Owain Sutton wrote:
It really isn't a workaround when every bar is a measure change, two
thirds of them being x/10 or x/12. I can't claim to understand the
intricacies of how Finale works, but I'm sure it can't be too
difficult for me to replace one symbol for another,
Well, if it were me,
From: Darcy James Argue [EMAIL PROTECTED]
I absolutely agree with John. I read your explanation (w/diagram) and
still couldn't make head nor tail of it. I can't imagine this section
going well in rehearsal if you leave it as you describe. Just write it
out for everyone, without the
At 3:08 AM -0500 7/17/04, Richard Huggins wrote:
From: Darcy James Argue [EMAIL PROTECTED]
I absolutely agree with John. I read your explanation (w/diagram) and
still couldn't make head nor tail of it. I can't imagine this section
going well in rehearsal if you leave it as you describe.
Christopher:
OK, I guess we're running out of words to describe things. Perhaps
I've taken the term farther than it was originally intended to go
when I call any chord with the key's 4th degree and no leading tone
a sub-dominant function chord. But there IS adequate support on
that, including
owain, it is indeed possible, you just have to tweak. i have this
expression already made up, let me know what your time sig font and
staff line thicknesses are, i'll send you a library (F2003 okay?)
with expressions adjusted for your needs.
From: dhbailey [EMAIL PROTECTED]
figure out a time
shirling neueweise wrote:
owain, it is indeed possible, you just have to tweak. i have this
expression already made up, let me know what your time sig font and
staff line thicknesses are, i'll send you a library (F2003 okay?) with
expressions adjusted for your needs.
That'd be wonderful!
At 9:19 AM -0600 7/17/04, shirling neueweise wrote:
actually it is better to have a white-filled box under the /5 time
sig, you can then maintain the spacing finale allows for the time
signature (some adjustments sometimes necessary when using /24,
since it is wider than the /16 it replaces)
From: Christopher BJ Smith [EMAIL PROTECTED]
BTW, on another unsolicited topic, you can force Finale to space bar
44, tenor staff, correctly. ..
You method you went on to explain works great. Kewl...thanks much! Left of
stack...where WAS my brain??!
From: Aaron Sherber [EMAIL PROTECTED]
I've created another free font if people are interested, called Rhythms,
which enables people to enter rhythm passages in a word processor or
whatever. It's a bit like the Bach font - not as extensive, but possibly a
bit easier to use. It can do some things that the Bach font can't (from
what I
