JW Meter Change-Relative Meter Change-Double Meter (set to change
Bottom time sig part).
This will create 4/2 measures and also adjust measure-attached contents.
After that, rebar to 2/2.
Best regards,
Jari Williamsson
On 2014-09-18 05:32, dershem wrote:
Recently got an arrangement
On 18.09.2014 13:32, dershem wrote:
Recently got an arrangement for a samba that is written in 4/4
instead of
2/2.
I plugged everything into Finale (FinWin 2010b) with the intent of
just
going in and doubling the duration of everything and re-beaming it
to 2/2.
That doesn't
On 18/09/2014, at 07:00, Peter Taylor wrote:
On 18.09.2014 13:32, dershem wrote:
Recently got an arrangement for a samba that is written in 4/4
instead of
2/2.
...
2/2 is cut time, there's no need to double the durations.
___
Exactly. No
On 9/18/2014 1:51 AM, Jari Williamsson wrote:
JW Meter Change-Relative Meter Change-Double Meter (set to change
Bottom time sig part).
This will create 4/2 measures and also adjust measure-attached contents.
After that, rebar to 2/2.
Best regards,
Jari Williamsson
Exactly what I
I would like to force all .mus files to open with Fin12 as default (leaving
.musx to open in Fin14). The Finder Get Info window seems to want to offer
this feature, and it works on a case-by-case basis when I choose Open
with-Finale 2012.app. But when I then select Change All... it perversely
Forget it. I've tried this too many times to remember I'm afraid. Something
about Finale steadfastly refuses to honor that request at any level. Abobe
Acrobat Pro does the same thing on my Mac, altho more surreptitiously.
My only way around is the cntl-click on a file. Major PITA.
Sorry.
I think it's an OS issue rather than Finale. You'd have to uninstall 2014, I'm
afraid.
But you only have to control-click on the first file to open 2012. As long as
2014's not running at the same time, you can double click on any other file you
want and it will open in 2012.
Sent from my
Is there anyway to obtain an opaque hairpin, in the way that, when intersecting
with a dashed line, it would appear as laying over it, without the dashed line
crossing through the hairpin.
Giovanni
Giovanni Andreani
www.giovanniandreani.com
Hi all,
FinWin2014. For those following this saga, I ended up having to create a
parts score because the independent time sigs cause all the spacing to go
haywire. This project is at the end and everything is due tonight.
Issue 1
I have a problem with staff naming in this rather messy set of
On Thu, September 18, 2014 11:18 am, Giovanni Andreani wrote:
Is there anyway to obtain an opaque hairpin, in the way that, when
intersecting with a dashed line, it would appear as laying over it, without
the dashed line crossing through the hairpin.
I usually put in place two lines to emulate
== Staff style to show the part name
make sure in the staff style show in parts is checked and you hve
defined the abbreviated names
== Expression (it then appears in all parts and doesn't seem to have a staff
assignment list; I have to hide it one by one each time in every part).
might be
On Thu, September 18, 2014 2:01 pm, SN jef chippewa wrote:
== Staff style to show the part name
make sure in the staff style show in parts is checked and you hve
defined the abbreviated names
It is. Nothing appears. And nothing in the undo list except 'modify staff
style metatool' ... I have
On Sep 18, 2014, at 11:18 AM, Dennis Bathory-Kitsz bath...@maltedmedia.com
wrote:
The page numbers on the parts start go -1, 0, 1
i think the only way is with separate page# text blocks. set the one
for the PTs in the SC, then unlink and hide. should be perfect in
the PTs. for the SC
== Staff style to show the part name
make sure in the staff style show in parts is checked and you hve
defined the abbreviated names
It is. Nothing appears. And nothing in the undo list except 'modify staff
style metatool' ... I have no idea.
i have found in some circumstances applying a
That's what I do too, but I was looking for a quicker alternative, having a
sixty pages piano score where very many diagonal dashed lines, connecting note
heads on different staves, collide with many other hairpins.
Giovanni
Giovanni Andreani
www.giovanniandreani.com
On Thu,
On Thu, September 18, 2014 2:36 pm, Chuck Israels wrote:
Seems to me a generic template
set up this way and modified according to the needs of each piece solves some
of this annoyance.
With the stuff I get to do, there is no generic template. I can only dream of
that day :)
Dennis
Helps to have your own band! But there are things to deal with with that that
take at least as much time.
Chuck
Sent from my iPhone
On Sep 18, 2014, at 2:20 PM, Dennis Bathory-Kitsz bath...@maltedmedia.com
wrote:
On Thu, September 18, 2014 2:36 pm, Chuck Israels wrote:
Seems to me a
On Thu, September 18, 2014 6:12 pm, Chuck Israels wrote:
Helps to have your own band! But there are things to deal with with that that
take at least as much time.
At least it's a paying client. If it were my own piece, the time wouldn't
matter at all. :)
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