Re: [Finale] Lyric window does not show entire lyric

[Anne Erickson]

It used to be a matter of installing files for both screen viewing and printer 
fonts. If support was only available to 18 point and you needed to view and 
print something larger, then it was extrapolated; sometimes with varying 
results.

> On Aug 8, 2019, at 9:44 AM, Robert Patterson  
> wrote:
> 
> A further update. While different fonts behave differently, it appears that
> any font can cause the problem if you set the font size big enough.
> 
>> On Wed, Aug 7, 2019 at 8:18 PM Anne Erickson  wrote:
>> 
>> You’re right- the 1983 quote is “never trust those city-named fonts”
>> alluding to the old Mac system fonts.
>> 
>>> On Aug 7, 2019, at 8:47 PM, Robert Patterson <
>> rob...@robertgpatterson.com> wrote:
>>> 
>>> I actually the problem is the opposite of what you stated. I believe that
>>> certain fonts see the problem whereas more mainstream fonts don't. For
>>> example, neither Times nor Helvetica/Arial see the problem but New York
>>> does. New York is a fairly obscure font, but it happens to be the one I
>> use.
>>> 
>>> I would not say the problem is solved. But at least the steps to
>> reproduce
>>> it have been refined and narrowed.
>>> 
>>> 
>>> On Wed, Aug 7, 2019 at 7:16 PM David H. Bailey 
>>> wrote:
>>> 
>>>>> On 8/7/2019 2:55 PM, Robert Patterson wrote:
>>>>> I have been following up on this with Makemusic. It turns out that if I
>>>>> change the font of my Lyrics to Times then I can see the entire block.
>>>> For
>>>>> those on this thread who have experienced this problem, I thought you
>>>> might
>>>>> like to know that it depends which font you use as to whether you see
>> the
>>>>> problem.
>>>>> 
>>>> 
>>>> I'm glad they've solved the problem, however it seems to me it's pretty
>>>> poor programming when what is visible depends on the font.  I can
>>>> understand a character-count limit, or a line limit, but to not function
>>>> properly with any font other than Times seems like somebody in the
>>>> development team dropped the ball.
>>>> 
>>>> Thanks for sharing the solution with us, Robert!
>>>> 
>>>> 
>>>> --
>>>> *
>>>> David H. Bailey
>>>> dhbaile...@comcast.net
>>>> http://www.davidbaileymusicstudio.com
>>>> 
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Re: [Finale] Lyric window does not show entire lyric

[Anne Erickson]

You’re right- the 1983 quote is “never trust those city-named fonts” alluding 
to the old Mac system fonts.

> On Aug 7, 2019, at 8:47 PM, Robert Patterson  
> wrote:
> 
> I actually the problem is the opposite of what you stated. I believe that
> certain fonts see the problem whereas more mainstream fonts don't. For
> example, neither Times nor Helvetica/Arial see the problem but New York
> does. New York is a fairly obscure font, but it happens to be the one I use.
> 
> I would not say the problem is solved. But at least the steps to reproduce
> it have been refined and narrowed.
> 
> 
> On Wed, Aug 7, 2019 at 7:16 PM David H. Bailey 
> wrote:
> 
>>> On 8/7/2019 2:55 PM, Robert Patterson wrote:
>>> I have been following up on this with Makemusic. It turns out that if I
>>> change the font of my Lyrics to Times then I can see the entire block.
>> For
>>> those on this thread who have experienced this problem, I thought you
>> might
>>> like to know that it depends which font you use as to whether you see the
>>> problem.
>>> 
>> 
>> I'm glad they've solved the problem, however it seems to me it's pretty
>> poor programming when what is visible depends on the font.  I can
>> understand a character-count limit, or a line limit, but to not function
>> properly with any font other than Times seems like somebody in the
>> development team dropped the ball.
>> 
>> Thanks for sharing the solution with us, Robert!
>> 
>> 
>> --
>> *
>> David H. Bailey
>> dhbaile...@comcast.net
>> http://www.davidbaileymusicstudio.com
>> 
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Re: [Finale] LaserJet toner cartridge

[Anne Erickson]

Thanks-those are mighty expensive commodities.

On Thu, Mar 7, 2019 at 4:36 PM j...@thomastudios.com 
wrote:

> I doubt it.  I purchased a refurbished LJ5200dtn to replace my 5100, and
> it takes a completely different toner cartridge.  Probably the same as the
> 5200L.
>
> ***
> J D Thomas
> ThomaStudios
>
>
>
> > On Mar 7, 2019, at 1:33 PM, Anne Erickson  wrote:
> >
> > Any chance that they would fit a HP5200LN?
> >
> > On Thu, Mar 7, 2019 at 4:28 PM j...@thomastudios.com 
> > wrote:
> >
> >> Hey guys,
> >>
> >> I know many here have used and may still be using an HP LaserJet 5000 or
> >> 5100.  My 5100 recently gave up the ghost here, requiring a replacement.
> >>
> >> I have a genuine HP C4129X toner cartridge, upopened and in the original
> >> box, that I am looking to sell.
> >>
> >> Anyone interested?  Say $35 shipped?
> >>
> >> I also have a 3rd paper tray that is in excellent condition; very low
> >> usage.  Can handle up to 11 x 17 paper.
> >>
> >> PM me if interested in either.
> >>
> >> **
> >> J D Thomas
> >> ThomaStudios
> >>
> >>
> >>
> >>
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Re: [Finale] LaserJet toner cartridge

[Anne Erickson]

Any chance that they would fit a HP5200LN?

On Thu, Mar 7, 2019 at 4:28 PM j...@thomastudios.com 
wrote:

> Hey guys,
>
> I know many here have used and may still be using an HP LaserJet 5000 or
> 5100.  My 5100 recently gave up the ghost here, requiring a replacement.
>
> I have a genuine HP C4129X toner cartridge, upopened and in the original
> box, that I am looking to sell.
>
> Anyone interested?  Say $35 shipped?
>
> I also have a 3rd paper tray that is in excellent condition; very low
> usage.  Can handle up to 11 x 17 paper.
>
> PM me if interested in either.
>
> **
> J D Thomas
> ThomaStudios
>
>
>
>
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[Finale] Glen Daum

[Anne Erickson]

It is with great sorrow that I relate, Glen Daum: composer, arranger and 
performer, winner of two Emmys for his music composition contributions to 
Sesame Street, Chip and Dale Rescue Rangers, Mighty Mouse, news program themes 
among others, died last night at his Turtle Bay, Manhattan apartment at the age 
of 78. 

A quintessential New Yorker (originally from Centralia, Illinois), Glen chose a 
life immersed in music. When not working on commercial projects he enjoyed 
listening, unbiased to many genres and was delighted on those rare occasions 
when chords, voicings and ideas measured up to his octatonic sensibilities. His 
music reflected an innate and highly honed sense of “Fantasia”-his own 
inspiration came from the works of Maurice Ravel, Richard Strauss, Eric 
Korngold, Hugo Friedhofer, and John Williams. He imparted discipline and 
inspired musicians at all levels. More than one professional sought him out for 
a pointedly honest performance critique. A daunting figure at the podium, he 
quickly conjured musicality and ensemble balance with diplomacy, humor and 
bottomless in-depth anecdotes.

He was a great follower of the Finale forum although not one to post 
frequently. A titan of uncompromising standards, his like is no more to be 
found. Fortunately he leaves behind two equally talented and creatively driven 
children: a daughter Meghan and son Evan. Together we grieve for our loss as 
well as for the increasingly diminished sphere of contemporary music

Anne Erickson,  musician and acolyte
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Re: [Finale] printing advice

[Anne Erickson]

Inkjet output is fine as long as it never comes in contact with water

> On Apr 29, 2018, at 11:37 AM, timothy price  wrote:
> 
> This printer maxes out at 8.5 x 14 in   just so people are aware... what 
> composer would want it?
> 
> tim
> 
> 
> 
>> On Apr 29, 2018, at 4:45 AM, Eric Dannewitz wrote:
>> 
>> Ugh, why not just buy a new printer
>> 
>> https://store.hp.com/us/en/pdp/hp-laserjet-pro-m203dw-printer
>> 
>> 1200 dpi and can be bought for $120 or so. Probably would save on 
>> electricity bills compared to that tank 5000 printer
> 
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Re: [Finale] Bill Duncan Fonts

[Anne Erickson]

> On Mar 9, 2018, at 10:26 AM, Chuck Israels  wrote:
> 
> I’d be lost without them. The chord symbols, the slashes, rhythmic notation, 
> custom smart lines and jazz articulations that match Maestro are 
> indispensable to me. Nick Carter at NPC Imaging sells them. If you do jazz 
> notation, I just suggest you take the plunge. And yes, they work with the 
> latest version of Finale.
> 
> Chuck 
> 
> Sent from my iPhone
> 
>> On Mar 9, 2018, at 1:13 AM, Brian Williams  wrote:
>> 
>> Hi all,
>> 
>> For years I've heard nothing but good things about Bill Duncan's fonts,
>> especially his chord suffix font.
>> 
>> However, I'm unable to locate any website that displays a sample of what
>> they look like.
>> 
>> The closest thing I've found is this link:
>> http://www.npcimaging.com/books/BillDuncan.htm
>> It doesn't have any links to viewable samples of the fonts, and the site
>> looks rather out-of-date. I'm not confident spending over USD $150 for
>> something I can't even get a glimpse of, let alone on an antiquated website.
>> 
>> Does anyone have any links to a sample of what the font characters look
>> like? Are they up to the latest OTF standards and compatible with the latest
>> MacOS and version of Finale 25?
>> 
>> Any help would be appreciated.
>> 
>> Thanks,
>> Brian Williams
>> 
>> 
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Re: [Finale] Finale Tab Bar

[Anne Erickson]

Robert - with several Finale files open are you able to drag and drop one on 
top of the other until the header becomes active and the top file becomes a tab 
alongside the bottom file?

> On Mar 5, 2018, at 9:17 AM, Robert Patterson  
> wrote:
> 
> I just discovered that Finale now has tabs. I can't believe I never noticed
> them before. The issue is I can't figure out how to opening anything useful
> in a new tab. If I show the tab overview and click on the new tab icon, it
> opens a new untitled doc in the new tab. If there's a way to replace it, I
> can't tell.
> 
> I'd like to be able to open different part views and different docs in
> different tabs. Does anyone know the trick?
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Re: [Finale] Export To Audio

[Anne Erickson]

Glen - can you do a *command F *to find out where the file has gone?

On Thu, Nov 5, 2015 at 12:45 AM, Glen Daum  wrote:

> I need to export a Finale file (2014d) to audio. I’ve got the file the way
> I want it. I click on the menu item Export>Audio File. I’m taken to the
> finder window to choose where I want the file saved. I save as an .aiff
> file. The playback window runs through all the measures. And then …
> nothing. The new file doesn’t appear in its expected place in the finder
> window hierarchy. It seems to be an exercise in futility. Does anyone have
> any idea what I may be doing wrong? Any suggestions would be appreciated.
>
> Thanks,
>
> Glen
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Re: [Finale] From your friendly list owner

[Anne Erickson]

Thanks much Henry. I'm looking forward to seeing messages from the Finale
forum again.

On Thu, Sep 24, 2015 at 3:33 PM, Howey, Henry  wrote:

> The problem MAY be solved.
>
> Apparently a new piece of hardware was causing the problem. I have been
> told that they've repaired.
>
> Please message me offlist of any problems.
>
>
> Henry Howey
> Professor of Music
>   Sam Houston State University
>   Box 2208
>   Huntsville, TX  77341
>   (936) 294-1364
>   http://www.shsu.edu/music/faculty/howey.php
>   Owner of FINALE Discussion List
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Re: [Finale] Request for quotation

[Anne Erickson]

May is undoubtedly an understatement.

On Thu, Feb 5, 2015 at 9:08 AM, David Woodard davidcwoodar...@gmail.com
wrote:

 H. the email address may say it all.
 D

 On Thu, Feb 5, 2015 at 7:45 AM, Simon Troup 
 simon.tr...@digitalmusicart.com
  wrote:

  Sorry, that was my advice. I would try to agree to trial a small piece of
  the work first on a fixed budget hourly rate so that both parties could
 see
  what they're getting, and how long it would take, before committing to
  anything larger.
 
 
  --
 
  Simon Troup | BA Hons (Mus)
  http://www.digitalmusicart.com
 
  Partners: Simon Troup  Jennie Troup
  VAT Registration: 982 4230 17
 
  *If you can twang it, we can engrave it. Seriously, we can. No...
  really!*
 
  *This email is a private communication between the sender and the
 intended
  recipient. If you received this email in error be advised that all
 content,
  information and files contained in the message remain copyright of the
  author, artist or original copyright holder and may not be used without
  permission.*
 
  On 5 February 2015 at 12:37, Marcello Noia marcellon...@gmail.com
 wrote:
 
   Yes but what could be your advice?
  
   Il 05/02/2015 13:20, Simon Troup ha scritto:
You'd have to contact the guy for more info before you could possibly
   quote
for that work.
   
   
--
   
Simon Troup | BA Hons (Mus)
http://www.digitalmusicart.com
   
Partners: Simon Troup  Jennie Troup
VAT Registration: 982 4230 17
   
*If you can twang it, we can engrave it. Seriously, we can. No...
   really!*
   
*This email is a private communication between the sender and the
   intended
recipient. If you received this email in error be advised that all
   content,
information and files contained in the message remain copyright of
 the
author, artist or original copyright holder and may not be used
 without
permission.*
   
On 5 February 2015 at 12:13, Marcello Noiamarcellon...@gmail.com
   wrote:
   
How much could be the fee for that? A fee for each page? An hourly
  fee?
   
Il 05/02/2015 12:24, Simon Troup ha scritto:
I've had a query from someone for some engraving work. I'm too busy
  to
accept anything else at the moment but asked the guy if he wanted
 me
  to
try
and find someone else from the mailing list. The details are as
   follows.
If
you are interested (and I'll admit this looks a little odd!)
 contact
taxavoi...@wanadoo.fr. I should add that this is a query that
 came
   out
of
the blue, and not someone I've ever worked for.
   
   
Simon Troup
   
   
-
   
   
Dear Sirs,
   
   
   
Would you please build up an estimate for some of my clients.
   
They are aiming at converting into optical music recognized version
   (XML
format) the following :
   
- 1.000 pages in pdf from a famous classical composer
   
- 10.000 pages in .pdf from another classical composer
   
- 100 pages in .pdf from a modern musician
   
The sources are reliable and coming from public international data
  base
for
classical composers.
   
   
   
What would be the price and how long would it take to engrave it ?
   
   
   
   
--
   
Simon Troup | BA Hons (Mus)
http://www.digitalmusicart.com
   
Partners: Simon Troup   Jennie Troup
VAT Registration: 982 4230 17
   
*If you can twang it, we can engrave it. Seriously, we can. No...
really!*
*This email is a private communication between the sender and the
intended
recipient. If you received this email in error be advised that all
content,
information and files contained in the message remain copyright of
  the
author, artist or original copyright holder and may not be used
  without
permission.*
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Re: [Finale] Request for quotation

[Anne Erickson]

Presume that this is a fishing request to get a free quote and there is
going to be no money coming.

No work on spec and no quotes on spec.

On Thu, Feb 5, 2015 at 9:21 AM, Simon Troup simon.tr...@digitalmusicart.com
 wrote:

 I presume this is someone's side project, someone making an app from out of
 copyright classical music, something like Project Gutenberg for example.


 --

 Simon Troup | BA Hons (Mus)
 http://www.digitalmusicart.com

 Partners: Simon Troup  Jennie Troup
 VAT Registration: 982 4230 17

 *If you can twang it, we can engrave it. Seriously, we can. No...
 really!*

 *This email is a private communication between the sender and the intended
 recipient. If you received this email in error be advised that all content,
 information and files contained in the message remain copyright of the
 author, artist or original copyright holder and may not be used without
 permission.*

 On 5 February 2015 at 14:14, Anne Erickson gnume...@gmail.com wrote:

  May is undoubtedly an understatement.
 
  On Thu, Feb 5, 2015 at 9:08 AM, David Woodard davidcwoodar...@gmail.com
 
  wrote:
 
   H. the email address may say it all.
   D
  
   On Thu, Feb 5, 2015 at 7:45 AM, Simon Troup 
   simon.tr...@digitalmusicart.com
wrote:
  
Sorry, that was my advice. I would try to agree to trial a small
 piece
  of
the work first on a fixed budget hourly rate so that both parties
 could
   see
what they're getting, and how long it would take, before committing
 to
anything larger.
   
   
--
   
Simon Troup | BA Hons (Mus)
http://www.digitalmusicart.com
   
Partners: Simon Troup  Jennie Troup
VAT Registration: 982 4230 17
   
*If you can twang it, we can engrave it. Seriously, we can. No...
really!*
   
*This email is a private communication between the sender and the
   intended
recipient. If you received this email in error be advised that all
   content,
information and files contained in the message remain copyright of
 the
author, artist or original copyright holder and may not be used
 without
permission.*
   
On 5 February 2015 at 12:37, Marcello Noia marcellon...@gmail.com
   wrote:
   
 Yes but what could be your advice?

 Il 05/02/2015 13:20, Simon Troup ha scritto:
  You'd have to contact the guy for more info before you could
  possibly
 quote
  for that work.
 
 
  --
 
  Simon Troup | BA Hons (Mus)
  http://www.digitalmusicart.com
 
  Partners: Simon Troup  Jennie Troup
  VAT Registration: 982 4230 17
 
  *If you can twang it, we can engrave it. Seriously, we can.
 No...
 really!*
 
  *This email is a private communication between the sender and the
 intended
  recipient. If you received this email in error be advised that
 all
 content,
  information and files contained in the message remain copyright
 of
   the
  author, artist or original copyright holder and may not be used
   without
  permission.*
 
  On 5 February 2015 at 12:13, Marcello Noia
 marcellon...@gmail.com
 wrote:
 
  How much could be the fee for that? A fee for each page? An
 hourly
fee?
 
  Il 05/02/2015 12:24, Simon Troup ha scritto:
  I've had a query from someone for some engraving work. I'm too
  busy
to
  accept anything else at the moment but asked the guy if he
 wanted
   me
to
  try
  and find someone else from the mailing list. The details are as
 follows.
  If
  you are interested (and I'll admit this looks a little odd!)
   contact
  taxavoi...@wanadoo.fr. I should add that this is a query that
   came
 out
  of
  the blue, and not someone I've ever worked for.
 
 
  Simon Troup
 
 
  -
 
 
  Dear Sirs,
 
 
 
  Would you please build up an estimate for some of my clients.
 
  They are aiming at converting into optical music recognized
  version
 (XML
  format) the following :
 
  - 1.000 pages in pdf from a famous classical composer
 
  - 10.000 pages in .pdf from another classical composer
 
  - 100 pages in .pdf from a modern musician
 
  The sources are reliable and coming from public international
  data
base
  for
  classical composers.
 
 
 
  What would be the price and how long would it take to engrave
 it
  ?
 
 
 
 
  --
 
  Simon Troup | BA Hons (Mus)
  http://www.digitalmusicart.com
 
  Partners: Simon Troup   Jennie Troup
  VAT Registration: 982 4230 17
 
  *If you can twang it, we can engrave it. Seriously, we can.
  No...
  really!*
  *This email is a private communication between the sender and
 the
  intended
  recipient. If you received this email in error be advised that
  all
  content,
  information and files

[Finale] Receiving emails?

[Anne Erickson]

Hi-somehow I stopped receiving finale forum emails today. Just checking to see 
if there's a problem with my email address?
Thanks-I'm a lurker but love all the topics.
Anne Erickson 

iPad-o-gram
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Re: [Finale] Layoffs and reorganization announced at MakeMusic

[Anne Erickson]

The author(s) must have studied at the federal government school of
copywriting.


On Wed, Nov 20, 2013 at 10:27 AM, Richard Yates rich...@yatesguitar.comwrote:

 Although I have not upgraded for several years, this news is nonetheless,
 of
 concern. The link describes major restructuring and a search for people to
 fill positions of software developer; a software QA engineer; and a
 product
 designer. So they got out a new version, with its inevitable bugs, fired
 everyone, and are trying to find people to replace them. That sounds pretty
 chaotic to me.

 What also caught my attention in the article was this: ...a key part of
 MakeMusic's marketing strategy for Finale 2014 is to tout that while
 others
 take music notation software development for granted, Finale is doubling
 down to provide you and your music a clear path to tomorrow.

 That is the most meaningless, tortuous, tangled-metaphor, marketing-speak
 sentence that I have seen in long, long time. There is not a single phrase
 in it that makes any sense at all. Doubling down? others take software
 development for granted?

 Is it supposed to be a great relief that Finale is there to give my music
 a
 clear path to tomorrow?

 It's laughable.

 Richard Yates


  -Original Message-
  From: finale-boun...@shsu.edu [mailto:finale-boun...@shsu.edu] On Behalf
 Of
  Nigel Hanley
  Sent: Wednesday, November 20, 2013 6:33 AM
  To: finale@shsu.edu
  Subject: [Finale] Layoffs and reorganization announced at MakeMusic
 
  Justin Phillips is no longer with MM. He'll be missed. Thanks Justin for
 the hands-
  on help you've given the Finale list over the last few years.
 
 
 http://www.sibeliusblog.com/news/layoffs-and-reorganization-announced-at-
  makemusic/
 
 
  Nigel Hanley
 
  0418 977 237
  i...@nigelhanley.com
  nigel.han...@optusnet.com.au
 
 
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Re: [Finale] OT combining PDFs into one file, Mac OSX

[Anne Erickson]

I think it's under File in the pulldown menu. Followed by Create pdf
then Merge files into a single pdf.
Usually then it's best to go Optimize and Reduce file size to get the
size manageable.

On Tue, May 1, 2012 at 9:04 AM, Christopher Smith 
christopher.sm...@videotron.ca wrote:

 Hi combined MacOSX wisdom,

 I have a whole bunch of single-page files that I want to combine into one
 PDF. I had heard this was possible in Preview on Mac, and sure enough I can
 copy pages from one PDF to another document, but then I can't save the
 result!

 If I save as then it only saves the single page I was showing at the
 time, and if I try to print and then save a PDF, it only prints the page
 I was showing at the time. I could have sworn this was possible, but I
 can't get it to work.

 Thanks in advance,

 Christopher

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