The strange thing is I always use 1200ml for two super 8 films and have never
had a problem. I might start putting in an extra 100ml just to be on the safe
side in future.
Thanks Marianne,
Kev
From: marianne.plo...@gmail.com
Date: Thu, 8 Mar 2012 23:54:19 -0500
To:
It's not generally the cheapest thing to get done, and I don't know if there
are any super cut-rate vendors that provide this service, but Metropolis in NYC
is a place I know a lot of filmmakers use for digital-to-16mm.
Colorlab (Maryland) can do it, but not sure what their prices are like for
niagara custom lab doesn't use a scanner but their results are good and way
cheaper.
check it out:
http://www.niagaracustomlab.com/digitaltofilm.html
From: winston degiobbi winstondegiobbi...@hotmail.com
To: frameworks@jonasmekasfilms.com
Sent: Friday, March 9, 2012 12:13:00 PM
Subject:
For a very low-cost solution, my friend Misa in Belgrade has
developed a home-spun frame-by-frame kinescope system on 16mm or 35mm
that he provides for commercial releases. You can write him about it:
Miodrag Milosevic mis...@yubc.net
-Pip Chodorov
I am curating a show of Super 8 films from the 1980's, and I would like to
get Joe Gibbons' permission to screen a print. If anyone knows how I can
contact him I would really appreciate it.
I was a student of Joe's a few years ago so we are not strangers, if that
helps at all.
thanks
tara
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Hello!
I'm selling a 16/35 synchonizer and also miscellaneous reels on eBay.
Synchronizer:
http://www.ebay.com/itm/290681612715?ssPageName=STRK:MESELX:IT_trksid=p3984.m1555.l2649
Reels:
http://www.ebay.com/itm/290681614674?ssPageName=STRK:MESELX:IT_trksid=p3984.m1555.l2649
(I mostly just
