Re: [Finale] 12x18 booklet printing workflow

2015-08-29 Thread Greg Hamilton
Hi Darcy,

Ah yes, now here’s the rub!

Printing uneven numbered parts booklet style in Finale is somewhat fussier. You 
need to create the required extra blank pages to reach any multiple of four. So 
seven pages of music will require an extra blank page added at the end. This is 
often a consideration when I’m doing my layout.

Yes, the Swingline saddle stapler is a life saver! I’ve seen too many people 
try to use a long reach stapler for this purpose…boo!

All the best,
Greg

 From: Darcy James Argue djar...@icloud.com
 Subject: Re: [Finale] 12x18 booklet printing workflow
 Date: August 28, 2015 at 4:21:48 PM PDT
 To: finale@shsu.edu
 
 
 Hi Greg,
 
 Thanks, much obliged. (I already own that Swingline stapler.)
 
 One question — what do you enter in the page range when the total length of 
 the part isn't a multiple of 4 pages?
 
 Cheers,
 
 - DJA
 -
 WEB: http://www.secretsocietymusic.org
 
 On Aug 27, 2015, at 2:56 PM, Greg Hamilton greghamil...@shaw.ca wrote:
 
 Hi Darcy,
 
 You can easily print 2-Up to 12x18 paper from Finale. My printers are the HP 
 Laserjet 5000 and 5100.
 
 1. Page Setup: create a 12x18 custom paper size and select Horizontal 
 orientation.
 2. Print Dialog: Create a custom preset with your desired settings including 
 2-up in the layout section.
 3. Page ranges: here is where you specify the page order. To print an 8 page 
 booklet part you would type: 8,1,2,7,6,3,4,5 for your pagination.
 4. If you’re doing a manual feed, then you need to turn each sheet over of 
 course.
 5. To bind the part, I recommend the Swingline saddle stapler. You can find 
 them on eBay.
 
 Hope this helps,
 Greg
 

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Re: [Finale] 12x18 booklet printing workflow

2015-08-29 Thread Lee Actor
What's the issue with long-throw staplers?  I've been using one (PaperPro) for 
years; reliable, consistent alignment and effortless  stapling.  Don't you have 
to prefold the paper for a saddle stapler?  Stapling first then folding works 
great for me, but I'm open to adopting a superior method.

-Lee

-Original Message-
From: finale-boun...@shsu.edu [mailto:finale-boun...@shsu.edu] On Behalf Of 
Greg Hamilton
Sent: Saturday, August 29, 2015 11:06 AM
To: finale@shsu.edu
Subject: Re: [Finale] 12x18 booklet printing workflow

Hi Darcy,

Ah yes, now here�s the rub!

Printing uneven numbered parts booklet style in Finale is somewhat fussier. You 
need to create the required extra blank pages to reach any multiple of four. So 
seven pages of music will require an extra blank page added at the end. This is 
often a consideration when I�m doing my layout.

Yes, the Swingline saddle stapler is a life saver! I�ve seen too many people 
try to use a long reach stapler for this purpose�boo!

All the best,
Greg

 From: Darcy James Argue djar...@icloud.com
 Subject: Re: [Finale] 12x18 booklet printing workflow
 Date: August 28, 2015 at 4:21:48 PM PDT
 To: finale@shsu.edu
 
 
 Hi Greg,
 
 Thanks, much obliged. (I already own that Swingline stapler.)
 
 One question � what do you enter in the page range when the total length of 
 the part isn't a multiple of 4 pages?
 
 Cheers,
 
 - DJA
 -
 WEB: http://www.secretsocietymusic.org
 
 On Aug 27, 2015, at 2:56 PM, Greg Hamilton greghamil...@shaw.ca wrote:
 
 Hi Darcy,
 
 You can easily print 2-Up to 12x18 paper from Finale. My printers are the HP 
 Laserjet 5000 and 5100.
 
 1. Page Setup: create a 12x18 custom paper size and select Horizontal 
 orientation.
 2. Print Dialog: Create a custom preset with your desired settings including 
 2-up in the layout section.
 3. Page ranges: here is where you specify the page order. To print an 8 page 
 booklet part you would type: 8,1,2,7,6,3,4,5 for your pagination.
 4. If you�re doing a manual feed, then you need to turn each sheet over of 
 course.
 5. To bind the part, I recommend the Swingline saddle stapler. You can find 
 them on eBay.
 
 Hope this helps,
 Greg
 

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Re: [Finale] Mac OS and Java

2015-08-29 Thread Allen Fisher
Is 10.11 even out yet? Last public beta I tried barely ran, much less ran any 
software…


 On 25 Aug, 2015, at 9:17 AM, Steve Gruver gruve...@gmail.com wrote:
 
 Any word when Makemusic will release an update to make OS X 10.11 work with
 Finale?
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Fisher Art and Technology
al...@fisherartandtech.com
i...@fisherartandtech.com







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Re: [Finale] Mac OS and Java

2015-08-29 Thread Jazz-sax
No, it's not out.

And actually it seemed to run everything fine and perhaps a little faster.

Sent from my iPad

 On Aug 29, 2015, at 9:10 PM, Allen Fisher al...@fisherartandtech.com wrote:
 
 Is 10.11 even out yet? Last public beta I tried barely ran, much less ran any 
 software…
 
 
 On 25 Aug, 2015, at 9:17 AM, Steve Gruver gruve...@gmail.com wrote:
 
 Any word when Makemusic will release an update to make OS X 10.11 work with
 Finale?
 ___
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 Allen Fisher
 Founder and Principal Developer
 Fisher Art and Technology
 al...@fisherartandtech.com
 i...@fisherartandtech.com
 
 
 
 
 
 
 
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Re: [Finale] Mac OS and Java

2015-08-29 Thread Allen Fisher
I put it on an older machine though… Didn’t wanna sacrifice my production rig.

 On 29 Aug, 2015, at 11:13 PM, Jazz-sax ericd...@jazz-sax.com wrote:
 
 No, it's not out.
 
 And actually it seemed to run everything fine and perhaps a little faster.
 
 Sent from my iPad
 
 On Aug 29, 2015, at 9:10 PM, Allen Fisher al...@fisherartandtech.com wrote:
 
 Is 10.11 even out yet? Last public beta I tried barely ran, much less ran 
 any software…
 
 
 On 25 Aug, 2015, at 9:17 AM, Steve Gruver gruve...@gmail.com wrote:
 
 Any word when Makemusic will release an update to make OS X 10.11 work with
 Finale?
 ___
 Finale mailing list
 Finale@shsu.edu
 https://lists.shsu.edu/mailman/listinfo/finale
 
 To unsubscribe from finale send a message to:
 finale-unsubscr...@shsu.edu
 
 Allen Fisher
 Founder and Principal Developer
 Fisher Art and Technology
 al...@fisherartandtech.com
 i...@fisherartandtech.com
 
 
 
 
 
 
 
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Fisher Art and Technology
al...@fisherartandtech.com
i...@fisherartandtech.com







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[Finale] Bizarre audio bleed

2015-08-29 Thread Bob Clifton
There must be a plausible explanation for this, but even as I replicate it I 
find it hard to believe.  I’m just curious whether anyone else has experienced 
this, perhaps with a different instrument like an acoustic piano.

I’m using Simple Entry (sometimes with, sometimes without, a midi keyboard) in 
Fin 2014 on an iMac (Yosemite).  As usual, since I go back and forth between 
recording in Cubase and transcribing in Finale, I have a Yeti Pro USB mike 
connected to the computer, for both audio in and out (headphones plugged into 
the mike).

I also have a nylon string classical guitar nearby for ideas and to check 
playability.  Often I’ll enter a measure or two, then pick up the guitar and 
figure out the next couple measures.  Today I noticed that when I returned to 
the screen I would see anywhere from one to half a dozen grayed out new notes, 
mostly on ledger lines way below the staff — i.e. way below the range of the 
instrument.  It is similar to what happens if you inadvertently brush the 
QWERTY keyboard or midi keyboard or mouse in Simple Entry.  I thought at first 
that I’d jiggled something to produce the notes.

Then I caught the crime in progress.  The rogue notes would appear if I plucked 
a string on the guitar hard enough — especially bass strings — and not 
otherwise.  It was not spontaneous.  The pitches don’t match exactly — even 
figuring in the octave difference in guitar notation — but generally are lower 
if the pitch is lower.  Below a certain threshold it doesn’t happen.  Has to be 
fairly loud.

WTF?

No, I’m not recording audio in Finale (nor am I running recording software at 
the moment).  It’s just a classical guitar with no electronic connection of any 
kind.  The mic does pick up the guitar but I have done nothing that would make 
Finale even aware of the mic, much less treat it as in input mode for notation. 
 Hyperscribe is not active.  It’s not just that Finale is responding to an 
audio signal; it’s that it is apparently trying to convert it to notation.  Not 
accurately.  But how does it even “hear” the guitar at all?
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