: [Finale] Harp question
I don't think so because the thin slash is always between 2 or 4 notes not
above or below them like a repeat slash.
-Message d'origine-
From: Lawrence
Sent: Wednesday, October 05, 2011 10:08 AM
To: finale@shsu.edu
Subject: Re: [Finale] Harp question
Is it not just
At 02:26 PM 10/9/2011, you wrote:
Oh, how I hate repeat figure slashes.
Write the damn chord out again -- it won't hurt.
It seems like tremolo. Same as for string players.
Dana
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At 1:26 PM -0500 10/9/11, Patrick Sheehan wrote:
Oh, how I hate repeat figure slashes.
Write the damn chord out again -- it won't hurt.
Patrick J. M. Sheehan
patricksheehanmu...@gmail.com
They're actually easier to read. Especially to
sightread. You don't have to concentrate in case
there's
Is it not just repeat the chord?
Sent from my iPhone
On 5 Oct 2011, at 08:31 AM, Pierre Bailleul pierrebaill...@free.fr wrote:
Hi all,
Do you know the signification of a thin slash on a stem between 2 or 4 notes
on harp chord?
Thanks in advance.
Pierre
I don't think so because the thin slash is always between 2 or 4 notes not
above or below them like a repeat slash.
-Message d'origine-
From: Lawrence
Sent: Wednesday, October 05, 2011 10:08 AM
To: finale@shsu.edu
Subject: Re: [Finale] Harp question
Is it not just repeat the chord
-
From: Lawrence
Sent: Wednesday, October 05, 2011 10:08 AM
To: finale@shsu.edu
Subject: Re: [Finale] Harp question
Is it not just repeat the chord?
Sent from my iPhone
On 5 Oct 2011, at 08:31 AM, Pierre Bailleul pierrebaill...@free.fr wrote:
Hi all,
Do you know the signification
Could you show an example? I looked in Harp Scoring (by Stanley
Chaloupka, $8.95, bought through Lyon Healy
http://www.lyonhealy.com/?gclid=CJymptnT0qsCFQteTAodr0bcWw
and didn't see (or overlooked) this marking.
RH
On Oct 5, 2011, at 2:31 AM, Pierre Bailleul wrote:
Hi all,
Do you know
On Oct 29, 2007, at 8:04 PM, Darcy James Argue wrote:
Richard said it was a scale gliss, and also that his client wanted
a verbal description. I think his client is being a bit of an idiot
-- if you want to be extra-clear, the way to go is to put in the
first seven notes of the gliss as
What is the underlying harmony? Eb or Bb7?
Cheers,
- Darcy
-
[EMAIL PROTECTED]
Brooklyn, NY
On 29 Oct 2007, at 4:23 PM, Richard Huggins wrote:
If someone who knows would settle this for me, I'd appreciate it.
In, for example, the key of Eb and writing a gliss starting on Bb
and
Well, it was a hypothethical question, but good point. Let's say it
was the key of Eb, but we're on the bridge, and at the bridge's end
there's a Bb7 chord back to part 1, which will start on an Eb chord.
Between the lines you seem to be saying call it whatever the
underlying harmony is.
Indeed, eh.
- Darcy
-
[EMAIL PROTECTED]
Brooklyn, NY
On 29 Oct 2007, at 5:50 PM, Richard Huggins wrote:
Between the lines you seem to be saying call it whatever the
underlying harmony is. Eh?
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Richard Huggins wrote:
If someone who knows would settle this for me, I'd appreciate it.
In, for example, the key of Eb and writing a gliss starting on Bb and
ending on Bb (essentially a Bb7 scale gliss), and where written
descriptions are being used alongside harp diagrams (client's wishes),
Richard said it was a scale gliss, and also that his client wanted a
verbal description. I think his client is being a bit of an idiot --
if you want to be extra-clear, the way to go is to put in the first
seven notes of the gliss as grace notes, and not all harpists can
read chord symbol
There are a couple of ways to do this.
Some, like Don Sebesky, suggest glissing on the RESOLUTION harmony,
rather than the PRE-resolution harmony. He would use an Eb6/9 chord,
with pedalling set (in order) D#,Cn,Bb,Eb,Fn,Gn,A#.
If you want a Bb7 chord, then you want Dn,Cn,Bb,E#,Fn,G#,Ab.
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