On Jul 31, 2004, at 9:25 PM, Crystal Premo wrote:
Okay, my ignorance is catching up with me again. I'm doing some jazz
charts and have encountered a phrase that has what appear to be tildes
over some of the notes. What are these? Some equivalent of a
mordent? There are articulations that are
From: "d. collins" <[EMAIL PROTECTED]>
... the slurs of the original don't appear in the ossia.
sur mac, opt-doubleclick la mesure (peut-Ăªtre right-click sur
windows, j'sais pas).
jef
--
shirling & neueweise \/ new music notation specialists
mailto:[EMAIL PROTECTED] :.../ http://
From: "Michael Lawlor" <[EMAIL PROTECTED]>
1) Mid-measure clefs (resized to 100% if that has any significance)
appear to be ignored when it comes to spacing.
make sure clefs are checked in the "avoid collision of:" area in the
"document options - music spacing" dialogue box.
jef
--
shirling & n
select staff tool, partial measures (edit menu), and apply HIDE style
to a region of 0 to 100 EDUs (or some other appropriate value).
with some staff styles, you can only apply to the full measure, if
this is the case, apply HIDE to full measure and select partial
measure from 100 EDUs (or some
Okay, my ignorance is catching up with me again. I'm doing some jazz charts
and have encountered a phrase that has what appear to be tildes over some of
the notes. What are these? Some equivalent of a mordent? There are
articulations that are similar, but they have two little curves in them
On Jul 31, 2004, at 12:59 PM, Michael Lawlor wrote:
FINALE 2002
I am having two problems with spacing:
1) Mid-measure clefs (resized to 100% if that has any significance)
appear
to be ignored when it comes to spacing. Is it necessary to set this up
manually and then switch off auto-spacing?
2) M
FINALE 2002
I am having two problems with spacing:
1) Mid-measure clefs (resized to 100% if that has any significance) appear
to be ignored when it comes to spacing. Is it necessary to set this up
manually and then switch off auto-spacing?
2) Mid-measure clefs and cross-staff notation. I cannot
True that‹Sorry, I usually just type it in rather than select it.
Am 31.07.2004 4:24 Uhr, schrieb: "Dennis Bathory-Kitsz"
<[EMAIL PROTECTED]>
> At 04:10 AM 7/31/04 -0700, James E. Bailey wrote:
>> I don't know about your Peignot font problem, but a space (instead of box n.
>> 9) should be a good
At 04:10 AM 7/31/04 -0700, James E. Bailey wrote:
>I don't know about your Peignot font problem, but a space (instead of box n.
>9) should be a good solution for the invisible note head problem.
Quick justin-case info for Giovanni: All the blank boxes look alike. A
space is slot #32.
Dennis
_
I don't know about your Peignot font problem, but a space (instead of box n.
9) should be a good solution for the invisible note head problem. That way
when it translates eps it's a character that still doesn't show.
Am 31.07.2004 0:22 Uhr, schrieb: "Giovanni Andreani"
<[EMAIL PROTECTED]>
> Two
Johannes Gebauer wrote:
On 30.07.2004 12:42 Uhr, dhbailey wrote
Registration is more complex than your computer simply contacting
MakeMusic and asking for a code -- Finale generates a code based on data
it extracts from your machine, such as processor type and speed, amount
of installed ram and ot
On 30.07.2004 19:27 Uhr, Darcy James Argue wrote
>> Well, the registration itself _resides_ on the HD. Where else would it.
>
> On Coda's server? You know, like a "phone home" type of deal. I see
> it's not that, though.
That would only work with a permanent internet connection. I don't mean t
Two elements are graphically changed when exporting to EPS: one is the
Peignot Lt Std Light font, which numbers turn to other kind and bigger
size font. The second is a rectangle around stems without a notehead;
These non-noteheads have been selected from the Note Shape Tool, choosing
an empty box
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