Re: [Finale] Chord Symbol Fonts

2012-05-31 Thread Chuck Israels
Michael,

List protocol forbids attachements to emails, so there needs to be another way 
to do this.  I'd think that Nick Carter would have something available on his 
NPC Imaging site, since he is selling the fonts.  Meanwhile, I will send a pdf 
to your email, and you are welcome to visit here in SE Portland, if there are 
other things you'd like to see.

Chuck


On May 30, 2012, at 4:30 PM, Michael Mathew wrote:

 Chuck,
 
 Greetings! Is it possible you could send the pdf to the group? I have wanted 
 to see the font in actual use and have some trouble coming up with the 
 necessary money to purchase. Actually seeing the fonts in action might help 
 me settle the matter!
 
 Thanks,
 Michael
 mmathew_musicp...@yahoo.com
 http://www.musicengravers.com/cgi-bin/engravers.pl
 http://oregonmts.com/mathew/
 
 
 _

Chuck Israels
8831 SE 12th Ave.
Portland, OR 97202-7097

land line: (503) 954-2107
cell phone: (360) 201-3434

www.chuckisraels.com
www.chuckisraelsjazz.com

___
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Re: [Finale] Chord Symbol Fonts

2012-05-31 Thread Michael Mathew
Thanks, Chuck, 

they came through great and I like them as an alternative to the jazz font!

Michael
mmathew_musicp...@yahoo.com
http://www.musicengravers.com/cgi-bin/engravers.pl
http://oregonmts.com/mathew/



 From: Chuck Israels cisra...@comcast.net
To: finale@shsu.edu 
Sent: Thursday, May 31, 2012 9:29 AM
Subject: Re: [Finale] Chord Symbol Fonts
 
Michael,

List protocol forbids attachements to emails, so there needs to be another way 
to do this.  I'd think that Nick Carter would have something available on his 
NPC Imaging site, since he is selling the fonts.  Meanwhile, I will send a pdf 
to your email, and you are welcome to visit here in SE Portland, if there are 
other things you'd like to see.

Chuck


On May 30, 2012, at 4:30 PM, Michael Mathew wrote:

 Chuck,
 
 Greetings! Is it possible you could send the pdf to the group? I have wanted 
 to see the font in actual use and have some trouble coming up with the 
 necessary money to purchase. Actually seeing the fonts in action might help 
 me settle the matter!
 
 Thanks,
 Michael
 mmathew_musicp...@yahoo.com
 http://www.musicengravers.com/cgi-bin/engravers.pl
 http://oregonmts.com/mathew/
 
 
 _

Chuck Israels
8831 SE 12th Ave.
Portland, OR 97202-7097

land line: (503) 954-2107
cell phone: (360) 201-3434

www.chuckisraels.com
www.chuckisraelsjazz.com

___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale



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Re: [Finale] Chord Symbol Fonts

2012-05-30 Thread Steve Parker
Hi Chuck,

Thanks, I'll look at these. Do you use them with a generally handwritten look 
or with Maestro?
A PDF would be great!
Thanks!

Steve P. 

On 30 May 2012, at 15:09, Chuck Israels cisra...@comcast.net wrote:

 Steve,
 
 Look at Bill Duncan's chord fonts available from Nick Carter at NPC Imaging.
 
 If you want to see samples, I can send you a pdf.
 
 Chuck
 
 
 On May 30, 2012, at 4:05 AM, Steve Parker wrote:
 
 Hi all!
 
 I'm having another bout of trying to sort everything that niggles me in 
 Finale... ;-)
 
 Any suggestions for chord symbol fonts/settings?
 
 I'm looking for something clear to use with Maestro but with a fairly 
 'thick' house style (staff lines 0.01).
 
 Also, I always use the triangle for a generic maj7 chord when handwriting 
 but haven't got around to sorting this for use with Maestro. Any suggestions 
 here?
 
 Thanks!
 
 Steve Parker
 ___
 Finale mailing list
 Finale@shsu.edu
 http://lists.shsu.edu/mailman/listinfo/finale
 
 Chuck Israels
 8831 SE 12th Ave.
 Portland, OR 97202-7097
 
 land line: (503) 954-2107
 cell phone: (360) 201-3434
 
 www.chuckisraels.com
 www.chuckisraelsjazz.com
 
 ___
 Finale mailing list
 Finale@shsu.edu
 http://lists.shsu.edu/mailman/listinfo/finale

___
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Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale


Re: [Finale] Chord Symbol Fonts

2012-05-30 Thread Eric Dannewitz
Bills stuff is all done with maestro, at least that was the intention.
His fonts look great with maestro. I use the chord , over sized time
signatures and articulations fonts in all my works

Sent from my iSomething
--

On May 30, 2012, at 12:35 PM, Steve Parker st...@pinkrat.co.uk wrote:

 Hi Chuck,

 Thanks, I'll look at these. Do you use them with a generally handwritten look 
 or with Maestro?
 A PDF would be great!
 Thanks!

 Steve P.

 On 30 May 2012, at 15:09, Chuck Israels cisra...@comcast.net wrote:

 Steve,

 Look at Bill Duncan's chord fonts available from Nick Carter at NPC Imaging.

 If you want to see samples, I can send you a pdf.

 Chuck


 On May 30, 2012, at 4:05 AM, Steve Parker wrote:

 Hi all!

 I'm having another bout of trying to sort everything that niggles me in 
 Finale... ;-)

 Any suggestions for chord symbol fonts/settings?

 I'm looking for something clear to use with Maestro but with a fairly 
 'thick' house style (staff lines 0.01).

 Also, I always use the triangle for a generic maj7 chord when handwriting 
 but haven't got around to sorting this for use with Maestro. Any 
 suggestions here?

 Thanks!

 Steve Parker
 ___
 Finale mailing list
 Finale@shsu.edu
 http://lists.shsu.edu/mailman/listinfo/finale

 Chuck Israels
 8831 SE 12th Ave.
 Portland, OR 97202-7097

 land line: (503) 954-2107
 cell phone: (360) 201-3434

 www.chuckisraels.com
 www.chuckisraelsjazz.com

 ___
 Finale mailing list
 Finale@shsu.edu
 http://lists.shsu.edu/mailman/listinfo/finale

 ___
 Finale mailing list
 Finale@shsu.edu
 http://lists.shsu.edu/mailman/listinfo/finale
___
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http://lists.shsu.edu/mailman/listinfo/finale


Re: [Finale] Chord Symbol Fonts

2012-05-30 Thread Chuck Israels
Yes, it is designed to look good with Maestro (though I imagine it would work 
well with other roughly similar fonts).  Bill created the articulation font 
symbols to include things like jazz falloffs that would look appropriate with 
Maestro.  He spent the better part of a day in our home (when we were living in 
Bellingham) visiting with Greg Hamilton (top notch Vancouver music prep guy, 
friend and former student) and me exploring what we thought we might need and 
then went home and created it. I had been using Jazz font falloffs etc. with 
Maestro notation - resulting in a clunky looking combination, told Bill about 
it, and he volunteered to help.   When morose moods threaten to overcome me, I 
try to remember some of the extraordinary lucky things that have happened - 
like Greg's friendship and Bill's extraordinary custom efforts on our behalf. 
 Those things don't pay bills, but you can take them to your life bank.

Chuck


On May 30, 2012, at 12:40 PM, Eric Dannewitz wrote:

 Bills stuff is all done with maestro, at least that was the intention.
 His fonts look great with maestro. I use the chord , over sized time
 signatures and articulations fonts in all my works
 
 Sent from my iSomething
 --
 
 On May 30, 2012, at 12:35 PM, Steve Parker st...@pinkrat.co.uk wrote:
 
 Hi Chuck,
 
 Thanks, I'll look at these. Do you use them with a generally handwritten 
 look or with Maestro?
 A PDF would be great!
 Thanks!
 
 Steve P.
 
 On 30 May 2012, at 15:09, Chuck Israels cisra...@comcast.net wrote:
 
 Steve,
 
 Look at Bill Duncan's chord fonts available from Nick Carter at NPC Imaging.
 
 If you want to see samples, I can send you a pdf.
 
 Chuck
 
 
 On May 30, 2012, at 4:05 AM, Steve Parker wrote:
 
 Hi all!
 
 I'm having another bout of trying to sort everything that niggles me in 
 Finale... ;-)
 
 Any suggestions for chord symbol fonts/settings?
 
 I'm looking for something clear to use with Maestro but with a fairly 
 'thick' house style (staff lines 0.01).
 
 Also, I always use the triangle for a generic maj7 chord when handwriting 
 but haven't got around to sorting this for use with Maestro. Any 
 suggestions here?
 
 Thanks!
 
 Steve Parker
 ___
 Finale mailing list
 Finale@shsu.edu
 http://lists.shsu.edu/mailman/listinfo/finale
 
 Chuck Israels
 8831 SE 12th Ave.
 Portland, OR 97202-7097
 
 land line: (503) 954-2107
 cell phone: (360) 201-3434
 
 www.chuckisraels.com
 www.chuckisraelsjazz.com
 
 ___
 Finale mailing list
 Finale@shsu.edu
 http://lists.shsu.edu/mailman/listinfo/finale
 
 ___
 Finale mailing list
 Finale@shsu.edu
 http://lists.shsu.edu/mailman/listinfo/finale
 ___
 Finale mailing list
 Finale@shsu.edu
 http://lists.shsu.edu/mailman/listinfo/finale

Chuck Israels
8831 SE 12th Ave.
Portland, OR 97202-7097

land line: (503) 954-2107
cell phone: (360) 201-3434

www.chuckisraels.com
www.chuckisraelsjazz.com

___
Finale mailing list
Finale@shsu.edu
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Re: [Finale] Chord Symbol Fonts

2012-05-30 Thread Steve Parker
Thanks Eric and Chuck!
They look great - absolutely perfect answer to what I felt was lacking in my 
current copying.

Steve P. 

On 30 May 2012, at 21:06, Chuck Israels cisra...@comcast.net wrote:

 Yes, it is designed to look good with Maestro (though I imagine it would work 
 well with other roughly similar fonts).  Bill created the articulation font 
 symbols to include things like jazz falloffs that would look appropriate with 
 Maestro.  He spent the better part of a day in our home (when we were living 
 in Bellingham) visiting with Greg Hamilton (top notch Vancouver music prep 
 guy, friend and former student) and me exploring what we thought we might 
 need and then went home and created it. I had been using Jazz font falloffs 
 etc. with Maestro notation - resulting in a clunky looking combination, told 
 Bill about it, and he volunteered to help.   When morose moods threaten to 
 overcome me, I try to remember some of the extraordinary lucky things that 
 have happened - like Greg's friendship and Bill's extraordinary custom 
 efforts on our behalf.  Those things don't pay bills, but you can take them 
 to your life bank.
 
 Chuck
 
 
 On May 30, 2012, at 12:40 PM, Eric Dannewitz wrote:
 
 Bills stuff is all done with maestro, at least that was the intention.
 His fonts look great with maestro. I use the chord , over sized time
 signatures and articulations fonts in all my works
 
 Sent from my iSomething
 --
 
 On May 30, 2012, at 12:35 PM, Steve Parker st...@pinkrat.co.uk wrote:
 
 Hi Chuck,
 
 Thanks, I'll look at these. Do you use them with a generally handwritten 
 look or with Maestro?
 A PDF would be great!
 Thanks!
 
 Steve P.
 
 On 30 May 2012, at 15:09, Chuck Israels cisra...@comcast.net wrote:
 
 Steve,
 
 Look at Bill Duncan's chord fonts available from Nick Carter at NPC 
 Imaging.
 
 If you want to see samples, I can send you a pdf.
 
 Chuck
 
 
 On May 30, 2012, at 4:05 AM, Steve Parker wrote:
 
 Hi all!
 
 I'm having another bout of trying to sort everything that niggles me in 
 Finale... ;-)
 
 Any suggestions for chord symbol fonts/settings?
 
 I'm looking for something clear to use with Maestro but with a fairly 
 'thick' house style (staff lines 0.01).
 
 Also, I always use the triangle for a generic maj7 chord when handwriting 
 but haven't got around to sorting this for use with Maestro. Any 
 suggestions here?
 
 Thanks!
 
 Steve Parker
 ___
 Finale mailing list
 Finale@shsu.edu
 http://lists.shsu.edu/mailman/listinfo/finale
 
 Chuck Israels
 8831 SE 12th Ave.
 Portland, OR 97202-7097
 
 land line: (503) 954-2107
 cell phone: (360) 201-3434
 
 www.chuckisraels.com
 www.chuckisraelsjazz.com
 
 ___
 Finale mailing list
 Finale@shsu.edu
 http://lists.shsu.edu/mailman/listinfo/finale
 
 ___
 Finale mailing list
 Finale@shsu.edu
 http://lists.shsu.edu/mailman/listinfo/finale
 ___
 Finale mailing list
 Finale@shsu.edu
 http://lists.shsu.edu/mailman/listinfo/finale
 
 Chuck Israels
 8831 SE 12th Ave.
 Portland, OR 97202-7097
 
 land line: (503) 954-2107
 cell phone: (360) 201-3434
 
 www.chuckisraels.com
 www.chuckisraelsjazz.com
 
 ___
 Finale mailing list
 Finale@shsu.edu
 http://lists.shsu.edu/mailman/listinfo/finale

___
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Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale


Re: [Finale] Chord Symbol Fonts

2012-05-30 Thread Chuck Israels
Excellent.  Nice to be able to be of help.

Chuck


On May 30, 2012, at 2:12 PM, Steve Parker wrote:

 Thanks Eric and Chuck!
 They look great - absolutely perfect answer to what I felt was lacking in my 
 current copying.
 
 Steve P. 
 
 On 30 May 2012, at 21:06, Chuck Israels cisra...@comcast.net wrote:
 
 Yes, it is designed to look good with Maestro (though I imagine it would 
 work well with other roughly similar fonts).  Bill created the articulation 
 font symbols to include things like jazz falloffs that would look 
 appropriate with Maestro.  He spent the better part of a day in our home 
 (when we were living in Bellingham) visiting with Greg Hamilton (top notch 
 Vancouver music prep guy, friend and former student) and me exploring what 
 we thought we might need and then went home and created it. I had been using 
 Jazz font falloffs etc. with Maestro notation - resulting in a clunky 
 looking combination, told Bill about it, and he volunteered to help.   When 
 morose moods threaten to overcome me, I try to remember some of the 
 extraordinary lucky things that have happened - like Greg's friendship and 
 Bill's extraordinary custom efforts on our behalf.  Those things don't pay 
 bills, but you can take them to your life bank.
 
 Chuck
 
 
 On May 30, 2012, at 12:40 PM, Eric Dannewitz wrote:
 
 Bills stuff is all done with maestro, at least that was the intention.
 His fonts look great with maestro. I use the chord , over sized time
 signatures and articulations fonts in all my works
 
 Sent from my iSomething
 --
 
 On May 30, 2012, at 12:35 PM, Steve Parker st...@pinkrat.co.uk wrote:
 
 Hi Chuck,
 
 Thanks, I'll look at these. Do you use them with a generally handwritten 
 look or with Maestro?
 A PDF would be great!
 Thanks!
 
 Steve P.
 
 On 30 May 2012, at 15:09, Chuck Israels cisra...@comcast.net wrote:
 
 Steve,
 
 Look at Bill Duncan's chord fonts available from Nick Carter at NPC 
 Imaging.
 
 If you want to see samples, I can send you a pdf.
 
 Chuck
 
 
 On May 30, 2012, at 4:05 AM, Steve Parker wrote:
 
 Hi all!
 
 I'm having another bout of trying to sort everything that niggles me in 
 Finale... ;-)
 
 Any suggestions for chord symbol fonts/settings?
 
 I'm looking for something clear to use with Maestro but with a fairly 
 'thick' house style (staff lines 0.01).
 
 Also, I always use the triangle for a generic maj7 chord when 
 handwriting but haven't got around to sorting this for use with Maestro. 
 Any suggestions here?
 
 Thanks!
 
 Steve Parker
 ___
 Finale mailing list
 Finale@shsu.edu
 http://lists.shsu.edu/mailman/listinfo/finale
 
 Chuck Israels
 8831 SE 12th Ave.
 Portland, OR 97202-7097
 
 land line: (503) 954-2107
 cell phone: (360) 201-3434
 
 www.chuckisraels.com
 www.chuckisraelsjazz.com
 
 ___
 Finale mailing list
 Finale@shsu.edu
 http://lists.shsu.edu/mailman/listinfo/finale
 
 ___
 Finale mailing list
 Finale@shsu.edu
 http://lists.shsu.edu/mailman/listinfo/finale
 ___
 Finale mailing list
 Finale@shsu.edu
 http://lists.shsu.edu/mailman/listinfo/finale
 
 Chuck Israels
 8831 SE 12th Ave.
 Portland, OR 97202-7097
 
 land line: (503) 954-2107
 cell phone: (360) 201-3434
 
 www.chuckisraels.com
 www.chuckisraelsjazz.com
 
 ___
 Finale mailing list
 Finale@shsu.edu
 http://lists.shsu.edu/mailman/listinfo/finale
 
 ___
 Finale mailing list
 Finale@shsu.edu
 http://lists.shsu.edu/mailman/listinfo/finale

Chuck Israels
8831 SE 12th Ave.
Portland, OR 97202-7097

land line: (503) 954-2107
cell phone: (360) 201-3434

www.chuckisraels.com
www.chuckisraelsjazz.com

___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale


Re: [Finale] Chord Symbol Fonts

2012-05-30 Thread Eric Dannewitz
Bobs stuff is really great.

Sent from my iSomething
--
Eric Dannewitz
Musician/Polymath/Evil Genius
http://www.ericdannewitz.com

On May 30, 2012, at 4:08 PM, Chuck Israels cisra...@comcast.net wrote:

 Excellent.  Nice to be able to be of help.

 Chuck


 On May 30, 2012, at 2:12 PM, Steve Parker wrote:

 Thanks Eric and Chuck!
 They look great - absolutely perfect answer to what I felt was lacking in my 
 current copying.

 Steve P.

 On 30 May 2012, at 21:06, Chuck Israels cisra...@comcast.net wrote:

 Yes, it is designed to look good with Maestro (though I imagine it would 
 work well with other roughly similar fonts).  Bill created the articulation 
 font symbols to include things like jazz falloffs that would look 
 appropriate with Maestro.  He spent the better part of a day in our home 
 (when we were living in Bellingham) visiting with Greg Hamilton (top notch 
 Vancouver music prep guy, friend and former student) and me exploring what 
 we thought we might need and then went home and created it. I had been 
 using Jazz font falloffs etc. with Maestro notation - resulting in a clunky 
 looking combination, told Bill about it, and he volunteered to help.   When 
 morose moods threaten to overcome me, I try to remember some of the 
 extraordinary lucky things that have happened - like Greg's friendship and 
 Bill's extraordinary custom efforts on our behalf.  Those things don't 
 pay bills, but you can take them to your life bank.

 Chuck


 On May 30, 2012, at 12:40 PM, Eric Dannewitz wrote:

 Bills stuff is all done with maestro, at least that was the intention.
 His fonts look great with maestro. I use the chord , over sized time
 signatures and articulations fonts in all my works

 Sent from my iSomething
 --

 On May 30, 2012, at 12:35 PM, Steve Parker st...@pinkrat.co.uk wrote:

 Hi Chuck,

 Thanks, I'll look at these. Do you use them with a generally handwritten 
 look or with Maestro?
 A PDF would be great!
 Thanks!

 Steve P.

 On 30 May 2012, at 15:09, Chuck Israels cisra...@comcast.net wrote:

 Steve,

 Look at Bill Duncan's chord fonts available from Nick Carter at NPC 
 Imaging.

 If you want to see samples, I can send you a pdf.

 Chuck


 On May 30, 2012, at 4:05 AM, Steve Parker wrote:

 Hi all!

 I'm having another bout of trying to sort everything that niggles me in 
 Finale... ;-)

 Any suggestions for chord symbol fonts/settings?

 I'm looking for something clear to use with Maestro but with a fairly 
 'thick' house style (staff lines 0.01).

 Also, I always use the triangle for a generic maj7 chord when 
 handwriting but haven't got around to sorting this for use with 
 Maestro. Any suggestions here?

 Thanks!

 Steve Parker
 ___
 Finale mailing list
 Finale@shsu.edu
 http://lists.shsu.edu/mailman/listinfo/finale

 Chuck Israels
 8831 SE 12th Ave.
 Portland, OR 97202-7097

 land line: (503) 954-2107
 cell phone: (360) 201-3434

 www.chuckisraels.com
 www.chuckisraelsjazz.com

 ___
 Finale mailing list
 Finale@shsu.edu
 http://lists.shsu.edu/mailman/listinfo/finale

 ___
 Finale mailing list
 Finale@shsu.edu
 http://lists.shsu.edu/mailman/listinfo/finale
 ___
 Finale mailing list
 Finale@shsu.edu
 http://lists.shsu.edu/mailman/listinfo/finale

 Chuck Israels
 8831 SE 12th Ave.
 Portland, OR 97202-7097

 land line: (503) 954-2107
 cell phone: (360) 201-3434

 www.chuckisraels.com
 www.chuckisraelsjazz.com

 ___
 Finale mailing list
 Finale@shsu.edu
 http://lists.shsu.edu/mailman/listinfo/finale

 ___
 Finale mailing list
 Finale@shsu.edu
 http://lists.shsu.edu/mailman/listinfo/finale

 Chuck Israels
 8831 SE 12th Ave.
 Portland, OR 97202-7097

 land line: (503) 954-2107
 cell phone: (360) 201-3434

 www.chuckisraels.com
 www.chuckisraelsjazz.com

 ___
 Finale mailing list
 Finale@shsu.edu
 http://lists.shsu.edu/mailman/listinfo/finale

___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale


Re: [Finale] Chord Symbol Fonts

2012-05-30 Thread Michael Mathew
Chuck,

Greetings! Is it possible you could send the pdf to the group? I have wanted to 
see the font in actual use and have some trouble coming up with the necessary 
money to purchase. Actually seeing the fonts in action might help me settle the 
matter!

Thanks,
Michael
mmathew_musicp...@yahoo.com
http://www.musicengravers.com/cgi-bin/engravers.pl
http://oregonmts.com/mathew/



 From: Chuck Israels cisra...@comcast.net
To: finale@shsu.edu 
Sent: Wednesday, May 30, 2012 4:08 PM
Subject: Re: [Finale] Chord Symbol Fonts
 
Excellent.  Nice to be able to be of help.

Chuck


On May 30, 2012, at 2:12 PM, Steve Parker wrote:

 Thanks Eric and Chuck!
 They look great - absolutely perfect answer to what I felt was lacking in my 
 current copying.
 
 Steve P. 
 
 On 30 May 2012, at 21:06, Chuck Israels cisra...@comcast.net wrote:
 
 Yes, it is designed to look good with Maestro (though I imagine it would 
 work well with other roughly similar fonts).  Bill created the articulation 
 font symbols to include things like jazz falloffs that would look 
 appropriate with Maestro.  He spent the better part of a day in our home 
 (when we were living in Bellingham) visiting with Greg Hamilton (top notch 
 Vancouver music prep guy, friend and former student) and me exploring what 
 we thought we might need and then went home and created it. I had been 
 using Jazz font falloffs etc. with Maestro notation - resulting in a clunky 
 looking combination, told Bill about it, and he volunteered to help.   When 
 morose moods threaten to overcome me, I try to remember some of the 
 extraordinary lucky things that have happened - like Greg's friendship and 
 Bill's extraordinary custom efforts on our behalf.  Those things don't 
 pay bills, but you can take them to your life bank.
 
 Chuck
 
 
 On May 30, 2012, at 12:40 PM, Eric Dannewitz wrote:
 
 Bills stuff is all done with maestro, at least that was the intention.
 His fonts look great with maestro. I use the chord , over sized time
 signatures and articulations fonts in all my works
 
 Sent from my iSomething
 --
 
 On May 30, 2012, at 12:35 PM, Steve Parker st...@pinkrat.co.uk wrote:
 
 Hi Chuck,
 
 Thanks, I'll look at these. Do you use them with a generally handwritten 
 look or with Maestro?
 A PDF would be great!
 Thanks!
 
 Steve P.
 
 On 30 May 2012, at 15:09, Chuck Israels cisra...@comcast.net wrote:
 
 Steve,
 
 Look at Bill Duncan's chord fonts available from Nick Carter at NPC 
 Imaging.
 
 If you want to see samples, I can send you a pdf.
 
 Chuck
 
 
 On May 30, 2012, at 4:05 AM, Steve Parker wrote:
 
 Hi all!
 
 I'm having another bout of trying to sort everything that niggles me in 
 Finale... ;-)
 
 Any suggestions for chord symbol fonts/settings?
 
 I'm looking for something clear to use with Maestro but with a fairly 
 'thick' house style (staff lines 0.01).
 
 Also, I always use the triangle for a generic maj7 chord when 
 handwriting but haven't got around to sorting this for use with 
 Maestro. Any suggestions here?
 
 Thanks!
 
 Steve Parker
 ___
 Finale mailing list
 Finale@shsu.edu
 http://lists.shsu.edu/mailman/listinfo/finale
 
 Chuck Israels
 8831 SE 12th Ave.
 Portland, OR 97202-7097
 
 land line: (503) 954-2107
 cell phone: (360) 201-3434
 
 www.chuckisraels.com
 www.chuckisraelsjazz.com
 
 ___
 Finale mailing list
 Finale@shsu.edu
 http://lists.shsu.edu/mailman/listinfo/finale
 
 ___
 Finale mailing list
 Finale@shsu.edu
 http://lists.shsu.edu/mailman/listinfo/finale
 ___
 Finale mailing list
 Finale@shsu.edu
 http://lists.shsu.edu/mailman/listinfo/finale
 
 Chuck Israels
 8831 SE 12th Ave.
 Portland, OR 97202-7097
 
 land line: (503) 954-2107
 cell phone: (360) 201-3434
 
 www.chuckisraels.com
 www.chuckisraelsjazz.com
 
 ___
 Finale mailing list
 Finale@shsu.edu
 http://lists.shsu.edu/mailman/listinfo/finale
 
 ___
 Finale mailing list
 Finale@shsu.edu
 http://lists.shsu.edu/mailman/listinfo/finale

Chuck Israels
8831 SE 12th Ave.
Portland, OR 97202-7097

land line: (503) 954-2107
cell phone: (360) 201-3434

www.chuckisraels.com
www.chuckisraelsjazz.com

___
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Re: [Finale] Chord Symbol Fonts

2012-05-30 Thread dershem
On 5/30/2012 4:05 AM, Steve Parker wrote:
 Hi all!

 I'm having another bout of trying to sort everything that niggles me
 in Finale... ;-)

 Any suggestions for chord symbol fonts/settings?

 I'm looking for something clear to use with Maestro but with a fairly
 'thick' house style (staff lines 0.01).

 Also, I always use the triangle for a generic maj7 chord when
 handwriting but haven't got around to sorting this for use with
 Maestro. Any suggestions here?

 Thanks!

 Steve Parker

I have long been using Technical Italic Bold 18 for chords (18 for the 
Base, 16 for the alterations, but for complex ones I use 14 - like 
Eb-7(#9b5) or it gets too big and makes the page look crowded).  It 
works for me.

Gotta get some images of that posted somewhere...

cd
-- 
http://projectselene.com




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Re: [Finale] Chord symbol fonts

2007-04-07 Thread George Ports

Thanks Eric. I'll try that.
George
- Original Message - 
From: Eric Dannewitz [EMAIL PROTECTED]

To: finale@shsu.edu
Sent: Friday, April 06, 2007 8:41 PM
Subject: Re: [Finale] Chord symbol fonts


Easy way to do this would be to save your Chords in a Library file, load 
them into your Jazz Font Default file. When you start a new project, 
you'll have all your custom chords in there.


You can also use the library in existing documents. Load the old 
document, load the chords, go to the chord too, click some where, go to 
advanced, down where suffix is go to select, then start deleting the 
ones you want to replace, and Finale will prompt you to select a 
replacement, and you can select your new chord symbol there, and it will 
replace all symbols in the document with the new symbol.


I did this a lot when I purchased Bill Duncan's Productivity package, 
and decided to use his excellent chords in place of the hodge podge 
assortment I was using.


George Ports wrote:

Christopher
   Thanks so much for your outstanding help with my Chord Suffix 
problem. GAWD!!! What a procedure it is to solve something that you'd 
think would be right to begin with unless it's supposed to be that way 
and is up to me to change to what I want. Your method was successful 
for me. Am wondering if this will fix it with the program (finale) 
overall or just the one document that was edited.

   Anyway...Thanks again.
George


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Re: [Finale] Chord symbol fonts

2007-04-06 Thread Eric Dannewitz
Very true. I got asked last night about the rehearsal font on a chart I 
brought in. I was like umwellit's complicated, I'll let you 
know about the status.


Which is what by the way? Nick and Vince arewhom?

It would be absolutely great to see MakeMusic buy up Bill's stuff and 
include it in future versions of Finalebut perhaps that is a pipe 
dream.


Chuck Israels wrote:
Indeed, this has been a bugaboo for years, and only constant carping 
and complaining will get MM's attention.


The available defense for advanced jazz chord symbol users is to spend 
time (a lot of time, unfortunately) creating the chord suffixes you 
like, saving them as a library and then loading them into new 
documents with empty chord libraries.


I don't know the status of the Bill Duncan material, but those of us 
who were lucky enough to have bought his chord font are ahead of the 
game in this department.  I hope that Nick and Vince are still 
pursuing Bill's sister for distribution access to the material.  Until 
then, much as we'd like to make it generally available, there are 
legal and ethical obstacles to doing so.


Of course, you still have to go through Finale's chord suffix editor 
to change anything you don't like in Bill's suffixes but, for me, the 
need to do that is rare.


Chuck



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RE: [Finale] Chord symbol fonts

2007-04-06 Thread Richard Willis
I sure like the idea of MakeMusic including Bill's stuff.  Better in the
long run for the family, I would think. 

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Eric Dannewitz
Sent: Friday, April 06, 2007 3:29 PM
To: finale@shsu.edu
Subject: Re: [Finale] Chord symbol fonts

Very true. I got asked last night about the rehearsal font on a chart I
brought in. I was like umwellit's complicated, I'll let you know
about the status.

Which is what by the way? Nick and Vince arewhom?

It would be absolutely great to see MakeMusic buy up Bill's stuff and
include it in future versions of Finalebut perhaps that is a pipe
dream.

Chuck Israels wrote:
 Indeed, this has been a bugaboo for years, and only constant carping 
 and complaining will get MM's attention.

 The available defense for advanced jazz chord symbol users is to spend 
 time (a lot of time, unfortunately) creating the chord suffixes you 
 like, saving them as a library and then loading them into new 
 documents with empty chord libraries.

 I don't know the status of the Bill Duncan material, but those of us 
 who were lucky enough to have bought his chord font are ahead of the 
 game in this department.  I hope that Nick and Vince are still 
 pursuing Bill's sister for distribution access to the material.  Until 
 then, much as we'd like to make it generally available, there are 
 legal and ethical obstacles to doing so.

 Of course, you still have to go through Finale's chord suffix editor 
 to change anything you don't like in Bill's suffixes but, for me, the 
 need to do that is rare.

 Chuck


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Re: [Finale] Chord symbol fonts

2007-04-06 Thread Chuck Israels


On Apr 6, 2007, at 12:28 PM, Eric Dannewitz wrote:

Very true. I got asked last night about the rehearsal font on a  
chart I brought in. I was like umwellit's complicated,  
I'll let you know about the status.


Which is what by the way? Nick and Vince arewhom?


Nick Carter and Vince Leonard, both of whom contacted me for help in  
communicating with Bill's sister, in order to secure rights to the  
material.  I have met Vince (He is the coauthor of a good book on  
mastering Finale - now several years old but still useful.) and had  
email communication with Nick (NC publications or something like that  
- forget exactly, but he sells a bunch of related stuff and seems  
like a another good person to do this.) but, up until now, neither of  
them has made any headway.


Chuck






It would be absolutely great to see MakeMusic buy up Bill's stuff  
and include it in future versions of Finalebut perhaps that is  
a pipe dream.


Chuck Israels wrote:
Indeed, this has been a bugaboo for years, and only constant  
carping and complaining will get MM's attention.


The available defense for advanced jazz chord symbol users is to  
spend time (a lot of time, unfortunately) creating the chord  
suffixes you like, saving them as a library and then loading them  
into new documents with empty chord libraries.


I don't know the status of the Bill Duncan material, but those of  
us who were lucky enough to have bought his chord font are ahead  
of the game in this department.  I hope that Nick and Vince are  
still pursuing Bill's sister for distribution access to the  
material.  Until then, much as we'd like to make it generally  
available, there are legal and ethical obstacles to doing so.


Of course, you still have to go through Finale's chord suffix  
editor to change anything you don't like in Bill's suffixes but,  
for me, the need to do that is rare.


Chuck



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Chuck Israels
230 North Garden Terrace
Bellingham, WA 98225-5836
phone (360) 671-3402
fax (360) 676-6055
www.chuckisraels.com

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Re: [Finale] Chord symbol fonts

2007-04-06 Thread George Ports

Christopher
   Thanks so much for your outstanding help with my Chord Suffix problem. 
GAWD!!! What a procedure it is to solve something that you'd think would be 
right to begin with unless it's supposed to be that way and is up to me to 
change to what I want. Your method was successful for me. Am wondering if 
this will fix it with the program (finale) overall or just the one document 
that was edited.

   Anyway...Thanks again.
George
- Original Message - 
From: Christopher Smith [EMAIL PROTECTED]

To: finale@shsu.edu
Sent: Thursday, April 05, 2007 8:24 AM
Subject: Re: [Finale] Chord symbol fonts




On 5-Apr-07, at 9:56 AM, George Ports wrote:

How can I set the suffix fonts in chord symbols to show a flat to  look 
like b  instead of b? Is there an easy way to do the same when 
describing a note such as: this note is a b5?

I'm using Times new roman for the text (in general).

Is there a way to change all that I've done so farglobally?


Suffixes (suffices?) are created individually (though all instances  of 
say, m7(b5) will probably be the same suffix) so you have to edit  the 
suffixes in the Chord Suffix editor.


Chord Tool
Chord MenuManual Input, double click on a chord symbol's handle.
Click Show Advanced, then down under Definition click Suffix - Edit.
Each character is edited individually, so step through by hitting  Next 
until you get to the b. Change it to 5, hit Number and Prefix  with Flat.

Hit Next again and change the 5 to the right parenthesis.
Hit Next again and delete the former right parenthesis. Strangely,  you 
can't delete the b and then edit the 5 to include the flat, as  once you 
delete a character strange things happen to the next  characters.
Alter the positioning as you wish by dragging the tiny little handle  in 
the tiny little box, curse loudly, write an abusive email to  MakeMusic 
about how complex this whole procedure is, and OK your way  back to the 
score. All the m7(b5) chords in the score will now  contain the edit.

Repeat for the next suffix, including the cursing and emails.

Christopher


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Re: [Finale] Chord symbol fonts

2007-04-06 Thread Eric Dannewitz
Easy way to do this would be to save your Chords in a Library file, load 
them into your Jazz Font Default file. When you start a new project, 
you'll have all your custom chords in there.


You can also use the library in existing documents. Load the old 
document, load the chords, go to the chord too, click some where, go to 
advanced, down where suffix is go to select, then start deleting the 
ones you want to replace, and Finale will prompt you to select a 
replacement, and you can select your new chord symbol there, and it will 
replace all symbols in the document with the new symbol.


I did this a lot when I purchased Bill Duncan's Productivity package, 
and decided to use his excellent chords in place of the hodge podge 
assortment I was using.


George Ports wrote:

Christopher
   Thanks so much for your outstanding help with my Chord Suffix 
problem. GAWD!!! What a procedure it is to solve something that you'd 
think would be right to begin with unless it's supposed to be that way 
and is up to me to change to what I want. Your method was successful 
for me. Am wondering if this will fix it with the program (finale) 
overall or just the one document that was edited.

   Anyway...Thanks again.
George


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Re: [Finale] Chord symbol fonts

2007-04-05 Thread Christopher Smith


On 5-Apr-07, at 9:56 AM, George Ports wrote:

How can I set the suffix fonts in chord symbols to show a flat to  
look like b  instead of b? Is there an easy way to do the same when  
describing a note such as: this note is a b5?

I'm using Times new roman for the text (in general).

Is there a way to change all that I've done so farglobally?


Suffixes (suffices?) are created individually (though all instances  
of say, m7(b5) will probably be the same suffix) so you have to edit  
the suffixes in the Chord Suffix editor.


Chord Tool
Chord MenuManual Input, double click on a chord symbol's handle.
Click Show Advanced, then down under Definition click Suffix - Edit.
Each character is edited individually, so step through by hitting  
Next until you get to the b. Change it to 5, hit Number and Prefix  
with Flat.

Hit Next again and change the 5 to the right parenthesis.
Hit Next again and delete the former right parenthesis. Strangely,  
you can't delete the b and then edit the 5 to include the flat, as  
once you delete a character strange things happen to the next  
characters.
Alter the positioning as you wish by dragging the tiny little handle  
in the tiny little box, curse loudly, write an abusive email to  
MakeMusic about how complex this whole procedure is, and OK your way  
back to the score. All the m7(b5) chords in the score will now  
contain the edit.

Repeat for the next suffix, including the cursing and emails.

Christopher


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Re: [Finale] Chord symbol fonts

2007-04-05 Thread Mike Greensill

Why isn't there a direct link to the Chord Suffix editor?

Mike Greensill

www.mikegreensill.com



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Re: [Finale] Chord symbol fonts

2007-04-05 Thread Christopher Smith


On 5-Apr-07, at 11:39 AM, Mike Greensill wrote:


Why isn't there a direct link to the Chord Suffix editor?


Just what I've been asking since about Finale 97. Especially when you  
get the message Could not find the suffix. Do you want to create  
it? and then you DON'T get the Chord Suffix selection dialogue box  
with the Delete, Edit, Create, etc. buttons where you could copy and  
edit an existing one. Also if you are typing into score and you hit F: 
0 to choose a suffix, but don't find it, the Edit, Delete, Copy,  
Create, etc. buttons are NOT present in that dialogue box, even  
though it has the same name as the dialogue box that DOES have those  
buttons!


The Chord Suffix Editor is a fussy, hard-to-use mess, and the only  
reason it hasn't been touched is that only advanced jazz musicians  
need anything other than the basic suffixes that are provided, and we  
are a minority.


I sent in a long (LONG!) list of complaints about this tool to the  
friendly folks at MakeMusic a couple of years ago, but haven't heard  
anything, nor seen anything different since then.


Please complain about this (as well as the horrifying bug where chord  
symbols don't transpose when Chromatic (no key signature)  
transposition is selected) in great detail, because this is the only  
way they will pay attention.


Christopher



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Re: [Finale] Chord symbol fonts

2007-04-05 Thread Chuck Israels
Indeed, this has been a bugaboo for years, and only constant carping  
and complaining will get MM's attention.


The available defense for advanced jazz chord symbol users is to  
spend time (a lot of time, unfortunately) creating the chord suffixes  
you like, saving them as a library and then loading them into new  
documents with empty chord libraries.


I don't know the status of the Bill Duncan material, but those of us  
who were lucky enough to have bought his chord font are ahead of the  
game in this department.  I hope that Nick and Vince are still  
pursuing Bill's sister for distribution access to the material.   
Until then, much as we'd like to make it generally available, there  
are legal and ethical obstacles to doing so.


Of course, you still have to go through Finale's chord suffix editor  
to change anything you don't like in Bill's suffixes but, for me, the  
need to do that is rare.


Chuck


On Apr 5, 2007, at 9:50 AM, Christopher Smith wrote:



On 5-Apr-07, at 11:39 AM, Mike Greensill wrote:


Why isn't there a direct link to the Chord Suffix editor?


Just what I've been asking since about Finale 97. Especially when  
you get the message Could not find the suffix. Do you want to  
create it? and then you DON'T get the Chord Suffix selection  
dialogue box with the Delete, Edit, Create, etc. buttons where you  
could copy and edit an existing one. Also if you are typing into  
score and you hit F:0 to choose a suffix, but don't find it, the  
Edit, Delete, Copy, Create, etc. buttons are NOT present in that  
dialogue box, even though it has the same name as the dialogue box  
that DOES have those buttons!


The Chord Suffix Editor is a fussy, hard-to-use mess, and the only  
reason it hasn't been touched is that only advanced jazz musicians  
need anything other than the basic suffixes that are provided, and  
we are a minority.


I sent in a long (LONG!) list of complaints about this tool to the  
friendly folks at MakeMusic a couple of years ago, but haven't  
heard anything, nor seen anything different since then.


Please complain about this (as well as the horrifying bug where  
chord symbols don't transpose when Chromatic (no key signature)  
transposition is selected) in great detail, because this is the  
only way they will pay attention.


Christopher



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230 North Garden Terrace
Bellingham, WA 98225-5836
phone (360) 671-3402
fax (360) 676-6055
www.chuckisraels.com

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