why is the omicron no longer a daft blue? harken to heralded confit in a mint blue dorsal fin redact what you refine repair what you recoup condone what you confess compare what you unleash to what you ooze is anybody whistling? give me a deserved A for my conscience and I will bless you
Sheila Murphy wrote:
why is the omicron no longer a daft blue?
harken to heralded confit in a mint blue dorsal fin
redact what you refine
repair what you recoup
condone what you confess
compare what you unleash
to what you ooze
is anybody whistling?
give me a deserved A for my conscience
and I
Why Jinks
ache my esactius
window foul
ha puc
epacs needle
os you emosluf
tub
stop will
tap ringworm
cup natter
John M. Bennett
__
Dr. John M. Bennett
Curator, Avant Writing Collection
Rare Books Manuscripts Library
The Ohio State
Why Elbmum?
So your mool chanchre grabs the logo so your nihc streaking stuns the
peanuts so your gnaf custard stinks the sandwich so your eceip turnip
clouds the trousers so your yknah haven snaps the poodle so your llabhtom
limerick trusts the sander so your tnurg snapper brains the
M, love that puspal matsohbrie!
John
At 10:21 AM 4/20/2005 -0400, you wrote:
Why Revich?
1) For the puspal in your shirt dunk
2) For the gintab in your muck bread
3) For the airdonut in your corp throttle
4) For the booming in your knott shurt
5) For the Matzohbrie in your clip
Why Revich?
1) For the puspal in your shirt
dunk
2) For the gintab in your muck
bread
3) For the airdonut in your corp
throttle
4) For the booming in your knott shurt
5) For the Matzohbrie in your clip
ladder
6) For the fun-for in your plop
simper
7) For the remort-guage in
Why Etam?
1) So the rebmun slump spends your booth
2) So the gnippots smelt means your clot
3) So the hcnup runner drains your salad
4) So the peep reppalf sniar your rodipsuc
5) So the burg sprawler mends your mooting
6) So the kculc bender brains your stocking
7) So the elip bomber
Why Elbmuts?
Slake the custard you could tnuoc jerk the fountain you could llor
ply the ashes you could wehc fan the tunnel you could etarispa bind the
mattress you could etaniru find the cracker you could gnikohc dry the
buttcrack you could rebmalc
How To Rensna
Gard your
http://www.digitaltoast.co.uk/gallery/why
---
Now playing: Joey DeFrancesco with Jimmy Smith - St. Thomas
I was walking down the street the other day when I saw a guy who
looked just like a guy I grew up with. So I walked up to him and said:
Why Dickie Jones, you old so-and-so, how are you? I
carol, (and everyone)
what's it all about?
wlll, whilst working on the work (eh?) for the shows at the biennale and
in the uk i've been very much based in the kitchen. whilst annotating
spillages amongst other things, i began to boil, fry, roast, bake, freeze
and refrigerate various types
hi, i had a question i needed help with, but i keep sending it and it does
not post on the fluxlist! I need yous guys help and its almost too late for
me! i need fluxus artist's responses to Jon Hendricks piece in Fluxus Codex
which states that the only work that is really fluxus is that which
http://www.whyproject.org
--
carol starr
taos, new mexico, usa
[EMAIL PROTECTED]
web: http://laplaza.org/+AH4-datastar/index.html
http://www.midgetvision.com/sumo.mpg
(it may take a while to download, but is VERY worth it)
__
Do You Yahoo!?
Get personalized email addresses from Yahoo! Mail
http://personal.mail.yahoo.com/
V. Good!!! This happens here daily. Countess Rrose Calico
is the sumo, Count Vladimir de mews Russian Blue the karate
kid. Will he never learn? (although he has taken to sneak
attacks from the rear and side, he is the smaller of the
two, bless him)
Rod Stasick wrote:
http://www.malepregnancy.com/why.html
Reed Altemus writes,
"I'm thinking perhaps Maciunas had little reason to see Charlotte's
Festivals as competitive with his Fluxus program, in which case I conclude
that he was just generally threatened by women who were doing things cf.
Carolee Schneeman (later). He certainly seemed to get along
Thanks for clearing this up Ken.
RA
Ken Friedman wrote:
Reed Altemus writes,
"I'm thinking perhaps Maciunas had little reason to see Charlotte's
Festivals as competitive with his Fluxus program, in which case I conclude
that he was just generally threatened by women who were doing things
art books and "find" artists whose work interests me. Flux dada etc. was never
taught me. All to fill in the big gaps.
Fluxus and Dada was to new for serious discussion in school. But it was no
problem, to study the things directly. Max Ernst was born some miles from
here, in Bruehl. And there
Population explosion -- the sudden flood of "new entrants" into a cultural
field is major explanation of why cultural fields change, according to
sociologists of art like Pierre Bourdieu (who's work I greatly admire).
And why is french art today so boring ? The pill ???
No, I dont believe
How would you call the time between the cage class and this armystyle
artmovement with general, officers and soldiers, with Al
Hanson dissenting, "Prefluxus" ?
any meaningful sense as thatcranky old fart, George Maciunas.
Thanks a lot ;-)
Heiko writes:
Population explosion -- the sudden flood of "new entrants" into a
cultural
field is major explanation of why cultural fields change, according to
sociologists of art like Pierre Bourdieu (who's work I greatly admire).
And why is french art today so boring ? The pill ???
Different in the US. It was hard to find out about here, at least in the
midwest.
AK
--
From: Heiko Recktenwald [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Subject: Re: FLUXLIST: Why?
Date: Saturday, March 25, 2000 12:31 AM
art books and "find" artists whose work interest
Heiko writes:
The "baby boom" is to simple as an explanation for what was going on in
the 60s, my first idea when I read this.
I agree. Its not a matter simply of a quantitative population increase, but
of the effect that this increase has on the existing social structure (see
below).
Patricia writes
"Re your friend's friend's bitter opposition to your Fluxus type performance
- perhaps he felt threatened in his friendship, or perhaps he just plain
doesn't get it (fluxus)... "
I always think that Fluxus is like a joke
in that you "get it" or you don't.
Another element that contributed to Fluxus's lack of acknowledged
influence in the arts (and the same lack might apply to other distinct
art groups as well: Judson to some extent, the early New York video
artists, the Living Theater, the Wooster Group, the various "body"
artists, the avant-garde
I always think that Fluxus is like a joke
in that you "get it" or you don't.
Maybe fluxus can too easily become a lie (sp ?).
any meaningful sense as that cranky old fart, George Maciunas.
Thanks a lot ;-)
Terrence writes;
On of my most memorable art school classes/teachers at the U of British Columbia was
Roy Kyookas's 3 yr. class on studio art communication. It was a 6 unit class. We were
to meet once a week. Everyone showed up the first day except Roy. That was it. We
later were told by the
The result, of course, was a rich explosion of art and art activity; one
of the very best and liveliest art periods ever to come along, the
consequences of which are still playing themselves out thirty years
later. The artists of the sixties and seventies managed to completely
change the
I can corroborate Ken's stories about extreme negative reactions to
Fluxus
and various negative consequences. One such reaction happened to me and
a friend
of mine just last night. He had agreed to help me in a Fluxus type
performance
in April. When he told a long-time friend of his, a fellow
Don wrote:
I have many stories to tell how my art has influenced my status as an art
professor throughout my career. The negative effects far outweigh any
positive effects my work may have had. Most administrators are poorly
educated in the arts, at least the ones I have been unfortunate to work
-Original Message-
From: Sol Nte [SMTP:[EMAIL PROTECTED]]
Sent: Thursday, March 23, 2000 10:53 AM
To: [EMAIL PROTECTED]
Subject: Re: FLUXLIST: Why?
The connection, nearly always drawn but almost never thought
through, between fluxus and dada, is a topic as old
Don:
Re your friend's friend's bitter opposition to your Fluxus type performance
- perhaps he felt threatened in his friendship, or perhaps he just plain
doesn't get it (fluxus), doesn'st want to admit it, and struck out in his
denial of that fact. The objection to inclusion in your performance
Right.
"Porges, Timothy" wrote:
-Original Message-
From: Sol Nte [SMTP:[EMAIL PROTECTED]]
Sent: Thursday, March 23, 2000 10:53 AM
To: [EMAIL PROTECTED]
Subject: Re: FLUXLIST: Why?
The connection, nearly always drawn but almost never thought
throug
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