On May 4, 2010, at 12:27 PM, John Howell wrote:
He was very likely one of the players who played the newly-composed
music of both Gabriellis,
Gabrielis (one L). I wouldn't have made a fuss about this, but there
*are* three honest-to-God two-L Gabriellis as well, one of whom
(Domenico) lived
At 3:40 PM -0400 5/5/10, Andrew Stiller wrote:
On May 4, 2010, at 12:27 PM, John Howell wrote:
He was very likely one of the players who played the newly-composed
music of both Gabriellis,
Gabrielis (one L). I wouldn't have made a fuss about this, but there
*are* three honest-to-God two-L
...@vt.edu wrote:
From: John Howell john.how...@vt.edu
Subject: Re: [Finale] OT - a matter of notation
To: finale@shsu.edu
Date: Tuesday, May 4, 2010, 4:57 AM
At 5:22 PM -0700 5/3/10, Klaus
Smedegaard Bjerre wrote:
Having read Quantz I would be more restrictive about
the inner voices
At 1:54 AM -0700 5/4/10, Klaus Smedegaard Bjerre wrote:
I don't disagree at all. My education is old and mostly after German
books, so I don't know the Dalla Casa book.
Ah ... Girolamo Dalla Casa was a cornettist and one of the two
instrumental leaders at the Basilica of St. Mark in Venice
joy.
Klaus
http://launch.groups.yahoo.com/group/YorkMasterBBb/
--- On Tue, 5/4/10, John Howell john.how...@vt.edu wrote:
From: John Howell john.how...@vt.edu
Subject: Re: [Finale] OT - a matter of notation
To: finale@shsu.edu
Date: Tuesday, May 4, 2010, 6:27 PM
At 1:54 AM -0700 5/4/10
I am putting together some little booklets of recorder music for my fellow
players and others. The first 2 booklets are collections of pieces from the
Balkans, and a bunch of Breton tunes, i.e. it's folk music.
I am doing this in Finale and am trying to keep the notation as succinct and
On Mon May 3, at MondayMay 3 8:24 AM, Graeme Gerrard wrote:
I am putting together some little booklets of recorder music for my
fellow players and others. The first 2 booklets are collections of
pieces from the Balkans, and a bunch of Breton tunes, i.e. it's
folk music.
I am doing this
Graeme Gerrard wrote:
[snip]
Some people seem to like the repeats re - presented in the letter notation:
AA BB BB CC
AA BB BB CC
DD
AA BB BB CC
The redundancy offends me a bit.
What do people think? The redundancy is good or confusing?
The answer is a resounding it depends. For people who
At 10:24 PM +1000 5/3/10, Graeme Gerrard wrote:
I am putting together some little booklets of recorder music for my
fellow players and others. The first 2 booklets are collections of
pieces from the Balkans, and a bunch of Breton tunes, i.e. it's folk
music.
I am doing this in Finale and am
On 3 May 2010 at 9:13, Christopher Smith wrote:
I might be inclined to write the actual MUSIC out as
||: a a b b :|| with the notation Play 3 times over the first
section (I would NOT write Repeat 2 times because all performers
see is the 2 times and might not actually play it three
No. It is just music for recorders - solos, duets, trios of folk music and
consorts of 4 5 instruments of medieval and renaissance msuic.
The replies support all 3 options! That just means to me that it is an issue
perhaps more of experience and maybe personal preference.
My least preferred
Graeme, why don’t you just let the music stream across the screens of the
players’ mobile phones? Or across their iPads, when these hit Oz?
Klaus
--- On Tue, 5/4/10, Graeme Gerrard ggerr...@resonant.com.au wrote:
From: Graeme Gerrard ggerr...@resonant.com.au
Subject: Re: [Finale] OT
don’t you just let the music stream across the screens of the
players’ mobile phones? Or across their iPads, when these hit Oz?
Klaus
--- On Tue, 5/4/10, Graeme Gerrard ggerr...@resonant.com.au wrote:
From: Graeme Gerrard ggerr...@resonant.com.au
Subject: Re: [Finale] OT - a matter
Subject: Re: [Finale] OT - a matter of notation
To: finale@shsu.edu
Date: Tuesday, May 4, 2010, 1:54 AM
Ha Klaus!
Thanks for suggesting I ask my question here on the Finale
list!
I'm skipping these clumsy device based technologies and
waiting for the retinal projectors.
I think the direct
At 5:22 PM -0700 5/3/10, Klaus Smedegaard Bjerre wrote:
Having read Quantz I would be more restrictive about the inner
voices improvising unless they are very aware of the harmonic and
rhythmic patterns. Which is another way of saying that I did it
whenever feeling confident.
Hi, Klaus.
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