I should have said that I am running FinWin 2006C
I know this is possible, and very simple, on a PART, but I can't
figure out how to do this on a SCORE:
I would like to have two vertical systems, with white space in between
them, on one page of a score (a tall full orchestra score). This
I can't RTFM, or any other PDF file, and I've had serious problems with
them for months.
I have a Pentium 4 that's about three years old. Several months ago,
whether I click on PDFs or call up Acrobat Reader first, the files would
load EXTREMELY slowly. Now they won't load at all -
dc wrote:
Andrew Stiller écrit:
But they can. There's a radio button for that in the Change Clef dialog.
But that won't work if you want the time sig and the key sig also,
because the clef will appear after them!!!
Dennis
Right. In this particular case, I don't much care if I have
Thanks Florence + Michael and Dennis. Looks straightforward enough.
I use Finale for many hours, every week, but if I don't use a particular
feature for a couple of months I can quickly forget it. I makes me
realize why we find it so functional and others find it so daunting.
My son at
Major. Would this account for this new re-numbering of the
latter as the 8th, or has the Unfinished really been determined to have
been written last?
Raymond Horton
John Howell wrote:
At 9:43 PM -0500 2/12/06, Andrew Stiller wrote:
Among other things I asked (partly just
This just reminds me of an old recording I heard a few times (cannot
find it now - though I haven't searched extensively) of Sousa Marches
- played under the direction of his descendants. It was so much
lighter and more transparent than the versions with which we are
familiar that it
keith helgesen wrote:
I know I can get instant playback with Spacebar, Click measure, and
single part playback with Shift, spacebar, click measure. I also know
how to
create and use list- ie Brass, woodwinds, etc.
Query- can I somehow ask for playback from, for example Horns and
Saxes,
, have to learn treble and tenor clefs, both sounding 8ba.
They usually prefer treble, but tenor passages are out there, also.
Alto clef should not be used. It's really that simple.
They still have it easier than trombonists, who have four clefs to read!
Raymond Horton
sounding 8ba.
They usually prefer treble, but tenor passages are out there, also.
Alto clef should not be used. It's really that simple.
They still have it easier than trombonists, who have four clefs
to read!
Raymond Horton
Lee Actor wrote:
Ray, how often have you encountered treble clef
Robert Patterson wrote:
Raymond Horton wrote:
Where has anyone come across a bass passage printed loco (except in a
C score, of course)? It's non-standard. Even harmonics should be
written to be sounding 8ba.
I believe at-pitch treble is fairly common in contemporary orchestral
Johannes Gebauer wrote:
On 17.02.2006 Michael Cook wrote:
In my score (Dover reprint of old Ricordi) of the complete opera, the
overture is:
1fl. + 1picc., 2, 2, 2 - 2, 2, 3 - Timpani, Gran Cassa - Str
Ah, now this is conflicting information. Are there 3 trombones, or are
there not
On 17 Feb 2006, at 19:28, Raymond Horton wrote:
Somewhere along the way, someone added three trombone and timp parts
to the overture that are commonly played, and these are in the
Dover-Ricordi score (I just looked at the latter yesterday, AAMOF.)
Michael Cook wrote:
No, the trombone
Our first trombonist growns whenever this shows up. I'm sure she would
love to play one of the lower editions.
Michael Cook wrote:
In the Eulenburg score the 1st trombone has some high Cs (measures
147-9) but I didn't see a high D. In the Dover edition (where all
three parts are written on
Forgive the cross post, but I didn't remember if this had been mentioned
on this list. (RBH)
From [EMAIL PROTECTED]
--
posted for Wilson Ochoa [dwochoa at nashvillesymphony dot org]
Original 1935 production version of Porgy and Bess
As has already been mentioned on this
I think everybody agrees that rehearsal numbers or letters every ten
bars is a bad idea.
Stravinsky used them in late scores. IM(very)HO it was his way of
seeming as detached and unemotional as possible about his music and
telling the performers you figure it out. But he was Stravinsky.
John Howell wrote:
At 3:07 PM -0800 2/19/06, Dean M. Estabrook wrote:
Mein Gott ... I'm just remembering my MA Thesis, which composed in
1965 or so, and consists of 87 pages of score for 22 wind
instruments. I, of course, hand copied the thing using india ink on
vellum from Cameo Music in
at:
http://www.cs123.com/JGM/
RBH
on 2/20/06 12:05 PM, Raymond Horton at [EMAIL PROTECTED] wrote:
Later, one of the Cameo main employee's started her own company - what
was that name?
Don Hart wrote:
Unless that scenario played out more than once I believe you're thinking of
Judy
it, if there are four voice parts
left.) A soloist cannot sing two parts at the same time, and will
always find and choose the solo line first - that's why she is a soloist.
Raymond Horton, MCM
Minister of Music
Edwardsville United Methodist Church
dhbailey wrote:
themark wrote:
sorry for leaving the path for a while, what is the difference
between choir and chorus?
I'm not sure there really is one, sort of like philharmonic and
symphony but I generally think of choir as being a church-centered
music organization and chorus being
Christopher Smith wrote:
Can we just agree that while each of the two terms seems to be more
popular in certain contexts, there is a fair bit of overlap, both in
meaning and usage?
Christopher
That depends. How do you define overlap, meaning and usage?
;-)
/archives/2006/02/examining_the_e.html
I only wish the paper and TV stations here had someone who would take
the time and trouble to cover the story as thoughly as has McManus. We
wouldn't be in as sad a shape if there were.
Raymond Horton
Bass Trombonist, 1972-2006(?)
Louisville Orchestra
Raymond Horton wrote:
For anyone who is interested in the threatened Chapter Seven
bankruptcy on April 1 of the Louisville Orchestra and how
negotiations have sunk to that point, see the excellent series of
articles (presently four) by Drew McManus starting on this page:
http
In Windows in Speedy, with caps lock on, to produce a rest: hit a three
note half step cluster (ex: G#, A, Bb).
RBH
Dean M. Estabrook wrote:
Yes, I did that, and the notes appear as expected ... it's the rests
which don't occur when I hit the zero key, as I thought he
instructed.
to
the first whole note.
Raymond Horton
Bass Trombonist,
Louisville Orchestra
dhbailey wrote:
Colin Broom wrote:
I'm working on a piece at the moment that happens to have some long
notes tied over several bars. Now I know that conventional wisdom
says that if one note is slurred
whether it's a slur or a phrase mark.
Raymond Horton
Bass Trombonist
Louisville Orchestra
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Raymond Horton wrote:
I sent her one Fin2005 file, and she wrote back My home computer
said I could not open it because I did not have Anastasia font.
Noel Stoutenburg wrote:
Hmmm. Did you use a font named Anastasia in your file? If so, she
will have to obtain a copy to be able
Thanks to Richard and Noel for advice on this issue. It sounds like a
2003 in ETF format will be the safest way, (short of a Sibelius upgrade)
to transmit to a Sibelius 2.1 user.
Raymond Horton
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Duly noted.
RBH
Richard Smith wrote:
It is not *necessary* to copy any imported file into a fresh score.
I'm sorry if I left that impression. I have just used that approach as
a quick way of beginning clean up on imported files.
RE: [Finale] Re: Finale import into Sibelius question
I
to ask at rehearsal tomorrow.
This would be the best precedent I can think of..
Raymond Horton
Bass Trombonist,
Louisville Orchestra
On 3 Apr 2006, at 22:21, Andrew Stiller wrote:
I'm dealing with a 19th-c. orchestral score in which the lengthy slow
introduction features three violin
Buy more RAM. I took Darcy's advice, bought more, and life with GPO has
been much, much easier since.
I'm not giving up those sounds.
Raymond Horton
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I would say, if one did not have access to a recording, that intent of
the spelling of the lyrics is obvious, and in most cases, it is nearly
obvious what is intended by the two juxtaposed pronunciations.
It is still quite interesting, though. For example, unlike the earlier
comment,
Preserve all of it. You can quote me.
RBH
Johannes Gebauer wrote:
On 11.04.2006 Dennis Bathory-Kitsz wrote:
It's worth thinking about if you're hunting for music to preserve.
Our own
time is screaming for your attention. When I die, Gilles's work (and
mine,
too) goes to the dump. Pick a
Yeah that joke was old - but the most amazing thing this time was
following the links and finding that, behind the usual battles over
authorship on a simple song like that, behind all of them were, likely
title and lyrics written by, I kid-you-not the SHAKERS. Look it up.
RBH
Christopher
Johannes Gebauer wrote:
On 11.04.2006 Darcy James Argue wrote:
It's actually easier to get young people unfamiliar with classical
music interested in the work of living composers than dead ones,
which is only natural since (as Dennis says) they also gravitate
towards living authors, living
I think Dennis makes an excellent point here. The comparison with film
is not equal, but it is apt.
RBH
Dennis B. K. writes:
Film has a shorter history, but even so, there's not much clamoring for
reshowings of Potemkin or The Great Dictator or Birth of a Nation or
Metropolis or even
Man, I keep my monitor set on that 1800 x 1200 setting for max detail in
Finale but I gotta learn to reset it for email, so I don't mis-type so
much - it makes me look like an idiot1
Let me repost and edit so it makes at least SOME sense:
---
Johannes Gebauer wrote:
---
On
The MIDI component of the CMA is on the way out, actually, in
favor of mp3 and other streaming audio modes. ...
David A. Lawrence
I hate to hear that. The midi files are very useful. Will there be
another repository for them, I wonder?
RBH
Actually, note or measure expressions work very well. They stay were
you want them to stay in relation to the music. Use lyrics only when
you want a section in rhythm.
RBH
Ralph Whitfield wrote:
Fellow listers...
What is the best way to handle a narration in a choral score? Lyric?
I concur, absolutely, with Johannes - do not make pickup measures from
the Setup Wizard. If you do, you will very likely have a problem of
some sort, eventually. Make your own pickup measure after you are out
of the Wizard.
RBH
Johannes Gebauer wrote:
On 04.05.2006 Stephen Lamb wrote:
Many Tchaikovsky works (I recall the 5th symphony particularly) are
notorious for having the rehearsal letters one bar before the phrase
beginings. I don't know if it is a composer preference or a
publisher-editor preference.
Also, thanks for following up on the Shostakovitch 5th 3rd violin
.
Raymond Horton
Bass Trombonist
Louisville Orchestra
Owain Sutton wrote:
Apologies, but I seemed to have missed out on some emails - what was the
query re. Shostakovitch 5?
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of Raymond Horton
Sent
though they can
easily be covered by one player. This caused the hiring of two players
at least once, probably many more times than once.
Raymond Horton
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Christopher Smith wrote:
On May 12, 2006, at 4:59 PM, Andrew Stiller wrote:
On May 12, 2006, at 9:23 AM, Christopher Smith wrote:
In the rare instances where there actually are three distinct parts
for the violins (not octave-doublings of other voices) the conductor
split the firsts and
First check None. Then all choices will become available.
Raymond Horton
Don Hart wrote:
I was just trying to clear out a file in order to make a template for the
project I'm working on, and when I choose Clear Items from the Mass edit
menu and get to the Items to Clear dialog box, many
John Howell wrote:
But in every case an instruction like [to 115] is given, even though
the next bar in the music is actually bar 115. That strikes me as a
temporary expedient that I would have removed when the intervening
measures had been removed. Is there a reason for leaving them in?
that the composer had three famous brothers:
Ted, Smoke and Gum.
I need one more for a good comedy rule of threes but I don't have it
right now. Group?
Raymond Horton
Bass Trombonist
Louisville Orchestra
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!
_-=-__-=-__-=-__-=-__-=-__-=-_ (Sound of a worm can being opened)
RBH
Eric Dannewitz wrote:
Raymond Horton wrote:
John Howell wrote:
(1) I was surprised to find that the bass clarinet parts (the
primary instrument out of 4 in the Reed 4 book) is clearly written
for a low C bass
I've heard the oboists who play EH after a half hour, max, and I've
heard the ones who spend real time on it and take lessons. I'll take
the latter, thank you.
RBH
Andrew Stiller wrote:
On Jun 16, 2006, at 10:39 PM, Raymond Horton wrote:
Perhaps you could rent your oboist an English
Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
Of course. I have read a lot during the _Nutcracker_ ballet over the
years. How much of your brain do you need to play the Waltz of the
Flowers a thousand times in your lifetime?
Raymond Horton
Bass Trombonist
Louisville Orchestra
Robert Patterson wrote:
...
Where are the worms?
No worms. This is what I thought was opening the can. I thought I was
insulting cellists, but no one went for it, and it turned into a tame
thread on clefs instead. Probably no cellists here. Maybe they are to
busy practicing:
...
RBH
Andrew Stiller wrote:
In 1964, we did West Side Story with exactly one line change, altering
You came here w. your pants open! to You came here w. your mouth
open! ...
Since the Clinton years, I think the amended version might be worse.
RBH
___
In 1964, we did West Side Story with exactly one line change,
altering You came here w. your pants open! to You came here w.
your mouth open! ...
Since the Clinton years, I think the amended version might be worse.
Since the Clinton years, everything's been worse. :-(
Without a
. (And no synths, of course.)
..
Raymond Horton
Bass Trombonist,
Louisville Orchestra
___
Chuck Israels wrote:
Hi Jim et al,
This issue doesn't come up at my school, where most of the students
lack a concept of basic breathing and support. My reference has been
professional circumstances.
Three
Your point is well made, although the Temps had, at that time, two
original vocalists and three that went back many years (that group
started dying off pretty quickly, as I recall). But the touring band
was mostly young.
The conductor for them, and for the Four Tops (the vocalists were
year mention that functionality
comin
in GPO Advanced but I can find nothing about it on the Garritan
web site.
I've had pretty good luck for playback in GPO by combining a violin
patch at the correct octave with a soft piccolo (hidden) doubling the
same pitch.
Raymond Horton
The Robert King post could have been labeled OT, but it's no big deal,
considering the threads we get into here. The list often discusses many
areas pertaining to serious music not directly relating to Finale.
The list will survive and thrive.
Perhaps it is time to move on?
RBH
Kim
Thanks, Andrew.
Raymond Horton
Andrew Stiller wrote:
While I fully expected the Robert King posting (I had never heard of
him, BTW) to generate much discussion, I was absolutely astounded at
the form that discussion has taken, with nose-in-the-air sniffing
about gossip
What version (what year, and Mac or Windows) of Finale are you using, Phil?
Raymond Horton
Bass Trombonist, Louisville Orchestra
Minister of Music, Edwardsville (IN) UMC
Composer, Arranger
VISIT US AT rayhortonmusic.com
On Sun, Apr 7, 2013 at 11:37 AM, Phil Buglass bloke...@comcast.net wrote
of the extra expressions and any hidden
midi info.
4) Then save it under a different name, just in case you deleted anything
important, play it back and see where you are. We can go from there.
Raymond Horton
Bass Trombonist, Louisville Orchestra
Minister of Music, Edwardsville (IN) UMC
Composer
I have gotten some great sounding demo recordings using Finale and GPO.
Takes a little work, but you just have to figure out the best ways to use
GPO.
Raymond Horton
Bass Trombonist, Louisville Orchestra
Minister of Music, Edwardsville (IN) UMC
Composer, Arranger
VISIT US AT rayhortonmusic.com
for Modulation. I
haven't needed to make a good demo in a while, so I don't know where this
stands, now, so try some of both. (To define a dynamic for Modulation,
duplicate a dynamic and edit the playback to controller /
modulation and try some different numbers there.)
Raymond Horton
Bass Trombonist
Try the modulation I described. And check the GPO patch to make sure it is
loaded OK. Also, don't forget you can adjust balance in the Studio view.
Raymond Horton
Bass Trombonist, Louisville Orchestra
Minister of Music, Edwardsville (IN) UMC
Composer, Arranger
VISIT US AT rayhortonmusic.com
fit, please toss it back.
Raymond Horton
Bass Trombonist, Louisville Orchestra
Minister of Music, Edwardsville (IN) UMC
Composer, Arranger
VISIT US AT rayhortonmusic.com
On Sun, Apr 7, 2013 at 2:12 PM, Phil Buglass bloke...@comcast.net wrote:
No, they are not repeating notes. Besides
or individually, or -
perhaps best for Phil's use - a new category could be made - with hidden
tempo marks that default to horizontal position, for example.
Raymond Horton
Bass Trombonist, Louisville Orchestra
Minister of Music, Edwardsville (IN) UMC
Composer, Arranger
VISIT US AT rayhortonmusic.com
On Mon
Consider exploding the staff onto as many separate staves as notes in the
track, then re-order the staves and combine them as needed.
Raymond Horton
Bass Trombonist, Louisville Orchestra
Minister of Music, Edwardsville (IN) UMC
Composer, Arranger
VISIT US AT rayhortonmusic.com
On Mon, Apr 8
I can't speak to matters of taste, but i can say that there are a great
many MORE brass samples in Garritan Band than in GPO. Euphs vs. baritones,
etc. I find for brass band work it is quite helpful.
Raymond Horton
Bass Trombonist, Louisville Orchestra
Minister of Music, Edwardsville (IN) UMC
until I figured out what was happening!
Raymond Horton
Bass Trombonist, Louisville Orchestra
Minister of Music, Edwardsville (IN) UMC
Composer, Arranger
VISIT US AT rayhortonmusic.com
On Thu, May 9, 2013 at 10:14 AM, Giovanni Andreani i...@giovanniandreani.eu
wrote:
It happens with the keyboard
is available now.
Raymond Horton
Bass Trombonist, Louisville Orchestra
Minister of Music, Edwardsville (IN) UMC
Composer, Arranger
VISIT US AT rayhortonmusic.com
On Tue, Sep 17, 2013 at 1:56 PM, David H. Bailey
dhbai...@davidbaileymusicstudio.com wrote:
On 9/17/2013 1:35 PM, Robert Patterson wrote
is out there.
Vaporware.
As I said, I wish them only the best. Their success could only help the
industry, just as that of Sibelius did.
Raymond Horton
Bass Trombonist, Louisville Orchestra
Minister of Music, Edwardsville (IN) UMC
Composer, Arranger
VISIT US AT rayhortonmusic.com
On Tue, Sep 17
in
with both feet, partially in mouth).
Yeah, I don't - it's still vaporware.
Raymond Horton
Bass Trombonist, Louisville Orchestra
Minister of Music, Edwardsville (IN) UMC
Composer, Arranger
VISIT US AT rayhortonmusic.com
On Wed, Sep 18, 2013 at 3:06 AM, Darcy James Argue djar...@earthlink.netwrote
I agree 100% that accidentals ABOVE the note is the way to add cautionary
acci's. Solves all of the problems mentioned.
On Nov 13, 2013 3:35 AM, Clif Ashcraft wa2...@optonline.net wrote:
Anyone know whether the bug on accidentals tied into the next measure has
been fixed in the 2014 version?
I would assume G7, but can you ask composer?
On Nov 14, 2013 11:10 AM, dershem ders...@cox.net wrote:
I'm doing a chart, and the composer has some chords as C (7) but
instead of parentheses, the 7 is in a circle. I have never run across
that variant before.
What is he trying to specify?
Dead. And Canadian... Hah!
The old MTV quiz show had a category called Dead or Canadian - name a
celebrity, contestant would guess which: William Shatner? (Canadian),
'William Frawley?. (Dead).
On Nov 14, 2013 11:20 AM, dershem ders...@cox.net wrote:
On 11/13/2013 8:14 PM, Raymond Horton wrote
The old MTV quiz show Remote Control. Gave the world Adam Sandler
On Nov 14, 2013 11:28 AM, Raymond Horton horton.raym...@gmail.com wrote:
Dead. And Canadian... Hah!
The old MTV quiz show had a category called Dead or Canadian - name a
celebrity, contestant would guess which: William Shatner
Also, when defining your time signature, make it 2 dotted half notes rather
than 6 quarter notes.
AND, under Speedy /Speedy Options un-check 'fill with rests.'
Raymond Horton
Bass Trombonist, Louisville Orchestra
Minister of Music, Edwardsville (IN) UMC
Composer, Arranger
VISIT US
Garritan Concert and Marching Band has a contrabass clarinet.
Raymond Horton
Bass Trombonist, Louisville Orchestra
Minister of Music, Edwardsville (IN) UMC
Composer, Arranger
VISIT US AT rayhortonmusic.com
On Sun, Dec 15, 2013 at 3:39 PM, Ryan ry.squa...@gmail.com wrote:
When I choose
To Use the tuplet tool - enter your first 16th, then click on it with
tuplet tool, describe the 5 to 4, then go back, enter the rest of the
figure and edit it as you wish.
I have not tried 2014 yet, though. The above is how it works in 2011.
Raymond Horton
Bass Trombonist, Louisville Orchestra
Thanks, Yvonne!
On Jan 10, 2014 6:18 PM, Grover, Yvonne ygro...@makemusic.com wrote:
I'm Yvonne Grover, Notation Product Manager at MakeMusic. I'd like to
reassure Windows Finale 2014 users that the Finale 2014a updater works
correctly. We have had just a few customers like Jan with
Dennis, is there a video of the performance of the MalletKat piece?
Raymond Horton
Bass Trombonist, Louisville Orchestra
Minister of Music, Edwardsville (IN) UMC
Composer, Arranger
VISIT US AT rayhortonmusic.com
On Mon, Jan 13, 2014 at 7:12 AM, Dennis Bathory-Kitsz
bath...@maltedmedia.com
tastes) just screamed at my from
the second floor to turn it down. I think that, perhaps, Dennis will
chuckle at this.
Raymond Horton
Bass Trombonist, Louisville Orchestra
Minister of Music, Edwardsville (IN) UMC
Composer, Arranger
VISIT US AT rayhortonmusic.com
On Mon, Jan 13, 2014 at 11:08 AM
.
Raymond Horton
Bass Trombonist, Louisville Orchestra
Minister of Music, Edwardsville (IN) UMC
Composer, Arranger
VISIT US AT rayhortonmusic.com
On Mon, Jan 13, 2014 at 10:17 AM, David H. Bailey
dhbai...@davidbaileymusicstudio.com wrote:
Funny you should ask that -- I played one this past weekend
parts have the third part, but there may be a separate 3rd
part.
Raymond Horton
Bass Trombonist, Louisville Orchestra
Minister of Music, Edwardsville (IN) UMC
Composer, Arranger
VISIT US AT rayhortonmusic.com
On Mon, Jan 13, 2014 at 5:18 PM, Don Hart donhartmu...@gmail.com wrote:
[Continued
for shorter passage by
dividing BOTH the firsts and the seconds EACH into 3, with 3 different
staves on each part where necessary. as you mentioned.
I have done this, also.
Raymond Horton
Bass Trombonist, Louisville Orchestra
Minister of Music, Edwardsville (IN) UMC
Composer, Arranger
VISIT US
was
really trying to do and refused to do anything but crash.
I was fortunate - I finally realized that the first two bars were identical
and put a repeat sign on the one bar I had. That is a pretty sorry solution.
I had never seen this problem before, which surprises me.
Raymond Horton
Bass Trombonist
I'd love to join this, also.
Raymond Horton
Bass Trombonist, Louisville Orchestra
Minister of Music, Edwardsville (IN) UMC
Composer, Arranger
VISIT US AT rayhortonmusic.com
On Mon, Mar 10, 2014 at 3:53 PM, Chuck Israels cisra...@comcast.net wrote:
Hi Ryan,
I get beautiful ivory colored
Thanks!
On Mar 10, 2014 9:13 PM, Chuck Israels cisra...@comcast.net wrote:
Raymond,
I'll ask to see what might be possible. Bigger order - less expense?
Worth a try. I'll let you know what I find out.
Chuck
Sent from my iPhone
On Mar 10, 2014, at 5:49 PM, Raymond Horton horton.raym
Soprano Cornet suffices in brass band circles, yes. In any other
context, Cornet in Eb or Eb Cornet would be necessary.
Raymond Horton
Bass Trombonist, Louisville Orchestra
Minister of Music, Edwardsville (IN) UMC
Composer, Arranger
VISIT US AT rayhortonmusic.com
On Sat, Mar 15, 2014 at 8:31
me to his
Pochiello website, which I'm sure is going to give me a lot of guidance.
I'm surprised Henry hasn't already done your piece! He has done a lot
of Ponchielli brass band works.
Many thanks again
Peter
You are more than welcome!
Raymond Horton
Bass Trombonist, Louisville Orchestra
, outside of a steady contract, are usually more strict on
doubling than are symphony contracts.
Raymond Horton
Bass Trombonist, Louisville Orchestra
Minister of Music, Edwardsville (IN) UMC
Composer, Arranger
VISIT US AT rayhortonmusic.com
On Sun, Mar 16, 2014 at 8:45 PM, Christopher Smith
generally flugel is a double, sometimes picc. It varies.
Raymond Horton
Bass Trombonist, Louisville Orchestra
Minister of Music, Edwardsville (IN) UMC
Composer, Arranger
VISIT US AT rayhortonmusic.com
On Mon, Mar 17, 2014 at 9:04 AM, Lawrence David Eden lde...@comcast.net wrote:
I don't think
For today: King's College Choir announces major change
http://youtu.be/ukDAfF0-8q8
Raymond Horton
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Glad this went through! I had a couple of posts that never made it to the
list, last week. Fortunately the problem resolved itself.
Glad you liked it - seriously.
Raymond Horton
Bass Trombonist, Louisville Orchestra
Minister of Music, Edwardsville (IN) UMC
Composer, Arranger
VISIT US
Some bass players detest tenor clef. I have seen reviews in a bass
journal that said something like 'the much-feared tenor clef'
appearing in a piece that was being reviewed.
Raymond Horton
Bass Trombonist, Louisville Orchestra
Minister of Music, Edwardsville (IN) UMC
Composer, Arranger
VISIT
to.
http://www.gbod3.org/musicdownloads/AMERICATHEBEAUTIFUL-original.htm
Raymond Horton
Bass Trombonist, Louisville Orchestra
Minister of Music, Edwardsville (IN) UMC
Composer, Arranger
VISIT US AT rayhortonmusic.com
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Finale
I had same prob, never found solution. Finwin and Garritan
On May 7, 2014 2:13 PM, dr.a.s. weinstangel dr...@hotmail.com wrote:
As there was no response, I'll try one more time (He who asks shall
find):
From: dr...@hotmail.com
To: finale@shsu.edu
Subject: arco vs.pizz dynamics
Date:
Exactly!
On May 7, 2014 5:20 PM, David H. Bailey
dhbai...@davidbaileymusicstudio.com wrote:
I believe the problem lies in the fact that the two different sample
sets were not recorded at the same volume level. Apparently the
pizzicatos were recorded much louder than the arcos, so at the same
Try this: Select all file, go to Edit/ edit filter. Then, in filter,
select only midi data and erase using filter. If that doesn't fix
it, go back and add other elements to the filter (expressions, etc.)
until it does
Raymond Horton
Bass Trombonist, Louisville Orchestra
Minister of Music
No problem here about the promotion. Sounds like a great project. I wish
I could donate but I cannot. Good luck!
On May 31, 2014 2:20 PM, Johannes Gebauer li...@musikmanufaktur.com
wrote:
Dear All,
some will remember me from this list, I used to be quite active, but
these days I am not
-- Forwarded message --
From: Raymond Horton horton.raym...@gmail.com
What is wrong with this list Why can't my posts make it through when I
post them?
On Jun 29, 2014 2:00 AM, Mail Delivery Subsystem
mailer-dae...@googlemail.com wrote:
This is an automatically generated
it. I had avoided 2012 after some initial problems
with GPO, but now GPO is not working with either version so it's a wash.
Any help with paths, etc to get GPO working would be appreciated. WinFin
2012 - I have full GPO, jazz and band, none show up anywhere.
On Jun 27, 2014 12:06 AM, Raymond Horton
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