthday, " used in a serious, somewhat
quodlibet-type composition (no
At 10:11 AM -0500 3/4/07, dhbailey wrote:
One thing I find amusing among all these apparently conflicting
decisions is that the newer era of intellectual property and
copyright law is still a wide-open frontier and all the judges are
trying to come up with the definitive ruling, paying less a
At 1:00 AM -0500 3/4/07, Raymond Horton wrote:
This sounds to me, already, like a dumb question, but here goes anyway:
Is there any guideline established as to how much I can quote of a
copyrighted piece of music without getting into trouble?
This is not legal advice!!! No, there is nothing
Christopher Smith wrote:
[snip]
I confess that I don't understand many of these cases at all. Many of
the arguments upheld by the judges are contradictory, to my eye anyway,
and it is beyond me how someone could think that a left-hand piano riff
in common use for seventy years or more could be
On Mar 4, 2007, at 8:03 AM, dhbailey wrote:
The one area which is much more open is the area of satire/parody.
I was interested to learn (wish I could remember the learned
copyright site I read this on) that this is much more narrowly
defined and interpreted than I had thought. I was o
Raymond Horton wrote:
This sounds to me, already, like a dumb question, but here goes anyway:
Is there any guideline established as to how much I can quote of a
copyrighted piece of music without getting into trouble?
I know that there are guidelines for broadcast, but are there any for
com
On Mar 4, 2007, at 1:00 AM, Raymond Horton wrote:
This sounds to me, already, like a dumb question, but here goes
anyway:
Is there any guideline established as to how much I can quote of a
copyrighted piece of music without getting into trouble?
I know that there are guidelines for broa
This sounds to me, already, like a dumb question, but here goes anyway:
Is there any guideline established as to how much I can quote of a
copyrighted piece of music without getting into trouble?
I know that there are guidelines for broadcast, but are there any for
compositional plagiarism
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