Martin Banner wrote:
I am preparing a modern performing edition of an 18th Century sacred
Latin piece for chorus and orchestra, including continuo. As I am
preparing the keyboard realization of the figured bass, I think back to
the continuo keyboard parts I have played from (mostly European
Finale MIDI Setup window has MIDI-In Latency compensation feature. I am
not sure if I understand this. I don't know any sequencer program needs
to watch out for incoming MIDI data latency so why Finale does? What
exactly does produce MIDI-In Latency? Or is this a Window-only issue?
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Hey Everyone
I'm on Fin 2008 and everything was going well until I started working
with formatting the linked parts. I've discovered my Rehearsal
Marks, inputted as Staff Expressions (boxed - set to display top
staff only in score and parts) have mysteriously duplicated
themselves and
I'm feeling a little stupid, because I can't get the repeats in this piece
http://tinyurl.com/ypd6g9
to work. I've placed them with Create first and second ending from the
Repeat menu.
What have I done wrong?
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Actually, the repeats are playing correctly, but it's the playback line
that's off!
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I am preparing a modern performing edition of an 18th Century sacred
Latin piece for chorus and orchestra, including continuo. As I am
preparing the keyboard realization of the figured bass, I think back to
the continuo keyboard parts I have played from (mostly European
publications,
Here's the link again
http://home.wanadoo.nl/btouburg/finale/
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FinMac 2K4c
I recently installed 2k4 and used it to open my favorite default file
that I have been using with 2K3. I have instrument names included in
my default file and they showed completely in 2K3. In 2K4 I notice
that the instrument names are being cut off by the left margin. For
I am tired of this program and I'm going to capitulate and do what everyone
else does over here anyway: I'm going to use Sibelius. I can buy an educational
copy, so it won't be expensive. I have been thinking about this thing for
months and I am amazed that it is so difficult. I suppose I'm
It will be interesting to see if you feel the same way after using
Sibelius for as long a time as you've been using Finale.
Please let us know.
Chuck
On Aug 3, 2007, at 11:48 AM, Will Denayer wrote:
I am tired of this program and I'm going to capitulate and do what
everyone else does
A client doesn't like the down bow symbol in Maestro or Engraver (too thick).
I'd like to show them the down bow symbol from Opus (the Sibelius font). In the
articulation menu, when I choose the font for the down bow, the Opus symbol
shows, yet when I click OK, the symbol disappears. In fact,
On 3 Aug 2007 at 17:13, dc wrote:
Martin Banner écrit:
I am preparing a modern performing edition of an 18th Century sacred
Latin piece for chorus and orchestra, including continuo. As I am
preparing the keyboard realization of the figured bass, I think back
to the continuo keyboard parts I
On 3 Aug 2007 at 10:03, dhbailey wrote:
Martin Banner wrote:
I am preparing a modern performing edition of an 18th Century sacred
Latin piece for chorus and orchestra, including continuo. As I am
preparing the keyboard realization of the figured bass, I think back
to the continuo
Did you get the .FAN file for Opus?
http://www.finaletips.nu/downloads.php
Ryan Beard wrote:
A client doesn't like the down bow symbol in Maestro or Engraver (too thick). I'd like to show them the down bow symbol from Opus (the Sibelius font). In the articulation menu, when I choose the font
On 3 Aug 2007 at 19:48, Will Denayer wrote:
I am tired of this program and I'm going to capitulate and do what
everyone else does over here anyway: I'm going to use Sibelius. I can
buy an educational copy, so it won't be expensive. I have been
thinking about this thing for months and I am
Cembalo is Italian for harpsichord. Some editions simply show
continuo for this part, as the choice of instrument is often determined
by circumstances at hand.
Aaron J. Rabushka
[EMAIL PROTECTED]
http://users.waymark.net/arabushk
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It looks as though I can't split parts (with specified voicing) AND use
the cue plug-in, since specifying voicing hides multiple layers. Is the
only solution to NOT specify voicing, extract parts and delete the notes I
don't want?
Thanks.
John
John Armstrong
University of Ottawa
[EMAIL
Thanks for recommending the .FAN files. I downloaded
them and restarted Finale, but it still didn't work.
Any other suggestions?
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Mac or PC? You might need to change the Creator info on a Mac...
Did you put the .FAN files in to the Font Annotation folder?
Ryan Beard wrote:
Thanks for recommending the .FAN files. I downloaded
them and restarted Finale, but it still didn't work.
Any other suggestions?
On 03 Aug 2007, at 4:19 PM, [EMAIL PROTECTED]
[EMAIL PROTECTED] wrote:
It looks as though I can't split parts (with specified voicing) AND
use
the cue plug-in, since specifying voicing hides multiple layers.
This is only a problem if your cue extends into a measure with real
notes in
Lawrence David Eden wrote:
[Is it] possible to have Finale 2K4 display only the horizontal ruler
and NOT the vertical one?
I was never able to figure out how; when I needed one, I had a couple of
workarounds I've used since FIN 2k:
1) Create a mini ruler as a 3 inch long shape expression
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