In a message dated 6/10/04 3:48:27 PM, [EMAIL PROTECTED] writes:
Birthday a few years ago, then we got the bus to Edam but found out
that
Edam is no longer made in Edam.??
that is so sick!
I used to spend hours looking at this at the University Library at
UW-Madison when I was a youngun.
On Friday, May 28, 2004, at 07:38 AM, Sol Nte wrote:
That book sounds like 246 Little Clouds published by Dick Higgins'
Something
Else Press..I have to say I'm the proud owner of a near mint
Roger wrote on Dieter Roth:
He's always been one of my favourite artists and was quite an influence
on my work. I first came across his work in the library of the Art
College when I was a sculpture student (this would have been 1968? 69?)
It was book full of little poems and sayings stuck in
PROTECTED]
On Behalf Of Sol Nte
Sent: 28 May 2004 13:39
To: [EMAIL PROTECTED]
Subject: Re: FLUXLIST: accidental fluxlist and Dieter Roth
Roger wrote on Dieter Roth:
He's always been one of my favourite artists and was quite an
influence
on my work. I first came across his work in the library
-Thanks for this link Kathy. Looks like a great
exhibition. Michael
Kathy Forer [EMAIL PROTECTED] wrote: My favorite
pieces, the one that reconciled me to
the many others,
which I had been amused by but didn't necessarily
get, were the
tapestries, done in collaboration with weavers
Jill visited NY a couple of weeks ago and visited the Dieter Roth
exhibition. She said it was wonderful. She brought me back the
catalogue. Well, I say catalogue - it's actually a 300 page large-format
book.
Roth Time - A Dieter Roth Retrospective. It's magnificent.
What staggered me was just how
---Gosh, Roger, I had no idea you'd studied sculpture
at art college. I'd always imagined you'd carved poems
at Poetry College! You learn something new every day o
n teh FLusxlist!
Michael
Roger Stevens [EMAIL PROTECTED] wrote:
Jill visited NY a couple of weeks ago and visited
the Dieter
My favorite pieces, the one that reconciled me to the many others,
which I had been amused by but didn't necessarily get, were the
tapestries, done in collaboration with weavers Wiener and Export. Also
the fecund assemblages. One of a barroom with a behind the scenes
backside. Another with a
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