At 4:38 AM + 3/23/05, John Bell wrote:
PS On reflection, since you say the inverted A is beside both notes
it's unlikely to be an articulation -- only one instance would
appear in that case -- so unless my earlier suggestion of O for open
string is wrong it must me something else that
On 23 Mar 2005, at 14:43, John Howell wrote:
At 4:38 AM + 3/23/05, John Bell wrote:
PS On reflection, since you say the inverted A is beside both notes
it's unlikely to be an articulation -- only one instance would appear
in that case -- so unless my earlier suggestion of O for open string
On Mar 23, 2005, at 9:43 AM, John Howell wrote:
At 4:38 AM + 3/23/05, John Bell wrote:
PS On reflection, since you say the inverted A is beside both notes
it's unlikely to be an articulation -- only one instance would appear
in that case -- so unless my earlier suggestion of O for open
John Howell wrote:
At 4:38 AM + 3/23/05, John Bell wrote:
PS On reflection, since you say the inverted A is beside both notes
it's unlikely to be an articulation -- only one instance would appear
in that case -- so unless my earlier suggestion of O for open string
is wrong it must me
Hi...
Question for those way more font-knowledgable than me...
I'm trying to extrapolate something in a score which may or not have
been printed in Finale (I suspect maybe not). There's a pizzicato note
(violin double-stop A-E -- open string A and E) that has to the left of
each note an
I don't have any special font-knowledge, and I can't find an
upside-down A in any conventional font, but might it have have been an
O for open strings? Or conceivably a Bartok pizz?
John
On 23 Mar 2005, at 03:59, Neal Gittleman wrote:
Hi...
Question for those way more font-knowledgable than
PS On reflection, since you say the inverted A is beside both notes
it's unlikely to be an articulation -- only one instance would appear
in that case -- so unless my earlier suggestion of O for open string is
wrong it must me something else that applies to each of the two notes.
Such as an
